This document provides information about the jurors for Logo Lounge 4, including short biographies and the logo selection each juror chose. It features 8 jurors: Christopher Campbell, Haley Johnson, Janet A. Martin, Jason Schulte, Jeff Knowles, John Massier, Erik Spiekermann, and Paula Scher. Each juror is an accomplished designer and their specialties and past work are described. They selected logos for this publication from over 28,000 submissions and narrowed it down to 2,000 logos organized into categories.
This logo for a human rights protest organization cleverly uses typography to represent its message. The letters "H", "U", and "M" are stacked to form the shape of a person, symbolizing humanity. With a simple yet powerful design, this logo effectively communicates the organization's purpose in a memorable and impactful way.
This document provides an introduction to volume 3 of the LogoLounge Master Library collection focusing on shapes and symbols logos. It explains that shapes refers to logos that are more concept-oriented where the total meaning is not entirely reliant on the shape, while symbols are logos based on pictorial representations of concepts. Traditional symbols have evolved slowly over thousands of years, but new potential symbols are being created more rapidly today for digital media. The wind power logo is discussed as an example of a symbol intended to become iconic like the recycling symbol, but it is still uncertain if it will achieve widespread recognition.
The Chase Design Group was tasked with creating an identity and collateral for Madonna's 2001 Drowned World Tour in just two weeks. The logo had to reference the tour's diverse cultural influences of Asian, Cuban, Latino, disco, and Western themes. After an initial round of "global techno" designs, the concept changed to explore Kabbalah spirituality. Chase referenced Kabbalistic symbols like the Tree of Life in the final logo to represent the tour's themes in a concise yet impactful manner, as required for ephemeral entertainment identities.
The document provides an overview of the fourth issue of Logopalooza, a digital magazine published by The Logo Factory. It discusses the quick turnaround for this issue and plans to promote participation from other designers going forward. This issue includes random logo examples, case studies, trivia, news and information for designers. The author hopes readers enjoy browsing through the content and looks forward to the next issue.
Masters of design logos & identity- a collection of the most inspiring l...kofij1
Gottschalk + Ash is a design firm led by Fritz Gottschalk that has created timeless logos and identities for over 40 years. They begin each project with in-depth brand research, including understanding target audiences' emotions and perceptions. Gottschalk believes emotional connection is key to a logo's success. Their process also includes developing proprietary names that resonate globally and structuring brands for longevity. Their commitment to simplicity and craft ensures logos like their design for Ciba, with its perfect circle motif and harmonious lettering, remain memorable and withstand usage over time.
Logopalooza 3 - The Art of Brand & Logos. Digital design magazine.The Logo Factory Inc.
Digital magazine celebrating the art of branding and logo design. Case studies, examples, tech tips logo trivia and more. Volume 3 in a series. A relaunch of an earlier digital magazine. 32 pages of logo goodness.
When gauging the relative merits of the 35,000-plus logos that have been submitted from all over the world to the LogoLounge.com site in the past 18 months, it would have been supremely helpful to have some sort of magical scanner-like device that could objectively compare, classify, and quantify the success of each design. But likely such a device could only spot the obvious visual trends.
The document discusses current logo design trends for 2015 that are helping brands capture consumer attention. Some of the key trends highlighted include hand-lettered logos, flat design, logo sets that work across platforms, lowercase letters, geometric shapes, negative space, minimalist elements, monoline designs, colored monoline, and shaded logos. The purpose is to inform readers of trends and inspire new brand identity projects.
This logo for a human rights protest organization cleverly uses typography to represent its message. The letters "H", "U", and "M" are stacked to form the shape of a person, symbolizing humanity. With a simple yet powerful design, this logo effectively communicates the organization's purpose in a memorable and impactful way.
This document provides an introduction to volume 3 of the LogoLounge Master Library collection focusing on shapes and symbols logos. It explains that shapes refers to logos that are more concept-oriented where the total meaning is not entirely reliant on the shape, while symbols are logos based on pictorial representations of concepts. Traditional symbols have evolved slowly over thousands of years, but new potential symbols are being created more rapidly today for digital media. The wind power logo is discussed as an example of a symbol intended to become iconic like the recycling symbol, but it is still uncertain if it will achieve widespread recognition.
The Chase Design Group was tasked with creating an identity and collateral for Madonna's 2001 Drowned World Tour in just two weeks. The logo had to reference the tour's diverse cultural influences of Asian, Cuban, Latino, disco, and Western themes. After an initial round of "global techno" designs, the concept changed to explore Kabbalah spirituality. Chase referenced Kabbalistic symbols like the Tree of Life in the final logo to represent the tour's themes in a concise yet impactful manner, as required for ephemeral entertainment identities.
The document provides an overview of the fourth issue of Logopalooza, a digital magazine published by The Logo Factory. It discusses the quick turnaround for this issue and plans to promote participation from other designers going forward. This issue includes random logo examples, case studies, trivia, news and information for designers. The author hopes readers enjoy browsing through the content and looks forward to the next issue.
Masters of design logos & identity- a collection of the most inspiring l...kofij1
Gottschalk + Ash is a design firm led by Fritz Gottschalk that has created timeless logos and identities for over 40 years. They begin each project with in-depth brand research, including understanding target audiences' emotions and perceptions. Gottschalk believes emotional connection is key to a logo's success. Their process also includes developing proprietary names that resonate globally and structuring brands for longevity. Their commitment to simplicity and craft ensures logos like their design for Ciba, with its perfect circle motif and harmonious lettering, remain memorable and withstand usage over time.
Logopalooza 3 - The Art of Brand & Logos. Digital design magazine.The Logo Factory Inc.
Digital magazine celebrating the art of branding and logo design. Case studies, examples, tech tips logo trivia and more. Volume 3 in a series. A relaunch of an earlier digital magazine. 32 pages of logo goodness.
When gauging the relative merits of the 35,000-plus logos that have been submitted from all over the world to the LogoLounge.com site in the past 18 months, it would have been supremely helpful to have some sort of magical scanner-like device that could objectively compare, classify, and quantify the success of each design. But likely such a device could only spot the obvious visual trends.
The document discusses current logo design trends for 2015 that are helping brands capture consumer attention. Some of the key trends highlighted include hand-lettered logos, flat design, logo sets that work across platforms, lowercase letters, geometric shapes, negative space, minimalist elements, monoline designs, colored monoline, and shaded logos. The purpose is to inform readers of trends and inspire new brand identity projects.
A quick and extremely awesome guide to logo designFiverr
This document provides guidance on creating an effective logo. It discusses defining the purpose and goals for the logo, getting inspired by existing logos, brainstorming design concepts, considering color psychology, and bringing the logo to life. The key steps are to think about how the logo should make customers feel, look at other successful logos for inspiration, develop multiple concepts, get feedback, and choose a design and colors that represent the brand. An effective logo needs to be memorable, distinctive, and elicit the desired emotional response from viewers.
This document provides guidance on creating a personal branding logo and developing personal branding deliverables. It outlines a three step process: 1) understanding how you want to be perceived, 2) creating a logo and color palette, and 3) applying your brand identity across online profiles and physical/digital deliverables like business cards, resumes, and social media profiles. Examples of photography, videography, graphic design, and audio logos are shown, along with tips for creating a versatile, simple, and timeless logo. The document encourages thinking critically about designs and creating a style guide.
This document contains 6 logo design concepts for Intuitive Marketing - iGroup presented to client Mrs Lynn Cordell. Each design is presented individually with an explanation of the design elements including fonts used for text, symbols incorporated, and positioning. The third design featuring a globe with a "paper cut" look is noted as the designer's favorite. Color concepts and client preferences are requested for feedback on improving the designs.
In 2017, we saw some wonderful new logos and some great logo re-designs. Every year brings some exciting new trends and 2018 isn’t going to be any different. We are extremely excited (we’re sure you too are) and can’t wait to see the new logo design trends that will emerge in 2018.
Current trends may not define the future trends but it wouldn’t be wrong to say that current trends do have an impact on the future ones. Hence we have picked some great trends that emerged in 2017 (and earlier) and we strongly believe that they will continue making their presence felt in 2018. Some of these trends may evolve into such awesomeness that will redefine how we see the logos today.
Presenting the logo design trends for 2018 as an infographic created by 40dollarlogo team.
This document presents 85 inspirational logos and 16 logo fails. It encourages the reader to share the deck and follow the creator on social media. It provides links to more logos and references the sources of some of the logos shown.
This presentation gives an overview of the evolution of various brand logos; i.e. how they appear initially to how they emerged to what they are today.
There are several types of logos that serve different purposes in visually identifying a brand. Wordmark logos use words or letters to identify a product or service, while lettermark logos reduce a brand name to an acronym. Symbol or icon logos visually differentiate a brand through figures. Combination mark logos feature word and design combinations. Three-dimensional marks distinguish brands through characteristic product or packaging shapes. Logos should be identifiable, memorable, and distinguish a business from its competition.
This document discusses logo design principles and guidelines. It states that logos should clearly represent an organization's identity and be simple, effective at both large and small scales, and in color or black and white. The document provides examples of descriptive logos that represent what an organization specializes in through symbols and images, as well as symbolic logos that use symbols to represent concepts like knowledge. It outlines the logo design process, including researching, brainstorming, considering fonts, developing forms and colors, and finalizing the design. The document also discusses redesigning logos to represent change, highlight new services, or apply themes while keeping the original identity.
Brand identity represents a company's values, services, ideas and personality. A logo is a graphic mark that promotes instant public recognition of a brand and identifies a business in its simplest form. Logos can be symbols/icons or composed of the organization's name in a logotype, word mark or lettermark. A good logo should portray a company's values and goals, have a strong association with the brand message, and be professional, timeless and follow principles of being simple, memorable, appropriate, robust and timeless.
A logo is a symbol or image that represents a company, brand, or organization. Effective logos are memorable, aesthetically pleasing, simple yet flexible enough to use in different contexts. When designing a logo, it is important to brainstorm ideas that relate to what is being represented and make the logo easy to visualize and remember. Examples of effective logos include the Apple logo, Adidas logo, Starbucks logo, and logos for Black Veil Brides, Google, and Disney, which are all simple yet distinctive representations that are immediately recognizable.
Lance Revoir has created a portfolio showcasing his design work including logos, stationery, web pages, brochures, montages, fliers, photo designs, and event ads. The portfolio provides descriptions of each project, the objectives and processes used to complete them. Projects were created using software such as Illustrator, InDesign, Photoshop, TextWrangler, and Microsoft Word. The portfolio serves to demonstrate Lance's skills in graphic design, photography, and digital media creation.
The document details the process of creating branding for a fictional record label called "Ink Katt" and artist "AI Chika". It describes exploring potential names for both, creating logo concepts through sketches and digital designs, and refining the logos based on feedback. The final logos feature a circular logo for the record label with strong contrast, and a stylized "AI" text logo for the artist in a gold color scheme to represent strength.
Creating Communications That Connect: What's Your Strategy? by Tammy Dayton (Moth) and Dave Demerjian (43,000 Feet), hosted by MIT Communication Production Services
Get an early look at the marketing and customer research problems SparkToro exists to solve, beta product screenshots, use cases, and pricing/launch plans.
Haworth decided to build a new green headquarters called One Haworth Center (OHC) because its previous 30-year-old workspace lacked natural light, meeting spaces, adaptability, and alignment with sustainability goals. OHC was designed with sustainability in mind, featuring moveable walls to reduce construction waste, efforts to recycle materials, lighting and plants to reduce energy usage, and a green roof providing bird habitat. Haworth can measure the success of these environmental activities by tracking metrics like the amount of waste diverted from landfills, materials recycled, and reductions in energy consumption from lighting and cooling.
A quick and extremely awesome guide to logo designFiverr
This document provides guidance on creating an effective logo. It discusses defining the purpose and goals for the logo, getting inspired by existing logos, brainstorming design concepts, considering color psychology, and bringing the logo to life. The key steps are to think about how the logo should make customers feel, look at other successful logos for inspiration, develop multiple concepts, get feedback, and choose a design and colors that represent the brand. An effective logo needs to be memorable, distinctive, and elicit the desired emotional response from viewers.
This document provides guidance on creating a personal branding logo and developing personal branding deliverables. It outlines a three step process: 1) understanding how you want to be perceived, 2) creating a logo and color palette, and 3) applying your brand identity across online profiles and physical/digital deliverables like business cards, resumes, and social media profiles. Examples of photography, videography, graphic design, and audio logos are shown, along with tips for creating a versatile, simple, and timeless logo. The document encourages thinking critically about designs and creating a style guide.
This document contains 6 logo design concepts for Intuitive Marketing - iGroup presented to client Mrs Lynn Cordell. Each design is presented individually with an explanation of the design elements including fonts used for text, symbols incorporated, and positioning. The third design featuring a globe with a "paper cut" look is noted as the designer's favorite. Color concepts and client preferences are requested for feedback on improving the designs.
In 2017, we saw some wonderful new logos and some great logo re-designs. Every year brings some exciting new trends and 2018 isn’t going to be any different. We are extremely excited (we’re sure you too are) and can’t wait to see the new logo design trends that will emerge in 2018.
Current trends may not define the future trends but it wouldn’t be wrong to say that current trends do have an impact on the future ones. Hence we have picked some great trends that emerged in 2017 (and earlier) and we strongly believe that they will continue making their presence felt in 2018. Some of these trends may evolve into such awesomeness that will redefine how we see the logos today.
Presenting the logo design trends for 2018 as an infographic created by 40dollarlogo team.
This document presents 85 inspirational logos and 16 logo fails. It encourages the reader to share the deck and follow the creator on social media. It provides links to more logos and references the sources of some of the logos shown.
This presentation gives an overview of the evolution of various brand logos; i.e. how they appear initially to how they emerged to what they are today.
There are several types of logos that serve different purposes in visually identifying a brand. Wordmark logos use words or letters to identify a product or service, while lettermark logos reduce a brand name to an acronym. Symbol or icon logos visually differentiate a brand through figures. Combination mark logos feature word and design combinations. Three-dimensional marks distinguish brands through characteristic product or packaging shapes. Logos should be identifiable, memorable, and distinguish a business from its competition.
This document discusses logo design principles and guidelines. It states that logos should clearly represent an organization's identity and be simple, effective at both large and small scales, and in color or black and white. The document provides examples of descriptive logos that represent what an organization specializes in through symbols and images, as well as symbolic logos that use symbols to represent concepts like knowledge. It outlines the logo design process, including researching, brainstorming, considering fonts, developing forms and colors, and finalizing the design. The document also discusses redesigning logos to represent change, highlight new services, or apply themes while keeping the original identity.
Brand identity represents a company's values, services, ideas and personality. A logo is a graphic mark that promotes instant public recognition of a brand and identifies a business in its simplest form. Logos can be symbols/icons or composed of the organization's name in a logotype, word mark or lettermark. A good logo should portray a company's values and goals, have a strong association with the brand message, and be professional, timeless and follow principles of being simple, memorable, appropriate, robust and timeless.
A logo is a symbol or image that represents a company, brand, or organization. Effective logos are memorable, aesthetically pleasing, simple yet flexible enough to use in different contexts. When designing a logo, it is important to brainstorm ideas that relate to what is being represented and make the logo easy to visualize and remember. Examples of effective logos include the Apple logo, Adidas logo, Starbucks logo, and logos for Black Veil Brides, Google, and Disney, which are all simple yet distinctive representations that are immediately recognizable.
Lance Revoir has created a portfolio showcasing his design work including logos, stationery, web pages, brochures, montages, fliers, photo designs, and event ads. The portfolio provides descriptions of each project, the objectives and processes used to complete them. Projects were created using software such as Illustrator, InDesign, Photoshop, TextWrangler, and Microsoft Word. The portfolio serves to demonstrate Lance's skills in graphic design, photography, and digital media creation.
The document details the process of creating branding for a fictional record label called "Ink Katt" and artist "AI Chika". It describes exploring potential names for both, creating logo concepts through sketches and digital designs, and refining the logos based on feedback. The final logos feature a circular logo for the record label with strong contrast, and a stylized "AI" text logo for the artist in a gold color scheme to represent strength.
Creating Communications That Connect: What's Your Strategy? by Tammy Dayton (Moth) and Dave Demerjian (43,000 Feet), hosted by MIT Communication Production Services
Get an early look at the marketing and customer research problems SparkToro exists to solve, beta product screenshots, use cases, and pricing/launch plans.
Haworth decided to build a new green headquarters called One Haworth Center (OHC) because its previous 30-year-old workspace lacked natural light, meeting spaces, adaptability, and alignment with sustainability goals. OHC was designed with sustainability in mind, featuring moveable walls to reduce construction waste, efforts to recycle materials, lighting and plants to reduce energy usage, and a green roof providing bird habitat. Haworth can measure the success of these environmental activities by tracking metrics like the amount of waste diverted from landfills, materials recycled, and reductions in energy consumption from lighting and cooling.
The document presents a poster campaign by Bloomberg Television to launch in Asia, featuring the network's news anchors presenting global business issues from a local perspective and addressing questions from audiences in countries like Singapore, China, and Hong Kong. The posters aimed to promote the network's shows and anchors through displays in public spaces like train stations and magazines.
The document discusses the importance of branding and storytelling for developing strong brands. It provides examples of how Steve Jobs successfully branded Apple through his engaging product demonstrations. Additional links discuss how creating an insightful brand story that customers can relate to, using simple and appealing visual design consistently across marketing channels, and leveraging social media can help build strong brand recognition and loyalty over time.
The document discusses the importance of branding and storytelling for developing strong brands. It provides examples of how Steve Jobs successfully branded Apple through his engaging product demonstrations. Additional links discuss how developing a brand identity, logo, and story that customers can relate to are important. Effective distribution on social media that tells the brand story can help with marketing. Overall, the document emphasizes how strong branding involves creating a simple, relatable identity and story that resonates with customers.
Using AI chatbots for deep learning and teaching with specific examples to en...Nigel Daly
This talk was given to Senior high School teachers in Taiwan to help them better understand (1) what AI chatbot technology like ChatGPT and Bing Chat is, and (2) how to use it to enhance their own teaching and also their students' learning. Also discussed was how to make prompts and several examples. The examples specifically focused on language learning since the school will soon become a bilingual school. AI technology use was also described in terms of Bloom's taxonomy of learning objectives and connected to ideas of deep learning as advocated by the movement "New Pedagogies for Deep Learning", which the school has become a part of.
The document summarizes an upcoming discussion on Global Product Management Talk featuring Richard Lee discussing his Value Innovation Process approach to innovation. The discussion will cover how the Value Innovation Process can help companies achieve innovation more effectively compared to traditional Phase-Gate processes. Richard Lee is the founder of Value Innovations, Inc. and co-author of the book "Value Innovation Works" which provides a 10-step process for uncovering opportunities using value innovation. The discussion will take place on November 19, 2012 as part of the weekly Global Product Management Talk podcast.
Whether you’re an engraver or diamond cognoscente, a good style and taste will set yourorganization apart from competitors. In addition, a good brand will communicate thesequalities to your spectators – commencing with your jewelry logo.
This document provides branding and identity materials for "In the Mix Magazine". It includes the magazine's masthead, headers, sectionals and other branding elements. It also includes brand extension examples like media kits, print collateral, event signage and product advertisements. The document provides these materials to guide consistent branding efforts across In the Mix Magazine's applications. It establishes file formats and contact information for questions about using the branding elements.
Taking Networks Seriously- Understanding interactions among your audience is key to knowing your brand. You can find the key influencers who are driving the conversations and how it spreads throughout the network.
This powerpoint presentation proposes two branding concepts for Silicon Halton to use as an "endorsement brand" and outlines the selection process. Concept 1 uses the initials "SH" and Concept 2 uses a badge with the word "MEMBER." Samples of how each concept could be applied to stationery, websites, and other materials are displayed. Feedback will be gathered from the branding team and membership to decide on a single concept.
This document provides information about the Mid-Atlantic Technical Communication Conference and Workshops taking place on March 8-9, 2013 at the Giant Community Center in Willow Grove, PA. The conference will include presentations and panels on topics such as career branding, mobile and EPUB content delivery, DITA and structured authoring. Workshops on March 9th will focus on bulletproofing your online career and conversations to help career development. Presenters will provide advice on topics such as resume writing, interviewing, social media use, and technical communication management.
This document is a brochure for HSBC Premier, a banking and wealth management program. It provides information on the global services available to HSBC Premier clients, including personalized banking, investment, and insurance solutions. HSBC Premier clients work with a dedicated relationship manager and team to manage their finances across HSBC's network of over 45 countries. The brochure highlights the priority services, wealth management strategies, and global intelligence resources available to HSBC Premier clients.
In one e-book “Poor Quality Challenge of Software Development with Dedicated Teams” you will be able to learn the most common cases, why companies get a software product of low quality at the output working with dedicated teams. Ainstainer has put together various opinions of experienced specialists on this issue.
For more information: http://www.ainstainer.com
Rebranding Your A/E/C Firm: What, When, HowDavid Lecours
Your firm should be continually growing its expertise and capabilities. In the last 5-10 years, you probably added new markets and new services. You may have an entirely new strategic direction. Is the public perception of your firm keeping up, or is it stuck in the past? It could be time for a rebrand.
Rebranding is not a panacea. But done well, it can energize a tired brand. All A/E/C firm brands go through a life cycle. So it's nearly guaranteed that, at some point in your career as a firm owner or marketer, your firm will go through a rebrand. From gaining Board of Directors' approval, to budgeting, managing the process, managing expectations, and rolling it out, this can be a delicate process. Just ask Yahoo, The Gap, and UPS.
This slide deck is from a webinar designed to help you navigate the process of what, when, and how to complete a successful A/E/C firm rebranding.
How the World of Internal Communication is Changing, Presented by Dean Russel...Fleishman-Hillard
1) The world of internal communication is changing due to increased social media use and information overload. Employees now have more ways to connect, share information, and find subject matter experts within their organizations.
2) For organizations to adapt, they must unlock communication by growing employee networks through social platforms, collaborating in new ways, and understanding the impact of social business models. This involves hiring people with social media skills and gaining buy-in for new approaches.
3) Measuring ROI is important, such as calculating hours and money wasted when employees spend time finding information. Overall organizations must find the right social media fit, leverage influencers, and embrace change without fear of limiting their potential.
1) The world of internal communication is changing due to increased social media use and information overload. Employees now have more ways to connect, share information, and find subject matter experts within their organizations.
2) For organizations to adapt, they must unlock communication by growing employee networks through social platforms, collaborating in new ways, and understanding the impact of social business models. This involves hiring people with social media skills and gaining buy-in for new approaches.
3) Measuring ROI is important, such as calculating hours and money wasted when employees spend time finding information. Overall organizations must find the right social media fit, leverage influencers, and embrace change without fear of limiting their potential.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Physiology and chemistry of skin and pigmentation, hairs, scalp, lips and nail, Cleansing cream, Lotions, Face powders, Face packs, Lipsticks, Bath products, soaps and baby product,
Preparation and standardization of the following : Tonic, Bleaches, Dentifrices and Mouth washes & Tooth Pastes, Cosmetics for Nails.
How to Fix the Import Error in the Odoo 17Celine George
An import error occurs when a program fails to import a module or library, disrupting its execution. In languages like Python, this issue arises when the specified module cannot be found or accessed, hindering the program's functionality. Resolving import errors is crucial for maintaining smooth software operation and uninterrupted development processes.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...RitikBhardwaj56
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
2. logolounge 4
2,000 International Identities by Leading Designers
TB
Catharine Fishel and Bill Gardner
Job No: CD0810-14 / 4234
3RD Proof Title: Logo Lounge 4 Mini Front Matter
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3. contents
Introduction 4
Jurors 6
Collections
Initials 14
Typography 54
Enclosures 74
Display Type 87
Calligraphy 100
Crests 108
Sports 118
Heads 125
People 145
Mythology 185
Birds 198
Fish, Bugs, Reptiles 209
Animals 219
Nature 239
Shapes 262
Symbols 285
Arts 298
Miscellaneous 308
Food 315
Structures 325
Transportation 338
Index 348
Directory 356
About the Authors 376
TB
Job No: CD0610-72 / 3173
2nd Proof Title: Logo Lounge 4 Mini Front Matter
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4. Job No: D0610-13 / 3153
1st Proof Title: Logo Lounge 4 Mini Front Matter
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4
introduction
In school lectures, there was always a teacher that admonished the
students to move down into the front rows of the class. I used to be
convinced this attempt to fill in those seats was a vain ploy to make
the presentation appear well-attended. It’s only after making the
shift to the front that you understand falling asleep is no longer an
option, and that your attention level and interest start to pique.
These are the students who made better grades and ultimately
rose to the top of their professions. As I meet the members of
LogoLounge.com and speak to the readers of the LogoLounge
series of books, I realize I’ve met these folks before, down in the
front row. These contributors and individuals are as passionate
and inquisitive as ever, and as long as they are curious, they are
still enrolled.
For a designer, having a grip on the visual landscape of our profes-
sion is what allows us to remain relevant to our clients. By picking
up and reading this book, you have already demonstrated the dif-
ference between you and the less curious. Those who have lost or
never had the thirst to stay aware of trends are doomed to forever
design from the back row.
The 2,000 highly organized logos in this book were selected from
more than 28,000 submissions made since the last selection process
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5
for LogoLounge 3. This is a monumental collection, and it attests
to both the quality of the final content and to the stamina of the
panel of eight amazingly talented judges who were faced with the
daunting task of selecting only the very best.
Members of LogoLounge.com can see all of this work—in fact, you
may view every logo submitted to past, present, or future books by
joining LogoLounge.com. Additionally, members receive unlimited
uploads of their own logos for possible inclusion in future books. As
of this writing, LogoLounge.com has a database of nearly 70,000
logos, contributed by members from over 100 countries around
the world. Each of these logos is searchable by keyword, industry,
designer, date, client, and style.
Although the ability to laser through such a huge pool of exceptional
design to find relevant research is unprecedented, you can also
take a leisurely, random stroll at your own pace. The 2,000 logos
in this book can also be accessed through the book’s companion
website, www.logolounge.com/book4.
All of this inspiration in one book, shared by some of the most
talented and influential designers of our era. Move your chair up
to the front row and pick up a well-earned degree in international
identity studies.
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6
reports, corporate literature,
marketing communications, and
advertising. With more than
twenty years of design experi-
ence, he has created award-
winning work recognized by
organizations including the New
York Art Directors Club, the
Advertising and Design Club of
Canada, The American Institute
of Graphic Arts, Communication
Arts, and The Black Book AR100
Awards Show.
His work is part of the perma-
nent design collection of the
Smithsonian Institution’s
National Museum of Design in
New York.
Campbell is an honors graduate
of the communication and design
program at the Ontario College
of Art and Design, Toronto.
Christopher Campbell
Interbrand, San Francisco, CA
Threesome logo, by Ziga Aljaz
“I chose this logo for its simplicity
and wit. It has a great personality,
communicates with ease, and is
beautifully executed. Well done.”
As executive creative director of
Interbrand, Christopher Campbell
is in charge of leading creative
resources in New York. He is
responsible for developing
creative solutions for clients
such as Microsoft, McDonald’s,
Xerox, eBay, and Victoria’s
Secret. He also plays a key role
in the firm’s overall strategic
planning and development.
Campbell’s expertise includes
the development of strategic
branding solutions, including
corporate identity, annual
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and award-winning design. Her
work has appeared in both
national and international design
publications since 1986.
Johnson’s designs have been
accepted into the permanent
collections of the Smithsonian,
Cooper-Hewitt and Für Kunst
und Gewerbe Museums.
Haley Johnson Design Com-
pany’s primary focus includes
brand, packaging, and product
development. She has worked
with a variety of clients including
Blue Q, Target Stores, Turner
Classic Movies, Chronicle
Books, and Peace Coffee.
Haley Johnson
Haley Johnson Design
Company, Minneapolis, MN
The Firm Mark logo,
by IMAGEHAUS
“I chose this logo for its ability to
communicate instantly. It makes
me want to jump up from this
seated position I am in right now
and run around the block with a
smile on my face. It is provoca-
tive yet timeless in its execution
while being highly appropriate
for the business it is promoting.”
Haley Johnson is senior
designer and president of Haley
Johnson Design Company. Her
firm was established in 1992.
She has a solid reputation for
consistently producing effective
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design firm founded by Henry
Beer and Richard Foy in 1973.
After receiving a B.A. in art
history, magna cum laude, from
Colorado College, she attended
graduate school at The University
of Colorado, and later earned her
Masters of Business Administra-
tion from the University of Denver.
Martin served as chair of the
Boulder Chamber of Commerce
Board in 2003 and is past
president of the Association of
Professional Design Firms. She
also serves on the Design Futures
Council, Board of Advisors. In
2001, the Design Futures Council
named her a Senior Fellow of that
organization. She was inducted
into the Boulder County Business
Hall of Fame in 2005.
Martin was presented with the
1999 Fellow Award by the
Society for Environmental
Graphic Design. She currently
serves on the board of the
Colorado Ski Museum and the
President’s Advisory Council for
Colorado College.
Janet A. Martin
Communication Arts Inc.
Boulder, CO
Autism logo, by Dino Design
“I was particularly struck by this
logotype—perhaps because I
have a friend whose son is
autistic. I really liked the idea of
using a classic, beautiful typeface
like Caslon that is highly legible,
and then deconstructing it with a
few deft deletions. The missing
strokes create an impression of
strength and potential, but with
gaps. It is a word that is there,
but not there. I think it is a perfect
metaphor to represent this
condition which affects commu-
nication skills and cognitive
functions in increasing numbers
of children. Early indicators of
autism are difficulties in verbal
communications, social
interactions, and impaired
language development: This
logotype captures all of this with
a simplicity that is powerful.”
Janet Martin is president of
Communication Arts Inc., the
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Office has earned an inter-
national reputation, having been
recognized in numerous design
publications and competitions,
including AIGA, Art Directors
Club, Communication Arts, How,
Graphis, The One Show, Print,
Type Directors Club, and Tokyo
Type Directors Club. In 2007, the
studio’s work was part of an
exhibition at Ginza Graphic
Gallery in Tokyo.
Prior to forming Office, Schulte
worked as an art director at
Goodby, Silverstein & Partners
advertising agency, and before
that, he was design director at
TBWA/Chiat/Day’s San Francisco
office. He started his career in
Minneapolis at the influential
Charles S. Anderson Design
Company. In 2000, Print named
Schulte one of the country’s top
20 visual artists under age 30.
Jason Schulte
Office, San Francisco, CA
Wurstburg logo, by KW43
BRANDDESIGN
“I was drawn to this logo
because of its bold simplicity.
It has personality. And most
importantly, it tells a story. It’s
not easy to make a destination
out of a sausage. But you can
picture the restaurant, the food,
and what the waitstaff might
be wearing. I want to hang out
at Wurstburg. That’s a lot to
accomplish in one mark.”
Originally from Green Mountain,
Iowa, Jason Schulte founded
Office in 2003. Office works on all
aspects of brand development,
including identity, packaging,
advertising, retail environments
and collateral for clients such as
Coca-Cola, Target, Adidas Golf,
Apple, Oakley, and Levi Strauss
& Co.
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Jeff Knowles was born in Rugby,
Warwickshire, and moved to
North Wales when he was ten
years old. He graduated with a
B.A. (Honors) in graphic design
from The University of Salford.
From there he joined Neville
Brody at Research Studios in late
1998. Knowles has worked on
various Research Studios
projects including The Insider,
Salomon Snowblades/Surf,
Marcomedia, Amdocs, Made in
Clerkenwell, and the ICA,
to name a few. Knowles also has
a keen interest in photography
and has taken photographs for
Segment Systems, The Royal
Court Theatre, and Somerset
House. He also has a photogra-
phy collection with fStop Images.
Jeff Knowles
Research Studios
London, England
Canada Place logo, by Identica
Branding and Design
“An aesthetically pleasing logo
that captures the architecture of
the building. The clever use of
the reflection communicates the
location of the building.
Incorporating the maple leaf
leaves a subtle hint of the
country where it is based.
Simple typography is employed
to avoid over-complicating the
design. The use of multiple
colors illustrates the multifunc-
tionality of the facility. The logo
can easily be extended to
develop a graphic system, it can
be enlarged and cropped to
create interesting illustrations,
and the colors can be used to
create a color coding system. All
in all, it is a logo that addresses
all communication needs.”
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Partners in 2004, he was a
senior partner at Lippincott
Mercer. Previously he held
senior creative positions
with leading design and
identity consultants including
Siegel+Gale, frogdesign,
Landor, Saul Bass, and
Richard Wurman.
His clients have included
AT&T, Banco Santander,
BD, ChevronTexaco, Cunard,
Disney, DuPont, ExxonMobil,
Fuji Bank, General Electric,
Hawaiian Airlines, Humana,
JohnsonDiversey, Medco,
MetLife, Neuberger Berman,
1996 Olympic Games in Atlanta,
Rizzoli, Stanford University,
Televisa, Telmex, WGBH Boston,
and the World Wildlife Fund.
He has presented to numerous
universities and conferences
including the AIGA National
Conference, Design Manage-
ment Institute, The Conference
Board, and Walker Art Center.
Jerry Kuyper
Jerry Kuyper Partners
Westport, CT
Second Harvest Heartland
logo, by Yamamoto Moss
Mackenzie
“[This] logo is my choice for
several reasons. By visually
interpreting the name and
tagline, this logo clearly
communicates the mission of
this organization, which is to
provide hunger relief. I was
drawn to this logo because it is
timeless, visually efficient, and
emotionally engaging. The grain
and fork combine to create a
plate. They also suggest
movement, inherent in the
logistics of collecting and
distributing food. This move-
ment adds an uplifting and
optimistic feel to the design.”
Jerry Kuyper has more than
twenty-five years of experience
directing corporate and brand
identity programs. Prior to
establishing Jerry Kuyper
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Louis Lygo works and resides in
London. He is employed at
Wolff Olins brand consultancy
and is responsible for bringing
life to key brands. Recent work
has included the branding of the
nation of Liechtenstein and
work for the telecoms Telenor
and its youth brand Djuice.
Lygo’s influences are too
plentiful to mention but are
mainly stimulated through long
chats with friends and walking
through the streets of his
treasured capital.
Louis Lygo
Wolff Olins, London, England
Psychic Aries logo, by
CONCEPTiCONS
“What I love about this design is
that it’s effortless and fashions
its own milieu, which for me is the
most important thing a logo
should convey. This logo has
power, mystical beauty, and
communicates essence. You
are caught in its vortex, and
it stares you straight in the eye.
It captures my attention. It’s
nature’s eye, the moon reflected
in the sacred well. It’s the white
goddesses traversing the
heavens.”
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His passion is corporate identity
building and package design.
He has been at the forefront of
projects for the Coca-Cola
Company, Brandhouse, and the
Richemont Group (luxury
branding company). His love of
sport inspired the brand identity
program he recently designed
for the 2010 FIFA World Cup.
De Abreu has won numerous
national and international
awards for his work. He often
speaks at design conferences
and seminars, and is on the
executive committee of the
South African Graphic Design
Council, of which he has been a
member for the past ten years.
Gaby de Abreu
Switch Group
Johannesburg, South Africa
The Bouffants logo
by Black Barn Brand Design
“In an age where logos are
starting to take themselves
seriously, the Bouffant makes a
comeback and breaks the
mould. The ‘50s-styled face
reveals more than meets the eye
to expose a quirky music-related
identity that brings a smile to
your face.”
Gaby de Abreu is group creative
director and co-founder of the
Switch Group, a top South
African branding and design
consultancy established in 1999.
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DDesignArmyCAlTuckerDArtiniumDesign,Inc.CSelfPromotional
DGardnerDesignCAlliedCraneDMarlinCAdvancedIndustries
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DDavidQuinteroDesign,Inc.CAngeliqueInteriorsDOpenCaMedia,NewYorkNY
DSauvageDesignCActualSoftwareDFauxkoiDesignCo.Canodynebevco.
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DCainDesignGroupCAspenHochalterphotographyDDoink,Inc.CAli&AndyCrane
DDinoDesignCArcadiaFarmsDGrãoDesignCartti
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DTankDesignCBillettenASDI-MANIFEST
DSoupGraphixInc.CBurtonSnowboardsDSmosarskiDesignCBowelCancerUK
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DUlrichPinciottiDesignGroupDZigaAljazCmusicgroupC4
Dunited*CBarCarreraNYDFauxkoiDesignCo.CsooVac
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DRoodGraphicsCAllAboutKidsAmericaDBrainding
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2A2B
3A3B
Job No: D0710-9 / 4270
1st Proof Title: Logo Lounge 4 Mini
LL4Mini 014-033_.indd 25LL4Mini 014-033_.indd 25 7/8/10 4:33:05 PM7/8/10 4:33:05 PM
Initials
25
TB
D=DesignFirmC=Client
DTheMartinGroupCTheChapelDKevinCreativeCPixellogoCustom
DH2DesignofTexasCunusedDA3DesignCGriffithChoppers,Inc.
DfaceCBBPADA3DesignCgoodypaint
Job No: D0710-9 / 4270
1st Proof Title: Logo Lounge 4 Mini
LL4Mini 014-033_.indd 25LL4Mini 014-033_.indd 25 7/8/10 4:33:11 PM7/8/10 4:33:11 PM
26. A B
1
2
3
1A1B
2A2B
3A3B
Job No: D0710-9 / 4270
1st Proof Title: Logo Lounge 4 Mini
LL4Mini 014-033_.indd 26LL4Mini 014-033_.indd 26 7/9/10 3:22:03 PM7/9/10 3:22:03 PM
Initials
26
TB
D=DesignFirmC=Client
DnorthfoundCGaudetteInternationalDMSICTheHomeDepot
DJerronAmesCArteisDNickHardDesignCGI
DGreyMatterGroupCWoodhavenReformedChurchDMindgruveCPanish&Hoey
Job No: D0710-9 / 4270
1st Proof Title: Logo Lounge 4 Mini
LL4Mini 014-033_.indd 26LL4Mini 014-033_.indd 26 7/9/10 4:30:35 PM7/9/10 4:30:35 PM