The document summarizes research conducted on the BBC's Life and Death Row content. It found that viewers highly rated the content, particularly females, those who viewed both long and short form episodes, and those who viewed it on the BBC Three website. Two-thirds of viewers discussed the content with friends and family, while around half searched online for more information. The research showed the content made the BBC seem more modern, innovative, and surprised some viewers. Those who viewed additional evidence files had a more immersive experience and were more likely to view the BBC Three website as a destination for content.
The document summarizes audience feedback from questionnaires about a documentary. The feedback showed that the documentary was rated highly for being informative, entertaining, and having good technical quality, as it received mostly 4s or 5s out of 5 in those categories. The feedback was more mixed for how eye-catching and how well it obeyed typical documentary conventions the documentary was, as different parts of the audience found different sections more or less interesting or conventional. The creator thinks asking other media students for feedback would provide more detailed and constructive criticism.
This document contains the responses to a survey about documentary viewing habits. It shows that human behavior documentaries were most popular overall, and that archive footage was the preferred visual element rather than text, interviews, etc. The survey responses also indicated that tablets and TV are the most common ways to watch documentaries. This information will help the documentarian determine the appropriate demographic, style, and format for their new documentary project.
The document summarizes the student's response to a brief to create a documentary. It outlines their initial ideas of focusing on topics like terrorism, Brexit, or the education system. They have backup ideas as well. The student discusses sources of inspiration like specific documentaries from Channel 4 and BBC. They consider focusing their style on one of these channels. In the end, the student decides to create an expository documentary focusing on educational achievement and barriers to careers, targeting an audience of ages 25-50.
The document analyzes survey results from 8 respondents between ages 16-40 on their documentary viewing preferences and habits. It finds that human behavior documentaries were most popular overall, though preferences varied between individuals. Respondents were split on whether they enjoyed watching documentaries alone or with others. The BBC was the most commonly cited channel for viewing documentaries. Tablets and TVs were reported as the primary devices for viewing documentaries.
The survey results showed a preference for human behavior documentaries among both males and females aged 16-40. Most respondents preferred watching documentaries featuring archive footage on their TV or tablet and said the BBC was their most popular channel for documentaries. The responses indicated different preferences based on gender for whether people enjoy watching documentaries.
The questionnaire results show that the target audience for the documentary project is viewers aged 16-35 in the Redbridge area. Most respondents watched documentaries weekly or monthly on TV alone or with family. BBC Panorama was the most popular documentary program. Respondents preferred the storyline of documentaries that were an hour or longer. While most felt safe in Redbridge, over 1/3 had been a victim of crime and over 3/4 couldn't name any victim support networks. This information will help the students cater their social action documentary project to the interests and needs of the local community.
We collated the answers we received from our questionnaire and placed them into an Excel document. We then published the findings in the form of a slideshow. Both documents are shown below.
The document summarizes audience feedback from questionnaires about a documentary. The feedback showed that the documentary was rated highly for being informative, entertaining, and having good technical quality, as it received mostly 4s or 5s out of 5 in those categories. The feedback was more mixed for how eye-catching and how well it obeyed typical documentary conventions the documentary was, as different parts of the audience found different sections more or less interesting or conventional. The creator thinks asking other media students for feedback would provide more detailed and constructive criticism.
This document contains the responses to a survey about documentary viewing habits. It shows that human behavior documentaries were most popular overall, and that archive footage was the preferred visual element rather than text, interviews, etc. The survey responses also indicated that tablets and TV are the most common ways to watch documentaries. This information will help the documentarian determine the appropriate demographic, style, and format for their new documentary project.
The document summarizes the student's response to a brief to create a documentary. It outlines their initial ideas of focusing on topics like terrorism, Brexit, or the education system. They have backup ideas as well. The student discusses sources of inspiration like specific documentaries from Channel 4 and BBC. They consider focusing their style on one of these channels. In the end, the student decides to create an expository documentary focusing on educational achievement and barriers to careers, targeting an audience of ages 25-50.
The document analyzes survey results from 8 respondents between ages 16-40 on their documentary viewing preferences and habits. It finds that human behavior documentaries were most popular overall, though preferences varied between individuals. Respondents were split on whether they enjoyed watching documentaries alone or with others. The BBC was the most commonly cited channel for viewing documentaries. Tablets and TVs were reported as the primary devices for viewing documentaries.
The survey results showed a preference for human behavior documentaries among both males and females aged 16-40. Most respondents preferred watching documentaries featuring archive footage on their TV or tablet and said the BBC was their most popular channel for documentaries. The responses indicated different preferences based on gender for whether people enjoy watching documentaries.
The questionnaire results show that the target audience for the documentary project is viewers aged 16-35 in the Redbridge area. Most respondents watched documentaries weekly or monthly on TV alone or with family. BBC Panorama was the most popular documentary program. Respondents preferred the storyline of documentaries that were an hour or longer. While most felt safe in Redbridge, over 1/3 had been a victim of crime and over 3/4 couldn't name any victim support networks. This information will help the students cater their social action documentary project to the interests and needs of the local community.
We collated the answers we received from our questionnaire and placed them into an Excel document. We then published the findings in the form of a slideshow. Both documents are shown below.
The questionnaire results show that the target audience for the documentary project is viewers aged 16-35 in the Redbridge area. Most respondents watched documentaries weekly or monthly on TV alone or with family. BBC Panorama was the most popular documentary program. Respondents preferred the storyline of documentaries that were an hour or longer. While most felt safe in Redbridge, over 1/3 had been a victim of crime and over 3/4 couldn't name any victim support networks. This information will help the students cater their social action documentary project to the interests and needs of the local community audience.
The questionnaire results showed that the target audience for the documentary should be 16-35 year olds living in Redbridge. Most respondents said they consume documentaries weekly on TV and enjoy documentaries with a focus on storyline that are an hour or longer. Popular documentary shows included BBC Panorama and Channel 4 Dispatches. Based on this, the group proposes an 8-10 minute online documentary during half term focusing on the rise of crime, targeting 16-24 year olds but applicable to all. It will cost under £10 and take inspiration from popular shows to educate on crime and support for victims.
Before creating their documentary, radio trailer, and magazine article, the author conducted research including questionnaires to understand their target audience. They learned that while people were familiar with social networking, 33% did not know its impacts. The audience feedback influenced the direction of the projects.
After creating the products, the author evaluated them with their audience. The documentary followed conventions but its sound quality was sometimes poor. While the radio trailer was well-received, the magazine article was less engaging and did not motivate many to watch the documentary. Overall, the author learned effective audience research methods and gained feedback to improve their work.
Process report
This digital platform is meant to be used as a “tool” to discover titles in the NRK television archives you didn’t knew you wanted to see – or at all existed. It aims to bring forward television material all the way back from 1960 until today. How do you browse through 55 years of material, which consists of about 20 000 titles, in an understandable and effective way? Also, it should be noted that there are certainly different ways of going about this – however, the way I’ve gone about it is based on me aiming on the user that’s interested in exploring the archive, and not necessarily is dead set on finding a specific title. Hence, the digital platform is a result of need focus.The overarching idea is that you browse through the content, year by year, and on the first level you’re presented to highlights of the each category in the year you’re situated in. Each category is represented by one “panel”. The size of the panel is based on the amount of content of that genre in that year. his makes it easy to scan and get a feeling of the different sizes. If you’re to move one level deeper, you can pick a category, i.e. humour, and is then presented with all humour titles that aired that year. By entering a specific title, you are then presented with an episode or clip of the title, and also related clips and titles. This makes it possible to discover new, interesting material.
This document summarizes the results of a questionnaire about viewers' preferences for documentaries. It includes 9 questions on topics like preferred genres, ideal duration, use of narration, and production elements. The responses are analyzed and presented in charts. Key findings are that crime is the most popular genre, the ideal length is 1 hour, most prefer an informative over action-based style, and elements like narration, reenactments, interviews and music engagement audiences. This feedback informed production decisions for the documentary being created.
Collective Intelligence Meets the Political AgendaEDV Project
The Web is changing the way citizens engage with the political agenda. Following the emergence of social media, political events are now surrounded by real-time reactions and analyses from viewers, political actors, mainstream media and other social organisations.
We anticipate a future in which events such as election debates will be enriched by an unpredictable range of additional information streams from individuals and organisations, from additional live reaction as events unfold, to retrospectively added resources which can be more reflective, and hence possibly higher quality. The EPSRC Election Debate Visualisation (EDV)
Project is aimed at developing an online video replay platform during the 2015 UK General
Election, in which party leadership debates are linked to customisable visualisation channels to enhance viewers’ experience and hopefully encourage citizen engagement.
1) The document discusses audience feedback received for a documentary on social networking. Questionnaires were used to understand the target audience and their opinions on social networking.
2) The feedback showed that while most people were familiar with social networking, 33% did not know its impacts. Audiences wanted expert interviews, facts, and good music in the documentary.
3) Based on the feedback, the documentary mostly followed conventions but some felt the sound quality could be improved. The radio trailer was well-received but the magazine article was less engaging. Overall, the feedback provided valuable insights to better target the intended audience.
The document discusses audience feedback received for a documentary on social networking. Some key learnings include:
- Questionnaires identified that the target audience wanted to be informed about how social networking is influencing media.
- Audience feedback influenced the direction of the documentary to provide a balanced argument on the issue.
- The documentary mostly followed conventions but some felt the sound levels needed improvement.
- The radio trailer was well-received but the magazine article was less engaging and did not grab much attention.
- Overall, valuable feedback was received that highlighted strengths and weaknesses to consider for future projects.
The questionnaire asked 17 people about their demographics, viewing habits of documentaries, and preferences for a documentary on LGBT+ representation in media. Key findings were that most respondents were female, watched documentaries monthly or annually, and were interested in the proposed topic. Respondents preferred an on-screen presenter, a clear conclusion, and inclusion of expert and public opinions. Facts and statistics and vox pops were deemed most important aspects. The results provide guidance but may need to survey a more diverse group.
The document contains responses to questions about conducting a survey on documentary viewing habits. It discusses that the survey received responses from equal numbers of males and females between ages 16-25 and 25-40. The majority of respondents preferred documentaries about human behavior over wildlife or sports. Respondents were split on whether they enjoyed watching documentaries. The BBC was the most popular channel for documentaries. Most respondents preferred to see archive footage rather than other elements in documentaries. Tablets and TV were the most popular ways to watch documentaries. The conclusions were that people generally prefer human behavior documentaries and archive footage.
VOD usage is growing, especially among older age groups, but it still represents a small portion of overall viewing. Catch-up services like the BBC iPlayer are very popular drivers of online video consumption. Most viewing of online video is incremental to broadcast TV rather than replacing it. Monetizing VOD remains a challenge, as consumers are generally unwilling to pay subscription fees for online content. Advertising is currently the main revenue model, but new social and multi-platform viewing behaviors may open up future opportunities.
This document discusses the growing phenomenon of binge-viewing TV shows. It defines binge-viewing as watching multiple episodes of a TV show in one sitting. While half of TV viewers have heard the term, nearly two-thirds actually binge-view based on studying their viewing behaviors. Binge-viewing is most common among millennials, African Americans, Hispanics, and those from the South. It usually occurs in the evenings at home alone or with others via streaming services like Netflix on smartphones, computers or TVs. Common binge-watched genres are dramas and comedies. Both men and women binge-view for enjoyment and control, though women are more motivated by instant gratification
This document outlines research questions about the Nick Grimshaw Breakfast Show and identifies primary and secondary sources that could be used to find answers. It asks about the show's start date, air time, target audience, listenership, length, content, viewership, production process, reviews, and guest policy. The suggested research methods include listening to the show, visiting the BBC website, asking friends and family, and searching the broader internet.
The document summarizes the key learnings from audience feedback on a film trailer. It discusses who the target audience was intended to be based on an initial collage - mainly young adult Christian males interested in technology, food, and sports. A survey found WhatsApp to be the most popular social media, so it was used to gather feedback. A questionnaire indicated that posters with red and black colors would appeal most. Blind reaction feedback from the target demographic showed approval of scenes and piqued attention. Questioning after revealed the genres were clear but the ending scream was too loud.
The document summarizes the results of a survey conducted to inform the production of a documentary about gay rights. Most respondents were younger adults and there was a relatively equal gender split. Most people enjoyed watching documentaries and felt the topic was a good choice. However, one respondent was strongly against gay rights, showing the controversial nature of the topic. The majority supported equality for gay people. The results will help the filmmakers adapt their approach based on the most popular documentaries and interview styles.
The document discusses the results of an online questionnaire about viewing habits and interests related to documentaries. Key findings include:
- 100% of respondents said they watch documentaries, indicating the potential audience is larger than expected.
- Live TV was the most popular viewing platform for documentaries, suggesting the introduction should air on Channel 4 live TV rather than their on-demand service.
- 75% of respondents expressed interest in a documentary about educational attainment, reassuring the author that their topic will appeal to the target audience.
The document discusses a BBC documentary being created about the impact of technology on culture. It will explore how digital technology has made communication easier with friends and family through history leading up to modern social media. Research with the target 16-24 demographic found they use technology for 6 hours daily and are interested in the topics. The documentary will use interviews to get different opinions on how social media has affected the world both positively and negatively.
The document outlines research conducted to develop a documentary for BBC Three about how music has been affected by the digital age. A survey of 16 people aged 16-25 found their top interests were watching TV/films and listening to music. Most watched true crime and music documentaries. Inspired by this, the document proposes exploring how music is now recorded and released due to technology and the internet. A Pinterest board provided visual inspiration for background clips on the topic. The campaign aims to appeal to BBC Three's target audience interests while informing them of technology's cultural impact.
BBC Worldwide is proposing a new comedy YouTube channel called Britcom in partnership with YouTube. Britcom would source comedy content from the BBC archive, BBC Worldwide partners, YouTube creators, and original commissioned content. The channel would be run by dedicated management teams and have a budget of over £1 million. The partnership would provide audiences with the best British comedy from various sources, showcase new comedy talent, and be an important platform for the future of comedy at the BBC.
The document discusses the changing landscape of comedy content consumption and production, noting that comedy and entertainment titles are increasingly popular on services like BBC iPlayer and that the BBC is looking to incubate new comedy talent and develop intellectual property for online platforms like BBC Comedy's YouTube channel to engage audiences both within the UK and globally. It also provides an overview of the BBC's strategy to establish itself as a primary destination for British comedy across past, present and future programming.
The questionnaire results show that the target audience for the documentary project is viewers aged 16-35 in the Redbridge area. Most respondents watched documentaries weekly or monthly on TV alone or with family. BBC Panorama was the most popular documentary program. Respondents preferred the storyline of documentaries that were an hour or longer. While most felt safe in Redbridge, over 1/3 had been a victim of crime and over 3/4 couldn't name any victim support networks. This information will help the students cater their social action documentary project to the interests and needs of the local community audience.
The questionnaire results showed that the target audience for the documentary should be 16-35 year olds living in Redbridge. Most respondents said they consume documentaries weekly on TV and enjoy documentaries with a focus on storyline that are an hour or longer. Popular documentary shows included BBC Panorama and Channel 4 Dispatches. Based on this, the group proposes an 8-10 minute online documentary during half term focusing on the rise of crime, targeting 16-24 year olds but applicable to all. It will cost under £10 and take inspiration from popular shows to educate on crime and support for victims.
Before creating their documentary, radio trailer, and magazine article, the author conducted research including questionnaires to understand their target audience. They learned that while people were familiar with social networking, 33% did not know its impacts. The audience feedback influenced the direction of the projects.
After creating the products, the author evaluated them with their audience. The documentary followed conventions but its sound quality was sometimes poor. While the radio trailer was well-received, the magazine article was less engaging and did not motivate many to watch the documentary. Overall, the author learned effective audience research methods and gained feedback to improve their work.
Process report
This digital platform is meant to be used as a “tool” to discover titles in the NRK television archives you didn’t knew you wanted to see – or at all existed. It aims to bring forward television material all the way back from 1960 until today. How do you browse through 55 years of material, which consists of about 20 000 titles, in an understandable and effective way? Also, it should be noted that there are certainly different ways of going about this – however, the way I’ve gone about it is based on me aiming on the user that’s interested in exploring the archive, and not necessarily is dead set on finding a specific title. Hence, the digital platform is a result of need focus.The overarching idea is that you browse through the content, year by year, and on the first level you’re presented to highlights of the each category in the year you’re situated in. Each category is represented by one “panel”. The size of the panel is based on the amount of content of that genre in that year. his makes it easy to scan and get a feeling of the different sizes. If you’re to move one level deeper, you can pick a category, i.e. humour, and is then presented with all humour titles that aired that year. By entering a specific title, you are then presented with an episode or clip of the title, and also related clips and titles. This makes it possible to discover new, interesting material.
This document summarizes the results of a questionnaire about viewers' preferences for documentaries. It includes 9 questions on topics like preferred genres, ideal duration, use of narration, and production elements. The responses are analyzed and presented in charts. Key findings are that crime is the most popular genre, the ideal length is 1 hour, most prefer an informative over action-based style, and elements like narration, reenactments, interviews and music engagement audiences. This feedback informed production decisions for the documentary being created.
Collective Intelligence Meets the Political AgendaEDV Project
The Web is changing the way citizens engage with the political agenda. Following the emergence of social media, political events are now surrounded by real-time reactions and analyses from viewers, political actors, mainstream media and other social organisations.
We anticipate a future in which events such as election debates will be enriched by an unpredictable range of additional information streams from individuals and organisations, from additional live reaction as events unfold, to retrospectively added resources which can be more reflective, and hence possibly higher quality. The EPSRC Election Debate Visualisation (EDV)
Project is aimed at developing an online video replay platform during the 2015 UK General
Election, in which party leadership debates are linked to customisable visualisation channels to enhance viewers’ experience and hopefully encourage citizen engagement.
1) The document discusses audience feedback received for a documentary on social networking. Questionnaires were used to understand the target audience and their opinions on social networking.
2) The feedback showed that while most people were familiar with social networking, 33% did not know its impacts. Audiences wanted expert interviews, facts, and good music in the documentary.
3) Based on the feedback, the documentary mostly followed conventions but some felt the sound quality could be improved. The radio trailer was well-received but the magazine article was less engaging. Overall, the feedback provided valuable insights to better target the intended audience.
The document discusses audience feedback received for a documentary on social networking. Some key learnings include:
- Questionnaires identified that the target audience wanted to be informed about how social networking is influencing media.
- Audience feedback influenced the direction of the documentary to provide a balanced argument on the issue.
- The documentary mostly followed conventions but some felt the sound levels needed improvement.
- The radio trailer was well-received but the magazine article was less engaging and did not grab much attention.
- Overall, valuable feedback was received that highlighted strengths and weaknesses to consider for future projects.
The questionnaire asked 17 people about their demographics, viewing habits of documentaries, and preferences for a documentary on LGBT+ representation in media. Key findings were that most respondents were female, watched documentaries monthly or annually, and were interested in the proposed topic. Respondents preferred an on-screen presenter, a clear conclusion, and inclusion of expert and public opinions. Facts and statistics and vox pops were deemed most important aspects. The results provide guidance but may need to survey a more diverse group.
The document contains responses to questions about conducting a survey on documentary viewing habits. It discusses that the survey received responses from equal numbers of males and females between ages 16-25 and 25-40. The majority of respondents preferred documentaries about human behavior over wildlife or sports. Respondents were split on whether they enjoyed watching documentaries. The BBC was the most popular channel for documentaries. Most respondents preferred to see archive footage rather than other elements in documentaries. Tablets and TV were the most popular ways to watch documentaries. The conclusions were that people generally prefer human behavior documentaries and archive footage.
VOD usage is growing, especially among older age groups, but it still represents a small portion of overall viewing. Catch-up services like the BBC iPlayer are very popular drivers of online video consumption. Most viewing of online video is incremental to broadcast TV rather than replacing it. Monetizing VOD remains a challenge, as consumers are generally unwilling to pay subscription fees for online content. Advertising is currently the main revenue model, but new social and multi-platform viewing behaviors may open up future opportunities.
This document discusses the growing phenomenon of binge-viewing TV shows. It defines binge-viewing as watching multiple episodes of a TV show in one sitting. While half of TV viewers have heard the term, nearly two-thirds actually binge-view based on studying their viewing behaviors. Binge-viewing is most common among millennials, African Americans, Hispanics, and those from the South. It usually occurs in the evenings at home alone or with others via streaming services like Netflix on smartphones, computers or TVs. Common binge-watched genres are dramas and comedies. Both men and women binge-view for enjoyment and control, though women are more motivated by instant gratification
This document outlines research questions about the Nick Grimshaw Breakfast Show and identifies primary and secondary sources that could be used to find answers. It asks about the show's start date, air time, target audience, listenership, length, content, viewership, production process, reviews, and guest policy. The suggested research methods include listening to the show, visiting the BBC website, asking friends and family, and searching the broader internet.
The document summarizes the key learnings from audience feedback on a film trailer. It discusses who the target audience was intended to be based on an initial collage - mainly young adult Christian males interested in technology, food, and sports. A survey found WhatsApp to be the most popular social media, so it was used to gather feedback. A questionnaire indicated that posters with red and black colors would appeal most. Blind reaction feedback from the target demographic showed approval of scenes and piqued attention. Questioning after revealed the genres were clear but the ending scream was too loud.
The document summarizes the results of a survey conducted to inform the production of a documentary about gay rights. Most respondents were younger adults and there was a relatively equal gender split. Most people enjoyed watching documentaries and felt the topic was a good choice. However, one respondent was strongly against gay rights, showing the controversial nature of the topic. The majority supported equality for gay people. The results will help the filmmakers adapt their approach based on the most popular documentaries and interview styles.
The document discusses the results of an online questionnaire about viewing habits and interests related to documentaries. Key findings include:
- 100% of respondents said they watch documentaries, indicating the potential audience is larger than expected.
- Live TV was the most popular viewing platform for documentaries, suggesting the introduction should air on Channel 4 live TV rather than their on-demand service.
- 75% of respondents expressed interest in a documentary about educational attainment, reassuring the author that their topic will appeal to the target audience.
The document discusses a BBC documentary being created about the impact of technology on culture. It will explore how digital technology has made communication easier with friends and family through history leading up to modern social media. Research with the target 16-24 demographic found they use technology for 6 hours daily and are interested in the topics. The documentary will use interviews to get different opinions on how social media has affected the world both positively and negatively.
The document outlines research conducted to develop a documentary for BBC Three about how music has been affected by the digital age. A survey of 16 people aged 16-25 found their top interests were watching TV/films and listening to music. Most watched true crime and music documentaries. Inspired by this, the document proposes exploring how music is now recorded and released due to technology and the internet. A Pinterest board provided visual inspiration for background clips on the topic. The campaign aims to appeal to BBC Three's target audience interests while informing them of technology's cultural impact.
BBC Worldwide is proposing a new comedy YouTube channel called Britcom in partnership with YouTube. Britcom would source comedy content from the BBC archive, BBC Worldwide partners, YouTube creators, and original commissioned content. The channel would be run by dedicated management teams and have a budget of over £1 million. The partnership would provide audiences with the best British comedy from various sources, showcase new comedy talent, and be an important platform for the future of comedy at the BBC.
The document discusses the changing landscape of comedy content consumption and production, noting that comedy and entertainment titles are increasingly popular on services like BBC iPlayer and that the BBC is looking to incubate new comedy talent and develop intellectual property for online platforms like BBC Comedy's YouTube channel to engage audiences both within the UK and globally. It also provides an overview of the BBC's strategy to establish itself as a primary destination for British comedy across past, present and future programming.
This document discusses various video clips related to the television show Doctor Who, including clips titled "Get Shorty", "Brian Minchin – Executive Producer Dr Who", and clips featuring Matt Smith and Peter Capaldi. It also includes the word "Why?" repeated multiple times without further context.
This document discusses the popularity of comedy and comedy/entertainment programs on the BBC iPlayer between 2008-2011. It shows the top 20 most viewed and favorited programs each year, with many comedy and entertainment titles consistently high on the lists. It also discusses the BBC's efforts to better organize and promote its comedy content online, such as launching a dedicated BBC comedy website and increasing comedy content on YouTube and social media platforms. Overall it demonstrates the strong audience demand for comedy content on the BBC iPlayer.
The document discusses strategies for the BBC's online comedy destination, including fueling BBC 3 TV comedy online, nurturing new comedy talent, curating comedy content, creating an engaged online community, and making TV comedy more social and interactive. The goals are to experiment with new formats, showcase emerging writers and sketches, engage younger audiences, and promote BBC 3 comedy both online and on television.
This document discusses BBC Comedy's online presence from 2009-2010. It lists the top 20 most viewed TV shows on iPlayer during that period. It also summarizes BBC Comedy's efforts to surface past comedy content, amplify current TV and radio comedy online, and develop new comedy talent to engage audiences both young and old across multiple digital platforms.
The document provides viewership statistics for various TV shows and online videos. Funny for Money - Part 1 had the highest viewership on TV with 10,280,000 viewers, and the highest traffic on the iPlayer with 1,277,550 requests. The Great British Bake Off accounted for 35% of all iPlayer requests during the period. Viewership and online traffic declined for the subsequent parts of the Funny for Money series.
The wrong mans digital campaign overviewwillpsaunders
This document provides a case study of the digital campaign for the BBC comedy series "The Wrong Mans". It summarizes:
1) A cross-functional team was formed to collaborate on a campaign that extended beyond just the first airing and throughout the series.
2) The campaign included both "out of world" shareable content and an "in world" immersive experience to appeal to different audience motivations.
3) Analytics were used to monitor engagement and the campaign was adjusted weekly based on what content was most popular.
4) Unconventional tactics like a live tweet-along helped drive viewership despite scheduling conflicts.
5) The coordinated digital campaign was successful, with the
Discover the benefits of outsourcing SEO to Indiadavidjhones387
"Discover the benefits of outsourcing SEO to India! From cost-effective services and expert professionals to round-the-clock work advantages, learn how your business can achieve digital success with Indian SEO solutions.
HijackLoader Evolution: Interactive Process HollowingDonato Onofri
CrowdStrike researchers have identified a HijackLoader (aka IDAT Loader) sample that employs sophisticated evasion techniques to enhance the complexity of the threat. HijackLoader, an increasingly popular tool among adversaries for deploying additional payloads and tooling, continues to evolve as its developers experiment and enhance its capabilities.
In their analysis of a recent HijackLoader sample, CrowdStrike researchers discovered new techniques designed to increase the defense evasion capabilities of the loader. The malware developer used a standard process hollowing technique coupled with an additional trigger that was activated by the parent process writing to a pipe. This new approach, called "Interactive Process Hollowing", has the potential to make defense evasion stealthier.
Honeypots Unveiled: Proactive Defense Tactics for Cyber Security, Phoenix Sum...APNIC
Adli Wahid, Senior Internet Security Specialist at APNIC, delivered a presentation titled 'Honeypots Unveiled: Proactive Defense Tactics for Cyber Security' at the Phoenix Summit held in Dhaka, Bangladesh from 23 to 24 May 2024.
Securing BGP: Operational Strategies and Best Practices for Network Defenders...APNIC
Md. Zobair Khan,
Network Analyst and Technical Trainer at APNIC, presented 'Securing BGP: Operational Strategies and Best Practices for Network Defenders' at the Phoenix Summit held in Dhaka, Bangladesh from 23 to 24 May 2024.
4. Confidential: For research purposes only 4
How did the study work?
A controlled study in which respondents were asked to watch one of three different content types
using different platforms
Long form: 1-hour episodes
(Life and Death Row)
Short form: 10-minute episodes
(Love Triangle)
Long & short form
• 255 16-34 year olds were assigned to one of the three groups above. They could view additional
evidence at their own will
• Two-phase approach: (1) Recruitment screener survey assigning participants to watch specific
content; (2) Follow-up survey after watching content
• Long form participants were asked to watch 1 x 1-hour episode, Short form participants were
asked to watch at least 3x10-minute episodes, and Long & Short form participants were asked to
watch both
I would have never thought of
watching a programme in such a
way, but it was intriguing and made
me want to finish the whole case!! I
ended up watching all the
episodes.
(Short form,)
6. Confidential: For research purposes only 6
8.10 7.89
8.33
7.92 7.95 8.33 8.43
7.98
8.43 8.07 8.38
Total Male Female Long form Short form Long &
Short form
Additional
evidence
No
additional
evidence
BBC Three
website
iPlayer
website
iPlayer
app
Overall, contentis very highlyrated: particularly,amongst females, those in the Long &
Short form category, as wellas those whohad reviewedevidence
Q8. Overall, how would you rate the Life and Death Row content you viewed as part of this project? Please use a scale of 1 to 10, where 1 is ‘poor’ and 10 is ‘excellent’.
Base: All respondents (n=255)
Category Platform viewedGender Additional evidence viewed
Content ratings (mean scores)
Significantly higher
0 - Poor
10 -
Excellent
7. Confidential: For research purposes only 7
Overall half of participants reviewedevidence, however a majorityof them were
promptedto do so.Amongst those whoweren’tprompted,one in six reviewed the
evidence, suggestingclearer signpostingis required
48%
71%
16%
55%
40%
41%
52%
78%
47%
45%
All participants
All prompted to evidence
All not prompted to evidence
Male
Female
Short form
Long & Short form
BBC Three website
iPlayer website
iPlayer app
YesAdditional evidence viewed
Q7. As part of Life and Death Row: Love Triangle, additional evidence files from the case were made available on the BBC Three website. Did you go on to look at the additional evidence files, available
on the BBC Three website?
Base: Respondents who watched short form content (n=64) or long & short form content (115)
NAD = no additional evidence viewed, AD = additional evidence viewed Significantly higher
Gender
Category
Platform
viewed
I liked that the evidence was offered, so
that you could read around the
situation at your own pace, however I
find it annoying to flip through the
evidence and I would personally only
watch the episodes. This might be
helped by allowing viewers to look
at/read/listen to the evidence one after
another, like a multimedia slide show, so
you don't have to keep clicking in and out
of different types of evidence.
(Long & Short form, iPlayer website, AD)
I couldn't find the additional evidence
files. There was no easy link to find
them that I could see. I was
disappointed as it was a cool sounding
idea. It reminded me of the original
Torchwood thing where they had a
fictional website for them with 'files' and
'messages' from the team.
(Short form, iPlayer app, NAD)
8. Confidential: For research purposes only 8
Additional evidence allowedfor a more immersive experience, withthe BBC Three
websitebeing an unexpected destinationfor content
It felt like a refreshing
way to watch content
that I might not
otherwise have seen.
(Short form, iPlayer
app, NAD)
Q14. In what way do you feel more positive/negative about the BBC as a result of watching Life and Death Row?
Q15. Thinking about Life and Death Row: Love Triangle, where the content was a combination of episodes and additional evidence files, what do you think about the BBC creating this new type of long form
content, and why?
NAD = no additional evidence viewed, AD = additional evidence viewed
I think it can add another dimension
and adds to the immersion of the
programme. It gives you the chance to
look at additional information if you are
interested in the subject.
(Short form, iPlayer website, NAD)
The short form & additional evidence content added
a new dimension to broadcasting content
It's great. I am glad the way we watch TV is
always changing and evolving and this
seemed like another step forward. I like
that there is more to Life and Death Row
than just episodes.
(Long & Short form, iPlayer website, NAD)
I think it's a good idea. It
provides you with
more information and
gives you more of an
insight to the case.
(Long & Short form,
iPlayer website, AD)
It felt like I was watching Making a Murderer
on Netflix (which I love). I didn’t expect much
from BBC Three as it had gone online but
they still seem to be making good stuff.
(Short form, BBC Three website, AD)
Never watched
BBC Three
online before
but after viewing
this I plan to in
the future.
(Short form,
iPlayer app,
NAD)
The BBC Three website was an unexpected
destination for content
9. Confidential: For research purposes only 9
Content rates highlyon all metrics. We’re startingto see the impact the content has
on the perceptionsof the BBC, with7 in 10 agreeing that LADR makes the BBC seem
more modern,particularlyby those in the Long& Short form category
Q9. Please indicate to what extent, if at all, you agree or disagree with the following statements regarding BBC Three’s Life and Death Row. | Q14. In what way do you feel more positive/negative about
the BBC as a result of watching Life and Death Row? | Q15. Thinking about Life and Death Row: Love Triangle, where the content was a combination of episodes and additional evidence files, what do
you think about the BBC creating this new type of long form content, and why?
Base: All respondents (n=255). NAD = no additional evidence viewed, AD = additional evidence viewed
2% 6% 20%
18%
15%
9%
7%
44%
47%
49%
47%
33%
27%
29%
31%
38%
55%
Strongly disagree Disagree Neither agree nor disagree Agree Strongly agree
Net:
Disagree
Net:
Agree
Agreement with the following statements
The content was thought-provoking
The content was memorable
The content felt fresh and new
The content was innovative
The content makes the BBC seem more
modern
88%5%
86%5%
76%6%
71%7%
80%5%
I was surprised this
series was shown by
the BBC, as it is
cutting-edge and
would suit Channel 4.
(Short-form, iPlayer
website, AD)
Very interesting series, you can't stop after watching one
series as you want to watch more. Thought provoking
and full of suspense.
(Long & Short form, BBC Three and iPlayer website, AD)
It seems like an edgier type of programme that
the BBC wouldn't usually do.
(Short form, iPlayer website, NAD)
31% of those who strongly
agree were Long & Short form
category viewers vs. 19% who
were Short form only
10. Confidential: For research purposes only 10
Diving deeper into the perceptions,statements showedsignificantdifferencesin
scores amongst the various groups,particularlyin whetherthey found the content
innovative
Q9. Please indicate to what extent, if at all, you agree or disagree with the following statements regarding BBC Three’s Life and Death Row.
Base: All respondents (n=255)
Gender Content seenPlatform used
Additional evidence
seen
Long & Short form
content
Females were significantly
more likely to find the
content:
• Fresh and new
• Memorable
• Thought-provoking
In terms of the content
being innovative, there
were significant
differences between the
content groups
Those who watched long form
only content were significantly
more likely to disagree with the
content being innovative, while
those who fell into the Long &
Short form category were
significantly more likely to agree
Those who watched the
content on the BBC
Three website were
significantly more likely
to agree that the content:
• Felt fresh and new
• Made the BBC seem more
modern
• Was innovative
Also in terms of the
content being innovative,
there were differences
between those who viewed
additional evidence and
those who did not
Those who viewed additional
evidence were significantly more
likely to agree with the content being
innovative than those who did not
12. Confidential: For research purposes only 12
Viewers engaged with content, talked to family and friends about it, and
searched for more information.Amuch smaller proportion shared or
created content online
Q10. Have you done any of the following as a result of watching Life and Death Row?
Base: All respondents (n=255)
42%
22% 18% 15% 14% 16% 12% 11% 8% 8% 7% 8%
28%
31% 33%
20% 20% 17% 19% 18% 20% 17% 16% 13%
30%
47% 49%
66% 66% 67% 69% 71% 73% 75% 77% 80%
Talked about - with
friends/family face-
to-face or over the
phone
Searched online for
more information
beyond the BBC
website
Searched online for
more information
on the BBC website
Talked about - with
someone via
message or email
Followed the BBC
on social media
Liked the BBC on
social media
Liked BBC Three
on social media
Followed BBC
Three on social
media
Shared content
about the series on
social media
Posted /
commented about
social media
Shared content
about the series
online
Posted /
commented online
I haven't done this, and don't plan to I haven't done this, but I plan to I have done this
Reach: 70% 53% 51% 34% 34% 33% 31% 29% 27% 25% 23% 20%
Action taken as a result of watching Life and Death Row
13. Confidential: For research purposes only 13
The platformused, content seen, and whetherrespondentssaw additionalevidence
played a key part in engagement and actions taken
Q10. Have you done any of the following as a result of watching Life and Death Row?
Base: All respondents (255)
Gender Content seenPlatform used Additional evidence seen
Long & Short form
content
• Females: significantly more likely
to discuss the content with
friends/family over the
phone/face-to-face
• But males significantly more
likely to engage and share online
(posting/ commenting on social
media, liking and following BBC
Three on social media)
Long & short content viewers were
significantly more likely to engage
on a number of levels:
• Discuss the series with friends/family
(off- and online)
• Post/comment on social media
• Search for more information on the BBC
website
• Like BBC on social media
On the flip side, long form only
viewers were significantly more
likely NOT to share content on social
media, with a similar stance for
short form only viewers sharing
content online
BBC Three website users more likely
to engage and take action:
• Post/comment on social media
• Search for more information on the BBC
website
Viewing additional evidence was a
big factor in encouraging
engagement as a result of watching
the series – people who fell into this
category were significantly more
likely to:
• Discuss the series with friends/family
(off- and online)
• Post/comment/share information about
the series online and on social media
• Search for more information
• Follow BBC Three, BBC and like the
latter
15. Confidential: For research purposes only 15
7.40
6.68
7.72 7.73
7.76
7.51
8.16 8.02
The BBC BBC Three BBC iPlayer BBC Online
Overall brand impression – Mean before and after favourability scores
Before After
Overall brand impressionscores increased significantlyacross all four BBC brands
(Before / Screener survey – S6; After / Follow-up survey – Q16) What is your overall impression of the following BBC Brands? What is your overall impression of the following BBC brands? Please use a scale
of 1 to 10, where 1 is ‘extremely unfavourable’ and 10 is ‘extremely favourable’?
Base: All respondents (n=255). Mean scores shown.
Most marked increase
seen in BBC Three
scores
BBC iPlayer and
BBC Online started with relatively
high scores
BBC online & BBC iPlayer generate highest favourability scores before and after watching the LADR content
1 –
Extremely
unfavourable
10 –
Extremely
favourable
16. Confidential: For research purposes only 16
BBC online& BBC iPlayer favourabilityscores increased across all content forms.
Short form contenton its owndidn’tfair as wellas Long form or a combination
of both
(Before / Screener survey – S6; After / Follow-up survey – Q16) What is your overall impression of the following BBC Brands? What is your overall impression of the following BBC brands? Please use a scale
of 1 to 10, where 1 is ‘extremely unfavourable’ and 10 is ‘extremely favourable’?
Score uplift was driven by those using iPlayer app or website, rather than content type or whether they viewed additional evidence
95% confidence interval
sig testing ` Long form Short form
Long & short
form
Additional
evidence
No additional
evidence
The BBC
Before 7.4 7.0 7.6 7.6 7.2
After 7.8 7.3 8.0 7.8 7.7
BBC Three
Before 6.8 6.2 6.9 6.6 6.6
After 7.4 7.2 7.7 7.6 7.4
BBC iPlayer
Before 7.6 7.5 7.9 7.8 7.7
After 8.1 7.9 8.3 8.3 8.1
BBC Online
Before 7.7 7.5 7.8 7.9 7.5
After 8.0 7.7 8.1 8.1 7.9
Overall brand impression – Mean before and after favourability scores
Short form: While scores of platform brands BBC Three and
iPlayer increased significantly, favourability scores of the
overall BBC brand did not increase significantly
17. Confidential: For research purposes only 17
Furthermore,three out of five report that they feel more positive about the BBC as a
result of watchingthe content.While still very positive, those watching LADR on
iPlayer website are less likelyto report a positive shift
5%
40% 39% 40% 42%
26%
44% 42% 37%
30%
43%
30%
43%
57%
40% 41%
51%
37% 47%
44%
54%
41%
47%
15% 4% 17% 14% 18% 15% 9%
17% 16% 13%
21%
Total 16-24 25-34 White BAME Long form Short
form
Long &
short form
BBC
Three
website
iPlayer
website
iPlayer
app
A lot more positive Slightly more positive No changes in feelings either way Slightly more negative A lot more negative Don't know
Net:
positive
58% 52% 56% 62% 70% 55% 68%
Q13. Would you say you feel more positive or negative towards the BBC as a result of watching Life and Death Row?
Base: All respondents (n=255) 16-24 (n=46*), 25-34 (n=209), White (n=215), BAME (n=39*), short form (n=73*), long form (m=64*), long & short form (n=115), BBC Three website (n=37*), iPlayer
website (n=187), iPlayer app (n=53*) *Caution: Low base sizes
Feelings towards the BBC as a result of watching LADR
61% 57% 56% 69%
Significantly lower
18. Confidential: For research purposes only 18
8% 13% 22%
15%
17%
11%
31%
34%
38%
47%
25%
46%
42%
39%
Strongly disagree Disagree Neither agree nor disagree Agree Strongly agree
The BBC as a whole is perceived in a very positive way; a vast majority are
glad that the BBC exists, and that it also provides online services
Q11. To what extent do you agree or disagree with the following statements about the BBC as a whole?
Base: All respondents (n=255)
Net: AgreeNet: Disagree
86%2%
80%2%
80%5%
56%21%
Agreement with the following statements
The BBC produces great
programmes on factual subjects
I'm glad the BBC provides online
services as well as TV and radio
I'm glad the BBC exists
The BBC licence fee is
good value for money
Over half also agree that the licence fee is good value for money, with one in five disagreeing
19. Confidential: For research purposes only 19
3%
17%
19%
46%
55%
41%
45%
28%
40%
The BBC produces great programmes on factual
subjects
2%
2%
2%
1%
11%
22%
21%
39%
42%
34%
45%
34%
44%
I’m glad the BBC provides online services as well
as TV and radio
Those watching Long & Short content were significantly more likely to
agree with three of the statements
3%
5%
3%
10%
16%
23%
34%
36%
33%
52%
42%
40%
I’m glad the BBC exists
5%
13%
8%
10%
19%
12%
23%
19%
23%
30%
31%
33%
30%
19%
21%
The BBC licence fee is good value for money
Strongly disagree Disagree Neither agree nor disagree Agree Strongly agree
Net: agree
78%
77%
84%
Net: agree
73%
78%
86%
Net: agree
81%
83%
91%
Q11. To what extent do you agree or disagree with the following statements about the BBC as a whole?
Base: short form (n=73*), long form (m=64*), long & short form (n=115) *Caution: Low base sizes
Net: agree
53%
50%
61%
Agreement with the following statements by group
Significantly lowerSignificantly higher
Long form
Short form
Long & short
form
Long form
Short form
Long & short
form
Over a quarter (28%) of Short form group agree that the BBC produces great programmes on factual subjects –
significantly fewer when compared to other two groups
20. Confidential: For research purposes only 20
Participants wereopen to new formats and understoodBBC’s need to do so,
to innovate and evolve
I think the BBC is keeping up with the trends of the 21st
century – more people are accessing content digitally so
it’s the right move to capture more members of the public
to be interested in the BBC and what it has to offer.
(Female, 30, Long & Short form, iPlayer website, NAD)
[The BBC] are trying to find innovative ways to present the channel using the available
resources. People aren't just watching programmes on a regular TV anymore. They are
watching it on computers, tablet and smart TVs and they have access to more
information than ever before – so mixed programming like this, or programming with
additional digital features such as the evidence files made available on the website for
the L&DR:LT series makes sense.
(Male, 32, Long & Short form, iPlayer website, NAD)
It's great. I am glad the way we watch TV is always
changing and evolving and this seemed like another step
forward. I like that there is more to Life and Death
Row than just episodes.
(Female, 33, Long & Short form, iPlayer website, NAD)
I'll be honest, I enjoyed the main programme, but I wasn't fussed on these Love Triangle bits,
I think they're aimed at a younger audience - I could see teens finding this interesting but
I didn't really get it - guess they're doing it to keep younger viewers watching.
(Male, 32, Long & Short form, BBC Three website, AD)
Q15. Thinking about Life and Death Row: Love Triangle, where the content was a combination of episodes and additional evidence files, what do you think about the BBC creating this new type of long form
content, and why?
NAD = no additional evidence viewed, AD = additional evidence viewed
22. Confidential: For research purposes only 22
Conclusions
The immersive
experience in the Long
& Short form content
“It is good as it allows you to
get more involved with the
programme. It also allows
[the BBC] to deliver extra
content which they couldn't
deliver 'over the air’.”
(Long and Short form,
iPlayer app, AD)
The availability of
additional evidence on
the BBC Three
website
“Good idea. After a program
you like you always tend to
want to search for more
information, great you can
do it within the website.”
(Long & Short form, iPlayer website,
NAD)
These factors
contributed to higher
scores across the board,
as well as higher
engagement and
increased likelihood of
actions taken
Three key drivers – other than content – increasing scores
What
worked well
What worked
less well
Rather than on its own,
Short form content,
performed better in
combination with Long
form content or
alongside additional
evidence
Signposting and call
to action to the BBC
Three website /
additional evidence
Make all materials related
to Short form content
easily accessible to add
to the overall experience
& engagement
23. Confidential: For research purposes only 23
Content rating
Content scores were high
overall, and the Long score of
7.92 is on par with the Short
form content score of 7.95,
but significantly lower than the
Long & Short form group
(8.33)
Content
perceptions
Those who watched
Long form only content
were significantly more
likely to disagree that the
content was innovative
Perceptions of BBC
While perceptions scores were
high overall, scores amongst the
Long form group were
significantly lower that the Long
& Short form group, particularly in
terms of:
• Being glad that the BBC
exists (73% vs 86%)
• Agreeing that the BBC
produces great programmes
about factual subjects (81% vs
91%)
Engaging with the
BBC brand
Long form only viewers
were significantly less
likely to “like” content on
social media than those in
the Long & Short form group
Favourability of
BBC
A significant increase in
favourability scores for the
BBC, BBC Three and iPlayer.
Scores generated were higher
than those among Short form
group, but lower when
compared to the Long & Short
form group
Favourability of
BBC
Significant uplift of BBC Three
and BBC iPlayer scores, but
not the BBC overall.
Overall lowest favourability
scores across all four BBC
brands
Engaging with the
BBC brand
Short form only
viewers were also
significantly less likely
to talk about content
with friends or family
Perceptions of
BBC
83% agreed that the BBC
produces great programmes
about factual subjects – this
was significantly lower than
scores from the Long & Short
group (91%)
Content rating
Content scores were high
overall, with the Short form
group giving a mean score of
7.95, on par with Long form
group (7.92), but significantly
lower than Long & Short form
group (8.33)
Content
perceptions
Short form only viewers were
more likely to consider the
content innovative when
compared to Long form only,
however those who watched
Long & Short form content
were significantly more likely
to agree that content was
innovative
Longform
(LifeandDeathRow)
Shortformepisodes
(LifeandDeathRow)
ummary–Long&Shortform/Additionalevidence
Viewing L&DR across a combination of long & short form content
resulted in better results than when viewed in their own silos
24. Confidential: For research purposes only 24
Experiencing the L&DR brand in a multi-faceted way amplified people’s
perceptions of the BBC and enables greater social media engagement
Content rating
Significantly highest
content rating score
(8.33)
Content
perceptions
Most likely to agree that that
content was innovative and
that the content makes the
BBC look more modern
Engaging with the
BBC brand
Long & Short form content viewers
were significantly more likely
to engage on a number of levels:
• Discuss the series with
friends/family (off- and online)
• Search for more
information on the BBC
website
• Like BBC on social
media
Perceptions of BBC
86% of those in the Long &
Short form group agreed that
they were glad that the BBC
exists – this figure was
significantly higher than that of
the Long form group.
91% agreed that the BBC
produces great programmes
about factual subjects – this
figure was significantly higher
than that of the Long form and
Short form groups
Favourability of
BBC
A significant increase in
favourability scores for
the BBC, BBC Three and
iPlayer.
Scores generated were higher
than those among Long form
and Short form only groups
Content rating
Those who watched additional
evidence gave significantly
higher content rating scores
(8.43 mean vs. 7.98 for those
who didn’t review the
evidence)
Content
perceptions
They were also more likely to
agree that the content was
innovative (85% vs 74%)
Engaging with the
BBC brand
Significantly more likely to
engage on a number of levels:
• Discuss the series with
friends/family (off- and online)
• Post/comment on social
media
• Share content about the
series
• Search for more information
on and off the BBC website
• Like BBC and BBC Three on
social media
Perceptions of
BBC
74% of those who reviewed
additional evidence agreed
that BBC Three was for
people like them –
significantly higher than those
who didn’t
Favourability of
BBC
The highest leap in before
and after favourability scores
amongst those who reviewed
additional evidence were for
BBC Three
Short&LongformAdditionalevidence
Summary–Long&Shortform/Additionalevidence
26. Confidential: For research purposes only 26
7.40 7.42
6.95
7.65 7.59
7.21
7.49
7.36
7.837.76 7.81
7.25
8.00
7.79
7.68 7.70 7.71
8.19
6.00
6.50
7.00
7.50
8.00
8.50
9.00
The BBC
Before After
6.68
6.79
6.15
6.92
6.63 6.64
6.47
6.60
7.34
7.51
7.38
7.23
7.71 7.64
7.43
7.67
7.36
7.96
6.00
6.50
7.00
7.50
8.00
8.50
9.00
BBC Three
Before After
Overall brand impression scores: Before / After
(Before / Screener survey – S6; After / Follow-up survey – Q16) What is your overall impression of the following BBC Brands? What is your overall impression of the following BBC brands? Please use a scale
of 1 to 10, where 1 is ‘extremely unfavourable’ and 10 is ‘extremely favourable’?
Base: All respondents (n=255)
27. Confidential: For research purposes only 27
7.72
7.58 7.51
7.88 7.84
7.66
7.94
7.56
7.69
8.16 8.10
7.87
8.34 8.30
8.07
8.36
8.07
8.44
6.00
6.50
7.00
7.50
8.00
8.50
9.00
BBC iPlayer
Before After
7.73 7.72
7.52
7.83 7.93
7.51
8.03
7.60
8.028.02 8.03
7.74
8.12 8.07
7.90
8.06
7.99
8.20
6.00
6.50
7.00
7.50
8.00
8.50
9.00
BBC Online
Before After
Overall brand impression scores: Before / After
(Before / Screener survey – S6; After / Follow-up survey – Q16) What is your overall impression of the following BBC Brands? What is your overall impression of the following BBC brands? Please use a scale
of 1 to 10, where 1 is ‘extremely unfavourable’ and 10 is ‘extremely favourable’?
Base: All respondents (n=255)