4. Aperture Basics
Located in back of lens (called an iris diaphragm)
Opening which light passes through into camera
Variable size
Written as fraction (ƒ/16)
5. Focal LengthFocal Length
Distance in mm
A “normal” lens for 35mm is 50mm long
The focal length is the distance from the secondary principal
point to the rear focal point of a lens.
16. Lenses Showing AperturesLenses Showing Apertures
1. Wide open, small ƒ/number
2. Closed down, large ƒ/number
Remember ƒ/numbers or
ƒ/stops are fractions.
17. ƒ/Number Formulaƒ/Number Formula
The f-number N is given
by formula to right
ƒ is the focal length,
D is the diameter of the
entrance pupil (effective
aperture).
18. F-number
The standard f-stop scale where √2(square root
of 2) corresponds to the sequence of the powers
of : f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16,
f/22, f/32, f/45, f/64, f/90, f/128, etc.
The values of the ratios are rounded off to these
to make them easy to remember and write
down.
19. Aperture & ƒAperture & ƒ/stops/stops
Remember ƒ/stops are a fraction of the diameter of the lens.
Larger numbers (ƒ/22)
Smaller opening
Less light
Smaller numbers (ƒ/2)
Bigger opening
More light
20. What do the numbers really mean?
When the lens is set to ƒ/2, the hole in the lens is 1/2 as big as the lens
is long.
When the lens is set to ƒ/8, the hole in the lens is 1/8th as big as the
lens is long.
Which hole is bigger, 1/2 or 1/8?
Which hose would let more water through, one that's a half inch in
diameter or one that's one-eighth in diameter?
Which ƒ/stop lets in more light, ƒ/2 or ƒ/8?
2 2.8 4 5.6
8 11 16 22
1.4
26. The distance in front of and beyond
the subject that appears to be in
focus.
27. Light rays converge through a lens at different distances in front and
behind film plane in a cone.
When a lens is in focus, light rays are sharp on the film plane.
The circle of confusion is the “slice” of the cone at the film plane that is
not in focus.
The farther the tip of the cone is from the film plane the larger the circle of
confusion.
28.
29. Depth-of-field (DoF)
Shallow DoF
Only subject in focus
ƒ/2, ƒ/2.8, ƒ/4
Deep DoF
Everything in focus
ƒ/11, ƒ/16, ƒ/22
Closer subjects (esp.
macro)
Less DoF
Shallow
Distance subjects
Greater DoF
Deep
30. Shallow & Deep DoF
Shallow
Little in
focus
Deep
More in
focus
ƒ/5.6
@ 1,000
35 mm
ƒ/16
@ 125
35 mm
33. Depth-of-FieldDepth-of-Field
Use Depth-of-field scale in conjunction with distance
scale to tell depth-of-field.
Red area is that in focus at given ƒ/stop.
Here is the ƒ/2 reading, 4 feet is the only area in
focus.
45. Depth-of-Field & Point of FocusDepth-of-Field & Point of Focus
The distance scale changes with the focus.
Red line in the center is the point in focus.
At ƒ/2, area in focus 3 feet.
46. Depth-of-Field & Point of FocusDepth-of-Field & Point of Focus
The distance scale changes with the focus.
Red line in the center is the point in focus.
At ƒ/2, area in focus is just over 6 feet.
47. Depth-of-Field & Point of FocusDepth-of-Field & Point of Focus
The distance scale changes with the focus.
Red line in the center is the point in focus.
The translucent red box is the area in focus.
At ƒ/22, area in focus is from 3 feet to infinity.
48. Depth-of-Field & Point of FocusDepth-of-Field & Point of Focus
Red, focus @ 4
feet.
At ƒ/22, area in
focus is between
2.5 and 14 feet.
Green, focus @ 6
feet.
At ƒ/22, area in focus
is between 2.5 feet
and infinity.
49. Central Point of Interest & Selective FocusCentral Point of Interest & Selective Focus
Point
of
Focus
73. Think About
Point of Focus (where camera focus is at)
Exposure
Choose priority
○ Stopping action/showing motion (shutter speed)
○ DoF (ƒ/stop)
Shallow
Deep
Think how will…
○ Shutter speed effect DoF
○ DoF effect shutter speed
When you take a photo you should always
consider:
74. Think About
Fast shutter speed means low ƒ/stops
Slow shutter speeds means high ƒ/stops
Remember: reciprocity (if you change ƒ/stop you must
change shutter speed)
Conversely
High ƒ/stops (deep DoF) means slow shutter speeds
Low ƒ/stops (shallow DoF) means fast shutter speeds
Remember: reciprocity
In General:
75. Your Assignment: DirectionsDirections
You are to take 8 sets of 2 photos (16 photos total)
demonstrating shallow and deep depth-of-field.
Each set consists of:
Identical photos with the same exact content and focus.
Five similar items in a row.
The only change should be the ƒ/stop with the exposure
adjusted (±0) so the exposure is reciprocal between the
two.
One photo should be with an ƒ/stop less than ƒ/4 (or as low
as you can get i.e. ƒ/5.6).
The other photo should be with an ƒ/stop greater than ƒ/11
(ƒ/16+ better).
Remember to adjust shutter speed and/or ISO when
changing ƒ/stop. All photos should have reciprocal
exposures.
76. What to turn in
Worksheet fully filled
out
Contact sheet fully
labeled with
exposures
One set of favorite
photos printed out
w/exposures
Aperture & ƒ/stop
rubric
81. Your Assignment: Example 1
This photo is ƒ/11 @ 60.
What should the other photo be taken at?
Remember
Your are to take two
exposures
• One deep
• One shallow
82. Finding Reciprocal Exposure
Step 1
First think about type of DoF (shallow or deep)
Find the equivalent exposure for opposite DoF
83. Finding Reciprocal Exposure Step 2
DoF is deep (ƒ/11)
Choose new ƒ/stop (ƒ/2.8)
ƒ/stop difference
+4 stops
Lets in more light
Find new shutter speed
DoF is deep (ƒ/11)
Choose new ƒ/stop (ƒ/4)
ƒ/stop difference
+4 stops
Lets in more light
Find new shutter speed
84. Finding Reciprocal Exposure Step 3
Find new shutter speed
-4 OR -3 stops
Lets in less light
New reciprocal (equivalent) exposure
ƒ/2.8 @ 1,000 or
ƒ/4 @ 2.000
85. Your Assignment: Example 2
This photo is ƒ/32 @ 60.
What should the other photo be taken at?
Remember
Your are to take two exposures
• One deep
• One shallow
87. Your Assignment: Example 3
This photo is ƒ/4 @ 125.
What should the other photo be taken at?
Are there any limitations? How would you compensate?
Remember
Your are to take two
exposures
• One deep
• One shallow
89. Finding Reciprocal Exposure Ans. #3
New exposure ƒ/22 @ 4
But can only go to 60 so…
ƒ/16 @ 60
Not a shallow DoF
Will not work for assignment
90. Finding Reciprocal Exposure Ans. #3
New exposure ƒ/22 @ 4
But can only go to 60 so…
ƒ/16 @ 60
Not a shallow DoF
Will not work for assignment
91. Your Assignment: Example 4
This photo is ƒ/8 @ 250.
What should the other photo be taken at?
Remember
Your are to take two exposures
• One deep
• Ocne shallow
92. Finding Reciprocal Exposure Ans. #4
Neutral DoF @ ƒ/8, need to make adjustment
New exposure ƒ/16 @ 60 (deep)
New exposure ƒ/2.8 @ 2,000 (shallow)
93. Your Assignment: Example 5
This photo is ƒ/16 @ 125.
What should the other photo be taken at?
Remember
Your are to take two exposures
• One deep
• Ocne shallow