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Understanding Exposure
Understanding Exposure
             Exposure. Defined

   Some scenes are brighter than others
    so the camera needs to control how
    much light reaches the film/chip

 Too little light – the image will be too
  dark
 Too much light – appears washed out
Understanding Exposure
            Controlling Exposure

   Two ways to control exposure in exact,
    measured amounts are via the aperture and
    shutter speeds

   The aperture controls how much light enters
    the lens and the shutter speed controls the
    length of time the light strikes the film
Understanding Exposure
             Controlling Exposure


   Photographers use the terms stopping
    down and opening up to describe what
    happens when they change the amount of
    light reaching the film.

   Decreasing the exposure is to “stop down”
    while an increase in exposure would be to
    “open up”
Understanding Exposure
                     Apertures
   The aperture is the bladed diaphram inside
    the lens that opens or closes to control the
    amount of light entering the camera.

    f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16,
    f,22, f/32, f/45, f/64

   An f-stop refers to the size of the aperture.
    The higher the number, the smaller the
    opening. This is because all f-stop numbers
    are actually fractions so an f-stop of f/2 can
    be thought of as 1/2 of fully open and an f-
    stop of f/8 is 1/8th the opening diameter
Understanding Exposure
                 Aperture cont…
   Apertures have been standardized so that each
    stop either doubles or halves the amount of light
    reaching the film




             An f-stop of f/2 lets more light in than f/8
Understanding Exposure
          Apertures cont…depth of field
   As the aperture is stopped down and gets smaller,
    more of the background and foreground in the
    scene becomes sharp. The area of acceptable
    sharpness in a scene is known as the depth of
    field.
Understanding Exposure
               Apertures cont…


   Wide apertures
     Throw backgrounds out of focus
     Essential in low light situations
     Also known as fast apertures
     Maximum apertures vary between lenses and
     not all lenses have the same apertures
     available
Understanding Exposure
             Apertures cont…

Mid-Range Apertures
     • Tend to give the highest resolution
     pictures

Small Apertures
     • Essential in very bright conditions
     • When increased depth of field is desired
     • Small apertures have large f/numbers
Understanding Exposure
                 Shutter Speeds


   The shutter of a camera can be thought of as a
    door that opens and closes extremely quickly.
    It is actually closer to a curtain, but the
    principle is the same.

   How long the curtain remains open is the
    shutter speed.
Understanding Exposures
              Shutter Speeds cont…

   Like apertures, the shutter speeds have been
    standardized and each successive change in
    the shutter speed is equal.
    If you move up the scale such as from 1/4
    sec to 1/8 sec or from 1/125 sec to 1/250
    sec, you double the speed and half the light
    transmitted (stopping down).
   Conversely if you move from 1/60 sec to 1/30
    sec (open up) you half the speed and double
    the amount of light
Understanding Exposure
   Remember the same having/doubling
    principle is at work with apertures. If you
    switch from f/8 to f/11, you will have “stopped
    down” one stop allowing only half the light to
    reach the film plain

   What exists is a series of equal steps of
    change in the amount of light reaching the
    film by either the shutter speed or aperture
Understanding Exposures
Relationship between apertures and shutter speeds
Understanding Exposure
                   Camera Shake

   Camera shake occurs when too slow a shutter
    speed has been selected for handholding
    capabilities. The image becomes blurred and
    sharpness is lost.

   A general rule is to select a shutter speed at
    least equal to the focal length you are using.
     A 50mm focal length would require a shutter speed of 1/60 sec
      to avoid camera shake
     A focal length of 200mm would require 1/250 sec shutter
      speed
F 5.6 0.5sec iso 200
F 5.6 0.5sec iso 200
F 5.6 1/30sec iso 3200
F 1.4 1/30sec iso 200
F 5.6 1/60sec iso 200 Ceiling bounce flash
F 5.6 1/60sec iso 200 Direct flash
iso 100   f5.6   0.5sec
iso 100   f5.6   0.5sec
iso 1600   f5.6   1/20sec
iso 1600   f5.6   1/10sec no ceiling light
iso 100   f5.6   1/60sec Bounce Flash
A few more examples to sum
            up
The End

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Understanding exposure

  • 2. Understanding Exposure Exposure. Defined  Some scenes are brighter than others so the camera needs to control how much light reaches the film/chip  Too little light – the image will be too dark  Too much light – appears washed out
  • 3. Understanding Exposure Controlling Exposure  Two ways to control exposure in exact, measured amounts are via the aperture and shutter speeds  The aperture controls how much light enters the lens and the shutter speed controls the length of time the light strikes the film
  • 4. Understanding Exposure Controlling Exposure  Photographers use the terms stopping down and opening up to describe what happens when they change the amount of light reaching the film.  Decreasing the exposure is to “stop down” while an increase in exposure would be to “open up”
  • 5. Understanding Exposure Apertures  The aperture is the bladed diaphram inside the lens that opens or closes to control the amount of light entering the camera.  f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f,22, f/32, f/45, f/64  An f-stop refers to the size of the aperture. The higher the number, the smaller the opening. This is because all f-stop numbers are actually fractions so an f-stop of f/2 can be thought of as 1/2 of fully open and an f- stop of f/8 is 1/8th the opening diameter
  • 6. Understanding Exposure Aperture cont…  Apertures have been standardized so that each stop either doubles or halves the amount of light reaching the film An f-stop of f/2 lets more light in than f/8
  • 7. Understanding Exposure Apertures cont…depth of field  As the aperture is stopped down and gets smaller, more of the background and foreground in the scene becomes sharp. The area of acceptable sharpness in a scene is known as the depth of field.
  • 8. Understanding Exposure Apertures cont…  Wide apertures  Throw backgrounds out of focus  Essential in low light situations  Also known as fast apertures  Maximum apertures vary between lenses and not all lenses have the same apertures available
  • 9. Understanding Exposure Apertures cont… Mid-Range Apertures • Tend to give the highest resolution pictures Small Apertures • Essential in very bright conditions • When increased depth of field is desired • Small apertures have large f/numbers
  • 10. Understanding Exposure Shutter Speeds  The shutter of a camera can be thought of as a door that opens and closes extremely quickly. It is actually closer to a curtain, but the principle is the same.  How long the curtain remains open is the shutter speed.
  • 11. Understanding Exposures Shutter Speeds cont…  Like apertures, the shutter speeds have been standardized and each successive change in the shutter speed is equal.  If you move up the scale such as from 1/4 sec to 1/8 sec or from 1/125 sec to 1/250 sec, you double the speed and half the light transmitted (stopping down).  Conversely if you move from 1/60 sec to 1/30 sec (open up) you half the speed and double the amount of light
  • 12. Understanding Exposure  Remember the same having/doubling principle is at work with apertures. If you switch from f/8 to f/11, you will have “stopped down” one stop allowing only half the light to reach the film plain  What exists is a series of equal steps of change in the amount of light reaching the film by either the shutter speed or aperture
  • 13. Understanding Exposures Relationship between apertures and shutter speeds
  • 14. Understanding Exposure Camera Shake  Camera shake occurs when too slow a shutter speed has been selected for handholding capabilities. The image becomes blurred and sharpness is lost.  A general rule is to select a shutter speed at least equal to the focal length you are using.  A 50mm focal length would require a shutter speed of 1/60 sec to avoid camera shake  A focal length of 200mm would require 1/250 sec shutter speed
  • 15. F 5.6 0.5sec iso 200
  • 16. F 5.6 0.5sec iso 200
  • 17. F 5.6 1/30sec iso 3200
  • 18. F 1.4 1/30sec iso 200
  • 19. F 5.6 1/60sec iso 200 Ceiling bounce flash
  • 20. F 5.6 1/60sec iso 200 Direct flash
  • 21. iso 100 f5.6 0.5sec
  • 22. iso 100 f5.6 0.5sec
  • 23. iso 1600 f5.6 1/20sec
  • 24. iso 1600 f5.6 1/10sec no ceiling light
  • 25. iso 100 f5.6 1/60sec Bounce Flash
  • 26. A few more examples to sum up
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