Entrance Activity
YOU MUST select and recall the key elements associated to this mode of
documentary film making – DON’T RUB THIS LIST OUT!
Extension – YOU COULD talk about HOW they’re represented in the text.
Observational Mode (Nichols – 2001) of
Documentary
Title:
9/11 – Key Scene Overview
Tuesday 24th
February 2015
FM4:
Varieties of Film Experience – Issues and Debates
Section B Specialist Study 2:
Spectatorship Topics – Spectatorship
and Documentary
Why?
Aims & Objectives
• YOU WILL re-cap prior
learning.
• Your knowledge and
understanding of the
observational Mode will be
developed.
• YOU WILL also consider the
cross-pollination of other
modes within the examples
we analyse today.
• Review the learning.
AO1
Demonstrate knowledge and
understanding of film as an
audio-visual form of creative
expression together and
AO2
Apply knowledge and
understanding, including
some of the common critical
approaches that characterise
the subject, when exploring
and analysing films.
HOW have Jules & Gedeon Naudet constructed this documentary?
Are there other enigma clues (Roland Barthes – 1975) like this in the lead up to
September 11th
?
FM4 – Section B
‘9/11’ (2002 – Jules & Gedeon Naudet)
• “The accidental documentary”
• 2 French Brothers filming a ‘Probie’ (Rookie) firefighter Tony Benetatos
• September 11th
2001 – The shift in the focus of the documentary changed.
"They always say there is always a witness for history. I guess that day, we were chosen to
be the witness."
- Jules Naudet
Observation v Fiction Film
Task 1) – 10 minutes
YOU MUST watch the 2 key scenes and complete the Questions on the
worksheet provided.
FEEDBACK
Task 2) - 5 minutes
 
Go onto the Public Drive and YOU MUST find a defining example of the 
Observational Mode of Documentary from the text:
 
WHY?
HOW
YOU SHOULD establish what scene it is and – through picking out 
relevant micro feature(s) establish WHY and HOW by recording them 
into your exercise books.
FEEDBACK
FM4 – Section B
EXAM BOARD EXPECTATIONS
What does Jules Naudet’s Voice of god commentary ‘expose’ to the 
spectator in the lead up to the first plane hitting the WTC?
What have you learnt?
Revisit the list – YOU MUST add x2 new areas you have learnt today 
and x1 that you need to investigate further to extend your 
understanding.
Observational Mode (Nichols – 2001) of 
Documentary 
Homework
AO4
Observational Mode – the recording of events as they
happen through an unobtrusive camera.
Find x2 examples from the documentary – ONE FOR – ONE
AGAINST – This Observational Mode convention
Due: Next Lesson – Thursday 26th
February

L5 l6 - '911' key scene analysis

  • 1.
    Entrance Activity YOU MUSTselect and recall the key elements associated to this mode of documentary film making – DON’T RUB THIS LIST OUT! Extension – YOU COULD talk about HOW they’re represented in the text. Observational Mode (Nichols – 2001) of Documentary
  • 2.
    Title: 9/11 – KeyScene Overview Tuesday 24th February 2015 FM4: Varieties of Film Experience – Issues and Debates Section B Specialist Study 2: Spectatorship Topics – Spectatorship and Documentary
  • 3.
    Why? Aims & Objectives •YOU WILL re-cap prior learning. • Your knowledge and understanding of the observational Mode will be developed. • YOU WILL also consider the cross-pollination of other modes within the examples we analyse today. • Review the learning. AO1 Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.
  • 4.
    HOW have Jules& Gedeon Naudet constructed this documentary? Are there other enigma clues (Roland Barthes – 1975) like this in the lead up to September 11th ?
  • 5.
    FM4 – SectionB ‘9/11’ (2002 – Jules & Gedeon Naudet) • “The accidental documentary” • 2 French Brothers filming a ‘Probie’ (Rookie) firefighter Tony Benetatos • September 11th 2001 – The shift in the focus of the documentary changed. "They always say there is always a witness for history. I guess that day, we were chosen to be the witness." - Jules Naudet
  • 6.
  • 7.
    Task 1) –10 minutes YOU MUST watch the 2 key scenes and complete the Questions on the worksheet provided.
  • 8.
  • 9.
    Task 2) -5 minutes   Go onto the Public Drive and YOU MUST find a defining example of the  Observational Mode of Documentary from the text:   WHY? HOW YOU SHOULD establish what scene it is and – through picking out  relevant micro feature(s) establish WHY and HOW by recording them  into your exercise books.
  • 10.
  • 11.
    FM4 – SectionB EXAM BOARD EXPECTATIONS What does Jules Naudet’s Voice of god commentary ‘expose’ to the  spectator in the lead up to the first plane hitting the WTC?
  • 12.
    What have youlearnt? Revisit the list – YOU MUST add x2 new areas you have learnt today  and x1 that you need to investigate further to extend your  understanding. Observational Mode (Nichols – 2001) of  Documentary 
  • 13.
    Homework AO4 Observational Mode –the recording of events as they happen through an unobtrusive camera. Find x2 examples from the documentary – ONE FOR – ONE AGAINST – This Observational Mode convention Due: Next Lesson – Thursday 26th February

Editor's Notes

  • #7 Statements on Display on the NEXT SLIDE
  • #9 Statements on Display on the NEXT SLIDE
  • #10 Statements on Display on the NEXT SLIDE
  • #11 Statements on Display on the NEXT SLIDE