Title:
Tsotsi –
Location and Social Representation
Analysis
Monday 1st December 2014
FM4:
Varieties of Film Experience – Issues and Debates
Section A Specialist Study 1:
Urban Stories – Power, Poverty and
Conflict
Why?
Aims & Objectives
• YOU WILL re-cap prior
learning.
• YOU WILL analyse the
representation of the
location and social
issues from the principle
text Tsotsi.
• Review the learning.
AO1
Demonstrate knowledge and
understanding of film as an
audio-visual form of creative
expression together and
AO2
Apply knowledge and
understanding, including
some of the common critical
approaches that characterise
the subject, when exploring
and analysing films.
Starter 1) –
Re-cap Prior Learning
You need to complete the Quiz on FM4 – Section A by going to:
ncrafts.wordpress.com – Hover over ‘WJEC A2 Film Studies’ and then ‘Section A’ –
Click on the ‘FM4: Section A’ Page – Click on the hyperlink to the quiz
FEEDBACK
How did you get on?
Using your mini-whiteboards, YOU MUST summarise these themes & issues based on what
you learnt over the last few lessons.
YOU SHOULD give examples (Verbal, non-verbal and/or technical) of where this transition is
represented in the text.
Decency & Redemption
“A Brutal, Hardened Gang Leader”
(Karen Lee-Street – 2013)
Starter 2) –
2 minutes
FEEDBACK
How did you get on?
(Karen Lee-Street – 2013)
The extract where the policeman says “f*ck” after looing out into Soweto –
YOU MUST answer the questions BELOW after watching the scene:
1) WHY does he say this?
2) Does he fear something/someone?
3) Does this ‘signify’ (De Saussure) the divide between different communities in the city?
4) The technical code of the wide shot of the Soweto landscape – Connotations?
YOU SHOULD be prepared to identify example from the film and feedback your ideas to
the rest of the class.
Task 1) – 8 minutes
FEEDBACK
How did you get on?
Task 2) – 8 minutes
Task 2) – 10 minutes
“Think – Pair – Share”
Based on the handout provided (previous slide), YOU MUST consider the following:
• WHAT messages and values are ‘injected’ (Hperdermic needle theory) into the
spectators minds about the people and/or places represented in EACH image?
• HOW do the spectators respond to this representation?
Extension - YOU COULD refer to theory such as Stuart Hall (1980) ‘Audience reception’
Task 2) – 8 minutes
FEEDBACK
What have you learnt?
YOU MUST summarise the 2 themes into 1 sentence for EACH theme.
Extension – YOU COULD give examples from the text to support your understanding.
Tsotsi – Locations & Social Issues
Homework
Produce a “Mind-Map” of the Location and Social Issues
represented in the text. (1 Page)
Due: Next Lesson – L9 – Tuesday 3rd December
Study this – Complete some of
the tasks!

L8 locations

  • 1.
    Title: Tsotsi – Location andSocial Representation Analysis Monday 1st December 2014 FM4: Varieties of Film Experience – Issues and Debates Section A Specialist Study 1: Urban Stories – Power, Poverty and Conflict
  • 2.
    Why? Aims & Objectives •YOU WILL re-cap prior learning. • YOU WILL analyse the representation of the location and social issues from the principle text Tsotsi. • Review the learning. AO1 Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.
  • 3.
    Starter 1) – Re-capPrior Learning You need to complete the Quiz on FM4 – Section A by going to: ncrafts.wordpress.com – Hover over ‘WJEC A2 Film Studies’ and then ‘Section A’ – Click on the ‘FM4: Section A’ Page – Click on the hyperlink to the quiz
  • 4.
  • 5.
    Using your mini-whiteboards,YOU MUST summarise these themes & issues based on what you learnt over the last few lessons. YOU SHOULD give examples (Verbal, non-verbal and/or technical) of where this transition is represented in the text. Decency & Redemption “A Brutal, Hardened Gang Leader” (Karen Lee-Street – 2013) Starter 2) – 2 minutes
  • 6.
  • 7.
  • 8.
    The extract wherethe policeman says “f*ck” after looing out into Soweto – YOU MUST answer the questions BELOW after watching the scene: 1) WHY does he say this? 2) Does he fear something/someone? 3) Does this ‘signify’ (De Saussure) the divide between different communities in the city? 4) The technical code of the wide shot of the Soweto landscape – Connotations? YOU SHOULD be prepared to identify example from the film and feedback your ideas to the rest of the class. Task 1) – 8 minutes
  • 9.
  • 10.
    Task 2) –8 minutes
  • 11.
    Task 2) –10 minutes “Think – Pair – Share” Based on the handout provided (previous slide), YOU MUST consider the following: • WHAT messages and values are ‘injected’ (Hperdermic needle theory) into the spectators minds about the people and/or places represented in EACH image? • HOW do the spectators respond to this representation? Extension - YOU COULD refer to theory such as Stuart Hall (1980) ‘Audience reception’
  • 12.
    Task 2) –8 minutes FEEDBACK
  • 13.
    What have youlearnt? YOU MUST summarise the 2 themes into 1 sentence for EACH theme. Extension – YOU COULD give examples from the text to support your understanding. Tsotsi – Locations & Social Issues
  • 14.
    Homework Produce a “Mind-Map”of the Location and Social Issues represented in the text. (1 Page) Due: Next Lesson – L9 – Tuesday 3rd December Study this – Complete some of the tasks!

Editor's Notes

  • #4 Adapt for other lessons
  • #5 Statements on Display on the NEXT SLIDE
  • #6 Statements on Display on the NEXT SLIDE
  • #7 Statements on Display on the NEXT SLIDE
  • #10 Statements on Display on the NEXT SLIDE