Make it Sexy: Storia, storie e storiografia dell’arte contemporanea africana. Gli artisti dell’Africa raccontati attraverso esposizioni, riviste, istituzioni e wikipedia
Accademia di Bergamo, Bergamo, 16/04/2009.
Make it Sexy: Storia, storie e storiografia dell’arte contemporanea africana,...Iolanda Pensa
Make it Sexy: Storia, storie e storiografia dell’arte contemporanea africana. Gli artisti dell’Africa raccontati attraverso esposizioni, riviste, istituzioni e wikipedia.
Aula Magna, Museo di Storia Naturale, Milano, 11/11/2008.
Lower Manhattan Expressway
Sarah Morris
Organisation Natacha Carron et le Consortium Paris
8 Rue Saint-Bon
Le Mur
8, rue Saint-Bon
75004 Paris
Instagram @mursaintbon #mursaintbon
Le Mur " by Sarah Morris, organized by Le Consortium and Natacha Carron - Opening on February 16th, Rue Saint-Bon in Paris, France.
#AirdeParis
Make it Sexy: Storia, storie e storiografia dell’arte contemporanea africana,...Iolanda Pensa
Make it Sexy: Storia, storie e storiografia dell’arte contemporanea africana. Gli artisti dell’Africa raccontati attraverso esposizioni, riviste, istituzioni e wikipedia.
Aula Magna, Museo di Storia Naturale, Milano, 11/11/2008.
Lower Manhattan Expressway
Sarah Morris
Organisation Natacha Carron et le Consortium Paris
8 Rue Saint-Bon
Le Mur
8, rue Saint-Bon
75004 Paris
Instagram @mursaintbon #mursaintbon
Le Mur " by Sarah Morris, organized by Le Consortium and Natacha Carron - Opening on February 16th, Rue Saint-Bon in Paris, France.
#AirdeParis
The National Gallery Singapore first opened on Nov 2015, with over 8000 artworks.
“National Gallery Singapore is a new visual arts institution which oversees the largest public collection of modern art in Singapore and Southeast Asia. Situated in the heart of the Civic district, the Gallery in housed in two national monuments – former Supreme Court and City Hall – that have been beautifully restored and transformed into this exciting venue.
Reflecting Singapore’s unique heritage and geographical location, the Gallery will feature Singapore and Southeast Asian art from Singapore’s National Collection in its permanent and special exhibitions. The Gallery will also work with international museums to jointly present Souteast Asian art in the global context to offer an exciting line up of shows for all.”
The National Gallery Singapore first opened on Nov 2015, with over 8000 artworks.
“National Gallery Singapore is a new visual arts institution which oversees the largest public collection of modern art in Singapore and Southeast Asia. Situated in the heart of the Civic district, the Gallery in housed in two national monuments – former Supreme Court and City Hall – that have been beautifully restored and transformed into this exciting venue.
Reflecting Singapore’s unique heritage and geographical location, the Gallery will feature Singapore and Southeast Asian art from Singapore’s National Collection in its permanent and special exhibitions. The Gallery will also work with international museums to jointly present Souteast Asian art in the global context to offer an exciting line up of shows for all.”
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
Pensa-OS-ADM Open Science for arts, design and music at HES-SOIolanda Pensa
Iolanda Pensa, Le partage des données dans les domaines artistiques in Open research data: pratiques et défis pour les domaines artistiques Design et Arts visuels Musique et Arts de la scène, HES-SO, online 16/05/2024, CC BY 4.0.
Open access, Creative Commons e Wikipedia per le istituzioni culturaliIolanda Pensa
Iolanda Pensa, Open access, Creative Commons e Wikipedia per le istituzioni culturali, within the webinar programme "Conversioni" curated by Eleonora Pantò and organised by "Sapere digitale" directed by Augursta Giovannoni, online, 26/03/2024.
Open access, Creative Commons e Wikipedia per le istituzioni culturali
Sempre più musei, archivi e biblioteche nel mondo aprono i loro contenuti a vantaggio dei cittadini, rendendo disponibili le riproduzioni digitali delle loro collezioni in pubblico dominio e rilasciando la loro produzione di ricerca e materiali educativi con licenze libere. Questa presentazione raconta il progetto Empowering Italian GLAMs che ha invitato nel 2022-2024 tutti i musei italiani nell’adottare l’open access e mostra una serie di visualizzazioni che permettono di osservare il patrimonio e le istituzioni culturali italiane sui progetti Wikimedia e in particolare su Wikidata e Wikimedia Commons.
Iolanda Pensa, Wikimedia projects and OpenStreetMap as an Open Research Infrastructure, 03 February 2024, FOSDEM, Bruxelles, CC BY-SA 4.0
The Wikimedia and OpenStreetMap projects are an existing free software infrastructure that already produces citizen science and can be used by researchers to share and co-produce data and to produce - and reproduce - the results of research. The presentation specifically refers to the potential of data related to cultural heritage for studies in the humanities and in particular in museology, art, art history and history of architecture.
Pensa GLAM Wiki Conference - Empowering GLAMsIolanda Pensa
Iolanda Pensa, 100'000 institutions on the Wikimedia projects: A strategy to activate in a simple way all the institutions around the world, pre-recorded contribution to the conference GLAM Wiki Conference 2023, Uruguay, 10/11/2023.
Iolanda Pensa, OS-ADM Open Science for Arts Design and Music for swissuniversities 2023. OA Panel on Insights and Learnings Based on the Intermediary Reviews: Projects OA Calls 211, 212 and 221, swissuniversities, online, 17/10/2023.
The participation at future Wikimania. Iolanda Pensa (introduction and moderator) with Phoebe Ayers, Gnangarra, Martin Rulsch and Maciej Artur Nadzikiewicz, Wikimania Singapore, 19/08/2023, CC BY-SA 4.0.
100,000 institutions on the Wikimedia projectsIolanda Pensa
Pensa, Iolanda. 100,000 institutions on the Wikimedia projects. A new strategy to activate in a simple way all the institutions around the world, Wikimania Singapore, 18/08/2023, CC BY-SA 4.0. Presentation with the participation of Dario Crespi.
Pensa-Open Access e comunicazione istituzionale.pdfIolanda Pensa
Iolanda Pensa. (2023, May 17). Open access e comunicazione istituzionale. Open Science for Arts Design and Music (OS-ADM), SUPSI Mendrisio. Zenodo. https://doi.org/10.5281/zenodo.7944427
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Make it Sexy: Storia, storie e storiografia dell'arte contemporanea africana, Bergamo, 2009
1. Make it Sexy:
Storia, storie e storiografia dell’arte contemporanea africana
Gli artisti dell’Africa raccontati attraverso esposizioni, riviste, istituzioni e wikipedia
Iolanda Pensa
iolanda@pensa.it
Accademia di Bergamo, Bergamo, 16/04/2009.
12. Exhibitions
1962
* Art from the Commonwealth, Commonwealth Institute, London, 1962.
1966
* Tendances et Confrontations. Musée Dynamique, Dakar (01-24/04/1966), all'interno del Festival Mondial des Arts Nègres.
1967
* Contemporary African Art. Transcription Centre, London, 1967.
1969
* Contemporary African Art, Studio International, London & New York, 1969, pp. 40. Camden Arts Centre, London, 1969.
* Contemporary African Art. Otis Institute, Los Angeles, 1969.
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
13. Exhibitions
1974
* African Art Today: Four Major Artists. African-American Institute, New York, 1974.
* Contemporary African Art, Museum of African Art, Washington D.C., 1974.
* Contemporart African Arts, Field Museum of Natural History, Chicago, 1974, pp. 124. A cura di Maude Wahlman, Field Museum of Natural History, Chicago (20/04-03/11/1974).
1977
* African Contemporary Art, The Gallery, Washington D.C, 1977, pp. 31. A cura di Kojo Fasu, The Gallery of Art, Howard University, Washington D.C. (30/04-31/07/1977).
1978
* Christliches Africa: Kunst und Kunsthandwerk in Schwarzafrika, (a cura di) Josef Thiel, Haus Völker und Kulturen, St. Augustine, 1978, pp. 96.
1979
* Moderne Kunst aus Afrika: Horizonte '79 Festival der Weltkulturen, Ausstellung der Berliner Festspiele mit Unterstützung der Staatliche Kunsthalle, Berlin, 1979, pp. 197 (titolo in copertina Kunst aus Africa). A
cura di Sabine Hollburg & Gereon Sievernnich, Staatliche Kunsthalle, Berlin (24/06-12/08/1979); Art from Africa, Commonwealth Institute, London (1981).
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
14. Exhibitions
1980
* Moderne Kunst in Afrika, Terra, Zutphen, 1980, pp. 94. A cura di Harrie M. Leyten e Paul Faber, Tropenmuseum, Amsterdam (1980)
1984
* L'art en Afrique est la vie: Paul Ahyi & El loko aus Togo, Galerie Altana, Hamburg, 1984 (03-18/11/1984).
* Sanaa: Contemporary Art from East Africa. A cura di Fatmah Abdellah, Mordecai Buluma, Elimo Njau, Commonwealth Institute, London (1984).
1985
* Tributaries: A View of Contemporary Southern African Art, BMW Communications Department, 1985. A cura di Richard Burdett, Africana Museum, Johannesburg; Germania.
1986
* From Two Worlds. Co-curata da Nicholas Serota, Whitechapel Art Gallery (1986).
1987
* L'art Naïf Africain, Musée d'Art Naïf Max Fourny, Paris, 1987, pp. 28. In collaborazione con Le Centre Culturel Français d'Abidjan, Musée d'Art Naïf Max Fourny, Paris (11/09-11/11/1987).
1988
* Art pour l'Afrique: Exposition internationale d'art contemporain. Musée National des Arts Africains et Océaniens, Paris (08/06-25/07/1988).
* Kunst uit een andere wereld [Art from another world], Snoeck-Ducaju & Zoon, Rotterdam, 1988. A cura di Paul Faber, Museo di Etnologia, Rotterdam (04/11/1988-13/02/1989).
* Art contemporain arabe: collection du Musée du l'Institut du Monde Arabe, Institut du Monde Arabe, Paris, 1988, pp. 171. A cura di Brahim Alaoui, Institut du Monde Arabe, Paris (1988).
1989
* Bild/konst i södra Afrika [Art/Images in Southern Africa], (a cura di) Christina Bjork, Kerstin Danielson & Bengt Serenander, Riksutställninger, Kulturhuset, Stoccolma, 1989, pp. 100. A cura di Kerstin
Danielsson, Kulturhuset e Agenzia Svedese di Sviluppo, Kulturhuset, Stoccolma (19/05-24/09/1989); itinerante in Svezia e nei paesi scandinavi fino a maggio 1990.
* Magiciens de la Terre, Editions du Centre Pompidou, Paris, 1989. A cura di Jean-Hubert Martin, in collaborazione con Jacques Soulillou, André Magnin, Aline Luque, Centre Pompidou, Paris (18/05–
14/08/1989).
* Croisement de Signes, Institut du Monde Arabe, Paris, 1989, pp. 66. A cura di Mohamed Métalsi (24/04-15/08/1989).
* The Other Story: Afro-Asian Artists in Post-War Britain, Hayward Gallery, London, 1989. A cura di Rasheed Araeen, Hayward Gallery, South Bank Centre, London (1989).
* Contemporary Art from the Islamic World, (a cura di) Wijdan Ali in collaborazione con Suhail Bisharat, Scorpion Publishing on behalf of the Royal Society of Fine Arts, Amman, London, 1989, pp. 288. A cura di
Wijdan Ali, Barbican Concourse Gallery, London.
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
15. Exhibitions
1990
* Lotte or the Trasformation of the Art Object, Grazer Kunstverein e Accademia d'Arte, Vienna, 1990. A cura di Célementine Deliss.
* Art from the Frontline: Contemporary Art from South Africa, Angola, Botswana, Mozambique, Tanzanian, Zambia, Zimbabwe, Frontline States-Karia Press, London, 1990, pp. 128. A cura di Peter Sinclair e
Emma Wallace, Glasgow Art Gallery and Museum (esposizione itinerante in Gran Bretagna).
* Contemporary African Artists: Changing Traditions, El Anatsui, Youssouf Bath, Ablade Glover, Tapfuma Gutsa, Rosemary Karuga, Souleymane Keita, Nicholas Mukomberanwa, Henry Munyaradzi, Bruce
Onobrakpeya, The Studio Museum in Harlem, New York, 1990, pp. 148. A cura di Grace Stanislaus, The Studio Museum in Harlem, New York.
* Wegzeichen: Kunst aus Ostafrika 1974-89 [Signs: Art From East Africa 1974-1989], Museum für Völkerkunde, Frankfurt-an-Main, 1990, pp. 541. A cura di Johanna Agthe.
1991
* Africa Explores: 20th Century African Art, Center for African Art, New York & Prestel-Verlag, Munich, 1991, pp. 294. A cura di Susan Vogel in collaborazione con Ima Ebong, The Centre for African Arts, New
York (1991); University Art Museum di Berkeley; Dallas Museum of Art; Saint Louis Art Museum; Mint Museum of Art di Charlotte; The Carnegie Museum of Art di Pittsburgh; The Corcoran Gallery of Art di
Washington D.C.; The Center for Fine Arts di Miami; Lüdwig; Forum für Internationale Kunst di Aachen, Germania (1993); Fundació Antoni Tàpies di Barcellona (1993); Espace Lyonnais d'Art Contemporain di Lyon
(1994); Tate Gallery, Liverpool (1994).
* Africa Hoy/Africa Now: Jean Pigozzi Collection. A cura di André Magnin, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria (17/09-17/11/1991); Groningen Museum, Groningen, Olanda
(07/12-09/02/1992), Centro Cultural de Arte Contemporaneo, Mexico City (20/02-07/06/1992); Out of Africa, Saatchi Gallery, London, 1993.
* Art and Ambiguity: Prospectives on the Brenthurst Collection of Southern African Art, Johannesburg Art Gallery, Johannesburg, 1991.
* Mit Pinsel und Meissel, Zeitgenössische afrikanische Kunst [Signs of the Time: New Art from Africa], Museum für Volkerkunde, Frankfurt am Main, 1991, pp. 79. A cura di Joanna Agthe e Christina Mundt,
Museum für Völkerkunde, Frankfurt am Main (26/04/1991-19/04/1992).
* A Grain of Wheat. A cura di Leroi Coubagy, Commonwealth Institute, London (1991). In sostegno ai programmi dell'UNICEF.
* Il Sud del Mondo: L'altra arte contemporanea, Mazzotta, Milano, 1991. A cura di Pierre Gaudibert e Wijdan Ali (in collaborazione con Umberto Melotti), Galleria civica d'arte contemporanea "Francesco Pizzo",
Marsala (14/02.14/04/1991).
* Contemporary Bushmen art of Southern Africa, Kuru Cultural Project, Botswana, 1991, pp. 14. A cura di Kuru Cultural Project of D'Kar, Botswana in collaborazione con Namibian Arts Association.
* Desplazamientos, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain.
* Transmission, Rooseum, Malmô, Svezia.
1992
* The Jean Pigozzi Contemporary African Art Collection at the Saachi Collection, The Saatchi Gallery, London, 1992.
* Home and the World: Architectural Sculpture by Two Contemporary African Artists, The Museum for African Art, Collana Focus on African Art, New York, 1992, pp. 92.
* La naissance de la peinture contemporaine en Afrique centrale, 1930-70, Musée Royal de l'Afrique Centrele, Tervuren, 1992. Musée Royal de l'Afrique Centrele, Tervuren, Bruxelles (1992).
* Paris Connections: African and Caribbean Artists in Paris, (a cura di) Asake Bomani & Belvie Rooks, Q.E.D. Press, San Francisco, 1992, pp 56.
1993
* Fusion: West African Artists at the Venice Biennale, Museum for African Art, New York, 1993. A cura di Thomas McEvilly e Susan Vogel, all'interno della Biennale di Venezia, 1993.
* La grande vérité, les astres africains, Musée des Beaux-Arts de Nantes, Nantes, 1993. A cura di Henry-Claude Cousseau, André Magnin, Jonas Storsve (25/06-25/09/1993).
* Creative Impulses/Modern Expressions-Four African Artists: Skunder Boghossin, Rashid Diab, Mohammed Omer Khalil, Amir Nour, African Studies and Research Center, Institute for African Development,
Council for the Creative and Performing Arts, Cornell University, Ithaca, 1993. A cura di Salah Hassan.
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
16. Exhibitions
1994
* F.R.A.C. Réunion, Lieux De Mémoire, a cura di Antonio Picariello, artisti: Jack Beng-Thi, Michael Elma, Alain Padeau, Eric Pongérard, Edouard Rajaona, Alì M'roivili dit Napalo, Malla Chummun Raymyead.
* Otro Païs: Escalas Africanas (Another Century: African Stepovers), Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria, 1994. A cura di Simon Njami e Joëlle Busca (coordinamento generale di
Orlando Britto Jinorio), Las Palmas de Gran Canaria (15/11/1994-15/01/1995); Palma de Mallorca Fundacion “La Caixa” (15/02-16/04/1995).
* Rencontres Africaines: Exposition d'Art Actuel, Institute du Monde Arabe, Paris, 1994. A cura di Brahim Alaoui e Jean-Hubert Martin, Paris, Institut du Monde Arabe (06/04-15/08/1994).
* Around Around. A cura di Peter Herrmann e Achim Kubinski, Galerie Peter Herrmann, Stuttgart (1994); Douala (1995); Berlin (1999); Stuttgart (1999). http://galerie-herrmann.com/arts/art2/around_and_around/
index.htm
1995
* Black Looks, White Masks, Ministerio de Asuntos Exterioires, Tabapress, Madrid, 1995. A cura di Octavio Zaya e Tumelo Mosaka.
* Seven Stories About Modern Art in Africa, Flammarion, New York, 1995, pp. 319. A cura di Clémentine Deliss e Salah Hassan, David Koloane, Catherine Lampert, Chika Okeke, El Hadji Sy, Wanjiku Nyachae,
Everlyn Nicodemus, Whitechapel Art Gallery, London (27/09-26/11/1995), all'intero di Africa95; Malmö, Svezia (27/01-17/03/1996); Gugghenheim Museum, New York (1996).
* Seen/Unseen. A cura di Olu Oguibe, Bluecoat Gallery, Liverpool (18/06-23/07/1994), all'intero di Africa95.
* Vital: Three Contemporary African Artists (Cyprien Tokoudegba, Touhami Ennadre e Farid Belkahia). Tate Gallery, Liverpool, 1995 (13/09-10/12/1995), all'interno di Africa95.
* Big City: Artists from Africa, Serpentine Gallery, London, 1995. A cura di Jean Pigozzi e Julia Peyton-Jones (20/09-05/12/1995), all'intero di Africa95.
* An inside story: African Art of Our Time , (a cura di) Yukiya Kawaguchi, The Yomiuri Shimbun, Japan Association of Art Museums, Tokyo, 1995, pp. 1999. A cura di Yukiya Kawaguchi, Setagaya Art Museum,
Tokyo (23/09-19/11/1995); Tokushima Modern Art Museum (20/01-17/03/1996); Himeji City Museumm of Art (06/04-06/05/1996); Koriyama City Museum of Art (18/05-23/06/1996); Genichiro Museum of
Contemporary Art, Marugame Inokuma (07/07-01/09/1996); The Museum of Fine Arts, Gifu (13/09-27/10/1996).
* Sign Traces Calligraphy: Five contemporay artists from North Africa. A cura di Rose Issa, London-Barbican Centre&Amsterdam-Treoenmuseum Kit, 1995.
* Persons and Pictures: the Modernist Eye in Africa, Newtown Galleries, Newtown, Johannesburg, 1995, pp. 64. Newtown Galleries, Newtown, Johannesburg (27/09-10/11/1995).
* New Visions: Recent Works by Six African Artists, (a cura di) Salah Hassan & Okwui Enwezor, Zora Neale Hurston National Museum of Fine Arts, Eatonville, 1995, pp. 29. A cura di Salah Hassan & Okwui
Enwezor.
1996
* Archetyp'Art Italia-Africa, Premio Termoli 1996, a cura di Antonio Picariello (presentazione di Omar Calabrese), Electa Na, 1996. Artisti: Mimmo Paladino, Massimo Pulini, Gilberto Zorio, Santolo De Luca,
Roberto Nottoli, Roberto Lucca Taroni, Ngwenya Valente Malangatana, Mickael Elma, Alain Padeau, Thierry Fontaine, Alim'Roivili dit Napalo, Sandile Zulu.
* Colours: Kunst aus Südafrika, Haus der Kulturen der Welt, Berlin, 1996.
* In/Sight: African Photographers – 1940 to the Present, Solomon Guggenheim, 1996. A cura di Okwui Enwezor, Octavio Zaya, Clare Bell e Danielle Tilkin, Guggenheim Museum (24/05-29/09/1996).
* Neue Kunst aus Afrika, Edition Braus, Heidelberg, 1996, pp. 208. A cura di Alfons Hug, Haus der Kulturen der Welt, Berlin, 1996.
* Die Andere Reise: Afrika und die Diaspora [The Other Journey: Africa and Diaspora], Holzhausen, Vienne, 1996.
* Gendered Visions: The Art of Contemporary Africana Women Artists, (a cura di) Salah Hassan, Africa World Press, 1997. A cura di Salah Hassan (1996).
* Africana, Sala 1, Roma & Adriano Parise Editore, Verona, 1996. A cura Francesca Capriccioli, Sala 1, Roma (01-02/1996). Artisti partecipanti: El Anatsui, Theo Eshetu, Fathi Hassan, Ali Kichou, Bertina Lopes,
Kivuthi Mbuno, Kwesi O. Owusu-Ankomah, Hadjira Preure, Twins Seven Seven, Panga Wa Panga, George Zogo. Testi in catalogo: Mary Angela Schroth, Gianni Baiocchi, Olu Oguibe.
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
17.
18. Exhibitions
1997
* Veilleurs de Monde: Gbedji Kpontolè – Une aventure béninoise, Editions CQFD, Paris, 1998, pp. 160. Esposizione e progetto di residenza per artisti, Centro Culturale Francese del Benin (12/08-09/09/1997).
* Die Anderen Modernen: Zeitgenössische Kunst aus Afrika, Asien und Lateinamerika, Editions Braus & Hauses der Kulturen des Welt, Berlin, 1997. A cura di Alfons Hug, Hauses der Kulturen des Welt, Berlin
(08/05-27/07/1997).
* Cross-ing: Time, Space, Mouevment. A cura di Olu Oguibe, Okwui Enwezor, University of South Florida, Miami (04/09-18/10/1997); Track 16 Gallery, Santa Monica (28/02-24/04/1998); Indianapolis
(07/08/1999).
* Modernities & Memories . A cura di Brahim Alaoui, Pia Alisjahbana, Suhail Bisharat, Clifford Chanin, Salima Hashmi, Salah Hassan, Hasan-Uddin Khan, Beral Madra, Toeti Heraty Noerhadi, A.D. Pirous,
Zenobio Institute, in contemporanea con la XLVII Biennale di Venezia, 1997.
* Suites Africaines. A cura di Revue Noire, Couvent des Cordeliers, Paris (05/03-16/04/1997).
* Lumière noire: Art contemporain, Château de Tanlay-Yonne, Yonne, Francia, 1997. A cura di Michel Nuridsany, Centre d'Art de Tanlay, Yonnne (07/06-05/10/1997).
* Image and Form: Prints, Drawings and Sculpture from Southern Africa and Nigeria, (a cura di) John Picton, School of Oriental and African Studies, University of London, London, 1997, pp. 80. A cura di Robert
Loder, Lisa Muncke, John Picton.
* Transforming the Crown: African, Asian and Caribbean artistis in Britain, 1966-1996, (a cura di) Franklin Sirmans & Mora J. Beauchamp-Byrd, the Caribbean Cultural Center/African Diaspora, New York, 1997,
pp. 160.
* Inklusion: Exklusion. Kunst im Zeitalter von Postkolonialismus und globale Migration, Köln, Germania 1997.
1998
* Africa Africa: Vibrant New Art from a Dynamic Continent. A cura di Rajae Benchemsi, Rob Burnet, Yacouba Konaté, Toshio Shimizu, Jean-Hubert Martin, Tobu Museum of Art, Tokyo (11/09-24/11/1998).
* Body & Soul. A cura di Anke van der Laan, Stadsgalerij Heerlen, Olanda (04/04-14/06/1998).
* Transatlantico. A cura di Octavio Zaya, Centro Atlantico de Arte Moderno, Les Palmas de Gran Canaria (15/04-14/06/1998).
* Transforming the Crown: African, Asian & Caribbean Artists in Britain 1966-1996. A cura di M. Franklin Sirmans e Mora J. Beauchamp-Byrd, New York 1998.
* Snap me one! Studiofotografen in Afrika, Münchner Stadtmuseum, 1998, pp. 143. A cura di Tobias Wendl & Heike Behrend, Münchner Stadtmuseum (1998); Städtisches Museum Abteiberg,
Mönchengladbach; Iwalewa Haus, Bayreuth, Germania; National Museum for African Art, Smithsonian Institution, Washington D.C., US (1999).
1999
* Africa by Africa: A Photographic View. A cura della Barbican Art Gallery in collaborazione con Revue Noire e Autograph, Barbican Centre, London (29/01-28/03/1999).
* Trafique. A cura di Piet Vanrobaeys, S.M.A.K. extra muros, Gent (04/04-16/05/1999).
* Contemporary African Art from the Jean Pigozzi Collection, Sotheby’s, London, 1999. Asta presso Sotheby’s (24/06/1999).
* South meeets West, Berna, 2000. A cura di Bernhard Fibicher, Yacouba Konaté e Yuonre Vera, Accra (10/11-05/12/1999); Berna (06/04-25/06/2000).
* Transatlantic Dialogue: Contemporary Art In and Out of Africa. A cura di Michael D. Harris, Ackland Art Museum (12/12/1999-26/03/2000); Washington D.C., Smithsonian Institution (21/05-03/09/2000);
Chicago, DuSable Museum of African American History (07/10-31/12/2000).
* Tagewerke: Bilder zur Arbeit in Afrika [All in a day's work: images of work in Africa], Museum für Völkerkunde, Frankfurt am Main, 1999, pp. 80. A cura di Joanna Agathe, Museum für Völkerkunde, Galerie 37,
Frankfurt am Main.
* Amabhuku: Illustrations d'Afrique/Illustrations from Africa, La Joie par les Livres AJPL, Clamart, Francia, 1999. A cura di Marie Laurentin, Viviana Quiñones & Cécile Lebon, Fiera Internazionale del Libro per
l'Infanzia, Bologna (08-11/04/1999).
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
19.
20. Exhibitions
2000
* TransAfricana: Artisti contemporanei, Edizione Lai Momo, Bologna, 2000. A cura di Mary Angela Schroth, Bologna (15/01-24/02/2000).
* Il ritorno dei Maghi: Il Sacro nell'arte africana contemporanea, Edizioni Skira, Milano, 2000. A cura di Sarenco ed Enrico Mascelloni (Orvieto 08/04-30/06/2000).
* Partage d'Exotisme: Biennale d'Art Contemporain de Lyon, Lione, 2000. A cura di Jean-Hubert Martin.
* Insertion: Self and Other. A cura di Salah Hassan. Apexart, New York (18/04-20/05/2000).
* Continental Shift: A Voyage Between Cultures. An Exhibition of Contemporary Art, Modo Verlag Freiburg, 2000. Contemporaneamente in quattro spazi espositivi: Ludwig Forum for International Art, Aachen; the
Bonnefanten Museum, Maastricht (esposizione dedicata all'Africa a cura di Marjorie A. Jongbloed); the National Gallery, Heerlen; the Museum of Modern and Contemporary Art, Liége (21/05-21/09/2000). http://
www.continentalshift.org
* La Cour Africaine: Mobiliers et objets contemporains. A cura di Ibrahim Loutou, L'Afrique en créations, Salle des Malades, Lille (23/10-30/11/2000).
* Dreierkonferenz: Aboudramane, Owusu-Ankomah, Lawson Oyekan. A cura di Peter Herrmann, Galerie Peter Herrmann, Stuttgart (04/11-24/12/2000).
* Mostra Africana de Arte Contemporânea. A cura di Solange Oliveira Farkas, Fundação Cultural Palmares e Associação Cultural Videobrasil, Sao Paulo, Brasile (16/08-17/09/2000).
* El Tiempo de Africa. A cura di Simon Njami, Centro Atlantico de Arte Moderno (12/12/2000-04/02/2001); Madrid, 19/04-31/05/2001.
* EXITCONGOMUSEUM, Royal Museum for Central Africa, Tervuren, 2000, pp. 63. A cura di Toma Muteba Luntumbue, Royal Museum for Central Africa, Tervuren, Belgio.
* Blick-Wechsel: Afrikanische Videokunst, Ifa Gallery, Bonn, pp. 48. A cura di Marcel Odenbach, Ifa Galleries Bonn, Stuttgart, Berlin (2000–01).
2001
* Authentic/Ex-Centric, Forum For African Arts, Ithaca (NY), 2001. A cura di Salah Hassan e Olu Oguibe, esposizione collateriale alla 49esima Biennale di Venezia (09/06-30/09/2001).
* Africas: The Artist and the City – A Journey and an Exhibition, Centre de Cultura Contemporania de Barcelona, Barcelona, 2001, pp. 224. A cura di Pep Subiros (29/05-11/09/2001).
* African Styles: Kleidung und Textilien aus Afrika, Iwalewa-Haus, Bayreuth, Germania. A cura di Kerstin Bauer (21/10/2001-31/03/2002).
* Unpacking Europe: Towards a Critical Reading, (a cura di) Salah Hassan e Iftikhar Dadi, Museum Boijmans Van Beuningen e NAI Publishers, Rotterdam, 2001. A cura di Salah Hassan e Iftikhar Dadi in
collaborazione con Chris Dercon e Patricia Pulles, Museum Boijmans Van Beuningen, Rotterdam (13/12/2001-24/02/2002).
* Art populaire. A cura di Hervé Chandès in collaborazione con Hélène Kelmachter e André Magnin, Fondation Cartier pour l'art, Paris, (21/06-04/11/2001).
* The Short Century: Indipendence and Liberation Movements in Africa 1945-1994, (a cura di) Owkui Enwezor, Prestel, Munich-New York, 2001, pp. 496. A cura di Okwui Enwezor, Villa Stuck, Munich
(15/02-22/04/2001); Haus der Kulturen der Welt, Berlin (18/05-22/07/2001); Museum of Contemporary Art, Chicago (08/09-30/12/2001); P.S.1 Contemporary Art Center & The Museum of Modern Art, New York
(10/02-05/05/2002).
2002
* Afrikanische Reklamekunst, Iwalewa-Haus, Bayreuth, Germania. A cura di Otto Frick (24/10/2002-16/02/2003).
* Die Welt ist ein Maskentanz: Afrikanische Künstler in der Sammlung Greiffenberger, Iwalewa-Haus, Bayreuth, Germania. A cura di Sigrid Horsch-Albert (09/05-31/08/2002).
* africa apart _ Afrikanische Künstlerinnen und Künstlern konfrontieren Aids. A cura di Arbeitsgruppe Unterbrochen Karrieren, Thomas Michalak, Torsten, Neuendorff, Beate M. Sauer-Dolezal, Sabine Schlenker,
Ingo Taubhorn, Neue Gesellschaft für bildende Kunst, Berlin, Germania (14/12/2002-09/02/2003).
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
21. Exhibitions
2003
* A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum, St. Louis - USA, 2003. A cura di Shannon Fitzgerald, Carnegie Mellon University, Pittsburgh USA (20/09/03-03/01/04).
* Looking Both Ways: Art of the Contemporary African Diaspora, Museum for African Art, New York. A cura di Laurie Ann Farrell, Museum for African Art, New York (14/11/2003-01/03/2004); Peabody Essex
Museum, Salem, MA (27/03-18/07/2004); Cranbrook Art Museum, Bloomfield Hills, MI (12/09-28/11/2004); Museu Calouste Gulbenkian, Lisboa (01-03/2005); Museum of African Diaspora, San Francisco
(03/2006).
* Transferts. A cura di Toma Muteba Luntumbue, Palais des Beaux-Arts, Bruxelles (21/06-14/09/2003), all'interno di Africalia 03.
* Fault Lines: Contemporary African Art Shifting Landscapes, inIVA, London, 2003. A cura di Gilane Tawadros e Sarah Campbell, all'interno della 50esima Biennale di Venezia (15/06-02/11/2003).
* Iwalewa Reload, Iwalewa-Haus, Bayreuth, Germania (15/10/2003-22/02/2004).
* Roots & Routes: Afrikaner in Oberfranken, Iwalewa-Haus, Bayreuth, Germania (14/11/2003-22/02/2004).
* Correspondances Afriques, Iwalewa-Haus, Bayreuth, Germania. A cura di Artur Elmer (24/04/2003-24/08/2003).
* DisORIENTation: Contemporary Arab Artists from the Middle East. Haus der Kulturen der Welt, Berlin (20/03/2003).
* Black President: The Art and Legacy of Fela Anikulapo-Kuti. A cura di Trevor Schoonmaker, New Museum of Contemporary Art, Chelsea, New York (11/07-28/09/2003). http://www.newmuseum.org/
now_cur_fela.php
* Ethiopian Passages: Dialogues in the Diaspora. National Museum of African Art, Smithsonian Institution. 2003. africa.si.edu/exhibits/passages. Website, Exhibition Catalogue.
* Almighty God and The Apostles of Accra' a cura di Enrico Mascelloni e Virginia Ryan, Rocca Di Umbertide, Luglio-Settembre 2003,catalogo Parise (Verona)
* Fuoriluogo 8 / Afritalia. A cura di Mary Angela Schroth, Chiesa San Bartolomeo e Galleria Limiti inchiusi, Campobasso (29/8-20/9/2003)
* NEXT FLAG.Reexistencia cultural generalizada: Exposition d'art contemporain africain - Collection Hans Bogatzke (il titolo della pubblicazione è Next Flag: The African Sniper Reader, (a cura di) Fernando
Alvim, Heike Munder & Ulf Wuggenig, Migros Museum für Gegenwartskunst, Zürich, 2005). A cura di Fernando Alvim e Simon Njami, Site de l'Université du Travail Paul Pastur, Charleroi, Belgio
(14/03-18/05/2003).
2004
* Africa Remix. Simon Njami in collaborazione con Els van der Plas, David Elliott, Jean-Hubert Martin, Marie-Laure Bernadac, Roger Malbert, Museum Kunst Palast, Düsseldorf (24/07-07/11/2004); Hayward
Gallery, London (10/02-17/04/2005); Centre Georges Pompidou, Paris (25/05-15/08/2005); Mori Art Museum, Tokyo (02-05/2006).
* Africa Screams: The Evil in Cinema, Art and popular Culture. A cura di Thomas Miegang e Tobias Wendl, Kunsthalle Wien, Austria (04/11/04-30/01/05); Iwalewa-Haus, Bayreuth, Germania (29/04-12/09/2004);
Kunstverein Aalen (03/04-12/07/2005); Museum der Weltkulturen in Frankfurt (08/07/2005-15/01/2006).
* Black Box: Les Afriques. A cura di Laurent Jacob, Espace 251 Nord asbl, 2004; Tri Postal, Lille, Francia (31/03-08/08/2004) durante Lille 2004.
* Les Afriques: 36 artistes contemporains, Editions Autrement, Paris, 2004. A cura di Olivier Sultan, Musée des Arts derniers/Jean-Marc Patras Galerie/Espace CPP, Paris. In occasione della Foire internationale
des Arts derniers.
* L'Afrique á venir. A cura di Peter Herrmann, Galerie Peter Herrmann, Stuttgart (24/04-20/06/2004).
* Africani in Africa. Palazzo Pazzi-Ammanti, Firenze (29/12/2004-06/03/2005).
* Escape and Memory, A cura di Enrico Mascelloni e Virginia Ryan, Camera dei Deputati, Roma, Giugno 2004.
* Insights: Selections from the contemporary collection. A cura di Kinsey Katchka & Allyson Purpurra, National Museum of African Art, Smithsonian Institution, Washington DC (febbraio-novembre 2004). http://
africa.si.edu/exhibits/insights
* Der Black Atlantic. Haus der Kulturen der Welt, Berlin, Germania (17/09/-15/11/2004).
* L'arte africana dall'Algeria al Sudafrica. A cura di “Oltre l'Africa”-Centro Studi e Documentazione Africana in collaborazione con la SUI-Sviluppi Umani Immaginati, Toscana (15/09/2004-)
2005
* Zeitgenössische Kunst aus Afrika und Europa im Dialog. A cura di Dany Keller, Iwalewa-Haus, Bayreuth, Germania (28/04-04/09/2005).
* Plakate in Afrika. Iwalewa-Haus, Bayreuth, Germania (20/10/2005-26/02/2006).
* Gleichzeitig in Afrika... [Meanwhile in Africa...]. A cura di Christian Hanussek, Akademie der Bildenden Künste, Nürnberg (03-17/06/2005); Universität der Künste, Berlin (18-28/01/2006).
* Mostra Pan-Africana de Arte Contemporânea. Museu de Arte Moderna da Bahia, Brasile (18/03-17/04/2005).
* Africa Urbis: Perspectives urbaines, (a cura di) Olivier Sultan, Musée des arts derniers, Paris, 2005. A cura di Olivier Sultan, Musée des arts derniers, Paris.
* TEXTures: word and symbol in contemporary African art. A cura di Elizabeth Harney, Smithsonian Museum of African art, Washington D.C. (02-09/2005).
* African American vernacular photography. A cura di Brian Wallis, International Center of Photography, New York (09/12/ http://it.wikipedia.org/wiki/Arte_contemporanea_africana
22.
23. Exhibitions
2006
* Olvida quién soy/Erase me from who I am, Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spagna, 2006. A cura di Elvira Dyangani Ose in collaborazione con Tracy Murinik, Gabi Ngcobo e
Khwezi Gule, CAAM, Isole Canarie (23/02-30/04/2006).
* Africa Nera: Protagonisti dell'arte africana. A cura di Enrico Mascelloni, Franco Riccardo & Sarenco, Castel dell'Ovo, Napoli (18/05-13/06/2006).
* Snap Judgments: New Positions in Contemporary African Photography, International Center of Photography, New York, 2006. A cura di Okwui Enwezor, International Center of Photography, New York
(10/03-28/05/2006), Miami Art Central, Miami, Florida (30/06-27/08/2006).
* 100% Africa. A cura di André Magnin, The Guggenheim Museum Bilbao, Spagna (Ottobre 2006-Febbraio 2007).
* Des Hommes sans Histoire: Histoire et spoliation des biens culturels à travers les œuvres d'artistes contemporains. A cura di Olivier Sultan, Musée des Arts Derniers, Paris (29/06-31/07/2006).
* Distant Relatives/Relative Distance. A cura di Michael Stevenson, Cape Town, Sudafrica (08/06-12/08/2006).
2007
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44.
45. Magazines
* ADA: Architecture Design Art. Johannesburg, dal 1989 al 1996. Fondata da Jennifer Sorrell.
* Africa e Mediterraneo. Cultura e società. Diretta da Sandra Federici, Coperativa Lai-Momo, Sasso Marconi (Bologna), dal 1992. In particolare Dossier: Arte africana contemporanea, a cura di Giovanni Parodi
di Passano, numero 2-3/99, Dicembre 1999.
* Africana bulletin. Varsavia, Polonia.
* African Arts. Center of African Studies, UCLA, Los Angeles, USA, dal 1967.
* Afriche e Orienti. Diretta da Mario Zamponi, AIEP Editore, Bologna, dal 1999. http://www.comune.bologna.it/iperbole/africheorienti/
* Africultures. http://www.africultures.com
* Afrik’Art. Dakar, dal 2005 e associato alla Biennale di Dakar. http://www.dakart.org
* Afro Magazine. Cape Town. Prodotto da Daddy Buy Me a Pony. http://www.9november.co.za
* Art nègre. Namur, Belgium. Numero speciale Vivante afrique, n. 246, 1-53, settembre-ottobre 1966.
* Arts d'Afrique Noire, poi divenuta Arts Premiers. Arnouville, France.
* Art South Africa.
* Artthrob. Rivista online fondata da Sue Williamson. http://www.artthrob.co.za
* Atlantica. Revista de las Artes. Pubblicazione del Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, dal 1990. Rivista trimestrale in spagnolo ed inglese.
* Black Art. Claremont, USA, dal 1976.
* Black Orpheus: Journal of African and Afro-American Literature.
* Chimurenga: Who no know go know. Fondata e diretta da Ntone Edjabe, Kalakuta Trust, Cape Town, Sudafrica, dal 2002. http://www.chimurenga.co.za
* Coartnews.
* Convergences: Revue trimestrielle d'art et de culture. Diretta da Souleymane Bachir Diagne, Dakar, Senegal, da agosto 1996.
* Contemporary Art from the Islamic World. http://www.universes-in-universe.de
* Cairo Art Index. Fondata da Brian Wood e Iman Issa, dal 2001. http://www.cairoindex.org
* DiARTgonale: Bimestriel panafricain d'opinions, de formation et de réflexion sur l'art contemporain africain. Fondata e diretta da Achillekà Komguem, Yaoundé, Camerun, dal2007.
* Drum. Drum (rivista)
* Gallery. Delta Gallery Publications, Harare, Zimbabwe, dal 1994.
* Glendora.
* Journal de la Société des Africanistes, Paris.
* Kunstforum International. Diretta da Dieter Bechtloff. In particolare Weltkunst-Globalkultur (n.118, 1992), Afrika – Iwalewa (n. 122, 1993), Out of Africa (n. 174, 2005).
* Medina Magazine.
* Metronome. Fondata da Clémentine Deliss, itinerante, dal 1996. Dal 2005 la rivista è prodotta da Metronome Press, diretta da Thomas Boutoux e Clémentine Deliss, Paris. http://www.metronomepress.com
* NKA: Journal of Contemporary African Arts. Fondata da Okwui Enwezor, Olu Oguibe e Salah Hassan, Cornell University, USA, dal 1994.
* New Culture: A Review of Contemporary African Arts. New Culture Studies, Ibadan, Nigeria, dal 1978.
* Objets et Mondes. Musée de l'Homme, Paris, Francia.
* Position: Journal on Contemporary African Arts. Diretta da Dapo Adeniyi, dal 2001. http://www.positionmagazin.com
* Présence Africaine: Revue Culturelle du Monde Noir. Fondata da Alioune Diop, Paris, dal 1947.
* Revue Noire. fondata da Jean Loup Pivin, Simon Njami, Pascal Martin Saint Léon, Paris, da primavera 1991 a giugno-novembre 1999. http://www.revuenoire.com
* Staffrider.
* Third Text: Third World Perspectives on Contemporary Art & Culture. Fondata e diretta da Rasheed Araeen, Kala Press, London, dal 1987. In particolare Africa Special Issue, n. 23, Summer 1993.
* Transition: A Journal of the Arts, Culture & Society. http://www.transitionmagazine.com
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
46.
47.
48. Arte contemporanea africana / Wikipedia it
http://it.wikipedia.org/wiki/Arte_contemporanea_africana
Iolanda Pensa
Iolanda Pensa http://ci.pensa.it