SlideShare a Scribd company logo
https://icom.museum/en/resources/standards-guidelines/museum-de
fi
nition/ 2022
https://www.culture.gouv.fr/Espace-documentation/Rapports/La-restitution-du-patrimoine-culturel-africain-vers-une-nouvelle-ethique-relationnelle 2018
https://monde-en-musee.inha.fr/
https://monde-en-musee.inha.fr/
https://digitalbenin.org/
The New Face of Provenance Research, Getty blog https://blogs.getty.edu/iris/the-new-face-of-provenance-research/ 2018
Museum Bern, 2022, photo by Iolanda Pensa, CC0
Gurlitt.Taking Stock - The collection of Hildebrand Gurlitt, Museum of Bern, 2022. Photo by Iolanda Pensa, CC0
Gurlitt.Taking Stock - The collection of Hildebrand Gurlitt, Museum of Bern, 2022. Photo by Iolanda Pensa, CC0
Gurlitt.Taking Stock - The collection of Hildebrand Gurlitt, Museum of Bern, 2022. Photo by Iolanda Pensa, CC0
https://www.archives.gov/research/holocaust/international-resources
https://en.unesco.org/indigenous-peoples/undrip 2007
https://www.gida-global.org/care
https://localcontexts.org
Decolonizing Museums
Decolonizing Knowledge
@Yinka Shonibare, Scramble for Africa, 2000, 14 chairs, 14 figures, table in Looking BothWays:Art of the Contemporary African Diaspora, 2003. Commissioned by and courtesy Museum for African Art NY.
https://blogs.getty.edu/iris/the-new-face-of-provenance-research/
© Maha Maamoun, Going Places:A Project for Public Busses, Le Caire, 2003-2004.
© Mounir Fatmi, G8 Les balais, 2004, installation.
© Tsesler &Voichenko, Welcome, Minsk, Road sign.
© Samuel Fosso, La Femme américaine libérée des années 70, Série Tati, autoportrait I-V, 1997, coloured photography. In Africa Remix, p. 124.
© Mounir Fatmi, Sortir de l'histoire, 2005-2006, cassettesVHS, photos, sons et vidéo.
Tracey Rose, Douala, 2010, cc by-sa.
Tracey Rose, Douala, 2010, cc by-sa.
Wikimania Esino Lario 2016, photo by Nicole Caranti, cc by-sa, 2016.
Salifou Lindou, Douala, 2010, cc by-sa.
Iolanda Pensa, 04/10/2023, CC BY-SA 4.0

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