Design education can play an important role in developing economies by helping industries become more competitive and by solving social and environmental problems. Designers in developing countries need skills in areas like sustainability, culture, entrepreneurship, and advocacy to address challenges specific to those contexts. While the need for design may seem less obvious in vulnerable economies, designers there can help diversify industries, promote investment, and support countries' development agendas through locally-generated solutions.
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The Philippines has one of the most attractive talent profiles in the world. One of Smarter Philippines' priorities is to translate that talent value proposition into an enduring competitive advantage.
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I raise the critical role of human capital as the obvious but largely de-emphasised aspect of the rhetoric in Nigeria on accelerating economic growth in the Digital Age. There is a disconnect between the politics of our national aspirations and concerted sustained policy initiatives over the past 3 decades that questions the commitment of our leadership - political and business alike - to bringing about this change. Ther is adequate literature to show that "for an economy competing at the global frontier, an innovation-based growth strategy requires a well-developed technological infrastructure, a set of capabilities-focused technology policies, as well as an institutional environment that stimulates innovation and entrepreneurship." (Koh, Winston T.H. and Wong, Poh Kam) We must across Africa, and in particular its pivots of Nigeria, Egypt and South Africa (Morroco, Kenya and Cote d'voire also) anchor innovation-led growth on human capital primarily.
The role of the African Diaspora in Norway in enhancing innovation in Africa:
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A presentation on the role of ICT in the Knowledge Economy. This was delivered to an academic gathering of computing students of the Prince Abubakar Audu (formerly, Kogi State) University.
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In January 2017, the Business and Sustainable Development Commission highlighted the huge economic opportunity inherent in meeting the UN 2030 Sustainable Development Goals (the Global Goals).
Presentation delivered by Prof Mike danson to the STUC's Decent Work, Dignified Lives Conference on 15 October. Presentation considers history of regional development institutions, imperatives for change and distinct nature of Scottish institutions.
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Applying Project Management to the Cultural and Creative Industries: A tool ...Global Expert Systems Inc.
Breaking the cycle of underdevelopment has been the major preoccupation for governments and populations in the developing world over the last one hundred years. With developmental models currently under revision, developing countries have been advised to look for other possible alternatives of sustainable development.
The one area that is gaining significant attention is that of the Cultural and Creative Industries. In recent years, the UN and its specialized agencies have been spelling the good fortune of these industries. However, there is very scant literature to show how best to manage these industries. This paper therefore proposes to show how Project Management as a tool can be used to take these industries to a desirable level to produce tangible results for developing countries.
In addition to standard research based on the existing literature and debates, the Case Study methodology will be used to show at least how one country is making steps and strides with the application of Project Management. It must be noted however, that the paper will be heavily focused on project management methodologies and recommendations for action.
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If the government of Trinidad and Tobago were to create a Ministry of Design, what would that ministry do?
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Developing a design curriculum for rural entrepreneurs of the arts and crafts...Lesley Ann Noel
There is significant research on introducing Design Management and Design Thinking competencies in general Management education which normally examines the use and implementation of design strategies in situations in developed or fast developing economies or environments. This paper focuses on the development of a new design curriculum with a focus on design entrepreneurship and design thinking for rural and semi-rural art and craft entrepreneurs in the Eastern Caribbean. The smallness of the islands forces these businesses to be ‘born global’ and the reality of their contexts forces these entrepreneurs to play all of the major roles in their businesses from designer to manufacturer to strategist to marketer, among others. In a study undertaken in 2010 by the Organization of Eastern Caribbean states, many of these entrepreneurs expressed an interest in pursuing a diploma in design to support their need for innovation and continued growth. This paper examines the content that would be necessary in this curriculum to fulfil these aims, focusing on design thinking, design management and entrepreneurship, globalization strategies and general management abilities.
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Lesley Ann Noel CGCS Strategic Marketing Plan UWI ACEM submission 2009Lesley Ann Noel
The Caribbean Gift and Craft Show (CGCS) is an annual trade fair for handicrafts, gifts and souvenirs made in the Caribbean and it is hosted by the Caribbean Export Development Agency (Caribbean Export or CEDA). 2008 marked the fifteenth anniversary of the show. The show has reached ‘maturity’ stage and is at a point where it must be developed to ensure growth and avoid stagnation or decline.
This strategic marketing plan outlines several strategies to be used in re-designing the event. These strategies were developed based on SWOT, PESTLE and Competitor analyses, as well as feedback from research with stakeholders.
The main focus of the strategies is to generate interest from the buyers, the media and the general public by transforming the current Caribbean Gift and Craft Show into a more ‘stakeholder-focussed’ Caribbean Gift and Craft Festival. The report outlines the details of each of seven strategies, the marketing mix necessary to generate this interest locally and regionally, as well as the action and implementation plan for the years 2010 - 2012.
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https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
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So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
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Envisioning a Future Design Education in vulnerable emerging economies - Insight 2015, Bangalore, India
1. Envisioning a Future Design
Education in vulnerable emerging
economies
Lesley-Ann Noel
lesley-ann.noel@sta.uwi.edu
The University of the West Indies, St. Augustine Campus
Trinidad & Tobago
DESIGN RESEARCH IN ACADEMIC PRACTICE
INSIGHT 2015 January 23 – 24th 2015 Bangalore India
KEYWORDS
Design Education, Vulnerable Developing Economies
2. • “Since most design professions involve shaping goods and
services within large industrial economies, this political-
economic context is one key to the realities of design
education today and tomorrow”
Ken Friedman
2Lesley-Ann Noel University of the West Indies
3. • “While the need for design education is obvious in large
emerging economies such as in Brazil or India, the need may
seem less obvious in very more vulnerable economies, where
there is no critical mass of designers or even public
appreciation for design.
• Is there a need for design education in Least Developed
Countries, Landlocked developing countries and ‘Small Island
developing states’ like those found in the Caribbean and the
Pacific, or in many of the economies of Africa?
3Lesley-Ann Noel University of the West Indies
4. ABOUT DEVELOPING ECONOMIES
• A developing country is one where the
majority of the population lives on
significantly less money with fewer basic
public services than in highly industrialized
countries.
• Designers’ skills and services are needed in
all developing countries, but could also
place a very great role in the development
and progress of these most vulnerable
developing countries.
4Lesley-Ann Noel University of the West Indies
5. Least Developed Countries
• Poorest segment of the international community
• approx. 12% of the world population (880 million people)
• less than 2 per cent of the world GDP
• about 1% of global trade in goods.
• primarily agrarian economies
• affected by low productivity and low investment
• little success in diversifying into the manufacturing sector,
• limited product range
• labour-intensive manufacturing e.g. textiles and clothing.
• 34 countries in Africa, 13 in Asia and the Pacific and 1 in Latin
America.
5Lesley-Ann Noel University of the West Indies
6. Landlocked Developing Countries
• 31 countries
• sixteen are also LDCs
• total population - 428 million.
• lack access to the sea,
• isolated from world markets
• high transit costs, which impact economic
development.
• in most cases the nearest neighbours of
LLDCs are also developing countries and
• major markets are far away, making it near
impossible to export high value-added
products.
6
Lesley-Ann Noel University of the West Indies
7. Small Island Developing States
• 39 countries
• The combined population of 63.2million
• narrow resource base
• small markets that deny = poor economies of scale
• small domestic markets,
• heavy dependence on external and remote markets,
• high costs of energy, infrastructure, transportation
communications,
• long distances from major export markets and imported inputs
for production,
• low and irregular volumes of international traffic,
• fragile natural environments and limited resilience to natural
disasters such as hurricanes,
• limited opportunities for their private sectors
• large reliance on the public sector,
• growing populations, volatile economic growth.
7
Lesley-Ann Noel University of the West Indies
8. FACTORS ASSOCIATED WITH
DEVELOPMENT SUCCESS
• Economic growth,
• a vibrant private sector,
• empowerment,
• good governance and
• ownership by the countries of
their own development agenda.
World Bank
8Lesley-Ann Noel University of the West Indies
9. Four indicators of competitiveness
• The ability of enterprises to export to an array of
countries without special government support.
• The ability of enterprises to engage in foreign direct
investment based upon skills and assets developed
at home.
• The ability of enterprises to operate according to
international standards and quality
• The ability of enterprises to earn above-average
returns in a market setting which includes domestic
competitors and rival enterprises from other
countries.
9
Wint
Lesley-Ann Noel University of the West Indies
10. CORRELATION BETWEEN DESIGN AND
COMPETITIVENESS
• Countries positioned higher in the stages of
development tend to be those where design policies
and programmes are in place.
• In more competitive economies there is a greater
consciousness of the need for innovation and design
in order to remain competitive, while countries with
less sophisticated economies are less likely to use
design policies to improve their industries as a tool
for social development or to address issues such as
to improve basic systems such as health
infrastructure, crime prevention, education and
transport
10
Raulik-Murphy
Lesley-Ann Noel University of the West Indies
11. CORRELATION BETWEEN DESIGN AND
COMPETITIVENESS
• Design can play a role in ensuring that
manufacturing industries remain competitive
even in the developing world, where they
can contribute to the modernisation of
traditional industries through the
development of more market-focussed
products, with competitive branding and
packaging, and even through the
development of more efficient machinery
and processes in collaboration with other
technical professionals.
11Lesley-Ann Noel University of the West Indies
12. CORRELATION BETWEEN DESIGN AND
COMPETITIVENESS
• Designers can also play a role in the
preservation of non-manufactured
goods such as indigenous crafts by
playing a role in developing products
that ensure that these products are
still appreciated, and offering support
to museums and other cultural
institutions in the presentation of
these crafts to the public.
12Lesley-Ann Noel University of the West Indies
13. Examples of design practice and improving industries
and increasing competitiveness in the developing world
• India
National Design Policy document that aims to create a ‘design enabled Indian
industry which could have a positive impact on both the national economy and the
quality of life’.
• South Africa
Design is often used to meet the country’s specific needs e.g. mining.
• South Korea
the Korean Institute of Design Promotion with the Ministry of Commerce, Industryand
energy prepare annual and five year plans.
• Turkey
planned the establishment of industrial design schools to meet future demand
anticipated from import-substitution strategies between the 1960s and 1980s, and
therefore industrial design in Turkey emerged at an educational level before the actual
demand was created by Turkish industry.
• Indonesia
several industrial design programmes and industrial designers employed by many
sectors of the economy including manufacturing, small and medium-scale industry,
media, government and education.
13Lesley-Ann Noel University of the West Indies
14. PERSPECTIVES ON DESIGN EDUCATION
14
Science and
Technology
Design
Art
Hermeneutics
Creative and
Applied Arts
Technology
and
Engineering
Natural
Sciences
Humanities
Social
Sciences
Research
Skills
Create value in
the products and
services that we
create
Shape
behavioural
change
Design Education
in the
Developed World
Roos, Freidman, NormanLesley-Ann Noel University of the West Indies
15. PERSPECTIVES ON DESIGN EDUCATION
15
Science and
Technology
Design
Art
Hermeneutics
Creative and
Applied Arts
Technology
and
Engineering
Natural
Sciences
Humanities
Social
Sciences
Research
Skills
Create value in
the products and
services that we
create
Shape
behavioural
change
Design Education
in the
Developing World
Roos, Freidman, Norman
All of the above
and more!
Lesley-Ann Noel University of the West Indies
16. • Design input in manufacturing in developing
countries is often from external sources.
• Necessary to increase the design capacity in these
countries, so that designers can play a role in
developing locally generated solutions to design
problems including product development and
responses to social issues.
• Locally generated solutions can also tie back to
one of the World Bank’s common factors for
successful development – ‘ownership by countries
of their own development agenda.
16
Design education in the developing
world
Lesley-Ann Noel University of the West Indies
17. Skills for Designers in the Developing World
• Social and Environmental Responsibility
• Anthropology and ethnography
• Sustainability
• Culture
• Behavioural Sciences / Change Management
• Entrepreneurship
• Skills relating to advocacy, lobbying and
collaborating with the public sector
17Lesley-Ann Noel University of the West Indies
18. Designers in the Developing World
• Lobbyist
• Anthropologist/Ethnographer
• Environmentalist
• Behavioural Scientist
18Lesley-Ann Noel University of the West Indies
19. Challenges for Designers in Least
Developed Countries (LDCs)
• Improve productivity and product
ranges within the manufacturing
sector
• Create opportunities for investment
• Support economic diversification
strategies of these countries
• Support initiatives to meet the
Millennium Development Goals
19Lesley-Ann Noel University of the West Indies
20. Challenges for Designers in Landlocked
Developing Countries (LLDCs)
• Support efforts to improve
transportation logistics
• Develop successful high-value
added products that can be
exported and distributed despite
the landlocked nature of these
countries
20Lesley-Ann Noel University of the West Indies
21. Challenges for Designers in Small Island
Developing States (SIDS)
• Support initiatives related to climate
change and natural disasters and
Sustainable Development
• Support import-substitution /
reduction strategies
• Address product development
challenges related to smallness of
markets and isolation from large
markets
21Lesley-Ann Noel University of the West Indies
22. CONCLUSION
22
Is there a need for design education in LDCs, LLDCs and SIDS like those
found in the Caribbean and the Pacific, or in many of the economies of
Africa and Asia?
YES!!!
Even in the most vulnerable economies,
designers and design education can
contribute to promoting change and
supporting economic growth.
Lesley-Ann Noel University of the West Indies
Editor's Notes
Prof. Ken Friedman wrote the above statement in his paper “Models of Design: Envisioning a Future Design Education” and in this statement he seems to tie the political and social contexts of design education to large industrial economies. While on the surface, this may seem reasonable; it then makes one question the validity and the relevance of design practice and design education outside of large industrial economies. Isn’t design practiced outside of this type of context? Don’t design schools exist in these places?
While the reality is that most design professions and design schools operate within large economies, this paper considers the education and practices designers and design schools, which operate in small emerging economies. This paper uses Prof. Friedman’s article as a starting point for a discussion on design education, but shifts the focus away from places where design is traditionally taught, and practised, to places where makers are still operating primarily in pre-industrial modes. While the need for design education is obvious in large emerging economies such as in Brazil or India, the need may seem less obvious in very more vulnerable economies, where there is no critical mass of designers or even public appreciation for design. Is there a need for design education in Least Developed Countries, Landlocked developing countries and ‘Small Island developing states’ like those found in the Caribbean and the Pacific, or in many of the economies of Africa? Are there any unrecognized opportunities for designers and design educators to play a role in the development of these countries? Are there any benefits to promoting design education in a pre-industrial context? Is there any benefit to stimulating design in places with little or no design or manufacturing culture? How can design education and design research support the development these types of societies?
Prof. Ken Friedman wrote the above statement in his paper “Models of Design: Envisioning a Future Design Education” and in this statement he seems to tie the political and social contexts of design education to large industrial economies. While on the surface, this may seem reasonable; it then makes one question the validity and the relevance of design practice and design education outside of large industrial economies. Isn’t design practiced outside of this type of context? Don’t design schools exist in these places?
While the reality is that most design professions and design schools operate within large economies, this paper considers the education and practices designers and design schools, which operate in small emerging economies. This paper uses Prof. Friedman’s article as a starting point for a discussion on design education, but shifts the focus away from places where design is traditionally taught, and practised, to places where makers are still operating primarily in pre-industrial modes. While the need for design education is obvious in large emerging economies such as in Brazil or India, the need may seem less obvious in very more vulnerable economies, where there is no critical mass of designers or even public appreciation for design. Is there a need for design education in Least Developed Countries, Landlocked developing countries and ‘Small Island developing states’ like those found in the Caribbean and the Pacific, or in many of the economies of Africa? Are there any unrecognized opportunities for designers and design educators to play a role in the development of these countries? Are there any benefits to promoting design education in a pre-industrial context? Is there any benefit to stimulating design in places with little or no design or manufacturing culture? How can design education and design research support the development these types of societies?