Key Concept 1 Research Leesa Watego August 2009
creativePROJECT 1. Research 2. Ownership 3. Copyright 4. Collaboration 5. Intellectual Property 1. Presentation; 2. Poster; & 3. T-Shirt. Choose a key concept To produce a -
creativePROJECT 1. Research 2. Ownership 3. Copyright 4. Collaboration 5. Intellectual Property 1. Presentation; 2. Poster; & 3. T-Shirt. Choose a key concept To produce a -  about what?
- an area or question of INQUIRY
RESEARCH
- in this context   RESEARCH  is seeing knowing doing looking knowledge power
VIDEO seeing doing looking power knowing knowledge
- what you see is just the tip of the  iceberg
looking (Lanier's 9 Filters) A B C D E F G H I
seeing doing looking power knowing knowledge
- a thinking activity on a piece of paper, answer these two questions - how do you know what you know about Aboriginal art - what is the source of that knowledge?
seeing doing looking power knowing knowledge
- power of research why is it important to have an awareness of our own ways of seeing?
- the role of  critical theory  in your research and art practice
- critical theory challenges accepted truths/norms; challenges privilege & power; liberation/democratisation; there is no one truth/no absolutes
- critical theory  asks  you to consider that there is no truth; not everything can be known; what you know depends on where you're sitting (race, gender, sexuality, age, class, language etc )
- some possible lines of INQUIRY a personal journey? a political journey?
- suggested sources of   learning Sara Ahmed Kevin Gilbert Paolo Freire Ghassan Hage Martin Nakata Karen Martin Aileen Moreton-Robinson proppaNOW Edward Said Linda Smith explore the writings of
Cary, R. (1998)  Critical Art Pedagogy: Foundations for Postmodern Art Education . Garland Publishing Inc. New York. Lanier, V (1982)  The Arts We See: A simplified introduction to the visual arts . Teachers College: Columbia University: New York. The Awareness Test http://www.youtube.com/watch?v=Ahg6qcgoay4 References  Used Created 18 August 2009  For more information please contact me  http://www.google.com/profiles/lwatego or lwatego@gmail.com International Journal of Critical Indigenous Studies http://www.isrn.qut.edu.au/publications/internationaljournal/ Australian Critical Race and Whiteness Studies Association  (including ejournal) http://www.acrawsa.org.au/index.html Recommended Reading

Indigenous Art, Protocols And Practices Key Concept Research Lecture

  • 1.
    Key Concept 1Research Leesa Watego August 2009
  • 2.
    creativePROJECT 1. Research2. Ownership 3. Copyright 4. Collaboration 5. Intellectual Property 1. Presentation; 2. Poster; & 3. T-Shirt. Choose a key concept To produce a -
  • 3.
    creativePROJECT 1. Research2. Ownership 3. Copyright 4. Collaboration 5. Intellectual Property 1. Presentation; 2. Poster; & 3. T-Shirt. Choose a key concept To produce a - about what?
  • 4.
    - an areaor question of INQUIRY
  • 5.
  • 6.
    - in thiscontext RESEARCH is seeing knowing doing looking knowledge power
  • 7.
    VIDEO seeing doinglooking power knowing knowledge
  • 8.
    - what yousee is just the tip of the iceberg
  • 9.
    looking (Lanier's 9Filters) A B C D E F G H I
  • 10.
    seeing doing lookingpower knowing knowledge
  • 11.
    - a thinkingactivity on a piece of paper, answer these two questions - how do you know what you know about Aboriginal art - what is the source of that knowledge?
  • 12.
    seeing doing lookingpower knowing knowledge
  • 13.
    - power ofresearch why is it important to have an awareness of our own ways of seeing?
  • 14.
    - the roleof critical theory in your research and art practice
  • 15.
    - critical theorychallenges accepted truths/norms; challenges privilege & power; liberation/democratisation; there is no one truth/no absolutes
  • 16.
    - critical theory asks you to consider that there is no truth; not everything can be known; what you know depends on where you're sitting (race, gender, sexuality, age, class, language etc )
  • 17.
    - some possiblelines of INQUIRY a personal journey? a political journey?
  • 18.
    - suggested sourcesof learning Sara Ahmed Kevin Gilbert Paolo Freire Ghassan Hage Martin Nakata Karen Martin Aileen Moreton-Robinson proppaNOW Edward Said Linda Smith explore the writings of
  • 19.
    Cary, R. (1998) Critical Art Pedagogy: Foundations for Postmodern Art Education . Garland Publishing Inc. New York. Lanier, V (1982) The Arts We See: A simplified introduction to the visual arts . Teachers College: Columbia University: New York. The Awareness Test http://www.youtube.com/watch?v=Ahg6qcgoay4 References Used Created 18 August 2009 For more information please contact me http://www.google.com/profiles/lwatego or lwatego@gmail.com International Journal of Critical Indigenous Studies http://www.isrn.qut.edu.au/publications/internationaljournal/ Australian Critical Race and Whiteness Studies Association (including ejournal) http://www.acrawsa.org.au/index.html Recommended Reading