1) The document discusses design choices for a film poster promoting a short film about characters Ellie and Sam.
2) It considers using a close-up shot of Ellie and Sam hugging from the film to capture their relationship and following typical film poster conventions.
3) Factors like font, colors, lighting, and positioning of the characters are analyzed to convey the purity of Ellie's character and her safe, calming feelings with Sam while not distracting from their loving focus on each other.
Film posters follow certain conventions in their visual design. The main image typically represents a key moment or character(s) to convey the genre and attract interest. Typography provides information about the film through titles, quotes, and ratings. Camera angles and lighting are chosen to set the mood and match the film's tone, such as close-ups for mystery or low lighting for horror. Additional text lists the director, producers, actors, and other production details to promote those involved and provide relevant details.
The poster draws attention to Matt Damon's facial expression, which looks more vulnerable and fragile than the previous poster, targeting a female audience. The formal font and serious colors establish the science fiction genre, while the direct eye contact and tagline hinting at danger create intrigue and investment in the film's story. Overall, the poster aims to appeal to women through Damon's softer appearance and use of warmer, feminine colors.
This document describes the process of creating a film poster for "Cerys' Thriller" from an original photo. Several revisions were made to the photo such as blurring the background, darkening Cerys' skin, and adding elements like a title, tagline, and credits. The poster also includes information like nominations, promotional logos, the production company ident, and age rating to make it look like a professional movie poster. The creator believes the final poster clearly conveys its message and stands out.
The document analyzes several film posters and discusses conventions used in film posters based on focus group feedback. Key conventions highlighted include having the film title in the largest font at the top, credits and release information in smaller font at the bottom, and featuring the main actors. Focus groups found crime/thriller posters most appealing when they included money, weapons and intimidating characters posed in action shots on a dark background.
1) The primary focal point of the poster is Matt Damon's helmet, which signals to audiences that the film is a science fiction genre that director Ridley Scott is known for.
2) The strong focal area is the central tagline "Bring Him Home" over Matt Damon's emotionless face, implying his character wants to return home.
3) The weak focal area is the title "The Martian" at the bottom, giving audiences an idea of the genre and plot that the character is stranded on Mars.
The film poster for 127 Hours depicts the protagonist balancing precariously between two cliff faces with a boulder below him. This establishes that the film is about a man in a dangerous situation who must find a way to survive. The use of vibrant sunset colors and the setting among cliffs suggests genres of thriller, drama and adventure. The poster leaves many questions unanswered, enticing viewers to watch the film to learn the man's backstory and how he will escape this predicament. Overall, the poster utilizes a single dramatic image and enigmatic narrative to attract a wide audience intrigued by the life-or-death scenario.
1) The document discusses design choices for a film poster promoting a short film about characters Ellie and Sam.
2) It considers using a close-up shot of Ellie and Sam hugging from the film to capture their relationship and following typical film poster conventions.
3) Factors like font, colors, lighting, and positioning of the characters are analyzed to convey the purity of Ellie's character and her safe, calming feelings with Sam while not distracting from their loving focus on each other.
Film posters follow certain conventions in their visual design. The main image typically represents a key moment or character(s) to convey the genre and attract interest. Typography provides information about the film through titles, quotes, and ratings. Camera angles and lighting are chosen to set the mood and match the film's tone, such as close-ups for mystery or low lighting for horror. Additional text lists the director, producers, actors, and other production details to promote those involved and provide relevant details.
The poster draws attention to Matt Damon's facial expression, which looks more vulnerable and fragile than the previous poster, targeting a female audience. The formal font and serious colors establish the science fiction genre, while the direct eye contact and tagline hinting at danger create intrigue and investment in the film's story. Overall, the poster aims to appeal to women through Damon's softer appearance and use of warmer, feminine colors.
This document describes the process of creating a film poster for "Cerys' Thriller" from an original photo. Several revisions were made to the photo such as blurring the background, darkening Cerys' skin, and adding elements like a title, tagline, and credits. The poster also includes information like nominations, promotional logos, the production company ident, and age rating to make it look like a professional movie poster. The creator believes the final poster clearly conveys its message and stands out.
The document analyzes several film posters and discusses conventions used in film posters based on focus group feedback. Key conventions highlighted include having the film title in the largest font at the top, credits and release information in smaller font at the bottom, and featuring the main actors. Focus groups found crime/thriller posters most appealing when they included money, weapons and intimidating characters posed in action shots on a dark background.
1) The primary focal point of the poster is Matt Damon's helmet, which signals to audiences that the film is a science fiction genre that director Ridley Scott is known for.
2) The strong focal area is the central tagline "Bring Him Home" over Matt Damon's emotionless face, implying his character wants to return home.
3) The weak focal area is the title "The Martian" at the bottom, giving audiences an idea of the genre and plot that the character is stranded on Mars.
The film poster for 127 Hours depicts the protagonist balancing precariously between two cliff faces with a boulder below him. This establishes that the film is about a man in a dangerous situation who must find a way to survive. The use of vibrant sunset colors and the setting among cliffs suggests genres of thriller, drama and adventure. The poster leaves many questions unanswered, enticing viewers to watch the film to learn the man's backstory and how he will escape this predicament. Overall, the poster utilizes a single dramatic image and enigmatic narrative to attract a wide audience intrigued by the life-or-death scenario.
The poster for The Martian uses several techniques to define its genre and target audience. It establishes the science fiction genre through Matt Damon's space suit and helmet, as well as the film's director Ridley Scott who is known for sci-fi films. The tagline "Bring Him Home" piques audience curiosity about whether the character will survive being stranded on Mars. Matt Damon's prominent close-up on the poster aims to attract his typical male audience. Through these visual and textual elements, the poster communicates that the film will be a serious male-oriented science fiction thriller.
The document discusses different genres of film posters and common design elements used for each genre. For romance film posters, the main elements typically include a close shot of the two main characters, with the female character as the main focus. The color schemes, images, and text used aim to convey the romantic relationship at the center of the film's narrative. Analysis of five romance film posters shows common traits like positioning the characters close together and using taglines or backgrounds to provide context about the story.
This is my powerpoint for Film Poster Codes and Conventions that I am using for my research and planning in my Media Studies A2 Course at Sixth Form Year 13.
This film is a coming-of-age teen drama that follows a female protagonist who is an outcast at school due to her OCD. She uses photography to cope with and relieve her anxiety. The protagonist struggles to fit in but uses her camera as an outlet. The promotional campaign will not reveal the protagonist's identity and will focus on her internal struggles and use of photography through voiceovers and point-of-view shots. The teaser trailer, poster, and magazine cover being designed will emphasize the protagonist, photography theme, and tone of films like Perks of Being a Wallflower to promote the film.
Film poster analysis (A2 media studies) Pablo Ortiz
This document provides an analysis of the film poster for the psychological thriller film Memento. It summarizes the key elements of the poster's layout, including the positioning of the two main protagonists Leonard and Natalie in the center to indicate the film will focus on their relationship. It also notes the unconventional tilted framing and use of a Polaroid image within another Polaroid to hint at psychological themes and provide an immersive experience. The orange and white color scheme and low key lighting suggests the Polaroids could be flashbacks, indicating a history between the characters. The tagline "some memories are best forgotten" further builds intrigue around their predicament. In conclusion, the poster takes an original approach that breaks conventions
The document discusses conventions used in film posters that the media product follows or challenges. It examines conventions for positioning the film title, font style, color scheme, credits/logos, central image, and overlapping images. The poster uses a close-up of the antagonist's eyes rather than a medium shot of characters, and makes the eye image black and white rather than in color like most posters to represent the antagonist as a ghost. Overall, it strives to visually represent the thriller genre while following conventions for layout and other design elements.
This document analyzes several film posters for coming-of-age movies. It discusses elements common to these posters like the placement and styling of the title, names of lead actors, release dates, quotes, and focal images. For the poster of "The Last Song", it summarizes that the title is centered to draw the eye, a quote promotes the emotional experience, colors tie elements together, and the focal image of two characters on a car suggests a journey of growth. For "The Spectacular Now", it notes the billing block blends into the image, trees represent growth, and colors create a fresh visual. For "LOL", the title links to the focal image of texting, pink targets female viewers,
This document summarizes how the media products conform to and challenge conventions of real media. The trailer conforms to heist film conventions through use of suits, shots of locations and items, and character types. However, the poster challenges conventions by making the female the central focus, which is uncommon. The title and color scheme were also unconventional choices influenced by other heist films. The magazine cover conforms to typical layouts but makes the background black and white to make the character stand out. It is influenced by other magazines and conveys the character as a criminal through poses and costume, conforming to heist film conventions.
The document discusses the creation of a film poster for a psychological thriller film project. It begins by explaining the inspiration taken from existing thriller posters that feature a central character image. The document then shows examples of posters for Black Swan and Shutter Island that influenced the design. Details are provided about photographing imagery and editing the main poster image. Text is added for the title and tagline using different fonts than in the trailer for variety. Production information is included at the bottom in a smaller font for continuity with the trailer.
Film posters are a form of film promotion that use images and text to advertise films in various public places like billboards, buses, and theaters. Effective posters catch people's attention with iconic images that portray the film's genre and narrative. They also typically display the film title, director, producers, main actors, release date, and other key information in a concise manner to generate interest in the film. Quotes, ratings, and awards can also be added later to posters as positive publicity for a film.
Our media product, a film, follows many conventions of the thriller and horror genres. We used high angle wide shots during moments of mystery or uncertainty, as thrillers typically do, to give context and portray character attitudes. We also used over-the-shoulder shots for the antagonist to foreshadow events, mirroring horror films. While conforming to these conventions, we also challenged some by using thoughtful mise-en-scene to reveal character personalities and an unconventional poster featuring the isolated school setting to promote mystery. Overall, we strategically employed genre conventions to engage audiences while putting our own spin on some elements.
Distribution involves launching and marketing films to gain the largest possible audience. Major film distributors like Lions Gate Entertainment, Twentieth Century Fox, and Columbia Pictures spend hundreds of millions annually distributing well-known films. The document discusses film distribution companies and their role in the industry. It also summarizes the filmmaker's thriller about a teenage boy who blogs about nightmares of a murderer but is actually possessed by the devil. The filmmaker believes Lions Gate would be a good fit to distribute the film due to its experience with similar thriller and horror genres.
The document discusses several issues that independent short films may face, including genre, distribution, storyline, and copyright. It notes that genre helps distributors market films and was an important consideration for their psychological drama short film. It also explains their decision to distribute on YouTube, as their target audience frequents the platform, and that they will not pursue film distributors since their project is non-funded and for educational purposes. The document emphasizes the importance of a creative, unique storyline to engage viewers and discusses copyright clearances that may require permission or payment to use songs in films.
This document analyzes and summarizes the visual graphics, color palettes, and text choices used in the movie posters for The Girl on the Train, Gone Girl, and South Paw. For each poster, the analysis discusses how the visuals focus on the main character, incorporate elements from the film's narrative, and use colors that match the film's mood. It also examines how the text is designed to draw attention to the visuals rather than stand out. The posters are praised for subtly connecting the advertising to the films through their visual and stylistic choices.
Posters are produced to promote films and can be displayed in public spaces. They aim to catch viewers' attention and hint at the film's plot to generate interest. Effective horror movie posters use conventions like bold imagery that stands out, a large readable title, and dull colors that create suspense. They also typically include elements like the film title in a sinister font, quotes to entice viewers, and release information so audiences know when it will be in cinemas.
The poster is for the science fiction film "The Martian" starring Matt Damon. It follows the principles of poster design by having areas that guide the eye across the poster. The primary optical area at top left contains the tagline "Help is only 140 million miles away" in white text over Matt Damon's face, drawing attention. The top right contains color and design elements. The bottom left shows the red landscape of Mars and film credits. By the time the eye reaches the terminal area at bottom right, the viewer has learned this is a science fiction film about being stranded on Mars and questions are raised to intrigue the audience.
This document discusses different types of film posters and what makes an effective poster. It argues that single image posters with a black background ("SIBB" posters) are most compelling. These posters draw attention with a striking single image and minimal distracting elements. They intrigue viewers about the film's content without revealing too much. The document also praises painted posters and taglines for giving films unique identity. In conclusion, the author believes a SIBB-style poster would best represent their group's film as it can be created without professional painting skills.
Movie posters are used to advertise upcoming films and entice viewers to watch them. They typically include the movie title, images of main characters, director/producer credits, production company, a tagline, and convey the genre through visuals. Comedy film posters commonly have a plain background to make characters stand out with humorous facial expressions or situations. They also include character names to attract fans and references to other comedic works by the same director. This poster for "Dinner for Schmucks" exemplifies the genre with two characters in an amusing pose that hints at the film's humor through their facial expressions and positioning.
How does your media product use, developIqraaslam96
This document discusses how the media product uses and develops conventions of the psychological thriller genre. It examines conventions around themes, characters, lighting, costumes, and camera work. The product aims to use many existing conventions such as casual clothing, natural makeup, and low key lighting during suspenseful scenes. However, it also challenges some conventions, such as using deliberate makeup for the protagonist in the poster to represent madness. Overall, the goal is to develop conventions of the genre to effectively portray a psychological thriller.
Using Social Media to support Sales and Increase Demand
This social media content kit provides partners with tools and content to help increase demand from small and medium-sized enterprises (SMEs) through social media. The kit aims to address common misconceptions that SMEs may have about SAP, such as that SAP solutions are too expensive, complex, or slow for SMEs. The kit includes ready-made blog posts, tweets, and LinkedIn posts that partners can customize and use to show SME prospects how SAP understands their needs and offers affordable, easy to use solutions. The content also provides facts about SAP's large SME customer base and how SAP solutions can help SMEs
Creativity and innovation are critical for organizational performance and survival. While creativity fuels new ideas, innovation exploits those ideas through successful implementation. Three key components of creativity are creative-thinking skills, expertise, and motivation. Managers can leverage creativity within their organizations by challenging employees, granting freedom, designing collaborative work groups, providing encouragement and incentives, and offering organizational support. Open innovation that incorporates external perspectives can stimulate new ideas beyond what internal research alone can produce.
The poster for The Martian uses several techniques to define its genre and target audience. It establishes the science fiction genre through Matt Damon's space suit and helmet, as well as the film's director Ridley Scott who is known for sci-fi films. The tagline "Bring Him Home" piques audience curiosity about whether the character will survive being stranded on Mars. Matt Damon's prominent close-up on the poster aims to attract his typical male audience. Through these visual and textual elements, the poster communicates that the film will be a serious male-oriented science fiction thriller.
The document discusses different genres of film posters and common design elements used for each genre. For romance film posters, the main elements typically include a close shot of the two main characters, with the female character as the main focus. The color schemes, images, and text used aim to convey the romantic relationship at the center of the film's narrative. Analysis of five romance film posters shows common traits like positioning the characters close together and using taglines or backgrounds to provide context about the story.
This is my powerpoint for Film Poster Codes and Conventions that I am using for my research and planning in my Media Studies A2 Course at Sixth Form Year 13.
This film is a coming-of-age teen drama that follows a female protagonist who is an outcast at school due to her OCD. She uses photography to cope with and relieve her anxiety. The protagonist struggles to fit in but uses her camera as an outlet. The promotional campaign will not reveal the protagonist's identity and will focus on her internal struggles and use of photography through voiceovers and point-of-view shots. The teaser trailer, poster, and magazine cover being designed will emphasize the protagonist, photography theme, and tone of films like Perks of Being a Wallflower to promote the film.
Film poster analysis (A2 media studies) Pablo Ortiz
This document provides an analysis of the film poster for the psychological thriller film Memento. It summarizes the key elements of the poster's layout, including the positioning of the two main protagonists Leonard and Natalie in the center to indicate the film will focus on their relationship. It also notes the unconventional tilted framing and use of a Polaroid image within another Polaroid to hint at psychological themes and provide an immersive experience. The orange and white color scheme and low key lighting suggests the Polaroids could be flashbacks, indicating a history between the characters. The tagline "some memories are best forgotten" further builds intrigue around their predicament. In conclusion, the poster takes an original approach that breaks conventions
The document discusses conventions used in film posters that the media product follows or challenges. It examines conventions for positioning the film title, font style, color scheme, credits/logos, central image, and overlapping images. The poster uses a close-up of the antagonist's eyes rather than a medium shot of characters, and makes the eye image black and white rather than in color like most posters to represent the antagonist as a ghost. Overall, it strives to visually represent the thriller genre while following conventions for layout and other design elements.
This document analyzes several film posters for coming-of-age movies. It discusses elements common to these posters like the placement and styling of the title, names of lead actors, release dates, quotes, and focal images. For the poster of "The Last Song", it summarizes that the title is centered to draw the eye, a quote promotes the emotional experience, colors tie elements together, and the focal image of two characters on a car suggests a journey of growth. For "The Spectacular Now", it notes the billing block blends into the image, trees represent growth, and colors create a fresh visual. For "LOL", the title links to the focal image of texting, pink targets female viewers,
This document summarizes how the media products conform to and challenge conventions of real media. The trailer conforms to heist film conventions through use of suits, shots of locations and items, and character types. However, the poster challenges conventions by making the female the central focus, which is uncommon. The title and color scheme were also unconventional choices influenced by other heist films. The magazine cover conforms to typical layouts but makes the background black and white to make the character stand out. It is influenced by other magazines and conveys the character as a criminal through poses and costume, conforming to heist film conventions.
The document discusses the creation of a film poster for a psychological thriller film project. It begins by explaining the inspiration taken from existing thriller posters that feature a central character image. The document then shows examples of posters for Black Swan and Shutter Island that influenced the design. Details are provided about photographing imagery and editing the main poster image. Text is added for the title and tagline using different fonts than in the trailer for variety. Production information is included at the bottom in a smaller font for continuity with the trailer.
Film posters are a form of film promotion that use images and text to advertise films in various public places like billboards, buses, and theaters. Effective posters catch people's attention with iconic images that portray the film's genre and narrative. They also typically display the film title, director, producers, main actors, release date, and other key information in a concise manner to generate interest in the film. Quotes, ratings, and awards can also be added later to posters as positive publicity for a film.
Our media product, a film, follows many conventions of the thriller and horror genres. We used high angle wide shots during moments of mystery or uncertainty, as thrillers typically do, to give context and portray character attitudes. We also used over-the-shoulder shots for the antagonist to foreshadow events, mirroring horror films. While conforming to these conventions, we also challenged some by using thoughtful mise-en-scene to reveal character personalities and an unconventional poster featuring the isolated school setting to promote mystery. Overall, we strategically employed genre conventions to engage audiences while putting our own spin on some elements.
Distribution involves launching and marketing films to gain the largest possible audience. Major film distributors like Lions Gate Entertainment, Twentieth Century Fox, and Columbia Pictures spend hundreds of millions annually distributing well-known films. The document discusses film distribution companies and their role in the industry. It also summarizes the filmmaker's thriller about a teenage boy who blogs about nightmares of a murderer but is actually possessed by the devil. The filmmaker believes Lions Gate would be a good fit to distribute the film due to its experience with similar thriller and horror genres.
The document discusses several issues that independent short films may face, including genre, distribution, storyline, and copyright. It notes that genre helps distributors market films and was an important consideration for their psychological drama short film. It also explains their decision to distribute on YouTube, as their target audience frequents the platform, and that they will not pursue film distributors since their project is non-funded and for educational purposes. The document emphasizes the importance of a creative, unique storyline to engage viewers and discusses copyright clearances that may require permission or payment to use songs in films.
This document analyzes and summarizes the visual graphics, color palettes, and text choices used in the movie posters for The Girl on the Train, Gone Girl, and South Paw. For each poster, the analysis discusses how the visuals focus on the main character, incorporate elements from the film's narrative, and use colors that match the film's mood. It also examines how the text is designed to draw attention to the visuals rather than stand out. The posters are praised for subtly connecting the advertising to the films through their visual and stylistic choices.
Posters are produced to promote films and can be displayed in public spaces. They aim to catch viewers' attention and hint at the film's plot to generate interest. Effective horror movie posters use conventions like bold imagery that stands out, a large readable title, and dull colors that create suspense. They also typically include elements like the film title in a sinister font, quotes to entice viewers, and release information so audiences know when it will be in cinemas.
The poster is for the science fiction film "The Martian" starring Matt Damon. It follows the principles of poster design by having areas that guide the eye across the poster. The primary optical area at top left contains the tagline "Help is only 140 million miles away" in white text over Matt Damon's face, drawing attention. The top right contains color and design elements. The bottom left shows the red landscape of Mars and film credits. By the time the eye reaches the terminal area at bottom right, the viewer has learned this is a science fiction film about being stranded on Mars and questions are raised to intrigue the audience.
This document discusses different types of film posters and what makes an effective poster. It argues that single image posters with a black background ("SIBB" posters) are most compelling. These posters draw attention with a striking single image and minimal distracting elements. They intrigue viewers about the film's content without revealing too much. The document also praises painted posters and taglines for giving films unique identity. In conclusion, the author believes a SIBB-style poster would best represent their group's film as it can be created without professional painting skills.
Movie posters are used to advertise upcoming films and entice viewers to watch them. They typically include the movie title, images of main characters, director/producer credits, production company, a tagline, and convey the genre through visuals. Comedy film posters commonly have a plain background to make characters stand out with humorous facial expressions or situations. They also include character names to attract fans and references to other comedic works by the same director. This poster for "Dinner for Schmucks" exemplifies the genre with two characters in an amusing pose that hints at the film's humor through their facial expressions and positioning.
How does your media product use, developIqraaslam96
This document discusses how the media product uses and develops conventions of the psychological thriller genre. It examines conventions around themes, characters, lighting, costumes, and camera work. The product aims to use many existing conventions such as casual clothing, natural makeup, and low key lighting during suspenseful scenes. However, it also challenges some conventions, such as using deliberate makeup for the protagonist in the poster to represent madness. Overall, the goal is to develop conventions of the genre to effectively portray a psychological thriller.
Using Social Media to support Sales and Increase Demand
This social media content kit provides partners with tools and content to help increase demand from small and medium-sized enterprises (SMEs) through social media. The kit aims to address common misconceptions that SMEs may have about SAP, such as that SAP solutions are too expensive, complex, or slow for SMEs. The kit includes ready-made blog posts, tweets, and LinkedIn posts that partners can customize and use to show SME prospects how SAP understands their needs and offers affordable, easy to use solutions. The content also provides facts about SAP's large SME customer base and how SAP solutions can help SMEs
Creativity and innovation are critical for organizational performance and survival. While creativity fuels new ideas, innovation exploits those ideas through successful implementation. Three key components of creativity are creative-thinking skills, expertise, and motivation. Managers can leverage creativity within their organizations by challenging employees, granting freedom, designing collaborative work groups, providing encouragement and incentives, and offering organizational support. Open innovation that incorporates external perspectives can stimulate new ideas beyond what internal research alone can produce.
This document lists several types of facilities and organizations located in a certain area, including a retirement center, veterans memorial, retail establishments, a religious institute, a theater and arts venue, and a place for games.
El documento describe el funcionamiento de los transformadores. Explica que los transformadores permiten aumentar o disminuir la tensión eléctrica manteniendo la potencia mediante el fenómeno de inducción electromagnética. Los ingenieros húngaros Zipernowsky, Bláthy y Déri crearon el primer modelo de transformador de corriente alterna en 1885 basado en diseños previos y descubrieron la fórmula matemática que relaciona la tensión y el número de espiras en el primario y secundario.
The document summarizes market research for a scheduling app called Queen Tea. It shows that 98% of respondents look for events near their homes and 99% have been late or had someone late to an event. 85% said they would use an app to find nearby events, set reminders for appointments, and track friends' arrival times. Estimated potential revenue from subscriptions ranges from $12 million to $120 million per month based on Brazil's internet user base. Advertising on the app could generate $50,000 in monthly revenue.
The combination of the main documentary product and ancillary texts of a newspaper advertisement and radio advertisement were effective. Specifically:
- The newspaper advertisement used the same setting from the opening of the documentary to clearly link the two and portray the theme of spirituality. It featured the main character to emphasize the personal journey.
- The radio advertisement used the same key words and background music as the documentary to strongly associate the two. It also featured the same narrator for consistency.
- Together, the three elements clearly linked to each other and were concluded to be an attractive way to promote the documentary and attract a large audience.
The document is a questionnaire given to an audience to provide feedback on film promotion materials for a psychological thriller film. It contains 15 questions with both open-ended and closed-ended questions about the film trailer, poster, and magazine cover. Based on the responses, the materials were generally found to appropriately convey the genre and plot while intriguing the audience about what would happen in the film. However, some responses also provided areas for improvement, such as ensuring the film title is clear in the trailer or using a voiceover to further explain the plot.
O documento descreve um acidente de carro. O veículo saiu da estrada e colidiu com uma árvore. O motorista sofreu ferimentos leves e foi levado para o hospital para exames.
The document discusses health and safety concerns regarding photovoltaic solar panels. It describes the typical materials used in solar panels like solar cells made of semiconductors that convert sunlight to electricity. It also outlines potential hazards during manufacturing like exposure to toxic chemicals and heavy metals as well as disposal concerns. The document recommends implementing an occupational health and safety management system to manage risks, conduct hazard assessments, provide trainings, and continually improve safety performance and culture for the solar photovoltaic technology industry.
Evaluation question one charlotte marked 1charmitch21
The document discusses how the media product (a film promotional package including a poster, magazine cover, and trailer) uses and develops conventions of real media products in the psychological horror genre. It summarizes the key conventions followed, such as using familiar everyday settings, one-word titles, script fonts for titles, images of vulnerable female protagonists, and establishing normal lives before disrupting them. The document also describes changes made to better follow conventions, such as switching from an antagonist image to a protagonist image for consistency. Overall, the media product strives to utilize established codes and conventions to intrigue audiences familiar with the psychological horror genre.
Evaluation question one charlotte marked 1charmitch21
The document discusses how the media product (a film promotional package including a poster, magazine cover, and trailer) uses and develops conventions of real media products in the psychological horror genre. It summarizes the key conventions followed, such as using familiar everyday settings, one-word titles, script fonts for titles, images of vulnerable female protagonists, and establishing normal lives before disruption. The document also describes changes made for improvement, such as switching from an antagonist image to a protagonist image on the poster and magazine cover to better follow conventions. Overall, the media product strives to utilize established genre conventions while also challenging conventions in minor ways.
The document discusses a student's media studies coursework evaluating a teaser trailer they created for a horror film project. It covers the typical conventions used in horror trailers and how the student incorporated these into their teaser trailer. It also discusses how they developed ancillary tasks including a magazine cover and film posters to create a consistent brand identity and reinforce the film's image. The student analyzes how effective the combination of these materials was at constructing a strong brand. Finally, it discusses how the student gathered audience feedback on the project through various methods.
The document discusses the student's media studies coursework, including a teaser trailer for a horror film and accompanying ancillary tasks like posters and a magazine cover.
The student used typical conventions for a horror genre teaser trailer, including brief glimpses of actors, blood, and an ominous setting. Feedback was gathered from peers via a survey. The trailer and ancillary tasks were designed to have consistent branding elements like the use of a main character, colors, font, and taglines related to the film's woods setting and childlike elements. Media technologies like YouTube, blogs, and editing software were used for research, production, and gathering audience feedback evaluations.
The document discusses the student's media studies coursework, including a teaser trailer for a horror film and accompanying ancillary tasks like posters and a magazine cover.
The student used typical conventions for a horror genre teaser trailer, including quick shots, blood, and an ominous setting. Feedback was positive, though some felt the trailer could have shown the killer (a little girl) more.
Accompanying tasks like posters and magazines also featured these conventions to create a consistent brand identity. Feedback noted the clear brand image across tasks but felt one poster could include more.
Media technologies helped at all stages, from research/planning using YouTube, blogs and Google to production using editing software and cameras to evaluation by gathering
The document discusses the use of conventions in the creation of a trailer for a media production project. It summarizes that the trailer borrows conventions from other thriller trailers, such as using dark lighting when the female character is held hostage. It also challenges some conventions, like starting the trailer with a calm scene rather than immediate suspense. Editing techniques like jump cuts and fast pacing were used to build suspense. Camera shots focused on characters' emotions. Mise-en-scene established settings and used props and clothing relevant to the storyline. Sound also helped build tension throughout the trailer.
The document discusses the use of conventions in the creation of a media trailer. It examines how the trailer uses conventions from other thriller genres, such as mysterious music, isolated settings, and vulnerable female characters. It also discusses how the trailer challenges some conventions, such as starting calmly rather than with immediate suspense. The document analyzes the trailer's use of editing techniques, camera work, mise-en-scene, and sound to create suspense and engage audiences in typical thriller style. It provides examples from the trailer to illustrate its use and challenging of real media conventions.
The document discusses how the media product's trailer uses and develops conventions of real media. It summarizes that the trailer follows conventions like including an "enigma" to generate curiosity without fully explaining the plot. It establishes characters playing conventional roles like hero, villain, and princess. The trailer also incorporates common themes like crime and deceit among teenagers. While the genre is intended to be an action thriller, lighting challenges made portraying suspense difficult. The trailer aims to elicit an emotional response from audiences as genres typically do. Maintaining symbols like "the book" across the trailer, poster, and magazine ensures narrative consistency.
The document discusses the conventions used in the media product's horror film genre trailer, magazine cover, and poster. It summarizes that the media product uses conventions like an isolated vulnerable female protagonist, themes of good vs evil and dream vs reality. However, it challenges the dark setting convention by keeping settings bright to represent the protagonist's mind. The trailer conventions used include titles, key moments, a voiceover, and out of sequence shots to create suspense. The document analyzes how the media product both adheres to and challenges genre conventions.
Our group created a thriller film opening as our media product. We aimed the film at a 16+ audience as some scenes could disturb younger viewers. To attract our target audience, we created posters showing key elements of the film that were displayed widely. Through the process, we learned how to use video and audio equipment like cameras, microphones, and tripods. We also gained experience using editing software like iMovie and GarageBand to assemble the film and add effects/music. Each member took on new roles from our preliminary task, and all felt they improved their media skills and confidence in areas like acting, filming, and using technology.
The document discusses the use of conventions and challenges in the media products created for a horror film project. It examines how the trailer, poster, and magazine cover follow conventions such as using a "horror villain" archetype for the main character and similar color schemes and fonts across products. It also discusses challenges such as focusing more on the character as a victim than murderer and using unconventional close-up shots. Audience feedback helped refine the products, and new media technologies like Photoshop, iMovie, and social media were important tools.
The document discusses how the media products created for a film project used and developed real media conventions while also challenging some conventions. Feedback from audiences was gathered during the development of the trailer, poster, and magazine which helped the creators fine-tune the products to fit audience expectations of the horror and thriller genres. Key aspects like the villain's backstory, visual motifs, color schemes, and taglines were carried through each text to create cohesion in promoting the film.
The document discusses the design choices for a film magazine cover, poster, and trailer for a thriller film called "Retribution". For the magazine cover, they chose a traditional layout with the title, barcode, and date in typical positions. The black and white image of the main character Jamie conveys mystery. For the poster, they used the film title in red text over a blurred background and an image of Jamie holding a gun. The trailer incorporates typical thriller elements like chases and violence but challenges conventions by having a female villain and casual male protagonist. It builds tension through changing shot pacing and ends on a cliffhanger. Consistent red, white, and black colors and the main character link the three promotional materials.
The media student discusses how their horror film trailer uses and develops conventions of real trailers while also challenging some conventions. The trailer uses common horror settings like schools and forests. It keeps the killer's face hidden, includes ominous music and handheld camerawork during chase scenes. However, the student begins with a montage rather than just the production company. The killer is also a female, challenging the male killer convention. The magazine cover follows conventions like positioning but challenges expectations by featuring a powerful female killer rather than a victim. The poster features an unusual reflective shot of the main character but includes standard elements like the title and tagline positioned conventionally.
The document discusses how the media products challenge and conform to conventions of their formats and genres.
It summarizes that the magazine cover, poster, and film teaser trailer each followed some conventions of their formats, like including key visual and text elements, while also challenging conventions to make the works stand out.
The teaser trailer challenged conventions by only using diegetic music and not including dialogue. The poster challenged conventions by including a graphic horror image not usually seen on posters.
Overall, the productions balanced following genre and format conventions to seem professional while also challenging conventions to create memorable, unique works.
The document discusses how the media product uses conventions of real horror films. It establishes female victims and a male killer/kidnapper to follow horror film tropes. Flashbacks are used during torture scenes, mirroring films like "Truth or Dare" that inspired the trailer. Research was done on horror film audiences and why they enjoy the genre. The target audience of teens is discussed, and teen-oriented music and techniques are used. Poster and magazine design are addressed, with conventions like dark tones and prominent central images employed while also attempting some unconventional elements.
The document discusses how the media product challenges conventions of the drama genre in its narrative, characters, setting, and visual elements. It used common drama themes like illness but developed it by focusing on a less known disease than cancer. It challenged the typical domestic setting by having scenes outside. It conformed to some conventions like having a female protagonist but developed the character's age. It challenged stereotypes around costumes representing vulnerability by portraying the character as a normal teenager. It developed conventions of trailers by minimizing titles and including local production companies. It conformed to conventions of sound editing and shifts in music to represent changes in mood.
The document discusses how the media products for a student film trailer, magazine cover, and poster use, develop, and challenge conventions of real media forms.
The trailer uses common horror conventions like school and forest settings but challenges expectations by having a female killer. The magazine cover follows conventions like a central image and buzzwords but challenges gender norms with a powerful female image and uses a red tint. The poster features a central character image as expected but challenges conventions by showing her reflection to hint at the plot twist.
In what ways does your media product use, develop or challenge forms and conv...Chiara Ditri
Our media products for 'The Elusive' used and developed conventions of real horror media products. The trailer followed typical horror trailer conventions like building tension and climax. It also drew on techniques like Freytag's triangle. The titling and fonts matched horror film conventions. While adhering to conventions for layout, the mysterious poster image challenged expectations. The magazine cover also used horror-related conventions like red coloring but challenged the norm of overlapping text and images. Elements like character fashion helped target audiences relate to the products.
The document discusses a film trailer and poster created for a teen drama film project. It analyzes how the trailer and poster follow conventions of real media products to advertise the film. The trailer uses techniques like montages of clips and music to set the tone. It challenges conventions by including a twist to the typical romance plot involving violence. The poster features a silhouette image from the trailer to create mystery and intrigue about the forbidden relationship at the center of the film.
Odia New Web Series at your fingerprint.mikedanoffice
Stay ahead of the curve with the latest in Odia entertainment! Our Odia new web series promise an exciting blend of fresh narratives, talented performances, and engaging plots. Immerse yourself in the evolving world of Odia storytelling with our curated selection of cutting-edge web content. for more visit: https://aaonxt.com/series
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
The Future of Independent Filmmaking Trends and Job OpportunitiesLetsFAME
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
Follow us on: Pinterest
Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
From Teacher to OnlyFans: Brianna Coppage's Story at 28get joys
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfoliogreendigital
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
Follow us on: Pinterest
Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
1. EVALUATION 1
IN WHAT WAYS DOES YOUR
MEDIA PRODUCT USE, DEVELOP
OR CHALLENGE FORMS AND
CONVENTIONS OF REAL MEDIA
PRODUCTS?
2. GENRE THEORY
One of the first steps that we took was to look into
Genre theory. Our products revolve mainly around
the genre and therefore researching this theory
proved to be very useful.
An audience knows what features are associated
with certain genres and they have a set of
expectations: for example, in a thriller film, an
expectation would be that there is a twist or turn in
the film that cannot be for seen.
3. REAL FORMS AND CONVENTIONS WE
USED: LIGHTING AND LOCATION
Our media products consisting of a magazine cover, a
trailer and a poster all to promote a film can be
described in several ways in how they use, develop or
challenge forms and conventions of real media
products. From our research we learnt the typical
conventions of media products in terms of films.
We looked at the iconography of thriller films and from
this we got a sense of what our media product should
be. In terms of lighting we found that depending on what
kind of atmosphere that is wanting to be achieved, the
lighting will change, but typically a dimly lit setting shows
a negative situation which is often the case within a
thriller.
4. REAL FORMS AND CONVENTIONS WE
USED: LIGHTING AND LOCATION
We have used this convention of real media
products in our film. Here you can see that we have
created a dark atmosphere through the lighting that
we have used. This also enabled us to show a
shadow of a hand which added to this atmosphere.
In terms of location, thrillers often take place within
a city as it is closer to home, making it realistic, we
have used this convention as we set this plot at her
house. The setting is an isolated place along with
mental isolation of the character.
5. REAL FORMS AND CONVENTIONS WE
USED: CHARACTERS
Characters were key and in real media products,
the conventional character we found for thriller films
were criminals, stalkers, assassins, terrorists,
psychotic individuals and many more.
Our plot revolves around a psychotic individual and
this is really where are story can develop from. In
all three promotions we have displayed our
character in a way that reflects
her psychotic nature.
In the poster we have just shown half of her face to
show her alter ego which is part of her medical
condition, we've also included an image of her on
the magazine cover where the costume and make
up really covey her struggle.
6. REAL FORMS AND CONVENTIONS WE
USED: CAMERA ANGLES
Camera angles and movements can also be key within
thriller films as in real media products, commonly
used are jump cuts and quick camera angle changes to
illustrate a number of different things or problems which
are occurring within the film and build up the pace to
create tension.
In our film, we used jump cuts to show the number of
problems our character is facing, We have her having a
child alone, her having nightmares, the death of her
baby and her illness. We have included all these
problems in our film trailer.
We have also a number of different camera angles, like
extreme close-ups, mid shots, low angles and high
angles to show their status.
7. REAL FORMS AND CONVENTIONS WE
USED: THRILLER THEMES
Probably one of the most import conventions in real
media products of thriller films are the edge of your
sit cliff-hangers that build towards a climax as the
character progresses through life threatening
situations.
This in terms of our product is the loss of her child
but nobody knows who did kill the baby until
nearing the end where the revelation of who did kill
the baby is a massive shock and surprise.
We have also used the convention of having the
story told from the point of view of the protagonist
(the main character)
8. REAL FORMS AND CONVENTIONS WE
USED: POSTERS
In terms of posters also, it is typical of thrillers to have a
dark background which in fact is what we have, the title
of the film is in the largest font in comparison to smaller
fonts which represent the names of actors, directors etc.
Also, it must have a focal picture and a tag line which
we have used. Also linking to posters a typical
convention of media products is to have multiple posters
for one film, for example shutter island had around five
posters to promote the film.
Although our brief is only to make one poster, we made
multiple posters because we wanted a variety of ideas
to choose just one from however we thought they could
all be used for promotional purposes.
9. REAL FORMS AND CONVENTIONS WE
USED: MAGAZINE
Along with this, in terms of the magazine cover,
a feature is normally used to grab the readers
attention. For example, in our magazine 'Top 10
films this Christmas inside!' is our feature which
also includes our film. This exclamatory syntax
also relates to the time of year that the film is
released.
Also reviews, the barcode, the date, a website,
a main image, the title displayed in large fonts,
the issue numbers and many more are
conventional of real magazines. We found that
the most effective way to make a realistic
magazine cover was to use these typical forms.
10. REAL FORMS AND CONVENTIONS
THAT WE CHALLENGED:
Interms of challenging typical conventions
of real media products, we have not used a
voice over which is usually used in trailers to
explain the story. However we felt that in
terms of our media product it was more
effective to just use the music and image
frames of the trailer to convey this plot and
film. The music centres around the nursery
rhyme 'twinkle twinkle little star' and we
wanted this to come across in our trailer.
11. REAL FORMS AND CONVENTIONS
THAT WE CHALLENGED:
By doing this we make the story even more
emotional and heart breaking because of the child
like and innocent nature. Also the increase in pace
as it continues really adds to the suspense and
atmosphere therefore we felt it was best to use a
sound track.
Along with this, although voice overs are helpful in
expanding on the story we felt that because of the
silence of any diegetic sounds like the voice of
characters, we felt it represented the silence of our
main character's alter ego. Her alter ego has killed
the baby and is not saying a word and we wanted
to convey this.
12. REAL FORMS AND CONVENTIONS
THAT WE CHALLENGED:
Thrillers are also a combination of good vs evil
which in this way may challenge the typical
convention of real thriller films. They often have a
clear divide between the evil character and the
good character and good normally triumphs evil.
However, as the our character is both good and
evil, she is really battling against herself and in the
end.
13. REAL FORMS AND CONVENTIONS
THAT WE CHALLENGED
In terms of our magazine cover, it is typical that the
front cover is to have a clear image of the main
character, often looking towards the camera,
however our main image is our character looking
away from the camera, in order to convey her
feelings.
We've also challenged the typical convention of
media products as there is not a particular hero
Typical props in thriller films are weapons like guns,
swords, bombs etc however in our film the main
weapon seems to be her mind and her state of
mentality. Her psychotic nature is the main
weapon.
14. REAL FORMS AND CONVENTIONS:
POSTER
In terms of the poster, we did not particularly
challenge any of the traditional forms and
conventions as we felt that the most effective way
to construct a poster and was through the typical
means of including a main image, a website,
production and distribution details, actors names
etc.
15. REAL FORMS AND CONVETIONS THAT
WE DEVELOPED:
We developed conventions of a magazine cover
through the use of both pictures: we have used a
fashionable shot but emotional pose for the main
image where the character is almost portraying how
upset she is that she cannot look at the camera.
However this is in direct contrast with the other
image of the character who is directly looking at the
camera in a threatening way which shows how
much she changes within the film.
We have started to display the story just in the front
cover which not many magazines can do. but also
included an image of the character.