Who killed modern art
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www.whokilledmodernart.weebly.com I am on the hunt for the History of Modern Art… Where did it begin? What events caused it to happen? Who are the major players? What does it look like?
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The Realist movement emerged in response to social changes brought about by the Industrial Revolution. Realist artists rejected idealized historical and mythological subjects, choosing instead to depict everyday subjects and harsh social realities, like the lives of the working classes and urban poor. Gustave Courbet was a leading Realist painter who scandalized audiences with works like The Stonebreakers that portrayed common laborers on a large scale. Edouard Manet further developed Realism and influenced Impressionism with paintings like Luncheon on the Grass and Olympia that depicted nude women in a modern, unconventional manner and shocked viewers with their realistic style and controversial subjects.
Art in Detail: Academicism, The most notable Paintings
The document presents details of several notable academic paintings from late 19th century Paris. Academicism was the dominant artistic style of the period, propagated by the École des Beaux-Arts and official annual art exhibitions called the Salon. The paintings depicted myths, historical scenes, and allegories in a highly realistic style with idealized figures. Some of the most prominent academic painters featured include Jean-Léon Gérôme, William-Adolphe Bouguereau, Paul Delaroche, and Jean-Auguste-Dominique Ingres. Their works often focused on classical themes like Pygmalion and Galatea or The Birth of Venus, rendered through photo-realistic detail and sensual n
Vanguardias
The document provides an overview of revolutionary art movements of the 20th century, beginning with Impressionism, Fauvism, Cubism, Dadaism, Surrealism, Pop Art, Conceptual Art, and concluding with more recent avant-garde movements. It discusses key figures like Duchamp, Kandinsky, Picasso, and Warhol and the stylistic developments, influences, and philosophies behind each movement.
Dada
The document provides background information on the Dada artistic movement that emerged during and after World War I in protest of militarism and Western culture. It discusses key Dada figures like Tristan Tzara and Jean Arp and their rejection of reason and aesthetics. It also covers Surrealism and figures associated with it like Max Ernst, Salvador Dali, and Joan Miro who incorporated dreamlike imagery and automatism. Andre Breton is discussed as a pioneer of Surrealism who emphasized tapping into the unconscious mind.
science module
Modern art includes artistic works produced from the 1860s to the 1970s that experimented with new techniques and ways of seeing. The movement began with Post-Impressionists like Van Gogh, Cézanne, Gauguin, and Seurat who rejected realism. In the early 20th century, Cubism, led by Picasso and Braque, and other styles like Fauvism and Expressionism emerged. After World War I, Dada, Surrealism, Bauhaus, and other anti-art movements developed. By the 1950s-60s, Abstract Expressionism, Pop Art, Minimalism, and new media like video art gained prominence, especially in the US. Modern art
Courbet and Realism
This document provides an overview of the life and work of French painter Gustave Courbet. It discusses his early rejection from the Paris Salon and eventual acceptance in 1844. In 1850, Courbet's work "Burial at Ornans" had a huge impact and brought him fame for beginning the transition from Romanticism to Realism. The document also describes Courbet's influential self-funded exhibition at the 1855 Paris World's Fair and his calculated provocative works that courted controversy.
The Modern WorldRomanticism, Realism, Impressionism& Po.docx
The Modern World:
Romanticism, Realism, Impressionism
& Post-Impressionism
ART-6, Q. Bemiller, Norco College
Louis Daguerre, Boulevard du Temple (first photograph of a
living person in Paris), 1838, daguerreotype
1800-1945 = major changes!
• 1785-1813 Power Loom
• 1807 Steamboat
• 1814 Steam Locomotive
• 1826 Photograph
• 1837 Telegraph
• 1876 Telephone
• 1870s-80s Phonograph, Light Bulb, Motion Pictures
• 1885 Automobile
• 1895 Radio
• 1903 Airplane
• 1927 Television
• 1935 Electric Guitar
• 1942 Nuclear Reactor
Romanticism
• Romanticism was named after the adventurous stories told in the
“Romance” languages (Spanish, Portuguese, French, Italian and
Romanian.) "Romance languages" originate from Latin, the language
spoken in the Western Roman Empire.
• Romanticism reacted against the logical, rational and objective truths
of Neoclassicism. Instead, Romanticists focused on individual
freedom, imagination, emotions, subjective reality, intuition and
originality.
• Romanticism lasted from about 1800-1890 and led to avant-garde
movements in the 20th century.
• Artists include Francisco Goya, Caspar David Friedrich, Henry Fuseli,
John Constable, J.M.W. Turner, Eugène Delacroix and Théodore
Géricault.
Francisco Goya, The Third of May, 1808, 1814, oil on
canvas
Caspar David Friedrich, The Abbey in the Oakwood, 1809-
10; Wanderer Above the Sea of Fog, 1818, oil on canvas
Henry Fuseli, The Nightmare, 1781 and 1790-91, oil on
canvas
John Constable, Salisbury Cathedral from the meadows,
1831, oil on canvas
J.M.W. Turner, The Burning of the Houses of Lords and
Commons, 1834/35, oil on canvas
Sir Charles Barry and Augustus Welby Northmore Pugin,
Houses of Parliament, London, a complex of Gothic Revival
buildings, 1837–60
Eugène Delacroix, Liberty Leading the People, 1830,
oil on canvas
Théodore Géricault, The Raft of the Medusa, c. 1819
oil on canvas, and study of severed heads, 1818.
Realism
• “It is not a question, here, of seeking for an 'absolute' of beauty. The artist is neither
painting history nor his soul. What is termed 'composition' does not exist for him, and
he has not set himself the task of representing some abstract idea or some historical
episode. And it is because of this that he should neither be judged as a moralist nor as
a literary man. He should be judged simply as a painter.” –Émile Zola, (1840-1902)
• The Realism movement rejected both Romanticism and Neoclassicism. They focused
on everyday life, the reality of life. For them, art and life were one.
• Realist artists dared to make paintings of lower-class people, drawing attention to
social inequities. They also showed the animals and workers of the land, reminding
the “city folks” where their food came from, and the natural landscape that could be
forgotten in the cities.
• The Realist artists were perhaps the first “modern” artists. The movement was
roughly 1848-1900. Key artists were Gustave Courbet, Édouard.
Impressionism (Speaker: Vincent LEE Kwun-leung)
Impressionism was a historic start that painters from France had the right to emerge as artists based on their loosened pigments, vibrant brushstrokes, romantic sentiments and naturalistic compositions.
Detournment - Nygun L.pdf
The document discusses the concept of 'Detournement' and how it relates to postmodernism. The author aims to study Detournement by investigating the work of artists from different periods, including Marcel Duchamp and Hirohiko Araki, and how they took existing ideas and warped them into original or bizarre depictions. The author hopes this study will help them better understand postmodernism and how to successfully create Detournement in their own art.
Impressionism
The document discusses the influence of Japanese art, known as Japonisme, on Western art in the late 19th century. It began when trade opened with Japan in 1854, exposing Western artists to woodblock prints, which were popularized in Paris exhibitions and shops in the 1860s. Artists admired the prints' flatness, asymmetry, and emphasis on nature over symmetry. Many Impressionist and Post-Impressionist artists, such as Manet, Degas, Van Gogh, and Gauguin, were influenced by these styles and incorporated elements of them into their own works.
First part, avant garde art, the aesthetics of anguish, modernism and social ...
Avant-garde art movements of the period of wars, first decades of the 20th Century: fauvism, expressionism, cubism and futurism
Post impressionism
Post-Impressionism developed in response to Impressionism between 1886 and 1892. Artists considered Impressionism too casual or naturalistic and sought to explore emotion in paint. Key Post-Impressionist artists included Paul Cezanne, whose still lifes influenced Cubism, Vincent Van Gogh, known for his vivid colors and expressive brushwork, and Henri de Toulouse-Lautrec, who captured modern Parisian nightlife in satirical works that bordered on caricature. These artists broke from Impressionism by restoring color, shape, and subjectivity to their paintings.
Modern art
This document provides an overview of modern art movements from Neoclassicism in the 18th century through Surrealism in the early 20th century. It discusses the key characteristics and examples of works for each major movement including Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Art Nouveau, Expressionism, Fauvism, Cubism, Futurism, Vorticism, Dada, Suprematism, Constructivism, De Stijl, and Surrealism. The movements had varying styles and subject matters but many revolted against prior conventions and explored new ways of representing visual art.
BACK TO THE CULTURE - Cultural heritage of France
This document contains summaries of important people, places, events, and cultural artifacts that represent France's cultural legacy:
- Notre Dame Cathedral, a famous landmark in Paris built over centuries and featured in Victor Hugo's novel
- Moliere, a renowned playwright whose comedies are still popular worldwide and influenced the French language
- King Louis XIV, who led France's golden age of culture in the 17th century with architecture, fashion and the arts
- Important scientific and technological achievements like the invention of photography, deciphering hieroglyphs, and the Eiffel Tower
- Revolutionary events, artworks, and figures that shaped France's history and identity over the centuries.
4.5 nouveau realism
The Nouveau Réalisme art movement emerged in Paris in 1960 as a reaction against media-saturated reality. Artists such as Arman, Tinguely, and Villeglé incorporated found objects and trash into their works to provide an unmediated experience of the real. Arman made "accumulation" and "portrait robot" sculptures from consumer goods, while Tinguely and Villeglé constructed kinetic machines and décollage collages respectively. The movement sought new perceptions of reality beyond representations.
NCC ART104 1
This document provides an overview of the major artistic movements and developments in 19th century French art, including Realism, Impressionism, Post-Impressionism, and their transition to modern art. It features works and brief biographies of many prominent artists from this period such as Courbet, Manet, Degas, Monet, Van Gogh, and Cézanne. Their works challenged academic traditions and pioneered new techniques to depict modern life using bright colors, loose brushwork, and everyday subjects.
periodsofart4-110602203327-phpapp02 (1).pptx
This document provides an overview of major art periods from prehistoric times to the present. It begins with Paleolithic cave paintings and ancient works focused on religion and daily life. As time progressed, art styles like Classical, Medieval, Renaissance and Baroque developed, often influenced by new technologies and societal changes. Major movements like Romanticism, Realism, Impressionism and Cubism emphasized different techniques and subjects. The document highlights influential artists such as Leonardo da Vinci, Picasso and Warhol and how their works helped define each era. It concludes with 20th century abstract styles like Surrealism and Pop Art that incorporated new subjects and perspectives.
ART102Art History IIUnit 6 LectureRealism and Impress.docx
ART102
Art History II
Unit 6 LectureRealism and
Impressionism
1848-1885
Post-Impressionism
1880-1907
Realism in France occurred around the same
time as the Revolution 0f 1848, largely due to
Courbet. This style champions socialism, which
challenges authority and privilege of the rich.
Courbet has painted an image of a funeral, a scene
of commoners carrying out a simple social ritual.
Devoid of political or philosophical agendas, Realism
can literally be described as real: simple, everyday
scenes and events.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Gustave Courbet
Burial at Ornans
Ca. 1849-1850
Oil on canvas
Musee D’Orsay, Paris
Post-Impressionism
1880-1907
Jean-Francois Millet
The Gleaners
Ca. 1857
Oil on canvas
Musee d’Orsay, Paris
Millet creates a scene of gleaners, who were
beggars of the time. These three women are
picking the leftovers of grain in a field after the
major harvesting (you can see the large harvest in
the wagon). At the time of its exhibition in Paris,
the people were scared of this scene. It reveals at
what cost society has to pay for such wealth for an
upper class.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Manet’s painting is considered to be the one that
turned the Parisian art world on its head, and
propelled the world into the Modern Art Era. It
might not look like much, but this image is actually
ridiculing what the traditionalists viewed as
appropriate subject matter. This is a contemporary
scene, with Parisians having lunch in a park with a
naked woman. Another woman wearing a Roman
toga plays in the water. It is obvious that this scene
would never really happen in real life, and that’s the
message Manet was after. He also painted it with
bold, thick strokes of color.
Edouard Manet
Luncheon on the Grass
Ca. 1863
Oil on canvas
Musee du Louvre, Paris
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Degas developed a painterly approach to his
everyday scenes as Manet had. His compositions
appear off-centered, and elements are cut-off on
the edges, much like a photograph would crop a
scene. This is unusual in painting at the time, and
creates a image of spontaneity, as a snap-shot does.
Edgar Degas
The Dance Class
Ca. 1874
Oil on canvas
Metropolitan Museum of Art
Realism and
Impressionism
1848 ...
From 16th to 20th century
The document provides an overview of major art movements from the 16th to early 20th century in Europe, including Baroque, Rococo, Neoclassicism, Romanticism, Realism, and Impressionism. It summarizes some of the key characteristics of each movement and lists influential artists such as Caravaggio, Bernini, Rembrandt, and Manet. Major political and scientific events of each era are also briefly mentioned.
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Who killed modern art
- 2. I am on the hunt for the History of Modern Art… Where did it begin? What events caused it to happen? Who are the major players? What does it look like? Help me map out a timeline of events and evidence to solve this crime!
- 5. Salon De Refuse An uproar occurred in 1863, following the rejection by the Salon Jury of an unusually high number (3,000) of submitted paintings, including Dejeuner surL'Herbe (1863) by EdouardManet, and works by Whistler, Cezanne, and Camille Pissarro. To pacify the critics and "to let the public judge the legitimacy of these complaints", the French Emperor Napoleon III ordered that painters whose works had been rejected by the Salon Jury could exhibit their works in a show adjacent to the Salon. The show became known as the Salon des Refuses (exhibition of rejects), a name subsequently applied to any exhibition of artworks rejected by the jury of the official Paris Salon, notably shows in in 1874, 1875, and 1886. Although in 1863 the rejected works were subjected to greater criticism by the art critics, the very existence of this 'alternative' exhibition undermined the exclusivity of the official Salon. Henceforth, artists began organizing their own shows (notably the Impressionists in the 1870s and 1880s), and many art historians date the beginning of Modern Art to the first Salon des Refuses. REFERENCE: http://www.visual-arts-cork.com/history-of-art/salon-paris.htm#salondesrefuses
- 7. Realism Gustave Courbet, The Stonebreakers (late 18th century)
- 10. Impressionism Renoir, Dance at le Moulin de la Galette Montemarte, 1876
- 11. Impressionism Claude Monet, Rouen Cathedral- Harmony in Blue, 1893
- 12. Neo - Impressionism Georges Seurat, Bathers at Asnières, 1884
- 14. Post - Impressionism Van Gogh, Mountains at St. Rèmy, 1889
- 15. Post - Impressionism Cezanne, Still Life: Flask, Glass and Jug, 1877
- 16. BREAKING NEWS
- 17. Fauvism Andre Derain, Bridge over the Riou, 1906
- 18. http://smarthistory.khanacademy.org/Red- Studio.html http://www.youtube.com/watch?v=u1AaJ_pw8 i4
- 19. BREAKING NEWS
- 20. Primitivism Picasso, Les Demoiselle d´Avignon, 1907
- 22. Primitivism Paul Gauguin, The Moon and the Earth, 1893
- 23. BREAKING NEWS
- 24. Expressionism Ernst Ludwig Kirchner, Artillerymen, 1915
- 26. Expressionism Wassily Kandinsky, Improvisation 28, 1912
- 27. BREAKING NEWS
- 28. Cubism Georges Braque, Clarinet and Bottle of Rum on a Mantelpiece, 1911
- 30. BREAKING NEWS
- 31. Futurism Giacomo Balla, Speeding Automobile, 1912
- 32. Futurism Giacomo Balla, Dog on Leash, 1912
- 34. BREAKING NEWS
- 35. Dadaism Kurt Schwitters, Merz 163, with woman sweating, 1920
- 38. BREAKING NEWS
- 39. De Stijl Piet Mondrian, Composition, 1930
- 40. BREAKING NEWS
- 41. Surrealism Max Ernst, Attirement of the Bride, 1940
- 42. Surrealism Salvidor Dali, Metamorphosis of Narcissus
- 44. BREAKING NEWS
- 45. Abstract Expressionism Mark Rothko, Untitled (Violet, Black, Orange, Yellow on White and Red), 1949
- 46. Abstract Expressionism Jackson Pollock, Lavender Mist, 1949ish
- 48. BREAKING NEWS
- 49. Minimalism Dan Flavin, Monument for V.Tatlin, 1966-69
- 50. AND THEN…?