Futurist Art
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The document outlines the key ideas and tenets of the early 20th century Futurist movement in Italy, as laid out in their 1909 Manifesto. It advocated destroying traditions and academics, elevating originality, and glorifying modern technology and youth. It also discusses various Futurist artworks from 1909-1915 that depicted modern subjects like cities, machines, and motion using techniques like simultaneity to show the dynamics of speed and movement.
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Futurism
Futurism was an early 20th century art movement founded in Italy in 1909 that celebrated modernity and technology. Futurist artists sought to capture motion, speed, and dynamism in their works through techniques like fragmented lines and unusual angles. Some key Futurist artists included Giacomo Balla, Umberto Boccioni, and Gino Severini, whose works depicted subjects like streets, machines, and urban life with vibrant colors and abstracted forms. While Futurism had its roots in Italy in the early 1900s, it influenced art movements internationally before declining in the 1920s.
Futurism
Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
Futurism
The Italian Futurism movement began in 1909 with the publishing of Filippo Tommaso Marinetti's manifesto. It was the first avant-garde art movement that rejected tradition and the past in favor of technical experimentation. The movement glorified speed, technology, and modernity and aimed to fuse objects with space through emphasizing dynamism and movement in an emotive way. While the futurists portrayed themselves as socialists, they were more interested in nationalism and the intellectual avant-garde as the new aristocracy than workers' struggles. The movement lasted until the end of World War 1.
Futurism in art
Italian Futurist art movement of the early 20th century. The presentation focusses on the work of the 5 principal Italian futurist painters, the range of paintings created roughly between 1908-1916.
Futurism (new)
The Italian Futurism movement was the first avant-garde art movement, beginning in 1909 with Filippo Marinetti's manifesto signed by artists including Balla, Carra, Boccioni, Russolo, and Soffici. They promoted a revolutionary, technologically-focused art that broke from the past through stylistic and technical experimentation. Key characteristics included a glorification of speed, movement, and war as well as the fusion of object and space to depict dynamism. Leading artist Umberto Boccioni aimed to eliminate dualism through emotive sensations, advising artists to enter the modern world using movement, speed, and dynamism depicted through color, lines, and sculptural techniques.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy. It celebrated speed, technology, youth, violence, and industrialization. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Carlo Carra. Their works often depicted dynamic scenes involving machinery and urban life using fractured forms and multiple perspectives to represent motion and energy.
Surrealism
Surrealism sought to free the imagination and tap into the unconscious mind. It featured bizarre, dreamlike subject matter and was influenced by Freudian psychoanalysis. Two main types of Surrealists existed: those who created art automatically to depict the subconscious, and those like Dali and Magritte who used everyday objects placed in impossible contexts. Key figures like Dali, Magritte, and Miro used surrealism to comment on the human condition and realities beyond the obvious.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy in the early 1900s and lasted until 1944. It was founded by the poet Filippo Marinetti and sought to portray modern machines and the dynamic character of modern life through irregular agitated lines in their artwork. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Marcel Duchamp, and Gino Severini. Their works emphasized force, energy, and the depiction of motion over static subjects.
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Futurism
Futurism was an early 20th century art movement founded in Italy in 1909 that celebrated modernity and technology. Futurist artists sought to capture motion, speed, and dynamism in their works through techniques like fragmented lines and unusual angles. Some key Futurist artists included Giacomo Balla, Umberto Boccioni, and Gino Severini, whose works depicted subjects like streets, machines, and urban life with vibrant colors and abstracted forms. While Futurism had its roots in Italy in the early 1900s, it influenced art movements internationally before declining in the 1920s.
Futurism
Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
Futurism
The Italian Futurism movement began in 1909 with the publishing of Filippo Tommaso Marinetti's manifesto. It was the first avant-garde art movement that rejected tradition and the past in favor of technical experimentation. The movement glorified speed, technology, and modernity and aimed to fuse objects with space through emphasizing dynamism and movement in an emotive way. While the futurists portrayed themselves as socialists, they were more interested in nationalism and the intellectual avant-garde as the new aristocracy than workers' struggles. The movement lasted until the end of World War 1.
Futurism in art
Italian Futurist art movement of the early 20th century. The presentation focusses on the work of the 5 principal Italian futurist painters, the range of paintings created roughly between 1908-1916.
Futurism (new)
The Italian Futurism movement was the first avant-garde art movement, beginning in 1909 with Filippo Marinetti's manifesto signed by artists including Balla, Carra, Boccioni, Russolo, and Soffici. They promoted a revolutionary, technologically-focused art that broke from the past through stylistic and technical experimentation. Key characteristics included a glorification of speed, movement, and war as well as the fusion of object and space to depict dynamism. Leading artist Umberto Boccioni aimed to eliminate dualism through emotive sensations, advising artists to enter the modern world using movement, speed, and dynamism depicted through color, lines, and sculptural techniques.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy. It celebrated speed, technology, youth, violence, and industrialization. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Carlo Carra. Their works often depicted dynamic scenes involving machinery and urban life using fractured forms and multiple perspectives to represent motion and energy.
Surrealism
Surrealism sought to free the imagination and tap into the unconscious mind. It featured bizarre, dreamlike subject matter and was influenced by Freudian psychoanalysis. Two main types of Surrealists existed: those who created art automatically to depict the subconscious, and those like Dali and Magritte who used everyday objects placed in impossible contexts. Key figures like Dali, Magritte, and Miro used surrealism to comment on the human condition and realities beyond the obvious.
Futurism
Futurism was an early 20th century avant-garde movement that originated in Italy in the early 1900s and lasted until 1944. It was founded by the poet Filippo Marinetti and sought to portray modern machines and the dynamic character of modern life through irregular agitated lines in their artwork. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Marcel Duchamp, and Gino Severini. Their works emphasized force, energy, and the depiction of motion over static subjects.
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The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
Futurism
The document summarizes the origins and key principles of Futurism, an early-20th century art movement. It began in 1909 when the poet Filippo Marinetti published the Futurist Manifesto in a French newspaper declaring that Futurism would glorify war, patriotism, and destroy museums and libraries. The movement celebrated speed, technology, youth, violence and modernity while rejecting traditionalism. Futurist artworks depicted motion, dynamism and the machine age. The movement had a significant influence on early 20th century art and ideas of modernity and progress.
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Expressionism
Expressionism was a modernist movement originating in Germany in the early 20th century. Expressionist artists sought to express emotions and ideas rather than physical reality by distorting the world from a subjective perspective. Key expressionist artists included Paul Klee and Marc Chagall. Paul Klee was influenced by expressionism, cubism, and surrealism and worked in many media. Marc Chagall was a Russian-French artist known for his vibrant colors and use of stained glass windows to express intense colors changing with light and perspective. Both artists expressed inner experiences through distorted forms and perspectives.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
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Surrealism was an artistic movement that began in the 1920s led by poet Andre Breton. It aimed to express ideas from the unconscious mind through automatic techniques and dreamlike imagery. Two main trends emerged - the Automatists focused on feeling over analysis using techniques like automatic drawing, while the Veristic Surrealists aimed to represent unconscious images faithfully through metaphor and symbolism. Major surrealist artists included Max Ernst, Joan Miro, Salvador Dali, and Rene Magritte who used techniques like collage, frottage, and ambiguous, dreamlike imagery to depict surreal visions and critique bourgeois culture. The movement struggled for recognition but expanded internationally with artists experimenting with surreal techniques
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Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Cubism
Cubism was an early 20th century avant-garde art movement that revolutionized European painting and sculpture. Cubism was characterized by the geometric simplification and fragmentation of forms to depict objects from multiple viewpoints and angles in the same image. Key artists of Cubism included Pablo Picasso, Georges Braque, and Juan Gris, who developed both Analytical Cubism, using monochrome colors and geometric shapes, and Synthetic Cubism, incorporating materials like newspaper into colorful collages. Cubism had a significant influence on subsequent art movements through its radical reimagining of visual representation.
Expressionism
Expressionism was an artistic movement that portrayed inner emotions, spiritual independence, and psychological states through distorted figures and intense use of color. Artists expressed subjective experiences rather than objective reality. Common themes included anxiety, alienation, and violence. Major expressionist groups included Der Blaue Reiter which emphasized intuition and symbolism, and Die Brücke which linked cultures and past/present. Notable artists like Edward Munch, Ernst Kirchner, and Franz Marc used expressive techniques like unnatural color and form to portray universal human experiences in a psychological manner that shocked audiences.
Futurism
The Futurist movement began in 1909 in Italy and was led by poet and publisher Filippo Marinetti. It celebrated modern technology and urban life, embracing speed, machinery and youth. Futurists rejected the past and traditions, seeking to propel Italy into the future. Their art focused on capturing motion, speed and dynamism through techniques like repetition and simultaneity of perspectives. Major artists included Giacomo Balla and Umberto Boccioni, whose works depicted subjects like trains, cyclists and soccer players in dynamic, overlapping forms. The Futurists' agenda also had political goals, and they advocated for war as a means of destroying the old order and ushering in the new. However,
Futurism
1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
Dadaism
Dadaism was a post-World War I cultural movement that appeared in visual arts, literature, theatre, and graphic design. It protested the barbarism of the war by rejecting prevailing artistic standards and intellectual rigidity. Dadaist works were characterized by deliberate irrationality and had no meaning. Though not considered art by its proponents, Dadaism became highly influential in modern art as a commentary on art and society, and influenced later movements like Surrealism. Key figures in the movement included Hans Arp, Marcel Duchamp, and Kurt Schwitters.
Surrealism ppt
Originally a literary movement, Surrealism explored dreams, the unconscious mind, and the intersection of reality and imagination. Inspired by World War I destruction and Sigmund Freud's theories of the mind, early Surrealist artists like Salvador Dali, Rene Magritte, and Joan Miro created works featuring illogical juxtapositions and impossible realities to represent inner psychic processes. Their surreal paintings, filled with dreamlike and disturbing images, became popular in France and other European countries in the 1920s.
Cubism
Cubism was an early 20th century avant-garde art movement founded by Pablo Picasso and Georges Braque. Cubism involved depicting subjects from multiple viewpoints to represent the subject in a greater context. The artists fragmented objects and reassembled them in an abstracted form rather than using single-point perspective. This allowed for objects to be analyzed from multiple angles and depicted simultaneously on a two-dimensional surface. Cubism revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.
Pop Art
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Surrealism
Surrealism began in the 1920s as a cultural movement encompassing various art forms including painting, sculpture, music and film. It aimed to depict the unconscious mind and what lies beyond realism according to writer Guillaume Apollinaire. Salvador Dali described it as the symbolic language of the subconscious. Some surrealist art techniques included collage, decalcomania, and frottage. Prominent surrealist artists were Joan Miro, Max Ernst, and Salvador Dali, whose photography with Philippe Halsman required 26 attempts to capture. Surrealism continues to influence various creative fields like web design today.
Futurism- History of Graphic Design
The document discusses the Futurism art movement in Italy in the early 20th century. It describes how Filippo Tommaso Marinetti published the Futurism Manifesto in 1909, rejecting traditions of the past and celebrating modern technology. Fortunato Depero was inspired by Futurism and incorporated its ideas of integrating different art forms into his work. As a Futurist, he experimented with typography in political advertisements and publications to symbolize speed. Depero's 1927 book showcased his advertising designs and demonstrated the Futurists' interest in commercial art over fine art.
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Cubism was an early 20th century abstract art style developed by Pablo Picasso and Georges Braque that revolutionized European painting and sculpture. It involved depicting subjects from multiple viewpoints to represent the subject in a multidimensional way. The two main phases were Analytic Cubism, which used monochromatic colors and focused on reducing forms to geometric shapes, and Synthetic Cubism, which introduced collage and a wider use of color. Cubism influenced many later artistic movements and fundamentally changed how visual art was conceived.
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The document summarizes several early 20th century art movements that emerged in Europe before and after World War 1, including Futurism, Cubism, Constructivism, Orphism, Vorticism, and Rayonism. It provides examples of key artists and works for each movement, describing their shared interests in modern technology, urban environments, and new artistic techniques and materials. These avant-garde movements celebrated industrialization and sought new forms of non-representational abstract art suited to modern times.
Futurism
The document summarizes the origins and key principles of Futurism, an early-20th century art movement. It began in 1909 when the poet Filippo Marinetti published the Futurist Manifesto in a French newspaper declaring that Futurism would glorify war, patriotism, and destroy museums and libraries. The movement celebrated speed, technology, youth, violence and modernity while rejecting traditionalism. Futurist artworks depicted motion, dynamism and the machine age. The movement had a significant influence on early 20th century art and ideas of modernity and progress.
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Expressionism
Expressionism was a modernist movement originating in Germany in the early 20th century. Expressionist artists sought to express emotions and ideas rather than physical reality by distorting the world from a subjective perspective. Key expressionist artists included Paul Klee and Marc Chagall. Paul Klee was influenced by expressionism, cubism, and surrealism and worked in many media. Marc Chagall was a Russian-French artist known for his vibrant colors and use of stained glass windows to express intense colors changing with light and perspective. Both artists expressed inner experiences through distorted forms and perspectives.
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
Surrealism
Surrealism was an artistic movement that began in the 1920s led by poet Andre Breton. It aimed to express ideas from the unconscious mind through automatic techniques and dreamlike imagery. Two main trends emerged - the Automatists focused on feeling over analysis using techniques like automatic drawing, while the Veristic Surrealists aimed to represent unconscious images faithfully through metaphor and symbolism. Major surrealist artists included Max Ernst, Joan Miro, Salvador Dali, and Rene Magritte who used techniques like collage, frottage, and ambiguous, dreamlike imagery to depict surreal visions and critique bourgeois culture. The movement struggled for recognition but expanded internationally with artists experimenting with surreal techniques
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The document discusses post-Impressionist artists and characteristics of their styles. It describes Pointillism, pioneered by Georges Seurat, which uses small dots of primary colors that blend in the eye. Key post-Impressionist artists mentioned include Seurat, Vincent van Gogh, Paul Cezanne, and Henri Edmond Cross. Seurat took a scientific approach to color theory with his masterpiece Sunday Afternoon on the Island of La Grande Jatte. Cezanne is said to have formed a bridge to Cubism with simplified geometric forms. Van Gogh's art was not appreciated until after his death by suicide, though he was prolific producing over 2,000 works in the last 10 years
Futurism
Futurism was an early 20th century avant-garde art movement founded by Filippo Tommaso Marinetti in 1909. It celebrated speed, technology, youth, violence and modern objects while rejecting traditional forms of culture. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Natalia Goncharova, whose works used techniques like divisionism and cubism to depict motion and modern life. While initially an Italian movement, Futurism later influenced other art forms and 20th century art movements globally.
Cubism
Cubism was an early 20th century avant-garde art movement that revolutionized European painting and sculpture. Cubism was characterized by the geometric simplification and fragmentation of forms to depict objects from multiple viewpoints and angles in the same image. Key artists of Cubism included Pablo Picasso, Georges Braque, and Juan Gris, who developed both Analytical Cubism, using monochrome colors and geometric shapes, and Synthetic Cubism, incorporating materials like newspaper into colorful collages. Cubism had a significant influence on subsequent art movements through its radical reimagining of visual representation.
Expressionism
Expressionism was an artistic movement that portrayed inner emotions, spiritual independence, and psychological states through distorted figures and intense use of color. Artists expressed subjective experiences rather than objective reality. Common themes included anxiety, alienation, and violence. Major expressionist groups included Der Blaue Reiter which emphasized intuition and symbolism, and Die Brücke which linked cultures and past/present. Notable artists like Edward Munch, Ernst Kirchner, and Franz Marc used expressive techniques like unnatural color and form to portray universal human experiences in a psychological manner that shocked audiences.
Futurism
The Futurist movement began in 1909 in Italy and was led by poet and publisher Filippo Marinetti. It celebrated modern technology and urban life, embracing speed, machinery and youth. Futurists rejected the past and traditions, seeking to propel Italy into the future. Their art focused on capturing motion, speed and dynamism through techniques like repetition and simultaneity of perspectives. Major artists included Giacomo Balla and Umberto Boccioni, whose works depicted subjects like trains, cyclists and soccer players in dynamic, overlapping forms. The Futurists' agenda also had political goals, and they advocated for war as a means of destroying the old order and ushering in the new. However,
Futurism
1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
Cubism
Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Led by Pablo Picasso and Georges Braque, Cubism was characterized by the geometric fragmentation and synthetic reassembly of forms to depict subject matter from multiple viewpoints in the same canvas. Major influences on Cubism included African tribal masks, Cézanne's compositions, and Fauvism. Cubism evolved from an early phase of angular, simplified still life subjects to a later incorporation of collage materials and brighter colors. Key Cubist artists beyond Picasso and Braque included Juan Gris, Fernand Léger, and Jean Metzinger.
Dadaism
Dadaism was a post-World War I cultural movement that appeared in visual arts, literature, theatre, and graphic design. It protested the barbarism of the war by rejecting prevailing artistic standards and intellectual rigidity. Dadaist works were characterized by deliberate irrationality and had no meaning. Though not considered art by its proponents, Dadaism became highly influential in modern art as a commentary on art and society, and influenced later movements like Surrealism. Key figures in the movement included Hans Arp, Marcel Duchamp, and Kurt Schwitters.
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Originally a literary movement, Surrealism explored dreams, the unconscious mind, and the intersection of reality and imagination. Inspired by World War I destruction and Sigmund Freud's theories of the mind, early Surrealist artists like Salvador Dali, Rene Magritte, and Joan Miro created works featuring illogical juxtapositions and impossible realities to represent inner psychic processes. Their surreal paintings, filled with dreamlike and disturbing images, became popular in France and other European countries in the 1920s.
Cubism
Cubism was an early 20th century avant-garde art movement founded by Pablo Picasso and Georges Braque. Cubism involved depicting subjects from multiple viewpoints to represent the subject in a greater context. The artists fragmented objects and reassembled them in an abstracted form rather than using single-point perspective. This allowed for objects to be analyzed from multiple angles and depicted simultaneously on a two-dimensional surface. Cubism revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.
Pop Art
Pop Art was an art movement that began in the late 1950s and used imagery from popular culture and everyday life. Pop artists blurred the lines between fine art and commercial art by using images and styles from advertisements, consumer goods, celebrities and other mass media sources. Andy Warhol was one of the most famous Pop Artists, known for works like Campbell's Soup Cans that used repetition and appropriated popular images. Pop Art challenged definitions of art by treating popular objects as art and reflecting the culture of 1960s America through use of new materials, technologies and methods of production.
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Surrealism
Surrealism began in the 1920s as a cultural movement encompassing various art forms including painting, sculpture, music and film. It aimed to depict the unconscious mind and what lies beyond realism according to writer Guillaume Apollinaire. Salvador Dali described it as the symbolic language of the subconscious. Some surrealist art techniques included collage, decalcomania, and frottage. Prominent surrealist artists were Joan Miro, Max Ernst, and Salvador Dali, whose photography with Philippe Halsman required 26 attempts to capture. Surrealism continues to influence various creative fields like web design today.
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Cubism was an early 20th century abstract art style developed by Pablo Picasso and Georges Braque that revolutionized European painting and sculpture. It involved depicting subjects from multiple viewpoints to represent the subject in a multidimensional way. The two main phases were Analytic Cubism, which used monochromatic colors and focused on reducing forms to geometric shapes, and Synthetic Cubism, which introduced collage and a wider use of color. Cubism influenced many later artistic movements and fundamentally changed how visual art was conceived.
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Cubism was an influential early 20th century avant-garde art movement that revolutionized European painting and sculpture. Developed by Pablo Picasso and Georges Braque between 1907-1914 in Paris, Cubism featured geometric shapes and multiple perspectives to depict subjects from a multitude of angles. Cubist works were characterized by the fragmentation of forms, abstract color, and the fusion of subject matter. The movement had two phases - analytical cubism focused on geometric abstraction while synthetic cubism incorporated collage materials into paintings. Major cubist artists included Picasso, Braque, Juan Gris, Fernand Léger, Jean Metzinger, Albert Gleizes, Marcel Duchamp, and sculptors Alexander Archipenko and Raymond D
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Futurism was an early 20th century art movement that celebrated speed, noise, and machines and tried to capture the dynamic energy of modern life through techniques like stopped time and implied motion. Key artists included Marcel Duchamp, Umberto Boccioni, and Giacomo Balla, and some of their notable works were Duchamp's Nude Descending a Staircase (No.2), Boccioni's Modern Idol and Unique Forms of Continuity in Space, and Balla's Dynamism of a Dog on a Leash.
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What is Design?
Excerpts from:
Adolph Appia, Lee Simon (from: “The Ideas of Adolphe Appia”),
Robert Edmund Jones, Leonard Pronko,
and Gaston Bachelard
Intro to Theater: What is Design? Page #1
Intro to Theater: What is Design? Page #1
r;;e: The American
s: 145-155.
Harry N. Abrams
~
Chapter 3
Adolph Appia
ACTOR, SPACE, LIGHT,
PAINTING
T HE ART OF STAGE PRODUCTION is the art of projecting into Space what the original author was only able to project in
Time. The temporal element is implicit within any text, with or
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Light!
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production hierarchy, and in the service of the dramatic and plastic
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Intro to Theater: What is Design? Page #2
Intro to Theater: What is Design? Page #2
ACTOR, SPACE, LIGHT, PAINTING
So here we have our nonnal established hierarchy: ,
the actor presenting the drama;
space in three dimensions, in the service of the actor's plastic fonn;
liBht giving life to each.
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Futurist Art
- 1. FUTURISM : Futurist Ideas and the Visual Arts
- 2. Marinetti: Futurist Manifesto (1909)
- 3. Russolo – Carra – Marinetti – Boccioni – Severini
- 5. Giacomo Balla Street Light (1909)
- 6. Balla: Stairwell: the Farewells (1908)
- 7. Boccioni: The City Rises (1910-11)
- 8. Boccioni: States of Mind: the Farewells, Those that Go, Those that Stay (1911)
- 12. Russolo: The Revolt (1911)
- 13. All objects […] tend to the infinite by dint of their force-lines , the continuity of which is measured by our intuition. It is these force-lines that we must reproduce in order to lead the work of art back to true paining. We interpret nature by rendering these objects upon the canvas as the beginnings or prolongations of the rhythms which these very objects impress upon our sensibility. The Exhibitors to the Public (1912)
- 14. Russolo: Dynamics of an Automobile (1912/13)
- 15. Carlo Carra: Funeral of the Anarchist Galli (1911)
- 16. OTHER INFLUENCES
- 17. Georges Seurat: Sunday Afternoon on the Island of Grand Jatte (1884-6)
- 18. Pablo Picasso: Accordionist (1911)
- 19. Robert Delaunay: Red Eiffel Tower (1911)
- 20. Severini: Dynamic Hieroglyphic of the Bal Tabarin (1912)
- 21. Severini: Armoured Train in Action (1915)
- 22. Severini: Dancer by the Sea (1912/13)
- 23. TIME DURATION AND SIMULTANEITY
- 25. Balla: Dog on a Leash (1912)
- 26. The gesture which we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. It shall simply be the dynamic sensation itself. Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular. Futurist Painting: Technical Manifesto 1910
- 27. É tienne-Jules Marey: Chronophotograph: Man Jumping off Stool (late 19th c)
- 29. Eadweard J. Muybridge
- 30. Anton Bragaglia: Change of Position (1911)
- 31. Balla: The Violinist’s Hands (1912)
- 32. Balla: Speed of a Motorcycle 1913 For us simultaneity is a lyrical exaltation, a plastic manifestation of a new absolute, speed. Futurist Painting and Sculpture (1914)
- 33. Balla: Abstract Speed - The Car has Passed (1913)
- 34. Balla: Speed and Landscape (1913)
- 35. Balla: Mercury Passing in Front of the Sun (1914)
- 36. Boccioni: Study for Dynamism of a Cyclist 1 (1913)
- 37. Boccioni: Unique Forms of Continuity in Space (1913)
- 39. Anton Guila Bragaglia: Perfido Incanto (1916)
- 40. Bragaglia: Perfido Incanto