Ig1 task 2 analysis work sheet
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The document summarizes sound elements from the video game series The Walking Dead. It describes the setting as an abandoned pharmacy in a fictional town created for the games. It analyzes the mood, starting with an alarm sound indicating danger and zombies approaching, building suspense. As the survivors talk inside and zombies bang outside, the mood becomes more chaotic. People are heard shouting for help as the music quickens to signal more action. The genre is described as graphic adventure and point-and-click.
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watch dogs analysis
The document discusses the sound design of the game Watch Dogs. It analyzes specific soundtrack elements and effects used to set the urban setting of a Chicago-like city with ambient street sounds. The mood is described as serious, using distorted and "static" sounds to convey a sense of a terrorist attack. The narrative voiceover was likely recorded in a professional sound studio using high-quality soundproofing and condenser microphones to achieve clear audio quality.
Dark souls analysis
The document summarizes the soundtrack for the video game Dark Souls. It describes the apocalyptic setting filled with ghouls and demons, conveyed through a dark, threatening mood in the intro music featuring low notes. The genre is identified as role-playing, action, and adventure. Production techniques like soundproof rooms, microphones, voice recording, and sound editing software are believed to have been used to create the soundtrack elements.
Rainbow six seige
The document analyzes the sounds used in the Rainbow Six: Siege trailer video. It describes the setting as a vehicle driving up to a mansion with a struggle occurring inside where a person is tied up. The mood is described as a serious action/panic situation. The genre is identified as a first or third person shooter based on the sounds. The narrative is summarized as a team cooperating to save a hostage being held in a house by criminals.
Ig1 task 2 analysis work sheet
The document analyzes the sounds used in the trailer for the game Rainbow Six: Siege. It describes hearing engines of a vehicle, sounds of struggle from a tied-up hostage, and footsteps of people rushing through a house. The mood is described as a serious action/panic situation. The game genre is identified as FPS and action. The narrative is summarized as four team-mates cooperating to save a hostage held in her house by criminals. For each section, the document states that most sounds were likely created in a game engine sound editor or by recording real-life sounds outdoors and manipulating them.
The last of us sound analyse
This document provides an analysis of the soundtrack from the video game The Last of Us. It describes the mood as adventurous and unknowing, achieved through the use of VST effects and field recordings. The genre of the game is identified as a zombie apocalypse about a father and child defending themselves. VST instruments are said to have been used to create zombie sounds. The narrative of the cut scene is described as using a girl's imagination to create a game-like environment, with dialogue possibly recorded in a studio to minimize background noise.
Cut Sequence 3
The document discusses the sound design of the video game The Last of Us. It analyzes how the soundtrack and sounds create different atmospheres like a post-apocalyptic setting, varying moods from calm to sinister, and support the zombie horror genre. Specific production techniques are mentioned, like using piano music to establish calm moods and sounds of birds tweeting, wind blowing, and flickering lights to set different settings and tell the narrative of a post-apocalyptic world overtaken by nature.
Infamous
The document provides an analysis of the soundtrack for the video game "Infamous".
It describes the setting of falling debris after an explosion, with background sounds of screaming, arcing lightning, and falling rubble. The mood is action-packed with string instruments adding a saddening effect that increases in intensity.
The game genre is identified as action, free roam, and adventure. The narrative features the protagonist narrating the cutscene in a deep, understandable tone that conveys his feelings.
Ig1 task 2 analysis work sheet kid icarus uprising
The document summarizes sound elements from the game Kid Icarus Uprising. It analyzes the setting, mood, genre, and narrative of a boss battle scene. For each element, it states that different production techniques were used to create the sounds, including recording sound effects and voices in a studio and using digital sound software. The genres is described as a third-person shooter, and both text boxes and voice actors were used to convey the narrative.
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watch dogs analysis
The document discusses the sound design of the game Watch Dogs. It analyzes specific soundtrack elements and effects used to set the urban setting of a Chicago-like city with ambient street sounds. The mood is described as serious, using distorted and "static" sounds to convey a sense of a terrorist attack. The narrative voiceover was likely recorded in a professional sound studio using high-quality soundproofing and condenser microphones to achieve clear audio quality.
Dark souls analysis
The document summarizes the soundtrack for the video game Dark Souls. It describes the apocalyptic setting filled with ghouls and demons, conveyed through a dark, threatening mood in the intro music featuring low notes. The genre is identified as role-playing, action, and adventure. Production techniques like soundproof rooms, microphones, voice recording, and sound editing software are believed to have been used to create the soundtrack elements.
Rainbow six seige
The document analyzes the sounds used in the Rainbow Six: Siege trailer video. It describes the setting as a vehicle driving up to a mansion with a struggle occurring inside where a person is tied up. The mood is described as a serious action/panic situation. The genre is identified as a first or third person shooter based on the sounds. The narrative is summarized as a team cooperating to save a hostage being held in a house by criminals.
Ig1 task 2 analysis work sheet
The document analyzes the sounds used in the trailer for the game Rainbow Six: Siege. It describes hearing engines of a vehicle, sounds of struggle from a tied-up hostage, and footsteps of people rushing through a house. The mood is described as a serious action/panic situation. The game genre is identified as FPS and action. The narrative is summarized as four team-mates cooperating to save a hostage held in her house by criminals. For each section, the document states that most sounds were likely created in a game engine sound editor or by recording real-life sounds outdoors and manipulating them.
The last of us sound analyse
This document provides an analysis of the soundtrack from the video game The Last of Us. It describes the mood as adventurous and unknowing, achieved through the use of VST effects and field recordings. The genre of the game is identified as a zombie apocalypse about a father and child defending themselves. VST instruments are said to have been used to create zombie sounds. The narrative of the cut scene is described as using a girl's imagination to create a game-like environment, with dialogue possibly recorded in a studio to minimize background noise.
Cut Sequence 3
The document discusses the sound design of the video game The Last of Us. It analyzes how the soundtrack and sounds create different atmospheres like a post-apocalyptic setting, varying moods from calm to sinister, and support the zombie horror genre. Specific production techniques are mentioned, like using piano music to establish calm moods and sounds of birds tweeting, wind blowing, and flickering lights to set different settings and tell the narrative of a post-apocalyptic world overtaken by nature.
Infamous
The document provides an analysis of the soundtrack for the video game "Infamous".
It describes the setting of falling debris after an explosion, with background sounds of screaming, arcing lightning, and falling rubble. The mood is action-packed with string instruments adding a saddening effect that increases in intensity.
The game genre is identified as action, free roam, and adventure. The narrative features the protagonist narrating the cutscene in a deep, understandable tone that conveys his feelings.
Ig1 task 2 analysis work sheet kid icarus uprising
The document summarizes sound elements from the game Kid Icarus Uprising. It analyzes the setting, mood, genre, and narrative of a boss battle scene. For each element, it states that different production techniques were used to create the sounds, including recording sound effects and voices in a studio and using digital sound software. The genres is described as a third-person shooter, and both text boxes and voice actors were used to convey the narrative.
Gears of war analysis
The document analyzes the sound design of the game trailer Gears of War. It summarizes that the setting sounds post-apocalyptic based on voiceover and footsteps. It describes the mood as dark and sinister created using deep, low pitched audio and a cold female voice. The game genre is identified as an action survival or shooter based on the narrative of humanity facing extinction. Audio editing software was likely used to adjust pitch and tone to achieve the dark feel.
Ig1 task 2 analysis work sheet spiderman
The document summarizes sound elements from a scene in the Spiderman 3 movie soundtrack. It analyzes the setting, mood, game genre, and narrative based on the sounds. For each element, it clearly states what production techniques were likely used to create specific soundtrack parts, such as using VST instruments to make helicopter and breaking glass sounds for the setting, recording voices in a studio to make an evil impression for the mood, and using VSTs and recording in a sound studio to cut out noise for the music and voices.
Deadpool sound analysis
This document provides analysis of sound elements from the video game Deadpool. It summarizes the setting of a cutscene in the game, taking place in a destroyed mutant utopia. It describes Cables' theme music as establishing his character as a "badass" and the lack of background music and loud wind sounds setting a mood of loneliness. It analyzes that gunshot and ride squeaking sounds were likely manipulated recordings, while the breeze sound was possibly directly recorded outside. Cables' theme and Deadpool's dialogue effectively convey character and narrative.
Sound design in computer games analysis work sheet 2
The document analyzes the soundtrack from the Bioshock 2 launch trailer video. It establishes that the setting is a city beneath the ocean surface based on faint rushing water sounds heard at the beginning and end. The mood is initially one of horror, created through a disembodied girl's voice, string violins, and screaming after the main monologue. The narrative is introduced through a melancholic woman's voice at the start.
Ig1 task 2 analysis work sheet 3
The document provides an analysis of sounds from the game Wolfenstein: The New Order. It describes sounds that establish setting, mood, game genre, and narrative. For each category, it clearly states the production techniques used to create the specific soundtrack elements. These include using editing software to modify recorded sounds, field recording and studio recording of sounds like saws and screams, and editing recorded dialogue in a studio booth.
Darksiders Analysis
The document provides an analysis of the soundtrack for a video game called Darksiders. It describes different elements of the soundtrack between time stamps, including a looming symphony playing as ambient music during a character's dialogue, the sound of burning flames muffling the dialogue briefly, and the sound of rippling water and children's laughter changing the mood. It identifies production techniques used like VST instruments and effects, studio recordings, traditional instruments, and audio field recordings. Based on the dialogue, the game seems to be a fantasy role-playing game where the player takes on the role of one of four characters achieving a long-ago goal, and the initial dialogue discusses the origin and power of the protagonist.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
Infamous second son analysis work sheet
The document analyzes and describes the sound techniques used in the soundtrack for the video game Infamous: Second Son. Field recordings of nature sounds like birds were used to create ambient outdoor backgrounds. Aggressive music and changes in the characters' tones supported the tense mood of an interrogation scene. Foley artistry and software-generated instruments were employed for sound effects and music to match the action genre and narrative of confrontation between two main characters.
Brienna hick kingdom hearts ii cutscene
The document provides an analysis of the sounds used in the opening cutscene of the video game Kingdom Hearts II. It describes four key elements:
1) The setting by the beach is established through wind and wave sounds that were likely field recordings but could also have been created using a soundboard or Foley artistry.
2) The calm yet tense mood is created partly through the lack of background music and the mysterious dialogue between characters that was recorded in a studio.
3) The genre of the game is suggested to be a puzzle/action-adventure or survival horror based on the dialogue and empty, windy atmosphere.
4) The narrative is unclear and mysterious due to the limited sounds
Bioshock
The document summarizes key elements of the soundtrack from the video game Bioshock. It describes the setting as moving from a plane crash into the ocean to an underwater city. It notes the mood was meant to be creepy and mysterious. Production techniques used included recorded or stock sounds edited for the setting, lowering the pitch and slowing playback of sounds to suggest being underwater, string instruments and drums to set the ominous tone, and voice acting with added effects to sound like 1940s recordings.
Ig1 task 2 analysis work sheet 3
The document provides descriptions of sounds used in the game Wolfenstein: The New Order and analyzes the production techniques used to create them. It summarizes four examples of sounds that establish the setting, mood, game genre, and narrative. For each, it states what sounds are used and the likely production techniques, such as using editing software to modify recorded sounds.
Sound design in computer games 2
The document provides an analysis of sounds used in the cinematic trailer for the game Devil May Cry. It analyzes the sounds used to establish the setting, mood, and game genre. For the setting, traffic and car alarm sounds create the feel of a busy city and gunshot and sword sounds portray fighting. Dark atmospheric music sets the mood. The genre of action is portrayed through fighting sounds, screams, and specially created sword sound effects. The narrative involves Dante fighting his way through to deliver a message.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
Adam Crittenden The Last Of Us Sound Analysis
The document analyzes sounds from a video game clip to determine the production techniques used and establish mood, genre, and narrative. Some key points:
Footsteps and electric sounds imply an indoor setting on a rough surface. Jungle sounds could indicate a flashback. Game sounds like hits and attacks are also present.
A depressing mood at first becomes more action-oriented after conversation, aided by jungle sounds and what seems to be game play. Moods are likely set using MIDI software, foley artists, and MIDI hardware for fighting sounds.
Lack of distinctive sounds initially gives an empty, open world feel, but later fighting noises imply an action game. Footsteps hint at a barren setting,
Air caption Project
The document discusses using air pressure as an alternative to visual and audio cues for deaf users. The project aims to understand how deafness impacts experiences with digital interfaces that rely on sound. It will explore using air pressure and the sense of touch through haptic feedback. The goal is to allow deaf users to play games or experience digital media without relying on sound alerts by using directed air flow detected on the skin.
Analysis 4
The document analyzes sound elements from the game Farcry 3. It describes the dialogue as being recorded in an open space to capture both dialogue and background ambient noise, possibly using a single recording. The mood is described as dark and suspenseful, set by the loud and angry dialogue tones. The genre is difficult to determine from the short video but hints at an open-world shooter given gunshot and screaming sounds during a character being thrown into water. Directional and waterproof recording equipment were likely used to capture these elements professionally.
Pokemon XD gale of darkness Analysis
The soundtrack describes a setting where calm flowing water is interrupted by approaching aircraft with a sinister theme, until a mythical creature arrives and roars, only to be forced into fleeing by a loud blast. Specific production techniques are identified for different soundtrack elements, including using audio field recordings for the water, traditional instruments and field recordings for the aircraft, and VST instruments with studio recordings for the creature's roar and the blast targeting it. The sounds provide features of a fantasy role-playing game where the protagonist must investigate the source of a disturbance.
Force unleashed 2 analysis
This document analyzes the sound design of a scene from the video game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station based on the door sounds. It states the mood at the beginning is somewhat depressing, conveyed through betrayal-themed music. The genre is identified as an action RPG due to the action-packed nature. It also notes the narrative of Darth Vader explaining the main character's betrayal by his former master, and that a directional recording system was likely used to capture clear character voices.
Grand theft auto v analysis
The document summarizes the sound design techniques used in a cut scene from the video game Grand Theft Auto. It describes the setting as two characters discussing a job, then one being warned of a psychopath who may learn of their deeds and that character's subsequent death. It identifies the production techniques used to create the soundtrack as VST instruments and effects, studio recording, and use of traditional and audio field recordings. It notes the mood shifts from cheerful celebration to concern to enraged arguing. The genre is identified as an action shooter, and the narrative as a mixture of cheerful, angered and upset moods in the characters' voices.
Skyrim analysis
The document analyzes the soundtrack of the video game Elder Scrolls 5: Skyrim. It describes the setting as outdoors in the wilderness based on ambient sounds of footsteps and trees. It states the mood is exciting based on sounds of combat and running. It identifies the game genre as an action adventure open world role playing game based on the audio. It notes the narrative voiceover describes the player's goals and main threats. The techniques used to create the soundtrack included hiring an orchestra, sound editing software, and recording the voiceover in a soundproof room.
Como empezaron los campamentos de verano
Los campamentos de verano comenzaron en 1876 en Suiza cuando un pastor organizó campamentos para que los niños construyeran casas en los árboles, cantaran canciones y jugaran. Más tarde, después de la Primera Guerra Mundial, Francia estableció campamentos de verano estatales para los niños que crecieron durante la guerra. Ahora los campamentos de verano son parte integral de la educación de los niños y no solo enseñan habilidades prácticas sino también idiomas extranjeros de manera dinámica y entretenida.
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Gears of war analysis
The document analyzes the sound design of the game trailer Gears of War. It summarizes that the setting sounds post-apocalyptic based on voiceover and footsteps. It describes the mood as dark and sinister created using deep, low pitched audio and a cold female voice. The game genre is identified as an action survival or shooter based on the narrative of humanity facing extinction. Audio editing software was likely used to adjust pitch and tone to achieve the dark feel.
Ig1 task 2 analysis work sheet spiderman
The document summarizes sound elements from a scene in the Spiderman 3 movie soundtrack. It analyzes the setting, mood, game genre, and narrative based on the sounds. For each element, it clearly states what production techniques were likely used to create specific soundtrack parts, such as using VST instruments to make helicopter and breaking glass sounds for the setting, recording voices in a studio to make an evil impression for the mood, and using VSTs and recording in a sound studio to cut out noise for the music and voices.
Deadpool sound analysis
This document provides analysis of sound elements from the video game Deadpool. It summarizes the setting of a cutscene in the game, taking place in a destroyed mutant utopia. It describes Cables' theme music as establishing his character as a "badass" and the lack of background music and loud wind sounds setting a mood of loneliness. It analyzes that gunshot and ride squeaking sounds were likely manipulated recordings, while the breeze sound was possibly directly recorded outside. Cables' theme and Deadpool's dialogue effectively convey character and narrative.
Sound design in computer games analysis work sheet 2
The document analyzes the soundtrack from the Bioshock 2 launch trailer video. It establishes that the setting is a city beneath the ocean surface based on faint rushing water sounds heard at the beginning and end. The mood is initially one of horror, created through a disembodied girl's voice, string violins, and screaming after the main monologue. The narrative is introduced through a melancholic woman's voice at the start.
Ig1 task 2 analysis work sheet 3
The document provides an analysis of sounds from the game Wolfenstein: The New Order. It describes sounds that establish setting, mood, game genre, and narrative. For each category, it clearly states the production techniques used to create the specific soundtrack elements. These include using editing software to modify recorded sounds, field recording and studio recording of sounds like saws and screams, and editing recorded dialogue in a studio booth.
Darksiders Analysis
The document provides an analysis of the soundtrack for a video game called Darksiders. It describes different elements of the soundtrack between time stamps, including a looming symphony playing as ambient music during a character's dialogue, the sound of burning flames muffling the dialogue briefly, and the sound of rippling water and children's laughter changing the mood. It identifies production techniques used like VST instruments and effects, studio recordings, traditional instruments, and audio field recordings. Based on the dialogue, the game seems to be a fantasy role-playing game where the player takes on the role of one of four characters achieving a long-ago goal, and the initial dialogue discusses the origin and power of the protagonist.
Jake sound design in computer games analysis work sheet saw 2
The document summarizes sounds used in the video game Saw 2 – Flesh&Blood. It analyzes 4 examples of sounds:
1) The setting introduces crackling TV and talking sounds, which would have been recorded voice overs and Foley artistry.
2) Mood conveys fear and struggling through screaming and movement sounds, which would be voice overs and studio recorded without background noise.
3) Genre is identified as horror/adventure based on pain and atmosphere sounds created by pure silence.
4) Narrative features a voice on TV, moving metal objects, and bad signal sounds created through Foley artistry and voice overs.
Infamous second son analysis work sheet
The document analyzes and describes the sound techniques used in the soundtrack for the video game Infamous: Second Son. Field recordings of nature sounds like birds were used to create ambient outdoor backgrounds. Aggressive music and changes in the characters' tones supported the tense mood of an interrogation scene. Foley artistry and software-generated instruments were employed for sound effects and music to match the action genre and narrative of confrontation between two main characters.
Brienna hick kingdom hearts ii cutscene
The document provides an analysis of the sounds used in the opening cutscene of the video game Kingdom Hearts II. It describes four key elements:
1) The setting by the beach is established through wind and wave sounds that were likely field recordings but could also have been created using a soundboard or Foley artistry.
2) The calm yet tense mood is created partly through the lack of background music and the mysterious dialogue between characters that was recorded in a studio.
3) The genre of the game is suggested to be a puzzle/action-adventure or survival horror based on the dialogue and empty, windy atmosphere.
4) The narrative is unclear and mysterious due to the limited sounds
Bioshock
The document summarizes key elements of the soundtrack from the video game Bioshock. It describes the setting as moving from a plane crash into the ocean to an underwater city. It notes the mood was meant to be creepy and mysterious. Production techniques used included recorded or stock sounds edited for the setting, lowering the pitch and slowing playback of sounds to suggest being underwater, string instruments and drums to set the ominous tone, and voice acting with added effects to sound like 1940s recordings.
Ig1 task 2 analysis work sheet 3
The document provides descriptions of sounds used in the game Wolfenstein: The New Order and analyzes the production techniques used to create them. It summarizes four examples of sounds that establish the setting, mood, game genre, and narrative. For each, it states what sounds are used and the likely production techniques, such as using editing software to modify recorded sounds.
Sound design in computer games 2
The document provides an analysis of sounds used in the cinematic trailer for the game Devil May Cry. It analyzes the sounds used to establish the setting, mood, and game genre. For the setting, traffic and car alarm sounds create the feel of a busy city and gunshot and sword sounds portray fighting. Dark atmospheric music sets the mood. The genre of action is portrayed through fighting sounds, screams, and specially created sword sound effects. The narrative involves Dante fighting his way through to deliver a message.
Ig1 task 2 analysis work sheet halo 4 opening
This document provides an analysis of sound elements in the Halo 4 cinematic introduction.
It examines the setting, mood, game genre, and narrative based on audio cues. For the interrogation room setting, it suggests virtual studio technology (VST) was used to create echo effects. Sadness in the mood is attributed to fade effects and live orchestral recordings. Depicting the game as a sci-fi shooter is achieved through edited or virtual instrument-created weapon sounds, battle audio, and an explanatory script. The story is communicated through a live recorded conversation following an edited script to seem like an interrogation.
Adam Crittenden The Last Of Us Sound Analysis
The document analyzes sounds from a video game clip to determine the production techniques used and establish mood, genre, and narrative. Some key points:
Footsteps and electric sounds imply an indoor setting on a rough surface. Jungle sounds could indicate a flashback. Game sounds like hits and attacks are also present.
A depressing mood at first becomes more action-oriented after conversation, aided by jungle sounds and what seems to be game play. Moods are likely set using MIDI software, foley artists, and MIDI hardware for fighting sounds.
Lack of distinctive sounds initially gives an empty, open world feel, but later fighting noises imply an action game. Footsteps hint at a barren setting,
Air caption Project
The document discusses using air pressure as an alternative to visual and audio cues for deaf users. The project aims to understand how deafness impacts experiences with digital interfaces that rely on sound. It will explore using air pressure and the sense of touch through haptic feedback. The goal is to allow deaf users to play games or experience digital media without relying on sound alerts by using directed air flow detected on the skin.
Analysis 4
The document analyzes sound elements from the game Farcry 3. It describes the dialogue as being recorded in an open space to capture both dialogue and background ambient noise, possibly using a single recording. The mood is described as dark and suspenseful, set by the loud and angry dialogue tones. The genre is difficult to determine from the short video but hints at an open-world shooter given gunshot and screaming sounds during a character being thrown into water. Directional and waterproof recording equipment were likely used to capture these elements professionally.
Pokemon XD gale of darkness Analysis
The soundtrack describes a setting where calm flowing water is interrupted by approaching aircraft with a sinister theme, until a mythical creature arrives and roars, only to be forced into fleeing by a loud blast. Specific production techniques are identified for different soundtrack elements, including using audio field recordings for the water, traditional instruments and field recordings for the aircraft, and VST instruments with studio recordings for the creature's roar and the blast targeting it. The sounds provide features of a fantasy role-playing game where the protagonist must investigate the source of a disturbance.
Force unleashed 2 analysis
This document analyzes the sound design of a scene from the video game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station based on the door sounds. It states the mood at the beginning is somewhat depressing, conveyed through betrayal-themed music. The genre is identified as an action RPG due to the action-packed nature. It also notes the narrative of Darth Vader explaining the main character's betrayal by his former master, and that a directional recording system was likely used to capture clear character voices.
Grand theft auto v analysis
The document summarizes the sound design techniques used in a cut scene from the video game Grand Theft Auto. It describes the setting as two characters discussing a job, then one being warned of a psychopath who may learn of their deeds and that character's subsequent death. It identifies the production techniques used to create the soundtrack as VST instruments and effects, studio recording, and use of traditional and audio field recordings. It notes the mood shifts from cheerful celebration to concern to enraged arguing. The genre is identified as an action shooter, and the narrative as a mixture of cheerful, angered and upset moods in the characters' voices.
Skyrim analysis
The document analyzes the soundtrack of the video game Elder Scrolls 5: Skyrim. It describes the setting as outdoors in the wilderness based on ambient sounds of footsteps and trees. It states the mood is exciting based on sounds of combat and running. It identifies the game genre as an action adventure open world role playing game based on the audio. It notes the narrative voiceover describes the player's goals and main threats. The techniques used to create the soundtrack included hiring an orchestra, sound editing software, and recording the voiceover in a soundproof room.
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Sound design in computer games analysis work sheet 2
Sound design in computer games analysis work sheet 2
Jake sound design in computer games analysis work sheet saw 2
Jake sound design in computer games analysis work sheet saw 2
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Este documento describe diferentes tipos de impresoras, incluyendo sus características, ventajas y desventajas. Explica que las impresoras de impacto son más baratas pero también más ruidosas y lentas, mientras que las impresoras sin impacto como las de chorro de tinta son más rápidas, silenciosas y de mejor calidad aunque más caras. También define la velocidad y resolución de una impresora y las formas de conectar una impresora a una computadora.
Los accionistas del Santander que traspasen acciones a la entidad podrán reci...
El Banco Santander lanza una campaña para que los accionistas traspasen sus acciones Santander y otras de su cartera al Banco Santander. Los accionistas que realicen el traspaso entre el 1 de octubre de 2012 y el 5 de marzo de 2013 recibirán un reembolso de hasta 300 euros de las comisiones de traspaso cobradas por su entidad original. Una vez que los accionistas tengan sus acciones en el Banco Santander se beneficiarán de la exención de comisiones relacionadas con la compra, administración y custodia de
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Ssc1415 lyrics sant josep navàs lyrics '15 technology
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Los accionistas del Santander que traspasen acciones a la entidad podrán reci...
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Watch dogs
The document discusses the game Watch Dogs and analyzes various sound elements from the game trailer. It describes the setting as an urban city environment with ambient sounds of cars and people. It suggests the mood seems serious, with background music and effects conveying a sense of terrorist attack. The sounds of chaos and narrative indicate the game genre is an open world shooter/action game involving hacking. It proposes the sounds were created using audio manipulation software and the narrative was professionally recorded in a soundproof studio using high-quality microphones.
Dead island 2
The document analyzes the soundtrack of the Dead Island 2 trailer. It describes how the background music at the beginning establishes a non-horror tone but then chaos ensues as glass breaks and shots are fired. Various sounds like screaming and car crashes were likely edited with audio production software. Towards the end, shotgun shots and screams suggest an action shooter genre. The narrative is not clear until the end where two men are arguing.
Ig1 task 2 analysis work sheet portal 2
The soundtrack of Portal 2 uses recorded human voices that have been altered to sound robotic to establish the futuristic setting. Around halfway through the clip, the mood becomes darker when a robot scream is heard, which was likely either computer generated or a recording with added effects. Puzzle elements are indicated by mentions of a portal gun and portal sounds that were likely computer generated. The only narrative comes from robotic voices that were possibly generated with a program or altered recordings.
Ig1 task 2 analysis work sheet lollipop chainsaw
The document analyzes the sound design of the game Lollipop Chainsaw. It describes the setting as a destroyed farm shown through burning fires and screams. The mood is established as scary at first but becomes funnier due to the voice acting. The genre is identified as hack and slash based on the sound of chainsaws and mentions of zombies. Production techniques are assessed, finding that some sounds like instruments and effects seem recorded on location while others like voices and effects were made in a studio.
Ig1 task 2 analysis work sheet Halo 4
This document summarizes techniques used to create sound effects for the game Halo 4. It analyzes specific audio elements like teleporting noises, a struggling sound followed by gunfire, alien sounds mixed with gunfire, and a computer voice communicating with a human and alien. The writer believes the teleporting, struggling, and alien sounds were likely computer generated, while gunfire was recorded in the field and voices were made by recording into a microphone. The setting is futuristic, the mood is dark, and the game genre is a sci-fi shooter based on the audio elements and narrative described.
Halo 2 analysis
This document analyzes the sounds used in the opening cutscene of the video game Halo 2. It describes the sounds that establish the setting as possibly a factory or building due to an alarm sound and later explosions and gunfire, suggesting a war zone. It identifies lifts and aircraft sounds that indicate the character is in a building set in the future. The document states the mood is serious due to violent sounds of gunshots and explosions, and an emotional musical score. It suggests the game genre is a sci-fi first or third person shooter due to futuristic laser and gunshot sounds. The narrative involves humans fighting another clan on earth, as indicated by references to attacking and defending the planet.
Task 2 analysis modern warfare 3
The document discusses the sounds used in a cut scene from the video game Modern Warfare 3. It analyzes the setting, mood, genre, and narrative established by the sounds. Production techniques like Foley artistry, field recordings, MIDI, voice acting, and editing software are identified as having been used to create specific sound elements like explosions, wind, glass breaking, gunfire, and dialogue. The cut scene sounds establish an intense, action-packed mood for a first-person shooter game through realistic violent sounds of combat.
Ig1 task 2 analysis work sheet deadpool
This document provides analysis of sounds used in a video game trailer.
The setting is described as inside the character Deadpool's apartment, where background noise like rain would have been recorded. Mood is described as comedy/adventure, and virtual studio technology effects were likely used to create ambient noise. Game genre is described as comedy/adventure, and virtual instruments were probably used to make screams in the background. Narrative techniques included using different voice actors to portray voices in the character's head. Dialogue was likely recorded in a studio to minimize noise.
Ig1 task 2 analysis work sheet wolfenstein the new order
The document analyzes sound elements from the game Wolfenstein: The New Order. It describes the setting as modern or futuristic based on recorded or digitally created electrical and robotic footstep sounds. Dark mood is conveyed through a recorded voice line about hunting and killing. The genre is identified as a shooter since the excerpt includes recorded knife sounds, an electric sound, and later gunshots and robotic footsteps. Foreign dialogue between two characters was likely recorded voices later overdubbed in English.
Ig1 task 2 analysis work sheet
This document summarizes a video game cutscene from Call of Duty: Black Ops 2. It describes the setting as the start of a zombie map set in northern France in 1918 during World War I trenches. It notes the cutscene uses gunshot and zombie sounds to make the player feel like they are in an enclosed trench space. It also describes the mood as fast-paced and exciting to get the player's adrenaline up for killing zombies, created by speeding up the soundtrack. Finally, it identifies the game genre as a first-person action survival horror and notes the narrative uses a demonic voice to create tension and explain the zombie outbreak.
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The document summarizes the sound design of a scene from the game Star Wars: The Force Unleashed 2. It describes the setting as a futuristic space station with dangerous destruction. The mood at the beginning is somewhat depressing with a betrayal-themed soundtrack. Production techniques used to create the soundtrack included sound recording in a studio with professional microphones and audio editing software to adjust pitch, volume, frequency, amplitude, and intensity. The game genre is described as an action RPG due to its action-packed nature. The narrative is part of the story where the main character is betrayed by his former master, as told through a voice over of Darth Vader.
Task 2 analysis dead space 3
This document provides an analysis of sound elements in a video game cutscene from DeadSpace 3. It describes the setting, mood, genre, and narrative established by different sounds. For setting, footsteps in snow and communication noises set a windy, snowy environment and use of futuristic technology. The mood is intense, with soldiers searching urgently and gunfire creating dramatic tension. The genre is identified as action or first-person based on soldiers giving orders and gunfire. For narrative, dialogue shows characters searching and communicating, while an AI voice and a character's angry reaction to a message suggest a sense of loss. Production techniques like field recording, Foley artistry, and voice acting with editing are identified as creating different sound
Ig1 task 2 analysis work sheet 5
This document provides details about the game Crack Down 2, including its setting, mood, genre, and narrative. The setting is a futuristic world experiencing constant chaos from rampaging gangs and mutants. The mood is fast-paced and action-packed, often humorous and tense. The genre is action. The narrative involves a voice guiding the player's character to restore peace and is likely created from prerecorded and edited voice clips.
Ig1 task 2 analysis work sheet [Prototype 2]
This document summarizes audio elements from the game Prototype 2. It describes the post-apocalyptic setting suggested by a character's line about a new world. Dark mood is conveyed through a sound of ripping flesh that could have been recorded online or with thick liquids. Hack-and-slash genre is implied by blade sounds. Shifting tones in a narrative between calm and shouting men and women are analyzed to have been recorded voices with ambient effects added.
Ig1 task 2 analysis work sheet Watch Dogs
The document analyzes the soundtrack of the game Watch_Dogs. It describes the setting as a modern day public place based on the conversation at the beginning about hacking. The mood starts calm but gets intense with alarms. The genre is identified as an action or shooter game based on the alarms and conversation about "taking someone out". The narrative involves a phone conversation between two men that was likely recorded and edited to sound like it was over the phone, and a later conversation about a contract that was also likely recorded and edited.
Dead space the review/thing by liam the king
The document provides analysis of sound elements from the video game DeadSpace 3. It summarizes:
1) Various sound effects are used to establish the setting including wind, space ambience, and radio static suggesting danger. Field recordings were likely used to create the wind and static sounds.
2) The mood is described as cold with icy tension between characters conveyed through music and sound effects that elicit fear, anger, and sadness. Musical instruments were probably used to create the background music.
3) The game genre is described as intense, fictional fantasy and adventure with mission-based and sci-fi elements. Foley artistry was mostly used for sound effects to grab attention through constant action.
4)
The crew
This document provides descriptions of sounds used in the game The Crew and analyzes the production techniques used to create them. It summarizes how sounds of cars establish the setting of a race, while background chatter of a crowd was likely recorded in the field. Music builds suspense and mood, and was possibly created digitally using software. Noises of cars and guns help demonstrate the racing and narrative genres. Dialogue and music together help tell the story of two brothers pursuing a "dirty cop."
Ig1 task 2 analysis work sheet
The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
Ig1 task 2 analysis work sheet
The document discusses sound design techniques used in the game Dead Island. It analyzes three examples of sound from the game's soundtrack that set the setting, mood, and narrative. The setting is described as being in a club with 3D audio making it seem like the player is walking around. The mood is described as violent with distressed shouting. The narrative has the player stumbling around drunk in the club before getting kicked out.
Dead island
The document provides details from the video game Dead Island to analyze sound techniques used in its soundtrack. It describes the setting as being in a club listening to rap music, with 3D audio making it seem like walking around. The mood is described as violent with people pushing and shouting in distress. Background zombie noises and a narrative of stumbling drunkenly in the club create a sense of fear and convey being drunk and slow.
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Ig1 task 2 analysis work sheet wolfenstein the new order
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This document contains a glossary of terms related to sound design and production. It provides definitions for terms like foley artistry, sound libraries, uncompressed audio formats (like .wav and .aiff), lossy compression formats (like .mp3), and components of sound hardware like sound processor units, digital sound processors, RAM, and mono audio. For each term, it gives a short definition from an online source as well as a brief description of how the term relates to the author's own audio production practice.
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The document analyzes the sound design of the video game Murdered: Soul Suspect. It describes the setting and mood established by the sounds in the game's trailer. The setting transitions from a wooded area to a city, indicated by bird sounds and a woman's voice reporting a body. The mood is grim and horror-like due to the woman's heavy breathing, screaming and crying as well as gunshots and breaking glass. The document also states the game genre is an action-adventure stealth game and discusses the narrative voices used in the trailer.
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The document is a glossary created by a student for a sound design course. It contains definitions for over 20 audio and sound design terms, sourced from online references. For each term, the student provides a short definition along with a discussion of how the term relates to their own production work. The glossary covers areas such as file formats, recording and playback systems, sampling, and audio software. The student's production practice involves using software like Reaper to create sound effects, jingles and other audio for a games design project.
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The document analyzes the soundtrack of the video game "Murdered Soul Suspect".
It begins with birds flying away and a woman's voice reporting a body, setting the scene in a forest transitioning to a city. Multiple sounds are used including a woman crying and screaming, possibly recorded by a voice actor. Gunshots and other effects were likely obtained from online sources and enhanced in the game engine.
The mood is described as grim, with the sounds of voices, gunshots and breaking glass recorded in high quality to depict the crime committed by the serial killer plaguing Salem. The narrative incorporates voices of a distressed woman on the phone to police and a news reporter covering the incident.
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This curriculum vitae is for Susan King, who is applying for a BTEC Level 3 Extended Diploma in Creative Media Production in Games Design at Salford City College Eccles Sixth Form Centre. The CV provides her contact information, education history including current enrollment at Salford City College, qualifications achieved including pending media qualifications, work experience including at Wentworth High School, skills and interests including music, fitness, and gaming. Harry Arnold is listed as a reference.
CV
This curriculum vitae is for Susan King, who is studying for a BTEC Level 3 Extended Diploma in Creative Media Production with a specialization in Games Design at Eccles Sixth Form Centre. It includes her contact information, education history showing qualifications in math, English, and science from Walkden High School and a Level 2 qualification in Games Design from Salford City College. It also lists work experience at Wentworth High School and army basic training, as well as skills like being hard working, reliable, and able to meet deadlines. Hobbies include music, fitness activities, and various sports. Harry Arnold is provided as a reference.
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This document provides an assignment brief for a unit on understanding the computer games industry. The purpose of the assignment is for students to prepare personal career development materials, including a portfolio, CV, skills audit, and research into higher education courses and apprenticeships. Students must complete 5 tasks: creating a portfolio, CV, skills audit and personal statement, and researching 5 higher education courses and 10 apprenticeships. The deadline for submission is May 23rd and materials will be posted to the student's blog.
The enforcer console presentation cameron bailey
This presentation summarizes the results of a gaming questionnaire and introduces a new console design called the Enforcer Console. The Enforcer Console is specified to have an i5 CPU, GTX 760 GPU, 16GB of RAM, and other components, giving it performance above current consoles but at a higher price of 500-630 pounds. The interface is designed to be simple like Windows 8 tiles. While more powerful than PS4 and Xbox One, the Enforcer Console will face competition from those consoles due to its higher price.
Unit78 production log
This production log documents a student's process of creating a digital graphic for a computer game. The student began by finding a suitable reference image of an abandoned area online. They traced the image in Adobe Illustrator using the pen tool to create vector layers for different surfaces like the street and gravel. Additional layers were made for elements like the side of a house. Finally, the student imported an image of an actor and created vector layers to design a character in matching clothes and pose for the background scene. The production log details each step over multiple dates until completing the final graphic combining the background and character.
Unit78 production log
1) The document describes a student's process of creating a digital graphic for a computer game design project. It details how the student searched online for reference images, traced an abandoned building scene in Adobe Illustrator using the pen tool, and added layers for different surfaces.
2) It then explains how the student traced a character image, separating the body and clothing onto different layers and adjusting the colors.
3) Finally, the summary states that the student completed the character graphic and background scene by individually coloring and layering the different elements.
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The document is a legal agreement between Lazy Eye Media and Cameron Bailey to check that a piece of work meets standards of decency and appropriate representation of race, gender, religion and sexuality. It is dated November 30th, 2013 and includes signatures from Andy Boyd representing Lazy Eye Media and Cameron Bailey to agree to the standards being met.
Production Log
1) The document is a production log for a student named Cameron Bailey detailing his process of creating digital graphics for a computer game through tracing images and designing layers in Adobe Illustrator.
2) Cameron started by finding a suitable reference image of an abandoned area online and tracing the street using the pen tool while assigning colors and creating new layers for different surfaces.
3) He then traced additional elements of the background such as the house and gravel while organizing his work into categorized layers.
4) Cameron also designed a character for the foreground by tracing an image of an actor in Illustrator and coloring different parts of the clothing and body across multiple layers.
Activity log
The document lists dates and activities related to setting up gaming systems. On March 18th, the person set up a SNES console with a CRT TV and games Mario Kart and Super Mario World. On March 24th and May 13th, the person performed setup activities for a PC such as configuring the resolution and graphics.
HA5 Project Charter
The document is a project charter for a student's assignment creating a sidekick character for a video game. In the charter, the student evaluates their skills in areas like project management, research, drawing, and Adobe software. They indicate confidence in most areas. The student understands the assignment requirements and timeline. Their main concern is time management, but they plan to focus on work both in and out of class to overcome this. The overall goal is to complete high quality work on time.
Production Log
This document contains progress reports from a student named Cameron Bailey working on a 3D robot sidekick model for a games design course. In the first report, Cameron establishes the basic body framework for the robot. Subsequent reports describe adding an arm with a shoulder and elbow, beginning work on a leg, mirroring the first half of the body, and refining the neck area. The final report details removing unnecessary polygons from the neck, adding a head with beveled eyes and mouth, and assigning surface colors.
The camcube presentation
This presentation summarizes the results of a gaming questionnaire, introduces a new console called the Camcube420xx, and compares it to competitors. The Camcube420xx has high-end specifications like an i5 CPU and Radeon graphics card but a high price of 500-680 pounds, double an Xbox One, targeting hardcore gamers wanting top performance. While more expensive, it can play games in full HD at high resolutions and frame rates superior to other current consoles. In conclusion, the presentation compares the Camcube420xx specs to the Xbox One and PS4 and acknowledges that many may prefer cheaper competitors that still allow gaming.
IG3 Assignment Brief
This document provides an assignment brief for a student to complete tasks involving sound design and programming for a computer game. The student must select sound effects and music they have produced, document the process of programming these sounds into their game, and create a video demonstrating the gameplay and soundtrack. The tasks are mapped to learning outcomes that involve describing sound design, creating sound assets, and applying sounds to a game following industry practices. Sources of information and the assessor are also identified.
CB_Production Log
This document contains progress reports from a student named Cameron Bailey working on a 3D robot sidekick model for a games design course. In the first report, Cameron establishes the basic body framework for the robot. Subsequent reports describe adding more details like an arm, leg, completing the other half by mirroring, and refining the neck area. The final report discusses removing unnecessary polygons, adding a head sphere, and using surface changes to define separate parts and apply colors.
Methods and principles of sound design and production
This document contains a glossary of terms related to sound design and production. It provides researched definitions for terms like Foley artistry, sound libraries, wav and aiff file formats, lossy compression like mp3, sound hardware like sound processor units and RAM, audio formats like mono, stereo and surround sound, recording systems like analog and digital audio tape, MIDI and software sequencers, and considerations for audio sampling like bit depth and sample rate. For each term, the student provides a short definition from an online source, and reflects on whether and how the term relates to their own production work.
Console Presentation- Camcube
This presentation summarizes the results of a gaming questionnaire, introduces a new console called the Camcube420xx, and discusses its specifications and competitors. The Camcube420xx is a high-performance console targeted at hardcore gamers, with specifications like an i5 CPU, Radeon graphics card, and 16GB of RAM. However, it comes at a much higher price of 500-680 pounds, double the cost of an Xbox One. While its hardware is superior, many consumers may prefer cheaper competitors like the Xbox One or PS4 that still allow gaming on a tighter budget.
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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Ig1 task 2 analysis work sheet
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title The walking Dead Video Game Series -https://www.youtube.com/watch?v=tlVsG4qM-Qw Provide detailed descriptions from chosen examples that establish… Setting Clearly state what production technique(s) you think have been used to create specific soundtrack elements The setting is in an abandoned Pharmacy that has been held up by survivors. The town is a fictional town made up specifically for the video game franchise. The alarm effect could have been created from scratch using some sort of audio manipulation software. Or has been manually recorded by someone using a professional microphone and other audio equipment. The Walking Dead (also known as The Walking Dead: The Game and The Walking Dead: Season One is an episodic graphic adventure based on Robert Kirkman's The Walking Dead comic book series. The game was developed by Telltale Games and was initially slated for release in the last months of 2011, but was held back until early 2012 to allow further time for development. Mood The mood begins with some sort of alarm sound that follows up with a heavy dark background sound. Perhaps indicating danger nearby, the sound effects slowly start to get louder as the zombies slowly get closer that builds up the suspense. Then, the talking of the survivors inside of a building with loud bangs of zombies outside whilst the alarm is still going off, may also indicate how chaotic it is. Half way thought the clip, you hear people in the background shouting for help, whilst more of a quicker pace action music come into affect. Game genre Graphic adventure, Point And Click, The build-up music could of also been created from scratch by a professional using some sort of audio manipulation software. And/or been created by musicians then later on manipulated by Audio engineers using several different software systems.
- 2. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Narrative