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Iconography
Of
Mahishasuramardini
WHAT IS ICONOGRAPHY?
Iconography is defined as the study of the
symbolism behind sacred images. One of
the most prominent tools of devotion in
Hinduism is the use of images. The
features of an image in Hindu iconography
have a different meaning. Through
gestures, clothing and attributes, the image
reveals certain aspects of the God through
which mythological story has been brought
to attention and so on .
“MAHISHASURAMARDINI “- ON THE LIGHT OF
ICONOGRAPHY
One of the most magnificent and formidable goddess of
the hindu pantheon is Mahishasur Mardini.
she is worshipped as a supreme in the name of Sakti and
is known for killing Mahisasur, the buffalo demon.
This form of the goddess is also mentioned as Katyayani
in Devi Mahatmya, Matsyapurana, and Roopmandan.
Textual references Of Mahishasuramardini
Puranas Agamas Shilparatna Epic
• Agni Purana
• Markandya Purana
• Matsya Purana
• Vishnu Dharmottara
• Purana
• Anisumadhed Agama
• Sprabhed Agama
• Mayadipik
Mahabharata
FEATURES OF MAHISHASUR MARDINI
(HISTORICAL PERIOD)
The earliest images of
Mahishasuramardini were
found on terracotta
plaques from Nagar in
Rajasthan, belonging to
the 1st c. BCE –1st c.CE
time period.
Mahishasura Mardini, Udayagiri
Caves,
Madhya Pradesh, Gupta Period (401
CE).
Mahishasura Mardini,
Slaying the Buffalo Demon,
Kushan period, 2nd century CE, Uttar Pradesh, Mathura.
Fig:1 Fig:2
Fig:4- Mahisasura Mardini,
8th-century CE.,
Aihole
Fig:3- Mahisasura Mardini,
fighting with buffalo demon
(Ellora caves, Maharashtra)
Fig:6- Mahishasura Mardini,12th century CE,
Dulmi, Purulia, Manbhum,
Bengal(Indian museum, Kolkata)
Fig:5- Mahisasura mardini,
Mahabalipuram Tamilnadu.
REFERENCES:
1. Banerjea, J.N., (1956) The Development of Hindu Iconography, University of
Calcutta, pp. 66-69.
2.Srivastava Brijbhushan , Prachin – bharatiya , pratima – Vigyan Evam murti kala
(2015); Vishwavidyalaya prakashan Varanasi,Pp-126-133.
3. Gupte, .R.S,. Iconography of the Hindus ,Buddhists and Jains;D.B.Taraporevala
sons and co.private ltd.(1972) ;pp.55-56.
4. Rao Gopinath T.A., Elements of Hindu Iconography, The law of printing house
mount road, Madras; vol I part II;pp.344-355(1914).
•

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ICONOGRAPHY OF MAHISHASURA MARDINI

  • 2. WHAT IS ICONOGRAPHY? Iconography is defined as the study of the symbolism behind sacred images. One of the most prominent tools of devotion in Hinduism is the use of images. The features of an image in Hindu iconography have a different meaning. Through gestures, clothing and attributes, the image reveals certain aspects of the God through which mythological story has been brought to attention and so on .
  • 3. “MAHISHASURAMARDINI “- ON THE LIGHT OF ICONOGRAPHY One of the most magnificent and formidable goddess of the hindu pantheon is Mahishasur Mardini. she is worshipped as a supreme in the name of Sakti and is known for killing Mahisasur, the buffalo demon. This form of the goddess is also mentioned as Katyayani in Devi Mahatmya, Matsyapurana, and Roopmandan.
  • 4. Textual references Of Mahishasuramardini Puranas Agamas Shilparatna Epic • Agni Purana • Markandya Purana • Matsya Purana • Vishnu Dharmottara • Purana • Anisumadhed Agama • Sprabhed Agama • Mayadipik Mahabharata
  • 5. FEATURES OF MAHISHASUR MARDINI (HISTORICAL PERIOD) The earliest images of Mahishasuramardini were found on terracotta plaques from Nagar in Rajasthan, belonging to the 1st c. BCE –1st c.CE time period.
  • 6. Mahishasura Mardini, Udayagiri Caves, Madhya Pradesh, Gupta Period (401 CE). Mahishasura Mardini, Slaying the Buffalo Demon, Kushan period, 2nd century CE, Uttar Pradesh, Mathura. Fig:1 Fig:2
  • 7. Fig:4- Mahisasura Mardini, 8th-century CE., Aihole Fig:3- Mahisasura Mardini, fighting with buffalo demon (Ellora caves, Maharashtra)
  • 8. Fig:6- Mahishasura Mardini,12th century CE, Dulmi, Purulia, Manbhum, Bengal(Indian museum, Kolkata) Fig:5- Mahisasura mardini, Mahabalipuram Tamilnadu.
  • 9.
  • 10. REFERENCES: 1. Banerjea, J.N., (1956) The Development of Hindu Iconography, University of Calcutta, pp. 66-69. 2.Srivastava Brijbhushan , Prachin – bharatiya , pratima – Vigyan Evam murti kala (2015); Vishwavidyalaya prakashan Varanasi,Pp-126-133. 3. Gupte, .R.S,. Iconography of the Hindus ,Buddhists and Jains;D.B.Taraporevala sons and co.private ltd.(1972) ;pp.55-56. 4. Rao Gopinath T.A., Elements of Hindu Iconography, The law of printing house mount road, Madras; vol I part II;pp.344-355(1914).
  • 11.