Horror coursework video media as
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This document outlines the plot, location, storyboard, target audience, style, and influences for a horror/comedy video opening sequence. The general plot involves undead creatures living in the water near a private beach house who come out at night to torment the inhabitants. The storyboard describes 11 shots that will establish the setting and introduce the undead creatures crawling into the house to scare one of the inhabitants. The target audience is male teenagers and young adults aged 15-25. The video aims to have a creepy atmosphere and tense music to make the audience feel nervous, while also overdriving horror movie stereotypes for humor. Influences include zombie media and a short story previously written by the creator.
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The Grudge
The film The Grudge was released in 2004 and was directed by Takashi Shimizu. It stars Sarah Michelle Gellar and is a horror film that contains elements of drama, mystery, and suspense. The film is about an American nurse named Karen who moves to Tokyo and encounters a vengeful supernatural spirit that possesses its victims and passes its curse onto each one. It was produced by Columbia Pictures and Ghost House Pictures and uses techniques like fade to black, backlighting, loud sounds, tilt shots, and close-ups to create tension and scare the audience.
The Sixth Sense
The opening scene of The Sixth Sense begins with black credits against a black screen, building anticipation. A woman is shown approaching the cellar of an isolated house, looking worried. Traditional thriller conventions like low lighting, a female victim, and a creepy atmosphere are established. The credits are written in blue and fade out over black, while the soundtrack uses unsettling classical music that builds suspense. Diegetic sounds in the cellar, like a creaking light bulb and wind outside, create an ominous mood and sense of isolation, priming the audience to interpret the film as a thriller.
The sixth sense
The opening scene of The Sixth Sense begins with black credits against a black screen, building anticipation. A woman is shown approaching a dark cellar alone, establishing conventions of isolation and fear common in thrillers. Low lighting, creaking sounds, and the woman's worried expression create a tense atmosphere. The opening credits are written in blue font that fades out over classical music, which builds suspense as the title is revealed. These elements use sound and imagery to set the tone of a psychological thriller.
Ben Film Step Outlines 1.1
Fin wakes up suddenly from a nightmare and rushes to get ready for school. A series of close-up shots establish Fin as a messy teenage student struggling with his tie and searching for his brother. He grabs his wallet and packed lunch before exiting his house into the foggy, rainy weather outside, ending the scene in silence.
The women in black analysis
The opening sequence of The Women in Black contains elements of a typical horror film but presents them in a gloomy and creative way. It shows three girls having a tea party with dolls in an attic-like setting. Their play becomes increasingly disturbing as they lose emotion and control of their actions, walking ominously toward an open window. The sequence builds tension by suggesting the girls are being possessed before they jump from the window to their deaths, witnessed by a figure dressed in black. This mysterious opener leaves the audience wanting to learn more about the character in black and the events that transpired.
Se7 en
The SAW opening sequence uses loud sound effects and a twisting logo to set an ominous tone. In darkness, the audience hears a man screaming and struggling in water, building tension. When lights turn on, he sees a dead body, implying the characters are in danger.
The SE7EN opening uses unsettling music and electronic sounds to make the audience feel anxious. The handwritten credits are uneven, fitting for a horror film. Quick cuts between disturbing images of skin picking and other acts heighten the sequence's intensity, drawing viewers into the psychological horror elements without context from the full film.
3 frame analysis
Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
David guetta feat sia-titanium video analysis
The document analyzes and summarizes the music video for the song "Titanium" through 9 screenshots. It describes scenes of a young boy alone in a destroyed school who seems to have caused the damage. Other shots show people afraid of the boy and police chasing him as he escapes on his bike, throwing away his childhood teddy bear. The boy is seen using telekinetic powers to escape from police before being surrounded by officers in the woods, where he either uses his powers to repel them or kills himself to avoid being killed for being different. The lyrics of the song match the theme of the video of the boy being strong and unable to be defeated despite attempts to stop him.
Recommended
The Grudge
The film The Grudge was released in 2004 and was directed by Takashi Shimizu. It stars Sarah Michelle Gellar and is a horror film that contains elements of drama, mystery, and suspense. The film is about an American nurse named Karen who moves to Tokyo and encounters a vengeful supernatural spirit that possesses its victims and passes its curse onto each one. It was produced by Columbia Pictures and Ghost House Pictures and uses techniques like fade to black, backlighting, loud sounds, tilt shots, and close-ups to create tension and scare the audience.
The Sixth Sense
The opening scene of The Sixth Sense begins with black credits against a black screen, building anticipation. A woman is shown approaching the cellar of an isolated house, looking worried. Traditional thriller conventions like low lighting, a female victim, and a creepy atmosphere are established. The credits are written in blue and fade out over black, while the soundtrack uses unsettling classical music that builds suspense. Diegetic sounds in the cellar, like a creaking light bulb and wind outside, create an ominous mood and sense of isolation, priming the audience to interpret the film as a thriller.
The sixth sense
The opening scene of The Sixth Sense begins with black credits against a black screen, building anticipation. A woman is shown approaching a dark cellar alone, establishing conventions of isolation and fear common in thrillers. Low lighting, creaking sounds, and the woman's worried expression create a tense atmosphere. The opening credits are written in blue font that fades out over classical music, which builds suspense as the title is revealed. These elements use sound and imagery to set the tone of a psychological thriller.
Ben Film Step Outlines 1.1
Fin wakes up suddenly from a nightmare and rushes to get ready for school. A series of close-up shots establish Fin as a messy teenage student struggling with his tie and searching for his brother. He grabs his wallet and packed lunch before exiting his house into the foggy, rainy weather outside, ending the scene in silence.
The women in black analysis
The opening sequence of The Women in Black contains elements of a typical horror film but presents them in a gloomy and creative way. It shows three girls having a tea party with dolls in an attic-like setting. Their play becomes increasingly disturbing as they lose emotion and control of their actions, walking ominously toward an open window. The sequence builds tension by suggesting the girls are being possessed before they jump from the window to their deaths, witnessed by a figure dressed in black. This mysterious opener leaves the audience wanting to learn more about the character in black and the events that transpired.
Se7 en
The SAW opening sequence uses loud sound effects and a twisting logo to set an ominous tone. In darkness, the audience hears a man screaming and struggling in water, building tension. When lights turn on, he sees a dead body, implying the characters are in danger.
The SE7EN opening uses unsettling music and electronic sounds to make the audience feel anxious. The handwritten credits are uneven, fitting for a horror film. Quick cuts between disturbing images of skin picking and other acts heighten the sequence's intensity, drawing viewers into the psychological horror elements without context from the full film.
3 frame analysis
Kailum Gardner analyzes the cinematography techniques used in three thriller films: The House at the End of the Street, The Purge Two, and Inception. For each film, Kailum discusses the lighting, camera angles, and mise-en-scene to convey mood and provide context. Key details like dim lighting, security camera shots, and unusual collapsing settings are examined for their storytelling impacts. Overall, the document focuses on how visual elements in scenes from the three thrillers engage viewers and enhance tension.
David guetta feat sia-titanium video analysis
The document analyzes and summarizes the music video for the song "Titanium" through 9 screenshots. It describes scenes of a young boy alone in a destroyed school who seems to have caused the damage. Other shots show people afraid of the boy and police chasing him as he escapes on his bike, throwing away his childhood teddy bear. The boy is seen using telekinetic powers to escape from police before being surrounded by officers in the woods, where he either uses his powers to repel them or kills himself to avoid being killed for being different. The lyrics of the song match the theme of the video of the boy being strong and unable to be defeated despite attempts to stop him.
Music video analysis
The music video tells the story of a young boy with supernatural powers who is feared and pursued by police, teachers, and military. He uses his powers to escape from those chasing him. The boy feels alone and isolated. The video suggests its message of overcoming bullying by becoming "indestructible" like titanium against the hurtful actions of others. It promotes accepting differences rather than fearing what you don't understand.
Media assignment 26
1. The document discusses a media presentation for a supernatural horror film idea.
2. The idea is about a teenage boy who hears strange noises in his empty house one night. He investigates and finds objects moving on their own. When he checks outside, he discovers the front door open and blood leading to a figure eating someone.
3. The presentation discusses conventions of the supernatural horror subgenre that the idea incorporates, such as haunted locations, possessions, and graphic deaths. It aims to intrigue audiences and include varied camera shots while remaining understandable.
Codal Analysis
The document analyzes the visual, audio, technical, narrative, and enigma codes used in the openings of three horror films: The Woman in Black, Scream, and Final Destination. For each film, the author examines how the opening sequences establish setting and characters, build tension and fear, leave questions unanswered, and conform to conventions of the horror genre through the use of various cinematic techniques.
David guetta feat sia-titanium video analysis
The document analyzes and summarizes the music video in 9 screenshots. It shows a young boy who appears to have destructive powers and is alone. He is chased by police and surround before using his powers to repel them. The music video tells a story through these shots rather than featuring the artist. It conveys the theme of the song lyrics about being shot down but not falling and being bulletproof.
Shotlist
The document provides a shot list for a film scene involving the stakeout and arrest of a suspect by two police officers. It describes 12 shots that will be taken, including establishing shots of an apartment building and car park, shots of the officers in their stakeout room and car observing the suspect, GoPro footage from the police car, and a concluding shot of the officers congratulating each other after making the arrest. The shots will show the suspect leaving a building and driving away before being blocked and arrested by the undercover police officers.
Storyboard
The document outlines a storyboard for the opening sequence of a film. It describes 10 frames: 1) A close-up of a girl being held underwater; 2) A long shot introducing the antagonist holding the girl; 3) Another close-up of the girl being pushed under; 4) Shots of another antagonist searching the house; 5) A long shot of the bathroom scene; 6) A split screen of a neighbor calling the police; 7) A mid shot of the antagonist continuing to drown the girl; 8) The antagonists argue as they hear police sirens; 9) A close-up of the girl passing out after her head is smashed; 10) A low shot of the antagonists running
Titanium analysis
The document analyzes the music video for "Titanium" by David Guetta featuring Sia. It summarizes each shot in the video. In the first shot, a boy is crouched in dust, looking shocked. Subsequent shots show the boy in a ruined school, a woman being frightened by him, and him running from approaching police. The analysis discusses how the shots use color, lighting, and camera techniques to convey the boy's isolation, guilt, and supernatural abilities while still retaining some childhood innocence. Theories discussed include how the video both amplifies and creates disjuncture from the song's lyrics, and presents a modern myth through a "televised bard."
Pitch 1
The film Nyx tells the story of a young girl home alone who hears strange noises and sees a black figure after her bedroom door is kicked in. She is abducted and killed, then returns as a possessed girl who preys on people's insecurities and kills them. The filmmakers plan to use hand-held camera work, zooms, match cuts, and other techniques on a low budget without many special effects or gore.
Pitch
The trailer depicts four criminals planning a heist at a targeted house. In the first scene, one criminal arrives late to the planning meeting where they analyze the layout. The second scene shows them breaking into the house, finding loot, and setting off traps unaware that the homeowner is watching. Individual criminals are then attacked by a "psycho". The trailer ends with one captured criminal facing torture from the psycho leaning over him in an empty room.
Thriller evaluation q1
This document analyzes the opening scene of a psychological thriller media product. It discusses how the opening challenges conventions by using suggested threat rather than graphic violence. It establishes the setting of a rural hiking trail and introduces the discovery of a potential crime scene. Background music and camera shots are used to slowly build tension without graphic content. The goal is to create a psychological thriller with a steady build of tension through suggestion rather than sudden violence.
Codal analysis of horror film opening
The opening scene of the film The Woman in Black uses various audio, visual, technical and narrative codes to effectively set the tone and create suspense. Musically it starts quiet and mysterious, getting louder and more intense. Visually it shows creepy dolls, an old building, and smiling girls which contrasts uneasily. Technically it uses close-ups, slow motion and dim lighting. Narratively, the girls' innocent tea party and their sudden jump out the window leaves the audience unsettled. Throughout, contrasts and strange behaviors create enigmas that engage the audience and make them want to know more.
Sound in movies
The document discusses different types of sound that can be used in films, including diegetic sound that comes from the scene itself (e.g. dialogue, ambient noise), non-diegetic sound added in post-production (e.g. music, sound effects), crescendo where music or sounds build up to imply something is about to happen, diminuendo where music or sounds die down to suggest a threat has passed, and sforzando which is a short, loud noise used to emphasize shock or fear. Examples are provided from films like Jaws, Psycho, The Godfather, and Paranormal Activity to illustrate how these different types of sounds can be used to add tension or scare the audience.
Storyboard
The document outlines the storyboard for a horror trailer. It begins by introducing the main antagonist walking home and into his house. He then walks upstairs where he discovers a mysterious box. Upon opening the box, he finds a doll, causing the camera to cut to black. The disruption is shown through shots of characters panicking and in distress, including a second character. Close ups of the doll are intercut with shots of the characters as distress increases, culminating in a hinted dead body. The trailer then cuts to black and reveals the title.
Group assignment 1
The document discusses conventions and inspirations for horror film trailers. For the film "The Pact," conventions discussed include involving a child to make the main character vulnerable and having the female character alone in the house to heighten tension. Fade to white transitions and a worn background are also mentioned. Inspiration comes from using transitions to imply danger and backgrounds that emphasize genre. For "Insidious Chapter 2," conventions include using children to elicit sympathy and slowly building horror music when a character is alone. Inspiration comes from matching music to footage pace. Inspiration and conventions are also discussed for other film trailers.
Story board
The document outlines a storyboard for a film trailer in 6 parts: 1) The main antagonist is introduced walking home and into his house. 2) He walks upstairs where the audience sees a mysterious box. 3) Intrigued, he opens the box to discover a doll inside. 4) The scene cuts to black and then fades in to show the characters panicking and in distress. 5) A second character is introduced, also in distress and running from something, with a close up hinting at a dead body. 6) There are close ups of the doll intercut with shots of the distressed characters, and then a cut to black out before revealing the trailer title.
Pitch
The document provides a summary of a film pitch for a thriller trailer involving 4 criminals planning a heist. It outlines 3 key scenes: 1) the criminals arriving late to plan the heist, 2) them breaking into the targeted house only to find the owner was expecting them, and 3) the criminals being attacked one by one by an unknown psycho. It then discusses the targeted teenage/adult audience, filming locations at a house, school and drama department, and characters/props/costumes needed which include suits, masks and black tracksuits.
Media pitch (1)
The document outlines the pitch for a short horror film called "Latch." It will tell the story of a man sleeping alone in a large, vintage bedroom in a remote mansion. He wakes from a nightmare of being attacked to find signs that something may have entered his room. When he checks the time, it turns to the moment from his dream just before he hears a scream. The film will be shot in black and white to create an atmosphere of fear and tension. It draws inspiration from the film "Lights Out" and its theme of not feeling safe in the dark. The main characters will be a man in his 20s and a demon-like woman in her 50s-60s.
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
The opening scene of Once Upon a Time in America establishes the thriller genre through its use of lighting, location, sound, and characters. The scene begins with dim, chiaroscuro lighting that creates an unsettling atmosphere in the young woman's dark apartment. When she turns on a lamp, the mood lightens, but becomes dark again when she is murdered. The apartment feels enclosed and dangerous as the men surround her with no escape. Non-diegetic music plays over the credits, while diegetic sounds establish the setting. The characters - an innocent young woman and three criminal men in a gang - represent common thriller tropes of the damsel in distress and villains. Through these techniques, the director Sergio Le
Pitch
This document outlines a 2-minute opening sequence for a crime thriller film. The sequence involves a man, Will, returning home to find a box with a disturbing DVD inside showing his wife being held hostage. When he plays the video, his wife reads instructions from her captor and pleads for help. The sequence ends with Will discovering his wife's severed finger in the box. The target audience is ages 15-50, and filming will take place between October 17-25. Three actors will portray the main roles of Will, his wife Karen, and the unknown antagonist.
Common Conventions in Horror Films
The document outlines common conventions found in horror films, including characters being isolated in remote locations like woods or abandoned buildings with no means of calling for help. It also describes how threats are often forgotten or ignored, lights and phones are disabled at crucial moments, and characters make poor decisions like investigating strange noises alone or running upstairs instead of outside to escape danger. Other conventions mentioned are vehicles that won't start, fake scares being mistaken for real threats, warnings going unheeded, early killings to set the mood, references to past events, and storms on nights of danger.
Loveisblind
A blind high school girl named Julie is constantly bullied by two popular girls, Cynthia and Hannah. One day after being tripped in the hallway, a boy named Matt helps Julie pick up her books. Julie starts to like Matt, but discovers he is dating Cynthia. Julie's mother wants her to switch to a school for the blind, which Julie is considering. She meets the headmaster and another blind girl there. Julie later realizes Matt cares for her and rushes back to find him, but he has also switched schools. They reunite and start dating, but get in a car accident where Matt is blinded.
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Music video analysis
The music video tells the story of a young boy with supernatural powers who is feared and pursued by police, teachers, and military. He uses his powers to escape from those chasing him. The boy feels alone and isolated. The video suggests its message of overcoming bullying by becoming "indestructible" like titanium against the hurtful actions of others. It promotes accepting differences rather than fearing what you don't understand.
Media assignment 26
1. The document discusses a media presentation for a supernatural horror film idea.
2. The idea is about a teenage boy who hears strange noises in his empty house one night. He investigates and finds objects moving on their own. When he checks outside, he discovers the front door open and blood leading to a figure eating someone.
3. The presentation discusses conventions of the supernatural horror subgenre that the idea incorporates, such as haunted locations, possessions, and graphic deaths. It aims to intrigue audiences and include varied camera shots while remaining understandable.
Codal Analysis
The document analyzes the visual, audio, technical, narrative, and enigma codes used in the openings of three horror films: The Woman in Black, Scream, and Final Destination. For each film, the author examines how the opening sequences establish setting and characters, build tension and fear, leave questions unanswered, and conform to conventions of the horror genre through the use of various cinematic techniques.
David guetta feat sia-titanium video analysis
The document analyzes and summarizes the music video in 9 screenshots. It shows a young boy who appears to have destructive powers and is alone. He is chased by police and surround before using his powers to repel them. The music video tells a story through these shots rather than featuring the artist. It conveys the theme of the song lyrics about being shot down but not falling and being bulletproof.
Shotlist
The document provides a shot list for a film scene involving the stakeout and arrest of a suspect by two police officers. It describes 12 shots that will be taken, including establishing shots of an apartment building and car park, shots of the officers in their stakeout room and car observing the suspect, GoPro footage from the police car, and a concluding shot of the officers congratulating each other after making the arrest. The shots will show the suspect leaving a building and driving away before being blocked and arrested by the undercover police officers.
Storyboard
The document outlines a storyboard for the opening sequence of a film. It describes 10 frames: 1) A close-up of a girl being held underwater; 2) A long shot introducing the antagonist holding the girl; 3) Another close-up of the girl being pushed under; 4) Shots of another antagonist searching the house; 5) A long shot of the bathroom scene; 6) A split screen of a neighbor calling the police; 7) A mid shot of the antagonist continuing to drown the girl; 8) The antagonists argue as they hear police sirens; 9) A close-up of the girl passing out after her head is smashed; 10) A low shot of the antagonists running
Titanium analysis
The document analyzes the music video for "Titanium" by David Guetta featuring Sia. It summarizes each shot in the video. In the first shot, a boy is crouched in dust, looking shocked. Subsequent shots show the boy in a ruined school, a woman being frightened by him, and him running from approaching police. The analysis discusses how the shots use color, lighting, and camera techniques to convey the boy's isolation, guilt, and supernatural abilities while still retaining some childhood innocence. Theories discussed include how the video both amplifies and creates disjuncture from the song's lyrics, and presents a modern myth through a "televised bard."
Pitch 1
The film Nyx tells the story of a young girl home alone who hears strange noises and sees a black figure after her bedroom door is kicked in. She is abducted and killed, then returns as a possessed girl who preys on people's insecurities and kills them. The filmmakers plan to use hand-held camera work, zooms, match cuts, and other techniques on a low budget without many special effects or gore.
Pitch
The trailer depicts four criminals planning a heist at a targeted house. In the first scene, one criminal arrives late to the planning meeting where they analyze the layout. The second scene shows them breaking into the house, finding loot, and setting off traps unaware that the homeowner is watching. Individual criminals are then attacked by a "psycho". The trailer ends with one captured criminal facing torture from the psycho leaning over him in an empty room.
Thriller evaluation q1
This document analyzes the opening scene of a psychological thriller media product. It discusses how the opening challenges conventions by using suggested threat rather than graphic violence. It establishes the setting of a rural hiking trail and introduces the discovery of a potential crime scene. Background music and camera shots are used to slowly build tension without graphic content. The goal is to create a psychological thriller with a steady build of tension through suggestion rather than sudden violence.
Codal analysis of horror film opening
The opening scene of the film The Woman in Black uses various audio, visual, technical and narrative codes to effectively set the tone and create suspense. Musically it starts quiet and mysterious, getting louder and more intense. Visually it shows creepy dolls, an old building, and smiling girls which contrasts uneasily. Technically it uses close-ups, slow motion and dim lighting. Narratively, the girls' innocent tea party and their sudden jump out the window leaves the audience unsettled. Throughout, contrasts and strange behaviors create enigmas that engage the audience and make them want to know more.
Sound in movies
The document discusses different types of sound that can be used in films, including diegetic sound that comes from the scene itself (e.g. dialogue, ambient noise), non-diegetic sound added in post-production (e.g. music, sound effects), crescendo where music or sounds build up to imply something is about to happen, diminuendo where music or sounds die down to suggest a threat has passed, and sforzando which is a short, loud noise used to emphasize shock or fear. Examples are provided from films like Jaws, Psycho, The Godfather, and Paranormal Activity to illustrate how these different types of sounds can be used to add tension or scare the audience.
Storyboard
The document outlines the storyboard for a horror trailer. It begins by introducing the main antagonist walking home and into his house. He then walks upstairs where he discovers a mysterious box. Upon opening the box, he finds a doll, causing the camera to cut to black. The disruption is shown through shots of characters panicking and in distress, including a second character. Close ups of the doll are intercut with shots of the characters as distress increases, culminating in a hinted dead body. The trailer then cuts to black and reveals the title.
Group assignment 1
The document discusses conventions and inspirations for horror film trailers. For the film "The Pact," conventions discussed include involving a child to make the main character vulnerable and having the female character alone in the house to heighten tension. Fade to white transitions and a worn background are also mentioned. Inspiration comes from using transitions to imply danger and backgrounds that emphasize genre. For "Insidious Chapter 2," conventions include using children to elicit sympathy and slowly building horror music when a character is alone. Inspiration comes from matching music to footage pace. Inspiration and conventions are also discussed for other film trailers.
Story board
The document outlines a storyboard for a film trailer in 6 parts: 1) The main antagonist is introduced walking home and into his house. 2) He walks upstairs where the audience sees a mysterious box. 3) Intrigued, he opens the box to discover a doll inside. 4) The scene cuts to black and then fades in to show the characters panicking and in distress. 5) A second character is introduced, also in distress and running from something, with a close up hinting at a dead body. 6) There are close ups of the doll intercut with shots of the distressed characters, and then a cut to black out before revealing the trailer title.
Pitch
The document provides a summary of a film pitch for a thriller trailer involving 4 criminals planning a heist. It outlines 3 key scenes: 1) the criminals arriving late to plan the heist, 2) them breaking into the targeted house only to find the owner was expecting them, and 3) the criminals being attacked one by one by an unknown psycho. It then discusses the targeted teenage/adult audience, filming locations at a house, school and drama department, and characters/props/costumes needed which include suits, masks and black tracksuits.
Media pitch (1)
The document outlines the pitch for a short horror film called "Latch." It will tell the story of a man sleeping alone in a large, vintage bedroom in a remote mansion. He wakes from a nightmare of being attacked to find signs that something may have entered his room. When he checks the time, it turns to the moment from his dream just before he hears a scream. The film will be shot in black and white to create an atmosphere of fear and tension. It draws inspiration from the film "Lights Out" and its theme of not feeling safe in the dark. The main characters will be a man in his 20s and a demon-like woman in her 50s-60s.
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
The opening scene of Once Upon a Time in America establishes the thriller genre through its use of lighting, location, sound, and characters. The scene begins with dim, chiaroscuro lighting that creates an unsettling atmosphere in the young woman's dark apartment. When she turns on a lamp, the mood lightens, but becomes dark again when she is murdered. The apartment feels enclosed and dangerous as the men surround her with no escape. Non-diegetic music plays over the credits, while diegetic sounds establish the setting. The characters - an innocent young woman and three criminal men in a gang - represent common thriller tropes of the damsel in distress and villains. Through these techniques, the director Sergio Le
Pitch
This document outlines a 2-minute opening sequence for a crime thriller film. The sequence involves a man, Will, returning home to find a box with a disturbing DVD inside showing his wife being held hostage. When he plays the video, his wife reads instructions from her captor and pleads for help. The sequence ends with Will discovering his wife's severed finger in the box. The target audience is ages 15-50, and filming will take place between October 17-25. Three actors will portray the main roles of Will, his wife Karen, and the unknown antagonist.
Common Conventions in Horror Films
The document outlines common conventions found in horror films, including characters being isolated in remote locations like woods or abandoned buildings with no means of calling for help. It also describes how threats are often forgotten or ignored, lights and phones are disabled at crucial moments, and characters make poor decisions like investigating strange noises alone or running upstairs instead of outside to escape danger. Other conventions mentioned are vehicles that won't start, fake scares being mistaken for real threats, warnings going unheeded, early killings to set the mood, references to past events, and storms on nights of danger.
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How Sergio Leone establishes the thriller genre in opening of once upon a tim...
How Sergio Leone establishes the thriller genre in opening of once upon a tim...
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Loveisblind
A blind high school girl named Julie is constantly bullied by two popular girls, Cynthia and Hannah. One day after being tripped in the hallway, a boy named Matt helps Julie pick up her books. Julie starts to like Matt, but discovers he is dating Cynthia. Julie's mother wants her to switch to a school for the blind, which Julie is considering. She meets the headmaster and another blind girl there. Julie later realizes Matt cares for her and rushes back to find him, but he has also switched schools. They reunite and start dating, but get in a car accident where Matt is blinded.
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1) The main character, Ethel-May, is based on Ester from the film Orphan - a 33-year-old woman disguised as a 12-year-old girl who is actually a psychopathic murderer.
2) Ethel-May and Ester are similar in that they are both without parents and behave independently from other girls their age. They also speak in an unemotional, unbothered manner.
3) However, Ethel-May is portrayed as quiet, unsure, and lost, whereas Ester knows what she wants from the start and is more calculated in her killings.
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The document discusses plans to film scenes for a horror movie involving a haunted doll and babysitter. It describes taking pictures of stairs to show the babysitter tending to a baby upstairs, using a forest setting for the babysitter running from the haunted doll, and filming the house to establish it as the typical haunted setting for the horror genre.
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This document outlines the marketing campaign for the upcoming horror/thriller film "Adeline". It discusses the film's genre, influences from other films like Annabelle, and marketing ideas. The campaign will include a teaser trailer released on social media and YouTube, followed by posters and magazine ads when the full trailer is released and the film comes out. The teaser and marketing materials will feature the doll character and establish a dark, scary tone through imagery, fonts, and sounds to appeal to horror fans.
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Arctic monkeys and the music industry
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Beyoncé is signed to Columbia and Sony Music, vertically and horizontally integrating her music across their media properties. Her most recent self-titled album was unexpectedly released without promotion on December 13, 2013, selling nearly 1 million copies in its first 10 days. By dropping the album as a surprise via iTunes, Beyoncé leveraged social media attention and buzz to maximize publicity for the album release. Her music is available to stream or purchase online through various major services.
Planteamiento del problema
Este documento describe los elementos clave para plantear un problema de investigación cuantitativa. Explica que los objetivos de investigación deben expresarse con claridad para guiar el estudio, y que las preguntas de investigación deben orientar hacia las respuestas buscadas sin conocer las respuestas y poder responderse empíricamente. También destaca la importancia de justificar la investigación y evaluar la viabilidad y deficiencias en el conocimiento existente sobre el problema.
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OUR PITCH.
The opening scene of the psychological thriller takes place in an unknown dark room. A girl wakes up with amnesia and sees pictures of crossed-out people on the wall, including her own. She discovers a matching body on the floor, realizing she has killed people who have hurt her. A ghost helps guide her as she works to uncover her identity and past betrayals through flashbacks. Her journey leads her to burn the helper's body, resolving the ritual and gaining understanding.
Assignment 11 part 3
The document discusses the development of an opening film sequence idea. It begins with discussing the original concept, which involved strange occurrences happening to the main character. After receiving feedback, the group revised the ending of the opening sequence to be more thrilling by having the main character hear a noise and trace it to the bathroom, where a hand slams against the glass door from the inside as she reaches for the handle. Alternative endings were discussed to improve the creation of enigma for the audience. The revised opening sequence and film idea are then presented, focusing on building tension and mystery throughout.
media short film revision/ audio grabs/ briefs/ codes and conventions/ websi...
This power point has multiple revision notes from a story board to websites that I have used to influence mine.
Presentation
The group has chosen to create a 3 minute forensic thriller film opening. It will involve a murder scene investigation. Tia will play the victim who is murdered by Jerome at the start. Stephanie and Chloe will play detectives investigating the crime scene. The plot involves the victim being followed and killed after leaving her front door unlocked. Forensic scientists then analyze clues at the crime scene leading to spotting the murderer in the distance.
The Pitch - Hitlist
The group has chosen to create a 3 minute forensic thriller film opening. It will involve a murder scene investigation. Tia will play the victim who is murdered by Jerome at the start. Stephanie and Chloe will play detectives investigating the crime scene. The plot involves the victim being followed and killed after leaving her door unlocked. Forensic scientists then analyze clues at the crime scene leading to spotting the murderer in the distance.
Presentation1
This document provides an overview and breakdown of the short film "The Culprit". The film is about two teenage girls who are questioned after a fatal incident at a party. During the interview, inconsistencies emerge in their stories and it's unclear if they are telling the truth or if something more sinister is going on. The film will be 5 minutes long and entered into short film festivals. It is in the crime thriller genre and compares to the film "The Hole" which also features contradictory teen stories during a police investigation. The document then outlines the film's 4 scenes and target 16-25 year old audience. It concludes with a proposed radio trailer featuring creepy music and film soundbites.
Movie pitch
The document summarizes a proposed short horror film called "Last Halloween" about a group of teens who get stalked and killed by a masked killer one year after they accidentally hit and buried a man while driving home from a party on Halloween. The film would show the killer revealing himself as the man's son seeking revenge for the teens' actions. It includes storyboards, character and set designs, budgets, and target audience details to pitch the short film.
Pitch presentation
The document outlines a proposed opening scene for a short thriller film about a school shooting. It discusses ideas considered like a bank heist, and feedback from an audience that preferred the school shooting idea. The final proposed opening scene shows mundane conversations between students before cutting to a shooter preparing and then stalking through empty halls and classrooms while tension builds with the score. Gunshots are then heard followed by a weeping boy found in a locked room as police arrive.
The spirit of the alleyway (pitch)
The document summarizes a short horror film called "Spirit of the Alleyway". It describes the plot, which follows a boy who picks up a glowing mask in a haunted alleyway and is then pursued by the alleyway's spirit. It discusses the target audience as teenagers and young adults, and conventions like an antagonist spirit and the use of shots like POV to create tension. Key aspects like representation of the working-class teenage protagonists are also covered.
Codal Analysis
The document provides a code analysis of three film trailers: The Skeleton Key, A Nightmare on Elm Street, and Shutter Island. For each trailer, the analysis identifies and describes the visual, audio, narrative, action, technical, and enigma codes used. The visual codes examine imagery, lighting, weather, and settings. Audio codes look at voiceover, sound effects, and music. Narrative codes analyze character archetypes, binary oppositions, and disruption of equilibrium. Action codes note suspenseful or dramatic scenes. Technical codes cover on-screen text and editing techniques. Enigma codes point out unresolved mysteries that intrigue viewers.
Analysing an opening sequence (scream)
The document analyzes the opening scene of the horror film "Scream". It summarizes the film's genre as slasher horror and discusses various film techniques used in the opening scene. A female character is alone in her isolated house when she starts receiving unsettling phone calls from an unknown male. Tension and suspense are built through the phone calls, lighting, and a doorbell ring. The scene effectively sets up the film's central themes of being taunted by an unknown assailant.
Trailer analysis insidious
The trailer introduces the main characters as a happy family living in a modern house. Shots build tension as strange events occur in the house that frighten the wife, who is home during the day. Fast-paced editing with close-ups of fearful faces increases tension. Dialogue provides clues to the storyline. The trailer represents a middle-class family and targets teenagers aged 15-20 as the primary audience.
Planning and Pre-Productcion.pptx
The document provides details about the planning and pre-production for a psychological horror film. It will tell the story of Edward Stanton, a man who believes he is protecting his imaginary son by killing people he sees as threats. The film will be shot in the producer's home over 4 weeks and edited together. Risks associated with props like knives and the camera equipment will be considered. Color schemes using grey for atmosphere and red for blood will match the disturbing subject matter aimed at horror fans over 18. Location scouting has identified rooms in the house that will portray where Edward lives and commits murders.
Pitch
The document outlines a pitch for an opening title sequence (OTS) for a home invasion slasher film. It describes the plot, which involves a family leaving their son home alone for the weekend while the son encounters an intruder in the house. It notes the setting will be in the victim's home. It identifies the target audience as 15-35 year old males and discusses elements like blood and gore that will attract this audience. Inspiration is drawn from the film Scream for its gore and violence. The OTS will be linear in style to draw the audience in and create suspense about what happens next.
Assignment 26 – individual pitch
The document proposes an opening scene for a horror film based on the home invasion subgenre. The scene would show a victim communicating with emergency services while hiding from an intruder in their home. Tension and fear would be built through the victim's cries for help and the cutting off of their phone line. The intruder would find and stab the victim to death with a knife. Key conventions like the use of masks, knives, and failed emergency responses would be employed. The goals are to create an intense, realistic scene through staging, camerawork, acting, and special effects like fake blood. Inspiration is drawn from the tense opening of the film "The Call."
Codal Analysis
The document analyzes the visual, audio, narrative, technical, and enigma codes used in the opening scenes of three horror films: The Woman in Black, The Ring, and Evil Dead. For each film, it describes the setting, characters, lighting, soundtrack, shot types, and unanswered questions used to create atmosphere, tension, and suspense. Overall, the document examines how these film techniques across the openings build mystery and unease for the audience.
Coursework task
The document provides details on a planned short film about a robbery gone wrong. The robbers intend to steal papers from a remote house that could prove someone's innocence of murder. Upon entering the house, they search rooms but cannot find the papers. They then discover the homeowner dead in another room with a safe unlocked next to the body. The robbers realize they will now be implicated in the death. The style aims for a tense atmosphere to keep the audience engaged. Influences include real robbery footage and murder scenes from films.
codal
This document analyzes visual, audio, and narrative codes used in the openings of several horror films, including The Blair Witch Project, The Ring, and Saw. For The Blair Witch Project, it discusses the use of black and white and handheld footage to set a serious, documentary-style tone. For The Ring, it describes dark visuals and ominous sounds used to create an eerie atmosphere. And for Saw, it outlines fast-paced visuals and unsettling audio that set an intense and disturbing mood. Overall, the document examines how these films employ various cinematic techniques in their openings to immerse viewers and build suspense.
Assignment 26 – individual pitch
The document outlines a proposed opening scene for a short horror film based on the home invasion subgenre. The scene involves a victim hearing noises in their home at night while on a video call. They discover via CCTV footage that an intruder is inside. The victim hides but is found and stabbed by the masked killer. Key conventions like the use of a knife and the failure of emergency services to help in time are addressed. Original elements like the use of fake blood and varied camera shots are proposed to make the scene tense and effective.
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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A Prime Location
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Horror coursework video media as
- 1. Horror/Comedy Video Opening Sequence Albert Rydevik
- 2. General Plot • Undead living in the water by a private beach, night by night coming out and into the house, tormenting the people living inside.
- 3. Location/ • My house in Old Greenwich, CT.
- 4. Storyboard • • • • • • • • • • • • First Shot: Establishing Shot of the house, from the far side of the water, sun is setting. Second Shot: Long Shot of a kid looking through the window at the water right before sun down. Third Shot: Sun going down Fourth Shot: Establishing Shot of the house plus water at night Fifth Shot: Medium Shot of three of the undead wading out through the water. Sixth Shot: Very hazy Point of View shot from the eyes of the undead in the back Fades into Ninth Shot Seventh Shot: A slightly less hazy Point of View shot from the eyes of the undead in the front, clumsily crawling through the window Eighth Shot: Long Shot from outside, lights on in house, silhouettes of the Undead in one room, and silhouette of girl in other room walking into the other room Ninth Shot: Medium Shot of the girl walking up to the door into the next room, and putting her hand on the door handle Tenth Shot: Point of View Shot from the eyes of the girl going through the door, opens the door to the undeads face very close up, girl shrieks Eleventh Shot: Cuts to a black title screen, the title shows up in blood text on the black screen
- 5. Target Audience • The opening scene is aimed at male teenagers and young adults, from the ages 15-25. – Aimed mainly towards males due to the violence and horror aspects. – Starting age at 15 to ensure as large an audience as possible for this genre of film.
- 6. Style/Tone/Atmosphere • The video will have a very creepy atmosphere, making the audience feel nervous. • There will be an on edge feeling through the piece as they go in through the building. • The video will start off with a slow piece of music at the beginning, that begins to pick up as they get closer to the house to send a tense feeling through the audience. • Along with the creepy elements, there will be clear horror movie stereotypes that will be really overdriven, to add a weird sense of humor to it.
- 7. Influences • Zombie horror movies, games, etc. • An idea from a short story I wrote a few years ago for an English project.