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Storyboard of Opening Sequence
Frame 1 – Under Water Scene 
• This will be our very first shot and this will be of 
girls's face underwater from where she is being 
held under by the antagonist. The shot will be a 
close up shot of her, so we can see her facial 
expressions and how much distraught she is. 
• She will be trying to scream and shot but the 
sound will be muffled as she will be underwater, 
and this will mean the picture will be distorted. 
• We will try and record this by placing a phone in a 
water tight sandwich bag so we can get 
underwater without our phones being damaged.
Frame 2 – Setting the Scene 
• The next shot will then be where we first meet the 
antagonist and we can see him in full. This shot 
will be a long shot so we can see the surrounding 
and understand where the opening sequence is 
set. We will also see how the characters are 
positioned in the shot. 
• We will have the antagonist behind girl whilst 
gripping her head by her hair. The next action that 
will happen is that the antagonist will push the girl 
underwater again as he is trying to extract 
information out of the girl.
Frame 3 – Close up of Girl 
• We will then cut to another close up shot of girl's 
head going into the water. She will be screaming 
and shouting and then as she enters the water she 
will then go muffled again. 
• We will see the hand on the bag of the head so we 
can understand what is going on.
Frame 4 – Searching for Information 
• The next shot will then show another antagonist 
searching around the house and in rooms trying to 
find out information out. These will include a 
variety of shots that consist of close ups of his 
hands looking through documents and pictures 
and the long shots so we can see where the man 
is. 
• We will then add some non diegetic sound from 
the other room of Emily screaming and shouting 
as the man looks for information.
• After the shot of the man looking through the girls 
possessions, we then go back to the bathroom 
scene with along shot from behind of the girl and 
this is where we can also see how the characters 
are positioned. 
• There will be a lot of shouting and the girl will be 
crying and unsure as of what is happening. 
Frame 5 – Long Shot
Frame 6 – Police Phone Call 
• We will then have a ‘split wall effect’ of the 
bathroom and someone in the house next door. 
They will over hear the screaming and shouting, 
and will then call the police.
Frame 7 – Mid shot: Angry 
• Oblivious to someone calling the police the 
antagonist then carries on drowning the girl trying 
to find out information. 
• Although this time the drowning is for a lot longer 
and more violently because the antagonist is 
getting more and more annoyed.
• They then start to hear police sirens and the start 
to panic. One of the antagonists then runs into the 
room asking what to do, and the two men have a 
little argument as they are both annoyed and 
angry that they haven’t got what they came for. 
• This will be a long shot so we can see all three 
characters and we can see that the girl is severely 
injured and breathing heavily. 
Frame 8 - Argument
• After the two men fight one man smashes the 
girls head on the edge of the pass so she passes 
out with a deep cut. This could caught with a close 
up shot. 
• The two men then start to run and try to get away 
without leaving evidence as to what happened. 
We could have non diegetic sound in the 
background of police sirens getting closer and 
closer. 
Frame 9 – Passing out
Frame 10 – Running away 
• The final shot will then be off the two men 
running away in the darkness. Our initial idea is 
that there will be a low shot, so the camera at 
ground level behind the men, so it is sort of like 
the men are running away into the darkness. 
• This creates suspense to what is going to happen 
next and makes us want to watch on and see what 
they were trying to find out. 
• After they have ran off into the darkness we could 
have a fading effect to a black screen where we 
could add in the title of the actual film. 
• That would then be the end to our opening 
sequence.

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Storyboard

  • 2. Frame 1 – Under Water Scene • This will be our very first shot and this will be of girls's face underwater from where she is being held under by the antagonist. The shot will be a close up shot of her, so we can see her facial expressions and how much distraught she is. • She will be trying to scream and shot but the sound will be muffled as she will be underwater, and this will mean the picture will be distorted. • We will try and record this by placing a phone in a water tight sandwich bag so we can get underwater without our phones being damaged.
  • 3. Frame 2 – Setting the Scene • The next shot will then be where we first meet the antagonist and we can see him in full. This shot will be a long shot so we can see the surrounding and understand where the opening sequence is set. We will also see how the characters are positioned in the shot. • We will have the antagonist behind girl whilst gripping her head by her hair. The next action that will happen is that the antagonist will push the girl underwater again as he is trying to extract information out of the girl.
  • 4. Frame 3 – Close up of Girl • We will then cut to another close up shot of girl's head going into the water. She will be screaming and shouting and then as she enters the water she will then go muffled again. • We will see the hand on the bag of the head so we can understand what is going on.
  • 5. Frame 4 – Searching for Information • The next shot will then show another antagonist searching around the house and in rooms trying to find out information out. These will include a variety of shots that consist of close ups of his hands looking through documents and pictures and the long shots so we can see where the man is. • We will then add some non diegetic sound from the other room of Emily screaming and shouting as the man looks for information.
  • 6. • After the shot of the man looking through the girls possessions, we then go back to the bathroom scene with along shot from behind of the girl and this is where we can also see how the characters are positioned. • There will be a lot of shouting and the girl will be crying and unsure as of what is happening. Frame 5 – Long Shot
  • 7. Frame 6 – Police Phone Call • We will then have a ‘split wall effect’ of the bathroom and someone in the house next door. They will over hear the screaming and shouting, and will then call the police.
  • 8. Frame 7 – Mid shot: Angry • Oblivious to someone calling the police the antagonist then carries on drowning the girl trying to find out information. • Although this time the drowning is for a lot longer and more violently because the antagonist is getting more and more annoyed.
  • 9. • They then start to hear police sirens and the start to panic. One of the antagonists then runs into the room asking what to do, and the two men have a little argument as they are both annoyed and angry that they haven’t got what they came for. • This will be a long shot so we can see all three characters and we can see that the girl is severely injured and breathing heavily. Frame 8 - Argument
  • 10. • After the two men fight one man smashes the girls head on the edge of the pass so she passes out with a deep cut. This could caught with a close up shot. • The two men then start to run and try to get away without leaving evidence as to what happened. We could have non diegetic sound in the background of police sirens getting closer and closer. Frame 9 – Passing out
  • 11. Frame 10 – Running away • The final shot will then be off the two men running away in the darkness. Our initial idea is that there will be a low shot, so the camera at ground level behind the men, so it is sort of like the men are running away into the darkness. • This creates suspense to what is going to happen next and makes us want to watch on and see what they were trying to find out. • After they have ran off into the darkness we could have a fading effect to a black screen where we could add in the title of the actual film. • That would then be the end to our opening sequence.