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Marketing Movies Online
Attack the Block – A Case Study


Helen Cowley
Head of Editorial & Digital Content
Jo Underhill
Head of European Media Sales
The Evolution of Online Marketing


Online = Mobile + OTT + social + desktop browsing

 LOVEFiLM:
     We cater for a wide-ranging audience that have a
     variety of needs, with a variety of channels to
     accommodate.

 We can offer a complete film solution

 The emergence of „second screen‟ viewing
What’s important for our audience?




 Engagement
What’s important for our audience?




 Engagement
What’s important for our audience?




 Engagement

 Discoverability
What’s important for our audience?




 Engagement

 Discoverability

 Entertainment
Why Attack the Block?




 Supporting British Talent: Rising and Established

 A film that offered crossover across age groups

 Opportunity to explore innovative ideas in partnership with
  StudioCanal

 The opportunity to offer exclusivity and ownership to our
  customers
Supporting Film: Cradle to Grave




Production    Pre-theatrical       Theatrical          DVD               Digital
  on set      Prior to launch    Editorial review   New content +   Audience already
             dedicated product    interviews &       awareness       generated for
               page on site        screenings                        digital content
User interest across channels

 Allowing us to understanding the audience
 A variety of tools we use to collect data
Theatrical Release



 A focus on the customer

 Fully Interactive preview
  screening, with social touch
  points + live interaction

 The opportunity to broaden
  our audience & raise
  awareness of the film before
  cinema release
DVD Release


 Reignite awareness of the title, using a
  combination of Ad Spend and Editorial

 The ability to segment our data & target
  accordingly

 Highlighting Blu-ray & DVD offerings.
Capitalising on the SVOD window

 How do we break out a title on the service?
Capitalising on the SVOD window




 Our aims:
   Highlight the exclusivity of the title

    Create a “appointment-to-view” component of our
     campaign

    The possibility of working with talent

    Explore how LOVEFiLM could harness the „second
     screen‟
Media First - Attack the Block: Live Commentary




                                              14
Digital Window Results




 29,000 minutes of the LiveStream viewed

 Attack the Block the no 1 streaming title on the
  service week of release

 Significant Media Coverage

 A unique experience for the LOVEFiLM customer
Summary




 LOVEFiLM is in a unique opportunity to support film life
  cycles

 We want to continue to innovate in this space in order to
  deliver: Engagement, Discoverability + Entertainment

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Marketing Movies Online from Cradle to Grave

  • 1. Marketing Movies Online Attack the Block – A Case Study Helen Cowley Head of Editorial & Digital Content Jo Underhill Head of European Media Sales
  • 2. The Evolution of Online Marketing Online = Mobile + OTT + social + desktop browsing  LOVEFiLM: We cater for a wide-ranging audience that have a variety of needs, with a variety of channels to accommodate.  We can offer a complete film solution  The emergence of „second screen‟ viewing
  • 3. What’s important for our audience?  Engagement
  • 4. What’s important for our audience?  Engagement
  • 5. What’s important for our audience?  Engagement  Discoverability
  • 6. What’s important for our audience?  Engagement  Discoverability  Entertainment
  • 7. Why Attack the Block?  Supporting British Talent: Rising and Established  A film that offered crossover across age groups  Opportunity to explore innovative ideas in partnership with StudioCanal  The opportunity to offer exclusivity and ownership to our customers
  • 8. Supporting Film: Cradle to Grave Production Pre-theatrical Theatrical DVD Digital on set Prior to launch Editorial review New content + Audience already dedicated product interviews & awareness generated for page on site screenings digital content
  • 9. User interest across channels  Allowing us to understanding the audience  A variety of tools we use to collect data
  • 10. Theatrical Release  A focus on the customer  Fully Interactive preview screening, with social touch points + live interaction  The opportunity to broaden our audience & raise awareness of the film before cinema release
  • 11. DVD Release  Reignite awareness of the title, using a combination of Ad Spend and Editorial  The ability to segment our data & target accordingly  Highlighting Blu-ray & DVD offerings.
  • 12. Capitalising on the SVOD window  How do we break out a title on the service?
  • 13. Capitalising on the SVOD window  Our aims:  Highlight the exclusivity of the title  Create a “appointment-to-view” component of our campaign  The possibility of working with talent  Explore how LOVEFiLM could harness the „second screen‟
  • 14. Media First - Attack the Block: Live Commentary 14
  • 15. Digital Window Results  29,000 minutes of the LiveStream viewed  Attack the Block the no 1 streaming title on the service week of release  Significant Media Coverage  A unique experience for the LOVEFiLM customer
  • 16. Summary  LOVEFiLM is in a unique opportunity to support film life cycles  We want to continue to innovate in this space in order to deliver: Engagement, Discoverability + Entertainment