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Harnessing storytelling vision
The document provides practical tips for nonprofits on planning, capturing, and sharing impactful stories to connect with audiences and drive engagement. Key elements include developing a storytelling vision, understanding audience desires, and creating a compelling narrative that prompts action. Emphasis is placed on authenticity, emotional connection, and leveraging tools for effective storytelling across various media formats.
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Harnessing storytelling vision
- 1. HARNESS YOUR STORYTELLINGVISION Practical tips for planning, capturing, and sharing your organization’s best stories. Michaela Guerin Hackner mhackner@forumone.com The Nonprofit Technology Conference March 18, 2011
- 2. Michaela Guerin Hackner Storyteller,photographer, changemaker @kalabird
- 3. The Visionary Process I. Develop Your Storytelling Vision II. Bringing Your Vision to Life III. Sharing Your Vision With the World
- 4. Develop Your StorytellingVision “Being true to yourself involves showing and sharing emotion. The spirit that motivates most great storytellers is ‘I want you to feel what I feel,’ and the effective narrative is designed to make this happen. That’s how the information is bound to the experience and That’ unforgettable.” rendered unforgettable - Peter Guber
- 6. Connections Catalyze Change “Storieslink one person’s heart to another. Values, beliefs, and norms become intertwined. When this happens, your idea can more readily manifest as reality in their minds.” - Nancy Duarte
- 7. Prerequisites 1. Organizational Backing– leaders share your vision 2. Empower others to own your vision – Training – Tools – Inspiration 3. Make investments in storytelling – Hire staff, conduct audience research, buy equipment (camera, video camera, audio recorder, lots of paper and pens!)
- 9. Where Are YouFocusing Your Message? Who are your audiences? Prioritize 3 or less.
- 10. What Does YourAudience Want?
- 11. People Come tothe Web to Consume Identify what your audience is looking for, and make sure it’s ready and available: Read Download Buy Listen Watch Update Email
- 12. MEDIA Come toYOUR Website to Consume
- 13. Plan Your StoriesAround Your Content
- 14. Leverage Universal Themes Love Death New life The bond of family / relationships Power Loneliness Surprise Hope Harmony Balance Beauty Old vs. new Past vs. Present * Adapted from Within the Frame by David DuChemin
- 15. What Are YouTrying To Communicate? Choose 1-2 messages max message: Primary message The single most important thing you want the user to learn. (this message supports all of your business objectives). message: Secondary message A group of key messages that extrapolate the primary message. Adapted from Content Strategy by Kristina Halvorsen
- 16. What Can IDo? Give them something to do on each page! Your vision will inspire others. Give them a chance to participate. • Choose stories that will get your message out and solicit action. • Choose stories that have the potential to go viral. Ask yourself, do I want to tell something about this? • Pick stories that you can’t get out of your mind and that touch your heart.
- 17. What Do YouWant People To Do Once Inspired? Your ultimate goal for your story (hint, this should include an action!) Donate Subscribe Volunteer Share Get involved Make a call Comment Adapted from Content Strategy by Kristina Halvorsen
- 18. Why Should TheyTake Action? Make the reward worth it How will they personally benefit from adopting your idea? What’s in it for them materially or emotionally? Benefit to sphere How will this help their sphere of influence such as friends, peers, students, direct reports? How can they use it to their benefit with those they influence? Benefit to mankind How will this help the humans or the planet? Adapted from Resonate by Nancy Duarte
- 20. Bringing Your VisionTo Life
- 22. Words Aren’t theOnly Story “At church on the morning of January 28, 2011 the pastor joked that ‘Thanks to the Egyptian government we will not be interrupted by cell phones.’ But on that Friday despite the cutoff of Internet, cell phones and SMS messages feeding into Twitter, the largest demonstrations blocked downtown Cairo causing the police to close the square. While phones came back on Saturday (after the demonstrations) Internet and SMS were down for a week. Still, the demonstrations continued to grow daily. Social media may have been the trigger that initially got things going, but the gun was already loaded with social and economic discontent, and once the initial shot was fired, the demonstrations took a life of their own.” http://www.irex.org/news/egypt-facebook-twitter-and-old-fashioned-organizing
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- 24. Tools – theEasy Part
- 25. “Go For Bear” •Plan a shot list in advance • Wear comfortable clothing • Pack for any conditions • Charge all your batteries ahead of time • Bring adequate memory cards / film
- 26. Create a SafeSpace • Put your subject at ease • Put down your camera first and LISTEN • Use the camera to gain access, but also don’t try to rush it.
- 27. Making the Shot *Adapted from Within the Frame by David DuChemin
- 28. Capture Details Photograph: lizainge.co.uk * Adapted from Within the Frame by David DuChemin
- 29. Pick a “Hook” Photograph: Steve McCurry * Adapted from Within the Frame by David DuChemin
- 30. Wait For theShot “The best photographs contain a number of elements that had to come together at that 1/60th of a second to make the image. It’s rare that you won’t have to wait for it.” * Adapted from Within the Frame by David DuChemin
- 31. Mining the Shot *Adapted from Within the Frame by David DuChemin
- 32. Make it Interesting • Show scale. Size is relative. Pull in details that give a sense of scale and tell a larger story. • Be sure you have a subject. • Include a foreground – put something interesting in the foreground that helps tell the story. • Check your horizon and make sure it’s straight. • Keep an eye out for distracting elements and remove them. • Know where the light is coming from and take advantage of it. • Don’t forget to include emotion. * Adapted from Within the Frame by David DuChemin
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- 34. Use Techniques toDraw the Eye In Large elements Light elements Warm colors Focused elements Isolated elements High contrast Oblique lines Recognizable elements Human / alive elements * Adapted from Within the Frame by David DuChemin
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- 36. Don’t Show YourFull Hand . * Adapted from Within the Frame by David DuChemin
- 37. Sharing Your VisionWith the World
- 39. You Can StartSmall and Build
- 41. Get Your StoriesOut There
- 42. Don’t Bury ThemOn Your Website
- 43. Plan Your SocialMedia Around Your Stories
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- 48. Storytelling Reading Resonate by Nancy Duarte Within the Frame by David DuChemin Content Strategy by Kristina Halvorson Storytelling for User Experience, by Whitney Quesenberry & Kevin Brooks Understanding Exposure by Bryan Peterson
- 49. Questions? Michaela Guerin Hackner mhackner@forumone.com 703.894.4347 @Kalabird #11NTCStory