This lesson plan is for a Grade 2 visual arts class on rhythm and movement. Students will learn about the elements of design like line, shape, and color, and the principle of repetition and rhythm. They will create an underwater or grassy scene using construction paper, tissue paper, and repeated shapes to demonstrate rhythm and movement. The teacher will show examples of artworks and discuss how they incorporate these concepts. Students' creations will be assessed based on inclusion of rhythm and effort.
This STEAM lesson integrates art and science through the process of paper marbling. Such paper can be used in many paper-based art projects such as silhouettes and collages.
The subject covers various contemporary arts practices of the region where the school is located. It aims to provide students with an appreciation of a broad range of styles in the various disciplines with consideration on their elements and principles and engage them to an integrative approach in studying arts. Through this subject, students will broaden and acquire the necessary creative tools that open opportunities in pursuing their individual career goals and aspirations.
Assignment InstructionsGoals and ObjectivesTo examine the gra.docxrock73
Assignment Instructions
Goals and Objectives:
To examine the grammar or "the language of art and architecture," and how these visual elements and principles communicate ideas and emotions through the visual information contained within images, based on the works of art presented in Chapter 2.
Reading:
Carefully read Chapter 2, paying close attention to the works of art used as examples of the concepts covered in the chapter.
Assignment Instructions:
Note: This assignment requires a list format. Review the example in your Course Outline as a clear illustration of the formatting and depth of content required.
Choose two of the following concepts covered in this chapter to use as your titles for each of the two analyses required for this chapter. Each analysis must address a specific, different concept and students must demonstrate understanding of how their selected works of art clearly illustrate the chosen specific concepts, repeated before each of the analysis as required:
• The Language of Art and Architecture, the ideas being conveyed to viewers, can be deciphered by the use of the formal elements and design principles.
• The basic vocabulary of visual art representations, including both two- and three-dimensional pieces, are the art elements and design principles.
• We can learn about the language of art and architecture by defining their visual elements and the design principles of their arrangement in composition.
You must repeat the topic or specific concept assigned at the beginning of each of your analyses.
Use the grading rubric provided for this assignment as your guidelines and review the Exemplary Student Examples (if applicable) in order to develop an in-depth response and to earn the most points possible for your efforts.
The titles of all works of art of must be in italics or quotation marks. Give the title of the artwork and either the artist's name or the name of the culture in which the art was produced if there is no artist name. Information about each image in our textbook can be found in the credit lines next to the images in the textbook.
Using your own words, choose two different works of art from Chapter 2 and explain how and where each of the five art elements (Line, Color, Shape, Texture, and Space) and the six principles of design (Balance (symmetrical, asymmetrical), Proportion, Emphasis, Time, Motion, Rhythm, and Scale).
Then explain how each of these 12 terms is used by the artists to convey meaning to viewers, how they function within each artwork. Make sure you use the same list formatting illustrated in the Exemplary Student Examples in order to earn full credit.
Important Notice: You must explain how at least one of the art terms, which you explained in your Chapter 2 assignment, functions within and is used by the artist/s to help convey meaning to the viewer in each future analysis, in order to earn full credit.
Note: Students must underline the specific term/s used in each analysis, in all future analyses ...
I've adapted this from an original presentation that wasn't mine; adding a few more slides. Serves as an excellent introduction to Art History and its methodology.
The purpose of this lesson plan was to integrate art and language arts. Students were to narrate the story The Legend of the Indian Paintbrush, by displaying a use of symbols on a collage.
ARTS 1301 Art Appreciation Class North Lake College .docxssusera34210
ARTS 1301
Art Appreciation Class
North Lake College
Museum Critical Review Assignment and Worksheet
CRITICAL THINKING AND SOCIAL RESPONSIBILITY VALUE RUBRIC
I hope you are inspired by your visit. Please remember to not use a flash with your cameras. Ask
before taking a photo, and no CELL PHONE usage during your visits unless you are participating
in the media challenges at the museums (points program). Remember that all art is precious, so
stay 12 inches away from the art, walls and art cases, please. This assignment is designed to
meet both Communication and Social Responsibility Student Learning Objectives.
There are 2 parts to your Museum Critical Review assignment to be completed
after visiting one or more of the following museums*:
Dallas Museum of Art www.dma.org
Kimbell Art Museum www.kimbellart.org
Modern Art Museum of Fort Worth www.themodern.org
Amon Carter Museum of American Art www.cartermuseum.org
*Not all of the museums will have the diversity of time periods that you will need to complete the
assignment. You may have to visit more than one of the listed museums if you choose to go to one of the
more time or region specific museums. Your instructor may choose to allow only a few of these museums
to meet the assignment assessment.
Part 1. CRITICAL REVIEW of Favorite Artwork-- 75 Points
Don’t forget to find a favorite piece anywhere inside or outside of the museum. Collect the
information to complete the critical review later.
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The purpose of this review is to critically interpret and evaluate a work of art. (ACGM guidelines, 2015).
Based on student attendance a museum exhibition in their community
A critical analysis with personal reflection that demonstrates comprehension of event.
The date, place and time of the event will be cited as a source material
A minimum of 300 words, typed double-paced 12 point font
Measured with objective standards of Creative Thinking VALUE rubric
This critical review should be a minimum of 300 words, typed double-spaced 12-point font. The
assignment will be submitted via eCampus as instructed.
1. Description of art object (100 words) up to 30% of points earned for assignment________
Write the name of the art work being discussed, the artist’s name, the date, time, name of museum,
size, description of the piece or composition, and the location. In the description, create a visual image
with words.
2. Analysis of the art object (100 words) up to 40% of points earned for assignment________
Based on the description provided in the introduction, analyze the artist’s intent or message within the
work of art. Provide notated research (inquiry) to further interpret the background of the artist and the
era in which it was created. The innovation and expression of ideas of the artist should be better
http://www.kimbellart.org/
http://www.themodern..
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
How libraries can support authors with open access requirements for UKRI fund...
Grade 2-rhythm-art-lesson-plan
1. Lesson Plan Information
Subject: Visual Arts Name:
Grade: Two Date: Time:
Topic: Rhythm and Movement Period Length:
Expectations
Curriculum Expectations:
Visual Arts:
D2.1 Express their feelings and ideas about works of art (e.g., explain why they
prefer a work by one artist over another; explain to a partner how well an art work
reflects their personal knowledge and prior experience)
D2.2 Explain how elements and principles of design are used to communicate
meaning or understanding in their own and others’ art work (e.g., use of different
colours for achieving different effects, such as warm, sunny colours for a beach or
cool colours for a wet forest; depiction of various textures, such as rough tree bark,
smooth plastics, and ridged corduroy; elaboration and variation to create variety in
otherwise symmetrical buildings)
D1.2 Demonstrate an understanding of composition, using principles of design to
create narrative art works or art works on a theme or topic
Learning Skills (Where necessary):
Content
What learners will know/be able to do:
Students will be able to recognize and apply the elements of design as well as the
principle rhythm and movement:
ELEMENTS OF DESIGN
Students will develop understanding of all elements of design.
• line: horizontal, vertical, diagonal lines; lines that show motion (e.g., pointy,
curvy); lines inside shapes
• shape and form: symmetrical shapes and forms (e.g., shapes and forms in
buildings)
• space: overlapping of objects to show depth
• colour: secondary colours (various colours made by mixing equal amounts of
primary colours, such as violet, orange, green); mixing of colours with a limited
palette
• texture: textures of familiar objects (e.g., rough tree bark, smooth plastic plate,
ridged corduroy fabric); illusion of texture (e.g., a rough texture created by patterns
of lines); impasto (thick, textured paint)
• value: mixing of a tint; identification of light and dark
2. PRINCIPLES OF DESIGN
Students will develop understanding of all principles of design (that is, contrast,
repetition and rhythm, variety, emphasis, proportion, balance, unity and harmony,
and movement), but the focus in Grade 2 will be on repetition and rhythm.
• repetition and rhythm: repetition of colour and shape in patterns; random,
alternating, and regular patterns in everyday objects (e.g., textiles, ceramics) and in
art (e.g., works by M. C. Escher)
Today learners will:
Create a multi-media picture representing either an underwater scene representing
rhythm or a grassy scene using rhythm and movement. They will participate in class
discussion about the artworks shown and how they incorporate rhythm and
movement along with the elements of design and how they function in the artwork.
Assessment and Evaluation
Determining student understanding:
Students will demonstrate knowledge of rhythm and movement by completing
artwork that will be marked on inclusion of rhythm and/or movement, along with
completion and effort.
Perspective
Necessary Prior Knowledge:
Students will already know primary and secondary colours, and be familiar with the
elements of design as well as the principle of contrast.
Differentiation:
Visual impairment: Student will instead listen to music and hold a pencil crayon to a
sheet of paper and move their arm according to the rhythm, movement and mood
they hear in the music. Their lines will be jagged and erratic for fast songs, and
should show smooth lines to show calmer rhythm in music.
Impairment of Motor Skills: Student can use the Paint program on the computer to
show a pattern using clip art and shapes. This will demonstrate rhythm. Encourage
them to use one shape repeatedly with variation in size and colour.
Environment:
Classroom setting with access to an overhead projector or Smart Board
Resources/Materials:
Overhead projector or Smart Board
Construction paper (blue for water or green for grass; various colours for shapes)
Tissue paper (blue, green, purple for water or green, yellow, orange for grass)
Scissors
White Glue
Pencils
Museum London Artworks:
(the following artworks can be accessed by going to the Museum London website
http://museumlondon.ca/ and searching for them on the “collections” page – type in the
3. names of the artists)
Test Pieces: Untitled and Test Pattern by Peter Kolisnyk, 1989
Untitled C by Anni Albers, 1969
4. Grand Military Steeplechase at London, C.W. 9th May, 1843 by Eveline Marie
Alexander, 1845
Cowboy on Horse by Nathaniel Hughes John Baird, n.d.
Rocky Coast by Frederic Marlett Bell-Smith, n.d.
5. Strategies
Introduction:
Ask students to explain what rhythm and movement is. How do they think it applies
to art? Explain what rhythm and movement is when used in art. Rhythm, in art, is a
visual beat. A pattern has rhythm, but not all rhythm is patterned. For example, the
colors of a piece can convey rhythm, by making your eyes travel from one
component to another. Lines can produce rhythm by implying movement. Forms,
too, can cause rhythm by the ways in which they're placed one next to the other.
Movement is the path the viewer’s eye takes through the artwork, often to a focal
area. It can be directed along lines, edges, shapes and color. Movement is closely
tied to rhythm.
Climax:
Show each picture listed under resources and discuss how it shows rhythm and/or
movement. Ask how the rhythm and movement is created (i.e. repeated lines,
similar objects of varied sizes, lines direct the eye, etc.) and ask them if it causes
their eye to wander to a specific point on the artwork.
Conclusion:
Have students construct an underwater or grassy scene showing rhythm. They will
choose either blue or green construction paper for the background and decide on a
shape to repeat that belongs in either the green (grassy) background or blue
(water) background. For example: Grassy backgrounds would go well with shapes
like flowers, rabbits, trees, butterflies, dragonflies, etc., while water scenes would go
well with fish, sharks, starfish, etc. Students can trace the shapes and cut them out
using a variety of cardboard colours and paste them onto the construction paper
(this creates rhythm through repetition of shape). Students will then use strips of
tissue to glue along the bottom of the construction paper to represent seaweed or
tall grass.