By Lucy Brownnutt
 The process by which businesses or other 
organizations develop international influence or 
start operating on an international scale 
 Globalisation is the process by which the world is 
becoming increasingly interconnected as a result of 
massively increased trade and cultural exchange. 
Globalisation has increased the production of 
goods and services. The biggest companies are no 
longer national firms but multinational 
corporations with subsidiaries in many countries. 
 Globalisation has been taking place for hundreds 
of years, but has speeded up enormously over the 
last half-century.
 increased international trade 
 a company operating in more than one 
country 
 greater dependence on the global 
economy 
 freer movement of capital, goods, and 
services 
 recognition of companies such as 
McDonalds and Starbucks in LEDCs
 Hollywood films represent more than half, and sometimes 
more than two-thirds of total box-office receipts in major 
markets. Films that succeed in the US market also tend to 
succeed in foreign markets. This suggests that a 
convergence of popular taste may be coming about, 
though in many countries this phenomenon also occurs 
against a backdrop of cultural contestation. 
 Hollywood has been a success partly because of the 
unmatched competitive advantages concentrated in its 
home base, partly because of its extensive distribution 
network and US government efforts to push open foreign 
doors. Despite its status as the preeminent world center of 
the film industry, globalization is also confronting 
Hollywood with many new challenges
 From the early years of the twentieth century, right down to 
the present, the United States has been the world's major 
commercial producer of motion pictures. According to the US 
Economic Census, motion picture and video production in the 
United States as a whole generated revenues of $20.15 billion 
in 1997, with Hollywood alone being responsible for close to 
60% of this total. 
 The long-standing success of Hollywood can be accounted 
for in terms of the competitive advantages generated by its 
unrivalled technical and organizational capacities (in the form 
of a dense regional cluster of specialized but complementary 
producers) and its unique pool of talent drawn from many 
different countries (Scott, 2000). 
 Like numerous other dynamic industries today, Hollywood is 
caught up in an insistent - and problematical - process of 
globalization. Indeed, the commercial weight and cultural 
impact of Hollywood films is now felt in virtually every corner 
of the world.
 In the year 2000, the gross domestic box office receipts 
for motion pictures in the United States was $7.66 
billion, an increase (in constant dollar terms) of 28.3% 
from $5.97 billion in 1986. Rental fees generated by 
exports of film and tape amounted to $8.85 billion in 
2000 (see Table 1) as compared to $1.68 billion in 1986 
- an increase of 426%. 
 Not only have exports grown much more rapidly than 
domestic markets over the last fifteen years or so, but 
they now also exceed domestic box-office receipts by a 
considerable margin. By far the main importers of 
Hollywood products are European countries. The United 
Kingdom, Germany, and the Netherlands alone account 
for 35% of all rental exports from the United States. 
Japan and Canada, too, are major importers, as are 
Australia, Brazil and the Republic of Korea.

Globalisation in film

  • 1.
  • 2.
     The processby which businesses or other organizations develop international influence or start operating on an international scale  Globalisation is the process by which the world is becoming increasingly interconnected as a result of massively increased trade and cultural exchange. Globalisation has increased the production of goods and services. The biggest companies are no longer national firms but multinational corporations with subsidiaries in many countries.  Globalisation has been taking place for hundreds of years, but has speeded up enormously over the last half-century.
  • 3.
     increased internationaltrade  a company operating in more than one country  greater dependence on the global economy  freer movement of capital, goods, and services  recognition of companies such as McDonalds and Starbucks in LEDCs
  • 4.
     Hollywood filmsrepresent more than half, and sometimes more than two-thirds of total box-office receipts in major markets. Films that succeed in the US market also tend to succeed in foreign markets. This suggests that a convergence of popular taste may be coming about, though in many countries this phenomenon also occurs against a backdrop of cultural contestation.  Hollywood has been a success partly because of the unmatched competitive advantages concentrated in its home base, partly because of its extensive distribution network and US government efforts to push open foreign doors. Despite its status as the preeminent world center of the film industry, globalization is also confronting Hollywood with many new challenges
  • 5.
     From theearly years of the twentieth century, right down to the present, the United States has been the world's major commercial producer of motion pictures. According to the US Economic Census, motion picture and video production in the United States as a whole generated revenues of $20.15 billion in 1997, with Hollywood alone being responsible for close to 60% of this total.  The long-standing success of Hollywood can be accounted for in terms of the competitive advantages generated by its unrivalled technical and organizational capacities (in the form of a dense regional cluster of specialized but complementary producers) and its unique pool of talent drawn from many different countries (Scott, 2000).  Like numerous other dynamic industries today, Hollywood is caught up in an insistent - and problematical - process of globalization. Indeed, the commercial weight and cultural impact of Hollywood films is now felt in virtually every corner of the world.
  • 6.
     In theyear 2000, the gross domestic box office receipts for motion pictures in the United States was $7.66 billion, an increase (in constant dollar terms) of 28.3% from $5.97 billion in 1986. Rental fees generated by exports of film and tape amounted to $8.85 billion in 2000 (see Table 1) as compared to $1.68 billion in 1986 - an increase of 426%.  Not only have exports grown much more rapidly than domestic markets over the last fifteen years or so, but they now also exceed domestic box-office receipts by a considerable margin. By far the main importers of Hollywood products are European countries. The United Kingdom, Germany, and the Netherlands alone account for 35% of all rental exports from the United States. Japan and Canada, too, are major importers, as are Australia, Brazil and the Republic of Korea.