Globalization is the increasing interconnectedness between countries through international trade and cultural exchange. It has increased rapidly in the last 50 years as improvements in technology and transportation have lowered barriers to trade. Major companies have expanded internationally and become multinational corporations, and goods and services are increasingly produced on a global scale for international markets. Hollywood films in particular have found success globally, and now represent over half of box office receipts in many major international markets, showing the convergence of popular tastes internationally, though against a backdrop of some local cultural differences remaining.
Movies are a powerful vehicle for culture, education, leisure and propaganda according to Jawaharlal Nehru. They serve as both entertainment and inspiration for people, but some argue they have negative effects by promoting vulgarity, affecting lifestyle, and increasing crime rates. While movies influence society, individuals also have a responsibility for changing conditions they see as problematic.
NewhouseSU COM 107 Communications and Society #NH1074Ward - Ch. 6 SlideshowDr. William J. Ward
1) Technology has greatly impacted the movie industry since its inception, from the invention of celluloid to advancements like 3D.
2) The Hollywood studio system rose to power in the 1920s through practices like block booking and vertical integration that dominated the industry.
3) Television posed a challenge to Hollywood in the 1950s, leading studios to adapt through new technologies and genres, though they remain a major force today through consolidation and blockbuster hits.
The document provides information about the film I, Daniel Blake including its production, distribution, marketing, genre, audience, narrative, and critical and commercial success. It was directed by Ken Loach, stars Dave Johns and Hailey Squires, and focuses on two characters affected by the UK benefits system. The film was marketed through grassroots screenings, social media campaigns, and press coverage of its themes. It was a critical success, winning the Palme d'Or at Cannes, and sparked political debate around welfare reform in the UK.
The Hollywood Studio System of the 1930s-1950s saw six major studios tightly control film production, distribution, and exhibition. Studios owned theaters and had actors under long-term contracts. This vertical integration allowed studios to maximize profits through block booking. However, antitrust laws in the late 1940s ended this system by banning contracts and integration. Increased television competition in the 1950s further weakened studios. Today's Hollywood is organized around occasional blockbuster films made by independent directors and producers, though major studios still dominate production and distribution globally through extensive marketing budgets and existing brands.
The document provides information about the film Avatar, including its release date, director James Cameron, expectations and hype surrounding the film, plot details about the human characters Jake Sully and Neyteri on the alien moon Pandora, and how the film's trailer, poster, and magazine and website promotions build anticipation for the groundbreaking film.
The document summarizes the history of film from its origins with the Lumiere brothers' short films in 1895 to the development of narrative films by George Melies. It then discusses the functions, benefits and drawbacks of cinema, noting how films can educate and influence viewers both positively and negatively. In particular, it examines the effects of movies on teens, pointing out that while movies can inspire imagination and open eyes to new worlds, they can also promote unhealthy behaviors if viewers emulate negative content. Ultimately, the conclusion states that other factors like family and environment weigh more heavily on a teen's decisions, but films still have potential for positive influence.
This document discusses how movies can be used as a weapon to influence and mold youth. It notes that the main target is 12-25 year olds and outlines how movies attract viewers through elements like posters, trailers, music and themes. It also examines how movies can mold youth according to their aims by affecting culture and the stories viewers store in their brains, making it hard to separate fact from fiction. Surveys show that by age 18 the average person has watched 8000 acts of violence and 100000 televised murders. The document gives smoking and imitation of WWE wrestling as examples of harmful behaviors that have increased among youth due to movie influence. It concludes that control of the mind and awareness programs are needed to counter the negative effects.
Globalization is the increasing interconnectedness between countries through international trade and cultural exchange. It has increased rapidly in the last 50 years as improvements in technology and transportation have lowered barriers to trade. Major companies have expanded internationally and become multinational corporations, and goods and services are increasingly produced on a global scale for international markets. Hollywood films in particular have found success globally, and now represent over half of box office receipts in many major international markets, showing the convergence of popular tastes internationally, though against a backdrop of some local cultural differences remaining.
Movies are a powerful vehicle for culture, education, leisure and propaganda according to Jawaharlal Nehru. They serve as both entertainment and inspiration for people, but some argue they have negative effects by promoting vulgarity, affecting lifestyle, and increasing crime rates. While movies influence society, individuals also have a responsibility for changing conditions they see as problematic.
NewhouseSU COM 107 Communications and Society #NH1074Ward - Ch. 6 SlideshowDr. William J. Ward
1) Technology has greatly impacted the movie industry since its inception, from the invention of celluloid to advancements like 3D.
2) The Hollywood studio system rose to power in the 1920s through practices like block booking and vertical integration that dominated the industry.
3) Television posed a challenge to Hollywood in the 1950s, leading studios to adapt through new technologies and genres, though they remain a major force today through consolidation and blockbuster hits.
The document provides information about the film I, Daniel Blake including its production, distribution, marketing, genre, audience, narrative, and critical and commercial success. It was directed by Ken Loach, stars Dave Johns and Hailey Squires, and focuses on two characters affected by the UK benefits system. The film was marketed through grassroots screenings, social media campaigns, and press coverage of its themes. It was a critical success, winning the Palme d'Or at Cannes, and sparked political debate around welfare reform in the UK.
The Hollywood Studio System of the 1930s-1950s saw six major studios tightly control film production, distribution, and exhibition. Studios owned theaters and had actors under long-term contracts. This vertical integration allowed studios to maximize profits through block booking. However, antitrust laws in the late 1940s ended this system by banning contracts and integration. Increased television competition in the 1950s further weakened studios. Today's Hollywood is organized around occasional blockbuster films made by independent directors and producers, though major studios still dominate production and distribution globally through extensive marketing budgets and existing brands.
The document provides information about the film Avatar, including its release date, director James Cameron, expectations and hype surrounding the film, plot details about the human characters Jake Sully and Neyteri on the alien moon Pandora, and how the film's trailer, poster, and magazine and website promotions build anticipation for the groundbreaking film.
The document summarizes the history of film from its origins with the Lumiere brothers' short films in 1895 to the development of narrative films by George Melies. It then discusses the functions, benefits and drawbacks of cinema, noting how films can educate and influence viewers both positively and negatively. In particular, it examines the effects of movies on teens, pointing out that while movies can inspire imagination and open eyes to new worlds, they can also promote unhealthy behaviors if viewers emulate negative content. Ultimately, the conclusion states that other factors like family and environment weigh more heavily on a teen's decisions, but films still have potential for positive influence.
This document discusses how movies can be used as a weapon to influence and mold youth. It notes that the main target is 12-25 year olds and outlines how movies attract viewers through elements like posters, trailers, music and themes. It also examines how movies can mold youth according to their aims by affecting culture and the stories viewers store in their brains, making it hard to separate fact from fiction. Surveys show that by age 18 the average person has watched 8000 acts of violence and 100000 televised murders. The document gives smoking and imitation of WWE wrestling as examples of harmful behaviors that have increased among youth due to movie influence. It concludes that control of the mind and awareness programs are needed to counter the negative effects.
This document provides an introduction to key film techniques including mise-en-scène, framing, composition, use of space, and shot types. It discusses concepts like tight vs loose framing, the rule of thirds, deep vs shallow space, and establishing shots. Specific examples are given from films to illustrate techniques like framing characters in the background to show emotional distance or using shallow space to create a sense of being trapped. The document aims to explain the technical and symbolic aspects of how scenes are photographed and composed in film.
Postmodern media differs from other media in several key ways:
1) It opposes modernist ideas like objective truth and focuses instead on subjectivity and relativism.
2) It frequently references and comments on other media texts through techniques like parody and pastiche.
3) It lacks linear narratives and instead embraces fragmentation and irony.
The document provides a floor plan and overview of the camera shots planned for different locations in a video project. The first part will be filmed on a beach and involve establishing shots from various angles and distances using a steadicam as the camera will be moving. In a forested area, fixed camera positions will be used but some shots will involve camera movement. Further distances will be utilized in the forest to add variation. A shed will be used for interior shots, panning between a table and puppeteer to maintain mystery. Close-ups and over-the-shoulder shots are also planned. The performance room will feature close-up, fast cuts between instruments and performers to maintain pace, largely focusing on the singer.
Superhero Revision - Codes and Conventionsjohnbranney
This document provides revision materials for an exam on superhero films. It includes sample exam questions, terms for analysing film techniques, and conventions of the superhero genre. Question 1 asks students to analyse editing in a film clip, how it conveys emotion. Question 2 asks students to identify a convention in a clip and relate it to another superhero film. The document provides examples and defines common conventions like settings, character archetypes, and narratives involving good vs evil.
Skyfall Production Distribution Exhibition & AudienceElle Sullivan
1) Skyfall was produced by Eon Productions and distributed by MGM and Columbia Pictures. It had a budget of $150-200 million and was aimed at a global audience.
2) Key aspects of the film's production included filming in London and overseas locations to control costs, the use of digital filming techniques for the first time in the Bond franchise, and product placements to help finance the film.
3) The film was very successfully marketed through traditional and digital channels. An especially impactful marketing moment was James Bond participating in the opening ceremony of the 2012 London Olympics.
Thanks for taking a look at my resource. This resource is a 69 page, 24,000+ word guide to the A-Level Film studies film BLADE RUNNER.
This guide is designed so that it can be printed out and students simply work straight onto it and therefore works brilliantly as a workbook for individual lessons, a whole half-term, for homework, revision, distance learning or for taking the material and turning into other formats such as creating your own PowerPoints.
There is so much in this guide that it’s almost impossible to list, but some key aspects include context, a detailed analysis of the film, examinations of the Production History of the film, including the adaptation process, a detailed exploration of Ridley Scott, sci-fi, auteur cinema, American New Wave cinema, a thorough exploration of ideology, details on the aesthetics of the Cyber Punk movement, plus analytical work and tasks , work on exam questions and much, much more.
This will save you not hours of work, but WEEKS worth of work and preparation and I guarantee will be worth the download. Your download includes both an editable Word version AND a high-quality PDF, ready for printing or sharing immediately.
This document provides definitions for key media studies terms related to media language, audiences, narratives, representation, and industry. It defines over 80 terms concisely, with examples to illustrate meanings. Some key terms defined include genre, ideology, representation, narrative, audience, realism, and industry concepts like conglomerate and platform. The glossary offers succinct explanations of fundamental concepts studied in media to support analysis of media texts, audiences, and the industry.
This document discusses the distribution and promotion of the film "I, Daniel Blake" by Ken Loach. It was distributed in the UK by eOne Films and targeted working class audiences through partnerships with newspapers like the Daily Mirror and events coinciding with political conferences. The film's promotion generated discussion of its social themes and political messages. It was promoted as a film addressing issues of importance to many citizens and was very successful commercially and critically, winning several awards in the UK and internationally.
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
This document discusses film stars and star theory. It introduces key theorists like Christine Gledhill and Richard Dyer who analyzed what makes someone a "film star" rather than just an actor. Some key aspects of star theory discussed are stars as capital value for studios, stars having constructed public images, stars exhibiting rule-breaking or deviant behavior, and stars representing cultural values. Case studies of Arnold Schwarzenegger and Tom Cruise are used to apply elements of star theory and identify their distinguishing star qualities. The document emphasizes how stars are commercial assets that studios use to attract audiences based on audience familiarity with a star's roles and persona.
The document analyzes the opening sequence of Alfred Hitchcock's 1958 film Vertigo. It summarizes that the opening features a close-up shot of a frightened woman's face that turns red, representing danger, while mysterious spirals emerge from her eye. This is followed by a rooftop chase scene between three men, including a policeman and the main character. The opening establishes the thriller genre through its dark tone, mysterious music, and lack of context or character introductions.
Film Studies- Paper 1(Session A: Vertigo & Blade Runner)SofiaRibWillDS75
Hitchcock directed Vertigo in 1958 using techniques consistent with his auteur style. It featured his regular collaborators and themes of obsession, illusion, and voyeurism seen through the story of Scottie's obsession with Madeleine. Though a box office flop, it is now considered one of Hitchcock's masterpieces and exemplifies his innovative use of camerawork, theme, and mise-en-scene to immerse viewers in the psychological experience. The document provides technological, social, and artistic contexts for understanding Vertigo and Hitchcock's body of work.
AS Level Media Studies C1SA Wateraid case study - language and representationKBucket
The document provides context and analysis of a WaterAid charity advertisement. It discusses the product context of WaterAid as an organization, the cultural context of charity advertising, and analyzes the advertisement's use of media language and representation of its subject. Key points analyzed include genre conventions, Barthes' codes, representation through the lenses of Stuart Hall and Manuel Alvarado, and how the advertisement constructs identity using Gauntlett's theories. The overall purpose is to deconstruct how the advertisement conveys its message through visual and audio techniques.
1) Genre is important for both film producers and audiences. Producers use genre to engage target audiences and be successful, while audiences need to be interested in a genre to watch and enjoy a film.
2) Genre theory is used to categorize films based on factors like storyline, director, and audience expectations. It provides a shortcut for describing films.
3) Genres can change over time as different social groups and audiences emerge with different interests. For example, westerns were once very popular but new genres like sci-fi and thrillers developed.
This document discusses several narrative theories, beginning with a definition of narrative as a sequence of fictional or non-fictional events presented to an audience. It then examines Tzvetan Todorov's theory that narratives follow five steps: equilibrium is disrupted, the disruption is recognized, an attempt is made to fix the damage, and a new resolution or equilibrium is reached. However, some narratives like the film "Se7en" deliberately avoid resolution. Vladimir Propp's theory identified common character archetypes in narratives like villains, helpers, and heroes. Claude Levi-Strauss's theory was that narratives rely on binary oppositions like strong vs. weak and good vs. evil.
The document provides an overview of postmodern media theories and concepts. It discusses key postmodern thinkers like Baudrillard and Lyotard who rejected the idea of objective truth and reality. Postmodern media is described as challenging conventions by making the audience aware of texts as constructions. Examples of postmodern films, TV shows, and games are given that play with narrative structures and hyperreality. The Matrix is highlighted as a potentially postmodern film for aspects like breaking conventions with "bullet time" sequences and drawing attention to the film's construction.
This document discusses the impact of cinema on society. It states that cinema both reflects society and influences it, acting as a powerful vehicle for culture, education, and propaganda. The document notes that Indian cinema has helped change social trends and traditions by influencing people's thinking. While cinema can have positive impacts such as recreation and education, it can also negatively influence people by making them prematurely sex conscious or dissatisfied with life. Overall, the document analyzes cinema's role in both depicting reality and shaping society.
Sci fi mise en scene presentation: student collectionGraveney School
The mise en scene in science fiction films commonly features futuristic settings like outer space or alien planets. Props often showcase advanced technology through weapons, vehicles, and computers. Costumes may indicate a character's role and can feature bright colors for heroes or dark colors for villains. The lighting is typically low-key and uses colors like blue to set a futuristic tone. Settings establish the narrative and technological progression through their depictions of space, dystopian worlds, or alternate versions of the past and future.
HOLLYWOOD and rise of cultural protectionismSELÇUK YÜCESOY
This document discusses the global film industry and the dominance of Hollywood. It notes that Hollywood films have faced some criticism for negatively impacting other cultures. Some key points made include:
- Hollywood films are very popular worldwide but foreign films have less than 1% of the US market share.
- Some argue Hollywood films can distort history, promote ethnocentric views, and spread American English and cultural references globally.
- Governments have tried to protect domestic film industries through subsidies and quotas to limit foreign films, but this may weaken local industries.
- Hollywood is now a multinational industry, though it still dominates global film revenues.
This document discusses the impact of globalization on the Hollywood film industry. It notes that Hollywood films now earn over half of box office receipts in major foreign markets, showing convergence of popular tastes globally. However, globalization also presents new challenges to Hollywood. It has led Hollywood to recognize the importance of foreign markets and adjust its business model to appeal to a global audience. Major impacts include foreign markets now providing the majority of revenue, films being altered for certain foreign markets, and Hollywood obtaining financing from global sources. While Hollywood remains the global leader, it faces competition from other film industries and barriers some countries erect to protect local films. Piracy also poses a major threat by reducing potential revenues.
This document provides an introduction to key film techniques including mise-en-scène, framing, composition, use of space, and shot types. It discusses concepts like tight vs loose framing, the rule of thirds, deep vs shallow space, and establishing shots. Specific examples are given from films to illustrate techniques like framing characters in the background to show emotional distance or using shallow space to create a sense of being trapped. The document aims to explain the technical and symbolic aspects of how scenes are photographed and composed in film.
Postmodern media differs from other media in several key ways:
1) It opposes modernist ideas like objective truth and focuses instead on subjectivity and relativism.
2) It frequently references and comments on other media texts through techniques like parody and pastiche.
3) It lacks linear narratives and instead embraces fragmentation and irony.
The document provides a floor plan and overview of the camera shots planned for different locations in a video project. The first part will be filmed on a beach and involve establishing shots from various angles and distances using a steadicam as the camera will be moving. In a forested area, fixed camera positions will be used but some shots will involve camera movement. Further distances will be utilized in the forest to add variation. A shed will be used for interior shots, panning between a table and puppeteer to maintain mystery. Close-ups and over-the-shoulder shots are also planned. The performance room will feature close-up, fast cuts between instruments and performers to maintain pace, largely focusing on the singer.
Superhero Revision - Codes and Conventionsjohnbranney
This document provides revision materials for an exam on superhero films. It includes sample exam questions, terms for analysing film techniques, and conventions of the superhero genre. Question 1 asks students to analyse editing in a film clip, how it conveys emotion. Question 2 asks students to identify a convention in a clip and relate it to another superhero film. The document provides examples and defines common conventions like settings, character archetypes, and narratives involving good vs evil.
Skyfall Production Distribution Exhibition & AudienceElle Sullivan
1) Skyfall was produced by Eon Productions and distributed by MGM and Columbia Pictures. It had a budget of $150-200 million and was aimed at a global audience.
2) Key aspects of the film's production included filming in London and overseas locations to control costs, the use of digital filming techniques for the first time in the Bond franchise, and product placements to help finance the film.
3) The film was very successfully marketed through traditional and digital channels. An especially impactful marketing moment was James Bond participating in the opening ceremony of the 2012 London Olympics.
Thanks for taking a look at my resource. This resource is a 69 page, 24,000+ word guide to the A-Level Film studies film BLADE RUNNER.
This guide is designed so that it can be printed out and students simply work straight onto it and therefore works brilliantly as a workbook for individual lessons, a whole half-term, for homework, revision, distance learning or for taking the material and turning into other formats such as creating your own PowerPoints.
There is so much in this guide that it’s almost impossible to list, but some key aspects include context, a detailed analysis of the film, examinations of the Production History of the film, including the adaptation process, a detailed exploration of Ridley Scott, sci-fi, auteur cinema, American New Wave cinema, a thorough exploration of ideology, details on the aesthetics of the Cyber Punk movement, plus analytical work and tasks , work on exam questions and much, much more.
This will save you not hours of work, but WEEKS worth of work and preparation and I guarantee will be worth the download. Your download includes both an editable Word version AND a high-quality PDF, ready for printing or sharing immediately.
This document provides definitions for key media studies terms related to media language, audiences, narratives, representation, and industry. It defines over 80 terms concisely, with examples to illustrate meanings. Some key terms defined include genre, ideology, representation, narrative, audience, realism, and industry concepts like conglomerate and platform. The glossary offers succinct explanations of fundamental concepts studied in media to support analysis of media texts, audiences, and the industry.
This document discusses the distribution and promotion of the film "I, Daniel Blake" by Ken Loach. It was distributed in the UK by eOne Films and targeted working class audiences through partnerships with newspapers like the Daily Mirror and events coinciding with political conferences. The film's promotion generated discussion of its social themes and political messages. It was promoted as a film addressing issues of importance to many citizens and was very successful commercially and critically, winning several awards in the UK and internationally.
The history of cinema can be broken down into seven ages:
1) The Pioneering Age from 1896-1912 saw the development of early motion picture technology and short films without narratives.
2) The Silent Age from 1913-1927 featured the emergence of Hollywood and use of techniques like camera movement to develop stories.
3) The Transition Age from 1928-1932 was when films moved from silent to adding synchronized sound.
4) The Hollywood Studio Age from 1932-1946 was dominated by major studios producing genre films.
5) The Internationalist Age from 1947-1959 saw the decline of studios and rise of challenges from foreign films and television.
6) The New Wave Age from 1960-1980 was defined
This document discusses film stars and star theory. It introduces key theorists like Christine Gledhill and Richard Dyer who analyzed what makes someone a "film star" rather than just an actor. Some key aspects of star theory discussed are stars as capital value for studios, stars having constructed public images, stars exhibiting rule-breaking or deviant behavior, and stars representing cultural values. Case studies of Arnold Schwarzenegger and Tom Cruise are used to apply elements of star theory and identify their distinguishing star qualities. The document emphasizes how stars are commercial assets that studios use to attract audiences based on audience familiarity with a star's roles and persona.
The document analyzes the opening sequence of Alfred Hitchcock's 1958 film Vertigo. It summarizes that the opening features a close-up shot of a frightened woman's face that turns red, representing danger, while mysterious spirals emerge from her eye. This is followed by a rooftop chase scene between three men, including a policeman and the main character. The opening establishes the thriller genre through its dark tone, mysterious music, and lack of context or character introductions.
Film Studies- Paper 1(Session A: Vertigo & Blade Runner)SofiaRibWillDS75
Hitchcock directed Vertigo in 1958 using techniques consistent with his auteur style. It featured his regular collaborators and themes of obsession, illusion, and voyeurism seen through the story of Scottie's obsession with Madeleine. Though a box office flop, it is now considered one of Hitchcock's masterpieces and exemplifies his innovative use of camerawork, theme, and mise-en-scene to immerse viewers in the psychological experience. The document provides technological, social, and artistic contexts for understanding Vertigo and Hitchcock's body of work.
AS Level Media Studies C1SA Wateraid case study - language and representationKBucket
The document provides context and analysis of a WaterAid charity advertisement. It discusses the product context of WaterAid as an organization, the cultural context of charity advertising, and analyzes the advertisement's use of media language and representation of its subject. Key points analyzed include genre conventions, Barthes' codes, representation through the lenses of Stuart Hall and Manuel Alvarado, and how the advertisement constructs identity using Gauntlett's theories. The overall purpose is to deconstruct how the advertisement conveys its message through visual and audio techniques.
1) Genre is important for both film producers and audiences. Producers use genre to engage target audiences and be successful, while audiences need to be interested in a genre to watch and enjoy a film.
2) Genre theory is used to categorize films based on factors like storyline, director, and audience expectations. It provides a shortcut for describing films.
3) Genres can change over time as different social groups and audiences emerge with different interests. For example, westerns were once very popular but new genres like sci-fi and thrillers developed.
This document discusses several narrative theories, beginning with a definition of narrative as a sequence of fictional or non-fictional events presented to an audience. It then examines Tzvetan Todorov's theory that narratives follow five steps: equilibrium is disrupted, the disruption is recognized, an attempt is made to fix the damage, and a new resolution or equilibrium is reached. However, some narratives like the film "Se7en" deliberately avoid resolution. Vladimir Propp's theory identified common character archetypes in narratives like villains, helpers, and heroes. Claude Levi-Strauss's theory was that narratives rely on binary oppositions like strong vs. weak and good vs. evil.
The document provides an overview of postmodern media theories and concepts. It discusses key postmodern thinkers like Baudrillard and Lyotard who rejected the idea of objective truth and reality. Postmodern media is described as challenging conventions by making the audience aware of texts as constructions. Examples of postmodern films, TV shows, and games are given that play with narrative structures and hyperreality. The Matrix is highlighted as a potentially postmodern film for aspects like breaking conventions with "bullet time" sequences and drawing attention to the film's construction.
This document discusses the impact of cinema on society. It states that cinema both reflects society and influences it, acting as a powerful vehicle for culture, education, and propaganda. The document notes that Indian cinema has helped change social trends and traditions by influencing people's thinking. While cinema can have positive impacts such as recreation and education, it can also negatively influence people by making them prematurely sex conscious or dissatisfied with life. Overall, the document analyzes cinema's role in both depicting reality and shaping society.
Sci fi mise en scene presentation: student collectionGraveney School
The mise en scene in science fiction films commonly features futuristic settings like outer space or alien planets. Props often showcase advanced technology through weapons, vehicles, and computers. Costumes may indicate a character's role and can feature bright colors for heroes or dark colors for villains. The lighting is typically low-key and uses colors like blue to set a futuristic tone. Settings establish the narrative and technological progression through their depictions of space, dystopian worlds, or alternate versions of the past and future.
HOLLYWOOD and rise of cultural protectionismSELÇUK YÜCESOY
This document discusses the global film industry and the dominance of Hollywood. It notes that Hollywood films have faced some criticism for negatively impacting other cultures. Some key points made include:
- Hollywood films are very popular worldwide but foreign films have less than 1% of the US market share.
- Some argue Hollywood films can distort history, promote ethnocentric views, and spread American English and cultural references globally.
- Governments have tried to protect domestic film industries through subsidies and quotas to limit foreign films, but this may weaken local industries.
- Hollywood is now a multinational industry, though it still dominates global film revenues.
This document discusses the impact of globalization on the Hollywood film industry. It notes that Hollywood films now earn over half of box office receipts in major foreign markets, showing convergence of popular tastes globally. However, globalization also presents new challenges to Hollywood. It has led Hollywood to recognize the importance of foreign markets and adjust its business model to appeal to a global audience. Major impacts include foreign markets now providing the majority of revenue, films being altered for certain foreign markets, and Hollywood obtaining financing from global sources. While Hollywood remains the global leader, it faces competition from other film industries and barriers some countries erect to protect local films. Piracy also poses a major threat by reducing potential revenues.
Globalization has increased dramatically over the last half century due to vastly increased international trade and cultural exchange. It has led companies to operate on a global scale and made economies more interdependent. American film studios have particularly benefited from globalization, earning more than half their box office revenues from outside North America. However, British film companies face challenges in achieving success internationally, as their films need to appeal to American audiences to find a large market. One strategy for British studios is to partner with major American distributors like Universal to gain access to overseas distribution networks.
The document discusses how major world events like 9/11 and trends like globalization have impacted the horror film industry. After 9/11, horror films depicting mass destruction were banned, and the industry shifted to producing patriotic films celebrating American heroism. As the effects of 9/11 faded, the horror genre rebounded with remakes of classics and torture films. The industry has also leveraged fears around issues like terrorism, climate change, and a globalized world to create new types of scary stories and movies. However, depicting real-world tragedies requires sensitivity to avoid causing offense. The future of the genre remains uncertain as filmmakers navigate these complex issues.
Globalization refers to the increasing interconnection of countries through trade, communication and culture. Advances in transportation and telecommunication infrastructure, particularly the internet, have facilitated the globalization process. Globalization in the film industry has led Hollywood films to dominate box offices worldwide, though some local film industries have persisted. However, critics argue that globalization does not necessarily lead to complete cultural homogenization, as local audiences interpret foreign media through the lens of their own culture.
This document summarizes the rise of China's film industry and Chinese companies' increasing investments in Hollywood film production. It notes that China has become the largest film market in the world due to massive cinema construction. Chinese companies like Wanda have invested in building cinemas and now seek Hollywood content to fill them. Initially, China only allowed a small quota of imported films and exercised strict censorship, but now allows more co-productions where Chinese companies co-finance Hollywood films in exchange for more favorable distribution terms in China. Several case studies of Chinese investments in individual films and production companies like STX Entertainment are examined.
Development Challenges, South-South Solutions: November 2011 IssueDavid South Consulting
Development Challenges, South-South Solutions is the monthly e-newsletter for the United Nations Development Programme’s South-South Cooperation Unit (www.southerninnovator.org). It has been published every month since 2006.
ISSN 2227-3905
Stories by David South
Design and Layout: Sólveig Rolfsdóttir, UNDP South-South Cooperation Unit
Contact the Unit (http://ssc.undp.org/content/ssc.html) to receive a copy of the new global magazine Southern Innovator. Issue 1 is out now and about innovators in mobile phone and information technologies.
Follow @SouthSouth1
In this issue:
New African Film Proving Power of Creative Economy
Recycling Waste to Boost Incomes and Opportunities
Virtual Supermarket Shopping Takes off in China
Bolivia Grabs World Media Attention with Salt Hotel
The document compares the film industries of Hollywood and Britain. Hollywood films have extremely large budgets of $110 million on average, allowing them to appeal globally with universal themes, action, CGI and minimal dialogue. They are produced and distributed by the "Big 6" major studios. Britain's film industry has much smaller budgets of £6.2 million from national funds. British films focus more on domestic themes and issues and have a collaborative production model with multiple companies. Both industries face challenges - Hollywood with piracy and Britain with obtaining sufficient funding to continue production.
This business plan is for a movie production company called Impact Features, LLC which plans to produce the feature film "Exile". Exile tells the story of a Cuban family who builds a raft to flee Cuba for freedom and a better life in the US. The founders are seeking $5 million in equity investment for production and overhead. Projections indicate the film could earn a pretax net profit of $32 million. Impact Features will independently produce and distribute Exile, maintaining creative control, with the goal of selling distribution rights to a major studio or independent distributor.
The document discusses the relationship between the film industry and audiences. It examines how the industry both creates meaning through film production and relies on audiences to interpret and process films in various ways. The industry aims to bring films to audiences to maximize success and profits, not just at the box office but through diverse distribution platforms. The relationship is dynamic, with the industry needing to listen to and respond to audiences while audiences also develop behaviors beyond the industry's control.
The document discusses the debate around whether global or national film institutions dominate audiences. It notes that global companies like Warner Bros. dominate due to larger budgets, famous actors, and extensive marketing. In contrast, national British companies like Thin Man Films struggle with smaller budgets. As a result, British actors often move to Hollywood for larger paychecks. However, the document argues that national films have greater artistic quality due to more creative storylines out of necessity. While global films are more financially successful, national films make important contributions and can launch careers through lower budget productions with strong scripts.
Gaurav Kumawat wrote a thank you letter expressing gratitude to everyone who supported him throughout his BBA project, including his faculty member Ms. Shweta Bhatia. The document then provides information on the Indian film industry, including that it is the largest producer of films in the world. It discusses aspects such as the major film industries (Bollywood, Tollywood, Kollywood, etc.), production houses, buyers, piracy issues, entertainment taxes, content regulation, opportunities and threats facing the industry.
Gaurav Kumawat thanked Ms. Shweta Bhatia and others for their guidance and support during his BBA project. He expressed gratitude to them for their insightful feedback and advice. Kumawat specifically thanked Ms. Bhatia for her support and guidance throughout the project.
Gaurav Kumawat wrote a thank you letter expressing gratitude to everyone who supported him throughout his BBA project, including his faculty member Ms. Shweta Bhatia. He is thankful for their guidance and constructive criticism during the project work. He also thanks Ms. Shweta Bhatia for her support.
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The document discusses film distribution and the power dynamics between audiences, film studios, and distributors. It presents competing views on whether audiences or the film industry holds more power in influencing what films get made and seen. While audiences have the power to determine commercial success by choosing what films to see, the industry argues it relies more on knowing what audiences in different markets will pay for rather than simply responding to audience demands. The document also provides details on the roles and strategies of film distributors, the revenue streams and release windows of the film industry, United International Pictures as a case study of a major distributor, and the British Board of Film Classification system.
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2. Article Overview
❖ The article I read from lawstreetmedia.com discussed the globalization of film
and how the concept of globalization has affected film industries across the
globe.
❖ The United States is the leading nation in the world for film and cinema, they
have been for many years now. Throughout the years the US has had to adapt
to the remain at the top of that totem pole with growing film industries in other
parts of the world.
❖ After the article then went on to inform that because of the United States
efforts to gain power of film in other regions the globalization of film only grew,
giving the US a great deal of competition in the industry.
3. Article Overview Cont.
❖ In the remaining portion of the article they break down exactly what
globalization of film truly means considering the topics of money and culture
worldwide. How many cultures have reacted negatively to the globalization of
film because it expresses customs of other cultures (mostly America) that some
of the stricter nations do not wish to educate their people on.
Graph shows leading
countries in box office
revenue, as you can see US
is #1.
4. What is Globalization?
❖ Globalization is the expanding and growing of businesses and/or industries
worldwide. To create a greater consumer base and to grow an industry on a
national level.
5. The United States Film Industry and
Globalization
❖ Whilst the US was making efforts to have their films viewed world wide, other
countries caught onto the idea and began forming their own industries of film
and producing movies on their own which in turn they wanted viewed
worldwide.
❖ The United States remain the leaders in film, the article states that “ In 2014,
for example, the top ten most profitable movies were all made in the United
States” (lawstreetmedia.com).
❖ The United States, in an attempt to remain at the top, has began adapting their
movies to make them easy to understand universally. Using story lines that
anyone in the world can relate too, and have the same movie differ in some
ways depending on where you live.
6. Continued
❖ Since all of this has happened the United
States has became dependent on the
foreign countries for the success of their
movies. In short the US needs the profits
that other countries supply them from
viewing these movies to keep their film
industry alive. For example ‘“Avengers:
Age of Ultron,” the latest hit in the
Avengers franchise, debuted in theaters
recently and made more than $200
million in a single weekend. The
surprising part however, is that it earned
that $200 million outside the U.S., before
the movie even opened stateside”
(lawstreetmedia.com).
This graph shows that the United
States needs globalization if they
wish to continue their upward
drive in the industry.
7. China’s Film Industry and Globalization
❖ The Chinese industry has gained so much control over the United States that
the US will practically do anything to keep there business. In an article from
bbc.com the author states “ When word filtered through that the Hollywood
invasion thriller Red Dawn – released last year – was going to feature
Chinese villains there was strong criticism in the Chinese media. In an
unprecedented move the villains were then digitally removed in post-
production and replaced by North Koreans.” As you can see China is taking
the film industry by storm.
8. Continued
❖ One of those foreign markets we discussed in the last slide that the United
States relies on is China’s. With China’s fantastic work in film it is said that by
2020 the United States will no longer be leading the world in film, China will be
the leader of this industry.
As you can see by the
chart, in 2013 over half
of the top ten big box
office movies in China
were movies made by
the Chinese film
industry (the US still
held the top 10 in the
world).
9. Europe’s Film Industry and Globalization
❖ Although China is the second leader in the world for film France, Germany, the
United Kingdom, Italy, and Spain aren't doing too bad for themselves either.
❖ Europe has gone to great efforts to expand their cinematic art globally such as
having one of the most famous film festivals called the Cannes Film Festival.
This festival shines light on filmmakers in this area of the world and brings a
great deal of people in.
As you can see
actors/actresses
from all over the
world join together
at the festival to
celebrate the world
in film.
10. Continued
❖ Another way Europe’s film industry tries to share their films around the world is
offering versions of their films in 24 different languages, making it easy to
globalize their cinematic works.
❖ Although Europe has gone to great lengths to gain power in the industry, “ As of
2013, 70 percent of the European film market was dominated by American
films.” (lawstreetmedia.com). Europe’s industry still relies greatly on the United
States for film.
11. Australia and New Zealand’s Film Industry
and Globalization
❖ These two nations do not by any means hold a huge chuck of power in the film
industry. What they do to stay alive is offer their beautiful scenery and location
to many of the United States blockbuster hits for filming.
❖ Movies such as The Lord of the Rings - The Trilogy, The Chronicles of Narnia: The
Lion, The Witch, and the Wardrobe, The Great Gatsby, and Where the Wild Things
Are were all filmed along with many other in either Australia or New Zealand.
12. India’s Film Industry and Globalization
❖ India’s approach to making it in the industry and surviving on a global level is
producing a very large amount of movies.
❖ India has also created their own version of Hollywood called Bollywood which
is very popular to tourists. “From 2004-2013, gross receipts tripled and
revenue is estimated to reach $4.5 billion next year. With those kinds of
numbers, India’s film industry promises to continue its upward trajectory in
money and influence.” (lawstreetmedia.com).
13. Continued❖ The film Slumdog Millionaire
played a huge role in spreading
awareness of Bollywood in other
parts of the world. The United
States and India’s film industry
collaborated on this film creating
a beautiful piece of cinematic
history that went on to win eight
Academy Awards and four Golden
Globes in 2008.
14. Nigeria’s Film Industry and Globalization
❖ Like India Nigeria formed their equivalent to Hollywood called Nollywood in
hopes it will become that of what Hollywood is to the world.
❖ Nigeria’s tactic is to create low budget films but create a large sum of them. This
tactic has apparently worked according too lawstreetmedia.com “the Nigerian
film industry is influential enough regionally that neighboring countries fear a
Nigerianization effect on their own cultures.” This means that Nigerian movies
are at risk of becoming more popular in areas around them then those areas
own movies. Which is putting those regions at risk of losing money but putting
Nigeria in a place to gain money.
15. Pros of Globalization for the Film Industry
❖ Globalization builds relationships
between the countries because they all
rely on each other's film industry to stay
alive for example “when Hollywood
struggled for funds following the 2008
recession it received loans and
financing from Indian sources.”
(lawstreetmedia.com). India did this
because prior to this happening the
American film industry had bankrolled
some films from Bollywood.
16. Continued
❖ To branch off of those relationships from above many film stars are getting a
chance to work in film industry that are not the traditional one in which they
began.
❖ It brings more diversity into the industry.
These are just a few Hollywood actors/actresses that have gotten the opportunity the work in other countries
film industries. (Whoopi Goldberg, Denise Richards, Ben Kingsley).
17. Cons of Globalization on the Film Industry
❖ While combining with other con tires on these projects it is easy to sometimes
lose the cultures identity behind the other cultures.
❖ The main issue is that some countries don’t like the way other countries (mostly
America) is. They don't like our norms and values and they don't want their
countries to see that we have those norms and values so they'll refuse to show
movies that depict those values and ways of life, causing some friction between
the countries.
❖ Although there is a great deal of money to be made, the smaller
countries/nations miss out on it because booming countries in the film industry
want to work with other booming countries, so smaller nations miss out on the
financial benefit.
18. Questions
❖ I understand that there is a desire to not work with countries that don’t have a
booming film industry, but if the more thriving countries were to help the
smaller nations to build their industry then everyone would win because the
smaller industries would have money and the bigger industries would have
more people to work with. So my question is why hasn't this been done yet?
❖ Does having different techniques or ways of filming present challenges when
collaborating with other countries? If not, do all countries use the same
techniques?
❖ In the article it states that the same movie may differ in each country as to what
scenes are or are not shown. How do you keep the story the same for all
countries while having different scenes or even completely different characters
sometimes?
19. Questions Continued
❖ If globalization of the film industry had not happened would the United States
still be at risk for not leading the industry anymore or would they be at an even
greater risk?
❖ One of the cons of globalization is that it is easy to lose cultural identity while
working with other nations, I want to know what the nations do to try and
prevent that from happening?
20. Works Cited
"12 Hollywood Movies That Were Filmed in Australia." - OneShift Jobs Blog
Australia. 17 Sept. 2014. Web. 16 Jan. 2016.
Bennett, Cheska. "Top Ten Films Filmed Here in New Zealand." Nomads World.
Nomads World Hotels Pty Ltd, 2014. Web. 16 Jan. 2016.
Brook, Tom. "How the Global Box Office Is Changing
Hollywood." BBC. BBC, 21 Oct. 2014. Web. 16 Jan. 2016.
Sliwinski, Michael. "The Globalization of Cinema: What’s Next?" Law Street (TM).
Law Street Media LLC., 20 May 2015. Web. 16 Jan. 2016.