The combination of the band's main album and ancillary texts is effective because:
1) All media products share similarities to create brand recognition and stick to the band's genre.
2) The color blue is used throughout promotional materials to represent the album's nickname.
3) Referencing songs through album artwork follows industry conventions and highlights singles to potential buyers.
This document outlines 5 different ideas for a CD cover design. The first idea featured 4 pairs of differently colored boots representing each band member but the photo could not be retaken. The second and third ideas tweaked the layout and style of text on the cover photo. The final design shows a flat plan and photoshop design using the cover photo with white text added for the band and album names.
The document describes 6 ideas for a CD cover design. Each idea uses a different photographic image and layout. For ideas 1 and 2, the person experiments with cutting up and mirroring an image. Ideas 3 through 6 all feature a full photographic image behind text identifying the band and album. The designs vary the text styling and positioning over the photo. The images are edited in Photoshop and the goal is to create unique yet readable designs.
The combination of the main product (music video) and ancillary texts (album, digipak, poster) was effective in promoting the fictional band.
The music video grabbed attention through its narrative style and fit conventions of alternative rock. The minimalist digipak conveyed the band was worth listening to for their talent, not looks.
Continuity between the digipak and poster in font and logo helped distinguish the band and gain recognition, showing there was more to the band than just one music video.
The document discusses how the media product, a music video for the song "Undone - The Sweater Song" by Weezer, adheres to conventions of real music videos and the alternative rock genre. Key elements that were included are shots of the band performing, a narrative, and attention to genre-appropriate mise-en-scene, edits, and lyrics-visuals relationships. The designed digi-pack and magazine ad also aim to follow conventions of existing media formats to appear authentic.
Media final evalaution 1 with screen shotsArifa_Khan
The document summarizes the conventions used in creating a music video and accompanying promotional materials for an indie band. For the music video, conventions like narrative scenes, band performance scenes, close-ups of band members and instruments, and casual clothing were followed. Outdoor locations were used for narratives while indoor performance scenes had a white background. The digipak and poster designs featured color schemes, photos of band members and nature, fonts that complemented the designs, and key information like the band name, album name, release date, and record label. Conventions from other indie band media were researched and applied to make the designs recognizable to fans of the genre.
Alex Hunter proposes three ideas for artwork for a band's CD and website:
1) Drawn cover art inspired by the band's space/fantasy theme featuring images like a shark and traffic light character.
2) Another cover art piece focusing solely on an alien and space theme.
3) Using Lego figures of the band members on the website for ease of creation and to stand out from other bands using real photos.
The second drawing is chosen for the CD booklet due to keeping with the band's theme while allowing a consistent front and back cover design, as seen on the example McBusted album. The third Lego idea is still being considered for the website.
The document discusses the conventions used in creating media products for an indie band. It summarizes the conventions used in a music video, including using narratives, band scenes, close-ups of band members and instruments, urban and outdoor locations, and casual costumes. It also discusses conventions followed for the digipak design, such as using color contrast, photos of band members and nature, and specific fonts. Finally, it outlines conventions for a poster, like including the band name, album name and songs, release date, tour dates, record label, color themes, and a small album cover photo. The document analyzed real media products to incorporate standard conventions for each format.
The combination of the band's main album and ancillary texts is effective because:
1) All media products share similarities to create brand recognition and stick to the band's genre.
2) The color blue is used throughout promotional materials to represent the album's nickname.
3) Referencing songs through album artwork follows industry conventions and highlights singles to potential buyers.
This document outlines 5 different ideas for a CD cover design. The first idea featured 4 pairs of differently colored boots representing each band member but the photo could not be retaken. The second and third ideas tweaked the layout and style of text on the cover photo. The final design shows a flat plan and photoshop design using the cover photo with white text added for the band and album names.
The document describes 6 ideas for a CD cover design. Each idea uses a different photographic image and layout. For ideas 1 and 2, the person experiments with cutting up and mirroring an image. Ideas 3 through 6 all feature a full photographic image behind text identifying the band and album. The designs vary the text styling and positioning over the photo. The images are edited in Photoshop and the goal is to create unique yet readable designs.
The combination of the main product (music video) and ancillary texts (album, digipak, poster) was effective in promoting the fictional band.
The music video grabbed attention through its narrative style and fit conventions of alternative rock. The minimalist digipak conveyed the band was worth listening to for their talent, not looks.
Continuity between the digipak and poster in font and logo helped distinguish the band and gain recognition, showing there was more to the band than just one music video.
The document discusses how the media product, a music video for the song "Undone - The Sweater Song" by Weezer, adheres to conventions of real music videos and the alternative rock genre. Key elements that were included are shots of the band performing, a narrative, and attention to genre-appropriate mise-en-scene, edits, and lyrics-visuals relationships. The designed digi-pack and magazine ad also aim to follow conventions of existing media formats to appear authentic.
Media final evalaution 1 with screen shotsArifa_Khan
The document summarizes the conventions used in creating a music video and accompanying promotional materials for an indie band. For the music video, conventions like narrative scenes, band performance scenes, close-ups of band members and instruments, and casual clothing were followed. Outdoor locations were used for narratives while indoor performance scenes had a white background. The digipak and poster designs featured color schemes, photos of band members and nature, fonts that complemented the designs, and key information like the band name, album name, release date, and record label. Conventions from other indie band media were researched and applied to make the designs recognizable to fans of the genre.
Alex Hunter proposes three ideas for artwork for a band's CD and website:
1) Drawn cover art inspired by the band's space/fantasy theme featuring images like a shark and traffic light character.
2) Another cover art piece focusing solely on an alien and space theme.
3) Using Lego figures of the band members on the website for ease of creation and to stand out from other bands using real photos.
The second drawing is chosen for the CD booklet due to keeping with the band's theme while allowing a consistent front and back cover design, as seen on the example McBusted album. The third Lego idea is still being considered for the website.
The document discusses the conventions used in creating media products for an indie band. It summarizes the conventions used in a music video, including using narratives, band scenes, close-ups of band members and instruments, urban and outdoor locations, and casual costumes. It also discusses conventions followed for the digipak design, such as using color contrast, photos of band members and nature, and specific fonts. Finally, it outlines conventions for a poster, like including the band name, album name and songs, release date, tour dates, record label, color themes, and a small album cover photo. The document analyzed real media products to incorporate standard conventions for each format.
The student was tasked with designing a CD cover and digipack for an album titled "Searching" by the artist "Etherwood". For the front cover, they featured a picture of the artist with their name in a larger font as is common convention. The back cover featured a picture of the artist from behind. The inside pages included a map of the Paris underground to represent shots from the artist's video, and an eye design with the CD placed in the pupil to represent the album's title of "Searching". However, in their conclusion, the student determined that the design did not properly link to the Drum & Bass genre conventions and therefore should not be used.
The document describes the design of a digipak for a music album. The digipak uses conventional forms like displaying the artist name and album title on the front cover. Research informed choices like using an artist image on the front cover. Elements like fonts and images are carried throughout the digipak to create continuity. While conforming to typical designs, the inclusion of artist quotes on the inside cover provides a unique, personalized touch. Overall, the digipak challenges conventions slightly with this interior element, but otherwise adheres closely to professional forms and styles.
In this presentation I have described how I produced my Poster using key skills and techniques I have learned through research. I also explain how I was creative and what my influences were
The front cover of the Digipak uses a blurred black and white photo featuring the two actors from the music video, with the woman's red top standing out boldly. This is meant to attract audiences and promote the video and company. The title "Neon Jungle" is printed down the side with "neon" in white and "jungle" in black to match the changing background colors and further emphasize the black and white theme with red accent. A graffiti-style font is used for the title "Trouble" to hint at the rebellious theme and graffiti walls featured in the music video.
In this presentation I have described how I produced my digipak using key skills and techniques I have learned through research. I also explain how I was creative and what my influences were
How we used the internet to help us q4 p1Zaralucille
The document discusses how the internet was used to help with research and planning at various stages of the project. It was used to analyze existing music videos, digipaks, and posters to get ideas for conventions and styles. Researching online helped choose the indie genre and narrow down cartoon styles. Survey Monkey assisted with distributing questionnaires to determine preferred album cover designs. Lastly, the internet aided in researching song lyrics and keywords to inspire the music video.
This document summarizes the results of an audience survey conducted to help decide the final design elements for a digipak. The survey asked audience members whether they preferred a pink/white or black/grey color scheme, and they voted for the black/grey scheme. This color scheme was then used for the digipak design and poster. The survey also helped determine the album name, which was changed from "Blood on Me" to "The Explanation" based on audience feedback that the new name was bolder and better fit the targeted genre.
This document outlines 5 different ideas for a CD cover design. The first idea featured 4 pairs of differently colored boots representing each band member but could not be used due to changed lighting conditions. The second idea moved the text closer to the tree in the photo. The third idea kept the same photo but changed the text style. This third idea is selected as the final design for the CD cover.
Media final evalaution 1 with screen shotsArifa_Khan
The music video uses conventions of indie music videos such as a narrative storyline, scenes of the band playing, and close-ups of band members and instruments. Locations include outdoor urban settings and costumes are casual clothes.
The digipak uses conventions like photos of band members against a nature backdrop, contrasting colors like blue, and a light, casual font style.
The poster displays the band name, album name and song titles, release date, tour dates, record label, and a small album cover image, following conventions to promote the band, album, and upcoming shows.
Evaluation of Software: Photoshop (Digipak)HannahCostello
The document describes the process of designing a digipak cover in Photoshop. First, photographs were selected and elements were extracted and arranged using selection and transform tools. Additional elements like band names, song titles, and logos were added. Text was formatted and colors/contrasts were adjusted to integrate elements visually across the front, back, and spine of the digipak design. The inside layout was also designed to complete the packaging.
The group created three media texts - a music video, digipak, and poster - to promote the song "From Time" by Drake. There was consistency across the texts in theme, costume, location, and housestyle. The theme centered around elements of rap and R&B music, represented through costumes worn in both the video and on the digipak, and locations chosen for nighttime shoots. Housestyle was maintained through use of the same colors (white, black, gold), fonts, and drawing inspiration from Drake's existing media products. The group plans to distribute the music video on YouTube, poster in rap/R&B magazines, and single for sale online via Spotify and iTunes and in stores like HMV
The document discusses the process of creating a music video and digipack for a song. It describes using various cameras and software like Photoshop and Final Cut Express. Planning and coordination was done through social media and email. Research involved analyzing other music videos on YouTube and genres. Marketing included social media posts and surveys. Media technology helped with editing, presentations, and comparing video shots.
The document summarizes a student's music video project analyzing how it uses conventions of real music videos. The video uses a storyline of two friends with relationship problems represented by a "Blackcoat" figure. It features the artist singing against a wall relating to the narrative. The intro mimics Katy Perry's "Roar" with bold colors. Deep focus is used to draw attention to characters while shallow focus adds mood. Shots like long, medium, and high angles were used to imply power dynamics between characters. In conclusion, the video successfully incorporated conventions seen in indie and other music videos.
- The document discusses the process of creating a digipak and advert for a band called "The Cutaways".
- Two initial ideas were drafted for the digipak, with the second being chosen as it showed the full identities of the band members. Black and white was selected for the color scheme to fit indie conventions.
- Typography and additional visual elements were considered to represent the band's style and music genre. A colored inner image was included in the digipak for uniqueness.
- The advert concept merged photos of band members' faces to represent equality, in line with the band's name "The Cutaways". Additional text and streaming logos completed the visual identity.
The document discusses the process of creating a digipak and advert for a band called The Cutaways. Two initial ideas were drafted for the digipak, with the second being chosen as it showed the full identities of the band members. Black and white was selected for the color scheme to fit indie conventions. A pop of color was later added to the inside of the digipak for uniqueness. The advert concept merged the band's faces to represent their equality, and was refined with blurring and updated typography. Consistency between the digipak and advert designs was emphasized.
The document discusses typography and color choices for a band's digipak and advert. It describes selecting a simple font called "Albertus Medium" in white letters on a black background to represent the band's focus on their music over their image. Black, white, and gray colors were chosen for the digipak, along with one colored inner image, taking inspiration from other artists' releases. A gray-green color scheme was also selected for the advert to draw in audiences.
The document discusses initial ideas for a digipak design for a music album. The first idea was inspired by a wall in a sports bar showing faces representing a community, with futuristic fonts representing the digital world. The second idea was to use an image of a club setting or rave with plain fonts and dark, mysterious colors. The final design chosen showed the main character from the music video walking by road signs with the album and artist name, edited in the video's color theme and showing costumes from the video's three stages to link it to the music.
The combination of the main product and ancillary texts is effective. They are all linked through similar color schemes, images, and conventions from the music video. This makes the package easily recognizable as a cohesive package by audiences. Specifically, a black and white color scheme or black background is used to convey the indie genre. Additionally, the same style of text is used for the album and poster, while a different font is used on the back of the album to better convey the indie genre. The use of polaroid images throughout ties the elements together and makes the video unique. By portraying the band as young and vibrant, the package appeals to a similar target age group.
The document discusses ideas for a band's digipak and advert. Four different digipak ideas are presented, with the final idea using black and white photos and a pop of color on the inside. Font, color scheme, and visual elements were chosen to represent the band's indie/alternative genre. Two advert ideas are also discussed, with the final idea featuring blurred and merged photos of band members' faces to represent equality, along with typography and streaming logos. The ideas were refined to be unique yet tie together the digipak and advert visually.
The document summarizes the final design for an album advertisement. Key details included:
- The background image is cropped from the album's front cover to feature interesting colors and contrast.
- Important advertising conventions are overlaid like the band name, album title, release date, where to buy, and a positive review.
- The specific section was chosen to be visually appealing and alluring to attract buyers.
- Consistency is maintained with the album art by using the same fonts for readability and brand recognition.
The document provides photos and descriptions of potential filming locations in Fleetwood for a music video. Several areas are highlighted including the Freeport Marina, homes and buildings throughout Fleetwood, old trams, ferries, beaches, and open grassy areas with views of the sea. Specific shots are proposed, such as a character throwing a pebble in the water to create ripples that could be synced to the song lyrics. The document analyzes the lighting and backgrounds different areas could provide and how they may suit the genre and storyline of the music video.
The document presents photos of Dam House as a potential location for filming a music video. It summarizes that the photos show the natural surroundings of Dam House, including bright areas under the trees, entrance areas, paths near ponds, and other locations that could provide different angles and atmospheres suitable for including lyrics. The final photos depict the whole area that could be used to create more footage, including ducks near the pond.
The student was tasked with designing a CD cover and digipack for an album titled "Searching" by the artist "Etherwood". For the front cover, they featured a picture of the artist with their name in a larger font as is common convention. The back cover featured a picture of the artist from behind. The inside pages included a map of the Paris underground to represent shots from the artist's video, and an eye design with the CD placed in the pupil to represent the album's title of "Searching". However, in their conclusion, the student determined that the design did not properly link to the Drum & Bass genre conventions and therefore should not be used.
The document describes the design of a digipak for a music album. The digipak uses conventional forms like displaying the artist name and album title on the front cover. Research informed choices like using an artist image on the front cover. Elements like fonts and images are carried throughout the digipak to create continuity. While conforming to typical designs, the inclusion of artist quotes on the inside cover provides a unique, personalized touch. Overall, the digipak challenges conventions slightly with this interior element, but otherwise adheres closely to professional forms and styles.
In this presentation I have described how I produced my Poster using key skills and techniques I have learned through research. I also explain how I was creative and what my influences were
The front cover of the Digipak uses a blurred black and white photo featuring the two actors from the music video, with the woman's red top standing out boldly. This is meant to attract audiences and promote the video and company. The title "Neon Jungle" is printed down the side with "neon" in white and "jungle" in black to match the changing background colors and further emphasize the black and white theme with red accent. A graffiti-style font is used for the title "Trouble" to hint at the rebellious theme and graffiti walls featured in the music video.
In this presentation I have described how I produced my digipak using key skills and techniques I have learned through research. I also explain how I was creative and what my influences were
How we used the internet to help us q4 p1Zaralucille
The document discusses how the internet was used to help with research and planning at various stages of the project. It was used to analyze existing music videos, digipaks, and posters to get ideas for conventions and styles. Researching online helped choose the indie genre and narrow down cartoon styles. Survey Monkey assisted with distributing questionnaires to determine preferred album cover designs. Lastly, the internet aided in researching song lyrics and keywords to inspire the music video.
This document summarizes the results of an audience survey conducted to help decide the final design elements for a digipak. The survey asked audience members whether they preferred a pink/white or black/grey color scheme, and they voted for the black/grey scheme. This color scheme was then used for the digipak design and poster. The survey also helped determine the album name, which was changed from "Blood on Me" to "The Explanation" based on audience feedback that the new name was bolder and better fit the targeted genre.
This document outlines 5 different ideas for a CD cover design. The first idea featured 4 pairs of differently colored boots representing each band member but could not be used due to changed lighting conditions. The second idea moved the text closer to the tree in the photo. The third idea kept the same photo but changed the text style. This third idea is selected as the final design for the CD cover.
Media final evalaution 1 with screen shotsArifa_Khan
The music video uses conventions of indie music videos such as a narrative storyline, scenes of the band playing, and close-ups of band members and instruments. Locations include outdoor urban settings and costumes are casual clothes.
The digipak uses conventions like photos of band members against a nature backdrop, contrasting colors like blue, and a light, casual font style.
The poster displays the band name, album name and song titles, release date, tour dates, record label, and a small album cover image, following conventions to promote the band, album, and upcoming shows.
Evaluation of Software: Photoshop (Digipak)HannahCostello
The document describes the process of designing a digipak cover in Photoshop. First, photographs were selected and elements were extracted and arranged using selection and transform tools. Additional elements like band names, song titles, and logos were added. Text was formatted and colors/contrasts were adjusted to integrate elements visually across the front, back, and spine of the digipak design. The inside layout was also designed to complete the packaging.
The group created three media texts - a music video, digipak, and poster - to promote the song "From Time" by Drake. There was consistency across the texts in theme, costume, location, and housestyle. The theme centered around elements of rap and R&B music, represented through costumes worn in both the video and on the digipak, and locations chosen for nighttime shoots. Housestyle was maintained through use of the same colors (white, black, gold), fonts, and drawing inspiration from Drake's existing media products. The group plans to distribute the music video on YouTube, poster in rap/R&B magazines, and single for sale online via Spotify and iTunes and in stores like HMV
The document discusses the process of creating a music video and digipack for a song. It describes using various cameras and software like Photoshop and Final Cut Express. Planning and coordination was done through social media and email. Research involved analyzing other music videos on YouTube and genres. Marketing included social media posts and surveys. Media technology helped with editing, presentations, and comparing video shots.
The document summarizes a student's music video project analyzing how it uses conventions of real music videos. The video uses a storyline of two friends with relationship problems represented by a "Blackcoat" figure. It features the artist singing against a wall relating to the narrative. The intro mimics Katy Perry's "Roar" with bold colors. Deep focus is used to draw attention to characters while shallow focus adds mood. Shots like long, medium, and high angles were used to imply power dynamics between characters. In conclusion, the video successfully incorporated conventions seen in indie and other music videos.
- The document discusses the process of creating a digipak and advert for a band called "The Cutaways".
- Two initial ideas were drafted for the digipak, with the second being chosen as it showed the full identities of the band members. Black and white was selected for the color scheme to fit indie conventions.
- Typography and additional visual elements were considered to represent the band's style and music genre. A colored inner image was included in the digipak for uniqueness.
- The advert concept merged photos of band members' faces to represent equality, in line with the band's name "The Cutaways". Additional text and streaming logos completed the visual identity.
The document discusses the process of creating a digipak and advert for a band called The Cutaways. Two initial ideas were drafted for the digipak, with the second being chosen as it showed the full identities of the band members. Black and white was selected for the color scheme to fit indie conventions. A pop of color was later added to the inside of the digipak for uniqueness. The advert concept merged the band's faces to represent their equality, and was refined with blurring and updated typography. Consistency between the digipak and advert designs was emphasized.
The document discusses typography and color choices for a band's digipak and advert. It describes selecting a simple font called "Albertus Medium" in white letters on a black background to represent the band's focus on their music over their image. Black, white, and gray colors were chosen for the digipak, along with one colored inner image, taking inspiration from other artists' releases. A gray-green color scheme was also selected for the advert to draw in audiences.
The document discusses initial ideas for a digipak design for a music album. The first idea was inspired by a wall in a sports bar showing faces representing a community, with futuristic fonts representing the digital world. The second idea was to use an image of a club setting or rave with plain fonts and dark, mysterious colors. The final design chosen showed the main character from the music video walking by road signs with the album and artist name, edited in the video's color theme and showing costumes from the video's three stages to link it to the music.
The combination of the main product and ancillary texts is effective. They are all linked through similar color schemes, images, and conventions from the music video. This makes the package easily recognizable as a cohesive package by audiences. Specifically, a black and white color scheme or black background is used to convey the indie genre. Additionally, the same style of text is used for the album and poster, while a different font is used on the back of the album to better convey the indie genre. The use of polaroid images throughout ties the elements together and makes the video unique. By portraying the band as young and vibrant, the package appeals to a similar target age group.
The document discusses ideas for a band's digipak and advert. Four different digipak ideas are presented, with the final idea using black and white photos and a pop of color on the inside. Font, color scheme, and visual elements were chosen to represent the band's indie/alternative genre. Two advert ideas are also discussed, with the final idea featuring blurred and merged photos of band members' faces to represent equality, along with typography and streaming logos. The ideas were refined to be unique yet tie together the digipak and advert visually.
The document summarizes the final design for an album advertisement. Key details included:
- The background image is cropped from the album's front cover to feature interesting colors and contrast.
- Important advertising conventions are overlaid like the band name, album title, release date, where to buy, and a positive review.
- The specific section was chosen to be visually appealing and alluring to attract buyers.
- Consistency is maintained with the album art by using the same fonts for readability and brand recognition.
The document provides photos and descriptions of potential filming locations in Fleetwood for a music video. Several areas are highlighted including the Freeport Marina, homes and buildings throughout Fleetwood, old trams, ferries, beaches, and open grassy areas with views of the sea. Specific shots are proposed, such as a character throwing a pebble in the water to create ripples that could be synced to the song lyrics. The document analyzes the lighting and backgrounds different areas could provide and how they may suit the genre and storyline of the music video.
The document presents photos of Dam House as a potential location for filming a music video. It summarizes that the photos show the natural surroundings of Dam House, including bright areas under the trees, entrance areas, paths near ponds, and other locations that could provide different angles and atmospheres suitable for including lyrics. The final photos depict the whole area that could be used to create more footage, including ducks near the pond.
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are noted as adding atmosphere that matches the song's theme of lost love rather than romance.
The document presents 12 potential CD cover designs created by Amanda Davidson for her band New York Summer. Each cover features a different background photo or design with various title options. The document explains the creative process, including why different titles were tested to find the best fit for the music's indie genre and songs' themes of life struggles. Additional covers are included at the end to show further design concepts utilizing lighting effects or unique background photos.
The document describes an album titled "New York Summers" by the band of the same name. It includes photos of band members and models, as well as lyrics for 12 songs on the album: 1) Watch Me Burn, 2) Wait, 3) Go, 4) Where Are You Now, 5) So Messed Up, 6) Passengers, 7) More Than This, 8) Hold On, 9) Lack, 10) Its All I Know, 11) Could It Be, and 12) Be Just Fine. The document repeatedly features the phrase "So Messed Up".
The document proposes four designs for the inside of a CD/DVD package (digipak) for a band called New York Summer. Each design features a photo of one of the band members over most of the cover, with space for the band and album names. The first two designs feature the lead guitarist Michael Blakemore and drummer Adam Chamberian, chosen to appeal most to audiences. The third and fourth designs feature bass guitarist Eddie Jones and guitarist Jarad Taber, chosen as less appealing than the first two to draw audiences in. These four designs would be used as the four spaces inside the digipak.
This document contains photos and descriptions proving that a student took photos herself for a coursework assignment. It includes several photos of the student taking photos at different locations in Fleetwood, including the marina, beach, tower, and grassland area. The photos from different angles aim to demonstrate that the student personally captured the images and did not copy them from elsewhere.
The document announces a new band called New York Summer and provides the track listing for their upcoming album. The album includes 12 songs: Watch Me Burn, Wait, Go, Where Are You Now, So Messed Up, Passengers, More Than This, Hold On, Lack, Its All I Know, Could It Be, and Be Just Fine. Photos of the band members and models are displayed throughout the document alongside the album's track listing.
Sarah took photos of Dam House and surrounding areas for a coursework assignment. The document includes several photos of Sarah photographing different parts of Dam House from various angles to prove she took the photos herself and that they are not copyrighted. This allows the photos to be used for the coursework assignment without issue.
The document describes an album titled "New York Summers" by the band of the same name. It includes photos of band members and models, as well as lyrics for 12 songs on the album: 1) Watch Me Burn, 2) Wait, 3) Go, 4) Where Are You Now, 5) So Messed Up, 6) Passengers, 7) More Than This, 8) Hold On, 9) Lack, 10) Its All I Know, 11) Could It Be, and 12) Be Just Fine. The document repeatedly features the phrase "So Messed Up".
Amanda Davidson took various photos in the snow to use for a CD cover for the band New York Summer. The photos included images of boot and glove prints in the snow, close-ups of snow on trees and the ground, photos of herself next to trees and in the location where she took photos, and images of falling snow from different angles. She created several mockups of possible CD covers using these snow photos, combining images with text, to portray the indie music genre in a unique style.
The document discusses photos taken at a motorway to assess whether it would be a suitable filming location for a music video. It describes shots of traffic lights and vehicle lights at different times of day to showcase the changing colors and flows of traffic. Several photos show traffic from various angles and distances to illustrate how lighting and blurriness could be manipulated in the video. The motorway offers dynamic lighting effects from car lights and traffic signals that could complement the song's lyrics and pace.
The document provides details and analyses of various album covers, including information on the artists, album titles, release dates, and visual design elements of the covers. Key details highlighted include the use of bold text and colors to draw attention to band names and album titles, incorporation of band logos and images related to the music, and unique presentation of text in some covers. Background colors and placement of elements are also discussed in relation to guiding the viewer's eyes across the cover.
The document discusses and analyzes various album covers that the author researched during a trip to HMV in Manchester. Key details include:
- Descriptions of album covers for artists like Aerosmith, Basement Jaxx, Boys Like Girls, and others including elements like colors, fonts, images and layouts.
- Explanations of how elements of the covers draw attention, represent the artist's style, or highlight important information.
- An exploration of different techniques used across covers to present the artist/album title in unique ways.
- Insights gained into current music trends and styles from analyzing modern album cover designs on display.
The emails document correspondence between a student group and the band New York Summer regarding obtaining permission and materials to use the band's songs in a student coursework music video project. The initial emails involve requesting and gaining permission to use the song "So Messed Up" and exchanging required information. Subsequent emails include the band providing the song file, lyrics, background on the song, and agreeing to use a different song ("More Than This") along with its file and lyrics.
The document describes an album titled "New York Summers" by the band of the same name. It includes photos of band members and models, as well as lyrics for 12 songs on the album: 1) Watch Me Burn, 2) Wait, 3) Go, 4) Where Are You Now, 5) So Messed Up, 6) Passengers, 7) More Than This, 8) Hold On, 9) Lack, 10) Its All I Know, 11) Could It Be, and 12) Be Just Fine. The document repeatedly features the phrase "So Messed Up".
Este documento define la entropía como una medida de la incertidumbre o desorden en un sistema. Explica que la entropía surgió originalmente en física pero ahora se aplica a otras áreas como la administración y la economía. También describe las 5S, una metodología para mantener áreas de trabajo limpias y organizadas reduciendo la entropía.
The document discusses molecular geometry and hybridization of atomic orbitals. It explains that the valence shell electron pair repulsion (VSEPR) model is used to predict molecular geometry based on electron pair repulsions. Molecular geometry is determined by the number of atoms bonded to the central atom and any lone pairs. Hybridization, such as sp, sp2, and sp3, is used to explain bonding based on the number of electron pairs around the central atom. Sigma and pi bonds are discussed, along with how hybridization relates to molecular geometry.
The document discusses planning and creating album artwork, music videos, and promotional materials for a band. It includes research on other band's styles and designs to help determine the target audience. Photoshop, Picnic, and video/audio editing software were used to design album covers, logos, and edit a music video. Camera equipment like DSLRs and lenses helped capture footage. The goal was to create cohesive and professionally produced branding materials that represent the band's music and image.
Here is a draft magazine advertisement for the CD covers:
[IMAGE OF VARIOUS CD COVERS STYLIZED TOGETHER]
Discover the Art of Album Covers
Explore how album covers convey genre and represent artists across styles of music. From punk to pop, hip hop to R&B, covers set expectations through visual cues.
- Imagery and fonts signal the genre's conventions and aesthetic. Punk bands favor gritty photos and handwritten text while pop stars flaunt glamour shots.
- Color palettes and compositional elements like close-ups or full body shots reflect the vibe. Dark, desaturated tones for rock versus bright pops of color for dance music.
Here is a draft magazine advertisement for the CD covers:
[IMAGE OF VARIOUS CD COVERS STYLIZED TOGETHER]
Discover the Art of Album Covers
Explore how album covers convey genre and represent artists across styles of music. From punk to pop, hip hop to R&B, covers set expectations through visual cues.
- Imagery and fonts signal the genre's conventions and aesthetic. Punk bands favor gritty photos and handwritten text while pop stars flaunt glamour shots.
- Color palettes and compositional elements like close-ups or full body shots reflect the vibe. Dark, desaturated tones for rock versus bright pops of color for dance music.
This document discusses conventions for album cover design. It explains that digipaks are a type of album packaging that uses a foldable paperboard cover with attached plastic trays to hold a CD or DVD. The main design elements discussed are genre, lettering/fonts, images, stars/icons, representation, audience, and color. Specific examples are provided of how these elements are used differently across genres like punk, hip hop, and pop music. Factors like the image subject, fonts, and use of color help represent the artist and genre while appealing to the intended audience.
Design process of digipak and album advertisementChloe Howcroft
The document describes the design process for a digipak and album advertisement. It involves manipulating images in Photoshop and designing the digipak layout in Nero Cover Designer. Key steps include choosing a minimal front cover design with the band's logo over an image of the band, designing a simple interior with the album title and logo, and adding album information to the CD in a minimal way. The process involved referencing conventions from other albums and getting feedback to create a professional-looking final design.
The document describes the design process for a digipak and album advertisement. It involves manipulating images in Photoshop and designing the digipak layout in Nero Cover Designer. Key steps include choosing a minimal front cover design with the band's logo over an image of the band, designing a simple interior with the album title and logo, and adding album information to the CD in a minimal way. The process involved referencing conventions from other albums and getting feedback to create a professional-looking final design.
Our media product uses and develops many conventions of real album covers and packaging. For the front cover, we linked the image to the album name and used selective coloring and contrasts in tones similarly to real covers. The back cover includes typical elements like a tracklist, barcode, and credits in bright colors as most pop covers do. However, we also challenge conventions by making the main image darker and grainier rather than clear. The inlays similarly feature plain photos of the artist with little text, sharing themes with the front and back covers. The magazine ad contains basic album information but also includes social media addresses to reach digital audiences. Overall, our product draws from real conventions but also challenges expectations in some ways.
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract and intrigue audiences. The back cover depicts blood pouring in a way that forms an "M" shape, tying the visuals together and representing the artist. The side panels and discs continue hinting at and elaborating the themes begun on the front in a purposefully confusing manner.
The document describes the design of a digipak for an album called "Scar Minds" by the artist Mefistofeles. The front cover features a disorienting image meant to spark the imagination. An overlapping image on the inside reveals more while maintaining an unusual quality. The back cover shows blood pouring down in a shape that also forms an M, representing the artist. The side panels and discs feature complementary images that further hint at the themes portrayed across the covers to give viewers a sense of the overall concept through subtle clues and hidden meanings.
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract attention and intrigue audiences. The back cover depicts blood pouring in a way that represents the letter "M" and ties the themes throughout. The side panels and discs continue revealing more contextual clues and information about the album contents in a strategic yet abstract manner meant to create disorientation.
The document describes the design and images used for the packaging of a digipak for the album "Scar Minds" by the artist Mefistofeles. The front cover image is intentionally disorienting and vague to spark the imagination. The overlapping image reveals slightly more while maintaining an unusual quality. These two images are meant to attract attention and intrigue audiences. The back cover depicts blood pouring in a way that represents the letter "M" and ties the themes throughout. The side panels and discs continue revealing more contextual clues and information about the album contents in a strategic yet abstract manner meant to create disorientation.
Our media product uses and develops many conventions of real CD covers and magazine advertisements. The front cover links the image to the album name, using techniques like low-key lighting and blurred lines between reality and fantasy. The back cover includes typical elements like the track list, barcode, and company logo. While maintaining these standard elements, some conventions are challenged, like using a darker, grainier image. The inlays mirror real products by featuring plain photos relating to the theme. The magazine ad contains basic album information but also includes social media addresses to reach digital audiences. Overall, the product draws from real media conventions but makes some adjustments appropriate for its purpose.
The document provides details on the design ideas for a digipak for a compilation album featuring songs from various artists. It discusses including information about the songs on the CD disk, using album artwork that represents the compilation rather than individual artist photos, and laying out the track lists and artist information on the front and back covers as well as the spine in between. The design aims to make the album cohesive while highlighting the various artists and songs included.
This document outlines ideas for designing a digipak for a compilation album featuring songs from various artists. It discusses including information about songs and copyright on the CD disk. The front cover design ideas include featuring photos of all the artists or a single photo representing the album's feel. The back cover would include CD and DVD track lists with background images and information at the bottom. The spine would feature the album name to match the color scheme and provide cohesion across the design.
The document discusses the design and conventions used in the media products created by the student, including an album cover, inside cover, back cover, poster, and music video for a rock/punk band. The front cover uses conventions like advisory warnings and placing the artist and album names at the top. The inside cover and elements of the covers link together through consistent fonts, colors, and imagery. Audience feedback was incorporated to improve the designs. Research involved analyzing other album covers and music videos, and media technologies like Yahoo, Macromedia Fireworks, iMovie, and PowerPoint were used in planning, constructing, and evaluating the media products.
We took multiple photos of the band at their gigs to find the perfect image for the CD cover using a Canon EOS camera. We uploaded the photos to our Mac and edited them in Photoshop, choosing a low-key lit photo of the band in focus against a darker background. The back cover and inside booklets featured the same simple design and font as the front for consistency. The photo used on the CD was also used in a magazine ad to link the two. The overall case was kept basic but effectively promoted the band for their debut album.
The document discusses ideas for the packaging of a punk rock band's upcoming album. It considers options for the album name, as well as designs for the front and back covers of the digipak and CD artwork. Four main ideas are presented for the front cover: a cartoon background, a band photo, a landscape photo with a contrasting inside cover, or an image of a mascot. Designs for the CD and back cover would feature elements matching the album theme as well as necessary information like song lists and copyright details.
The document discusses ideas for the packaging of a punk rock band's upcoming album. It considers options for the album name, as well as designs for the front and back covers of the digipak and CD artwork. Four main ideas are presented for the front cover: a cartoon background, a band photo, a landscape photo with a contrasting inside cover, or an image of a mascot. Designs for the CD and back cover would feature elements matching the album theme as well as necessary information like song lists and copyright details.
Project pitch for digipak and magazine advertCarlosWardo
Carl Ward proposes a magazine advertisement and digipak design for a folk band. He researches ads by Mumford and Sons and Noah and the Whale as examples for fitting the folk genre. For the magazine ad, Carl sketches layout ideas including the band name, digipak name/features, and release date. For the digipak design, Carl considers front cover images combining the band name with nature images relating to the album. The inside would include the CDs with tree tops, reviews, and band information. The back would list songs and continue the front image. Carl aims to practice filming techniques in addition to lip syncing for a required video task and seeks audience feedback through a survey.
The document contains two ideas for magazine advertisements for the album "The Closer It Gets" by the band New York Summer.
The first idea features a header with the album name and question "But to what?". It also shows the digipak and websites to visit.
The second idea again shows the digipak and album cover with a white box around it. It includes the band's website and information boxes about release date and where to order. This provides an alternative advertisement design to consider.
The document lists 12 songs for an album and then lists two sets of 12 potential album names with ratings of yes, no or maybe for each. Several of the potential album names are variations on themes of struggling through life and holding on.
The document lists 12 songs for an album and then lists two sets of 12 potential album names with ratings of yes, no or maybe for each. Several of the potential album names are variations on themes of struggling through life and holding on.
The document presents two ideas for advertising a band called "New York Summer". Both ideas feature the band's name and album name in white or black colors against the background. Idea One places the text over a full-width photo while Idea Two separates the new album information from upcoming tours below a dividing line. Both highlight websites for booking tickets or finding more information.
The document discusses two photos taken to test ideas for a music CD cover. The first photo shows part of the photographer's brother's body and was used as the front cover since it had the correct indie style look. The second photo of his back was meant for the back cover to give a 3D effect but did not come out well, so only half his body was used instead of the full blurry image.
The document summarizes photos taken at Heaton Park to scout it as a location for filming a music video. The photos show the models Ashley and Kate in different poses and scenarios to depict the storyline and emotions portrayed in the song. The photos will be used to create a storyboard and determine the filming order and how to represent the lyrics through visuals. Heaton Park was deemed a suitable location after reviewing the photos.
The document discusses and analyzes various album covers that the author researched during a trip to HMV in Manchester. Key details include:
- Descriptions of album covers for artists like Aerosmith, Basement Jaxx, Boys Like Girls, and others including elements like colors, fonts, images and layouts.
- Explanations of how elements of the covers draw attention, represent the artist's style, or highlight important information.
- A final section showing additional covers without descriptions that were found during the research trip.
The document summarizes photos taken at Heaton Park to scout it as a location for filming a music video. The photos show the models Ashley and Kate in different poses and scenarios to depict the story and emotions portrayed in the song. The photos will be used to create a storyboard and determine the filming order and how to represent the themes and relationships between the characters through their physical interactions and facial expressions. Heaton Park was deemed a suitable location after reviewing the photos.
The document describes an album titled "New York Summers" by the band of the same name. It includes photos of band members and models. The album contains 12 songs, listed as "1. Watch Me Burn" through "12. Be Just Fine".
The document discusses photos taken at a motorway to assess whether it would be a suitable filming location for a music video. It describes shots of traffic lights and vehicle lights at different times of day to showcase the changing lighting conditions. Several photos are analyzed to show blurry backgrounds that could transition between focused and blurred areas to represent the flow of traffic. The motorway location offers dynamic lighting effects from traffic lights and vehicles that could be incorporated into the video if selected.
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
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Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Flat Plan - Cd Cover 4
1. Idea One
Photo – Covering the
whole of the advert
allowing us to see the
whole of the image.
Songs for the album
Information Logo
Barcode
This is my first idea, I’ve used a photo of the band to create the back cover as I thought this would
show the band off and allow the audience to view the singers that have performed these songs
presented on the CD.
2. However, there is a reason why I would change the photo to something else, the main reason why
would just be because of the difficulty it presents with the reading of the information. The songs are
hard to read upon the colour that the image is presented in and also the colours that I’ve used too,
clash making it difficult to read the song names. The things that I would change would actually be the
image, using something better allowing you to read the information.
Idea Two
Photo Here – Covering
most of the CD Cover
apart from the grey parts
(look for grey stars).
Band Name
Album Name
3. Above is my second idea, I’ve used a photo that I took myself using an original photo has allowed me
to show my capability of what I can create from my photography skills – as well as the skills of
Photoshop. I do like this cover as it shows a photo relating towards the Front Cover, complimenting
each other and showing that they are ment to be presented together which shows a professional side
to my work.
The photo that I’ve used shows a distinctive reflection in the lighting from the outside light this
allowed me to create the correct lighting that I needed in order to capture the correct photo that I
wished. Also the text size/style/colours that I’ve used work well with the photo and make them stand
out more against the bright colourful background. This allows you to read the information that has
been presented and also see the songs listed on the back of the cover.
Therefore this is my final design for the back cover, towards the digipak (CD/DVD package).