Filming Schedule
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The document outlines the filming schedule and details for a short film, including dates, times, locations, shots, actors, costumes, props, and equipment. On May 11th, scenes will be filmed of Mia on her phone in her bedroom, an establishing shot of traffic outside her house, and a long shot of Mia walking past a gang calling her over to talk and take drugs by a train bridge. Further scenes on June 11th will show Mia meeting friends and having an argument at a bench by a canal, and interior medium shots at a house of Mia's mother drinking with her step-father holding a baby.
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Filming Schedule 
The document provides a shooting schedule and details for a film including date, time, location, shot type, actions, actors, costumes, props, and equipment for each scene. On May 11th, scenes include Mia on her phone, the gang calling Mia over and chatting while taking drugs by a train bridge. On June 6th, scenes include Mia arguing with friends by a canal and a close-up shot of Mia's mother drinking while her stepfather holds a baby at their house.
Timeline
1. The document outlines a timeline of shots for a TV show or film, including establishing shots of locations, characters displaying different emotions, shots implying stalking and pursuit, and shots showing signs of drug addiction such as drinking, smoking, and passing out.
2. Shots include a happy couple where a man in black is seen in the background, and a person walking fast while another figure follows closer behind.
3. The timeline ends with a shot of a person implied to be dead on the floor, suggesting the climax of stalking and drug addiction plot lines.
3 draft trailers
The document outlines 3 draft trailers for a psychological thriller film. Each trailer is divided into 8 squares or scenes:
Trailer 1 establishes the setting of a high school and introduces the main actress and antagonist. It shows the antagonist escaping with an axe and photo. Scenes of the school being evacuated play over a voice saying "patient 2866 has escaped."
Trailer 2 opens with a phone call about an escape and shows the actress being rude to someone who later becomes the patient. It includes shots of the asylum and hints that the patient wants revenge through messages like "he didn't forgive."
Trailer 3 directly introduces the antagonist entering the school with an axe. It includes more shots of people hiding and
Storyboard sorority row
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
Storyboard
The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between the killer and victims, and medium shots of a character being chased, grabbed, and dragged down stairs by the killer.
The Location - Shot by Shot
The document outlines 20 shots for a film scene. Shot 1 establishes the main character in a hallway. Shot 2 shows her peeking through a kitchen door. Shot 3 introduces another character in the kitchen and establishes a back-and-forth dialogue between shots. Further shots alternate between characters' points of view, follow the character through the house including up stairs, and eventually show her finding her lost teddy under a bed. The shots are planned to follow standard cinematography techniques like the rule of thirds.
Shooting schedule
This document outlines the production schedule and shooting details for a short film called "Watching". It lists Emma Johnson as the producer, Abbie Concannon as the director, Fatima Khanum as the production manager, and Molly Chard as the 1st assistant director. The film shoot is scheduled to take place from November 11-15, 2013 on Blakelock Road outside a college. The plot involves a girl being stalked and murdered by a man while walking alone at night. Specific scenes and roles are outlined for each day of filming.
Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to showcase his paranoia and that he is being stalked by an unknown attacker.
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Filming Schedule
The document provides a shooting schedule and details for a film including date, time, location, shot type, actions, actors, costumes, props, and equipment for each scene. On May 11th, scenes include Mia on her phone, the gang calling Mia over and chatting while taking drugs by a train bridge. On June 6th, scenes include Mia arguing with friends by a canal and a close-up shot of Mia's mother drinking while her stepfather holds a baby at their house.
Timeline
1. The document outlines a timeline of shots for a TV show or film, including establishing shots of locations, characters displaying different emotions, shots implying stalking and pursuit, and shots showing signs of drug addiction such as drinking, smoking, and passing out.
2. Shots include a happy couple where a man in black is seen in the background, and a person walking fast while another figure follows closer behind.
3. The timeline ends with a shot of a person implied to be dead on the floor, suggesting the climax of stalking and drug addiction plot lines.
3 draft trailers
The document outlines 3 draft trailers for a psychological thriller film. Each trailer is divided into 8 squares or scenes:
Trailer 1 establishes the setting of a high school and introduces the main actress and antagonist. It shows the antagonist escaping with an axe and photo. Scenes of the school being evacuated play over a voice saying "patient 2866 has escaped."
Trailer 2 opens with a phone call about an escape and shows the actress being rude to someone who later becomes the patient. It includes shots of the asylum and hints that the patient wants revenge through messages like "he didn't forgive."
Trailer 3 directly introduces the antagonist entering the school with an axe. It includes more shots of people hiding and
Storyboard sorority row
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
Storyboard
The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between the killer and victims, and medium shots of a character being chased, grabbed, and dragged down stairs by the killer.
The Location - Shot by Shot
The document outlines 20 shots for a film scene. Shot 1 establishes the main character in a hallway. Shot 2 shows her peeking through a kitchen door. Shot 3 introduces another character in the kitchen and establishes a back-and-forth dialogue between shots. Further shots alternate between characters' points of view, follow the character through the house including up stairs, and eventually show her finding her lost teddy under a bed. The shots are planned to follow standard cinematography techniques like the rule of thirds.
Shooting schedule
This document outlines the production schedule and shooting details for a short film called "Watching". It lists Emma Johnson as the producer, Abbie Concannon as the director, Fatima Khanum as the production manager, and Molly Chard as the 1st assistant director. The film shoot is scheduled to take place from November 11-15, 2013 on Blakelock Road outside a college. The plot involves a girl being stalked and murdered by a man while walking alone at night. Specific scenes and roles are outlined for each day of filming.
Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to showcase his paranoia and that he is being stalked by an unknown attacker.
Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to show his paranoia both inside and out of his home. Knives and a bag will be key props, and suspenseful thriller music will build tension throughout the sequence as the editing rapidly increases pace.
Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to show his paranoia both inside and out of his home. Knives and a bag will be key props, and suspenseful thriller music will build tension throughout the sequence as the editing rapidly increases pace.
Shot list
This shot list provides details for 5 shots in a film scene where a group of friends explore an abandoned house. Shot 1 establishes the outside of the school buildings with buildup music. Shot 2 shows all the characters entering an empty field with continuing buildup music as they approach the house. Shot 3 slowly zooms in on the school building outside door with suspenseful music as they break into the house. Shot 4 moves left to right inside a room with suspenseful music as the group explores the broken into house. Shot 5 remains still on someone's startled face with jumpy music as something happens while exploring one of the rooms.
Shot List
The document provides details on 35 shots for a film scene involving a detective investigating a girl. It describes elements like camera angles, character movements, lighting, sounds, and locations for each shot. The shots progress from the detective following the girl to confronting a villain at a computer while pointing a gun at him. The final shots involve the detective smiling and saying "Game over" as he pulls the trigger on the villain.
Shot list
This document contains a shot list for a music video titled "If I Were a Boy MV". It outlines 56 shots across 5 scenes: 1) The main character getting ready in their bedroom, 2) Another character getting ready in their bedroom, 3) The two characters walking together on the street, 4) The characters sitting and playing together in a park, and 5) The characters at one of their houses. The shots include a variety of angles, distances, and camera movements to capture the actions and interactions between the characters throughout the video.
Shot list
This shot list contains 41 shots describing scenes from a film involving the kidnapping and torture of several girls. The shots show the girls being abducted on the street, tied up in a kitchen and shed, a boy being dragged into the shed while injured, the girls interrogating and attacking their captors, and two girls holding another over a fire while being watched by a man drinking wine. Location details and some dialogue are provided to give context for each shot.
Friday march 4, 2011 was a weird day
The document is a collection of observations from March 4, 2011 by Sam Smith describing weird scenes from around the world, including carnivals in Bolivia and Berlin, architectural structures in Dubai, Chicago, Shanghai, and Rio de Janeiro, and unusual sights in Spain, Venice, Malaysia, Somalia, and France.
Idea for film 4
The short film follows a man searching an abandoned house for food in an apocalyptic setting. He encounters zombies and struggles to survive. It is revealed that the apocalyptic scenario is part of the man's imagination, and the zombies are actually his family. In a series of flashbacks and the present time, the man fights for his life against the undead versions of his loved ones. In the end, he hangs himself upon realizing he has killed his wife and the apocalypse was just in his mind.
Shooting schedule
This shooting schedule outlines scenes over several days filming for the movie "The Dead Returning". Scenes include a phone call at Rowan's house on November 29th with characters Arren and Tom. Another scene on November 29th shows Dad working in his car with a phone call. Outdoor scenes on December 6th involve children Beth and Grace playing in the garden and Beth hiding in a closet. Later scenes include Tom being rejected during a phone call in his bedroom on December 7th, a car attack involving Arren, Tom and Dad on December 6th, and a night scene on December 7th of Tom being chased down the street. The final scenes listed involve a news reporter at a school on December 7th.
Timeline
1. The document outlines a timeline of 15 verbal, non-verbal, and technical codes that could be used to develop tension and emotions in a TV show or film. It includes shots showing different emotions, someone being accused, promotional shots of the setting, implied dialogue, shots of someone looking anxious and speed walking while being followed, and a final shot implied to show a death.
Unit 16 lo3 b
The document provides details on 19 shots for a film scene involving an interrogation. It describes the shots which include close-ups and mid shots of the individuals being interrogated and the detective. It also describes a flashback scene showing interactions and dialogue between some of the individuals at a party on the night of an incident. The document includes notes on dialogue, atmospheric sounds, sound effects and non-diegetic music to be used in each shot.
Idea for film 2
The document outlines a 5 part idea for a film. Part 1 introduces the protagonist alone in a kitchen with a hallucinated boy after being bitten. A flashback reveals in Part 2 that the protagonist entered an abandoned house searching rooms with his weapon. In Part 3 he is injured in the bathroom by a zombie and struggles to reach his gun. Part 4 shows him searching the house and being attacked by a zombie while listening to music. Part 5 returns to the present with the protagonist attempting to stop the bleeding from his bite by cutting off his arm.
Draft 2 planning
The girl is sitting in the park reading through her journal which contains flashbacks of her arguing with her mother and being physically abused. She realizes she is running late to her 4:30pm curfew and rushes home. When she arrives, she hesitates at the front door, worried about her mother's reaction to her being late. She sees that she has 10 missed calls from her mother.
Draft 3 planning
This document provides a draft timeline and planning details for shooting scenes for a short film. The timeline outlines the opening sequence showing a girl arriving at a park and having flashbacks through reading her journal of past abuse. It then shows her rushing home after seeing that she has missed calls from her mother. Shot descriptions and props needed are listed. A short term filming plan is provided to shoot the park and bus stop scenes on one day and indoor flashback scenes on another.
Thriller film script
The thriller film script follows Shauna as she walks down a street at night. She appears frightened and is running from an unseen pursuer. As she arrives at a house, she finds Alyssa and Lucy standing inside the doorway, unmoving. Shauna backs away in fear as the camera pans upwards and the lights fade to darkness, leaving Alyssa and Lucy standing motionless in long shots as the film ends.
The shot list for our music video
The shot list proposes 16 shots for a music video featuring artists Frank and Fabian. Shot locations include London at night, a dark room, BlackBox music studio, a music studio, and an estate of houses. Shots include establishing shots, long shots, mid shots, close ups, and extreme close ups of the artists rapping and moving around the locations. The final shot returns to an establishing shot of London at night.
Inhumane Script
The document provides a shot list for a film scene depicting a girl standing in a symmetrical background. It includes various camera shots ranging from long shots to close ups of the girl in the same position. Interspersed are flashback shots including the girl holding a knife to her face, a bottle smashing on a table, nooses tied up with the girl walking under them, and the word "inhumane" written in blood on a wall. The scene ends with a close up of the girl's face on a TV screen that then cuts to static and fades to black.
Storyline 2
1) The trailer begins with a disclaimer and production logo, then states a Facebook statistic.
2) It shows two girls walking home from school, with the popular girl planning to meet some guys whose identities she does not know.
3) That night, the popular girl receives a Facebook message from someone who seems to know what she is wearing, frightening her.
Storyline
1) The trailer begins with a popular girl receiving a suspicious Facebook message from someone who seems to know details about her life.
2) A news report then indicates that someone is killing people and uploading videos of the acts to social media, trying to identify the killer.
3) Multiple characters become targets of the killer, including the popular girl, a jock, and others, with brief shots showing their deaths intercut with shots of the killer stalking locations like a school and parks.
Risk Assessment
The document outlines several risks associated with filming a trailer and proposes risk controls. It identifies risks such as: knocking over equipment in a small bedroom; props like glass bottles smashing and causing cuts; working near roads with traffic; equipment being mistreated or broken; and injuries from walking through bushes. Control measures proposed include: clearing space for equipment; being careful with props; having people direct traffic; treating equipment carefully; and being aware of surroundings when walking locations.
Location shots
This document discusses various locations that were used for shooting scenes in a film trailer. It describes five different locations: 1) a residential area with a bench used for a scene where characters meet up and argue; 2) under a train bridge where the gang hangs out, described as run down and isolated; 3) the outskirts of town with a bench where a character joins the gang; 4) a road with some traffic where a character receives a phone call; and 5) grass and bush areas on the side of the road suggesting an abandoned area where characters cross to leave one character behind. Each location was chosen to suit different aspects and scenes in the film trailer.
Multimodal texts
The document provides an analysis of the multimodal features used in movie trailers to impact audiences. It examines the use of written text, spoken language, moving images, sound effects, and music in the trailers for Selma, Central Intelligence, and Suicide Squad. The analysis finds that these features are used to convey information to audiences, set the tone and genre, create anticipation, and appeal to a wide target audience to increase ticket sales.
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Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to show his paranoia both inside and out of his home. Knives and a bag will be key props, and suspenseful thriller music will build tension throughout the sequence as the editing rapidly increases pace.
Thriller opening proposal new
A young man is paranoid and uneasy as shown by his restless sleeping. He wakes up and hurriedly leaves his home which contains knives and fighting gear. As he exits his house, he is followed by a mysterious dark figure dressed all in black. This figure creeps up behind the boy and startles him by grabbing his shoulder, at which point the title of the thriller will appear. The opening sequence will take place in the boy's bedroom and an alleyway outside to show his paranoia both inside and out of his home. Knives and a bag will be key props, and suspenseful thriller music will build tension throughout the sequence as the editing rapidly increases pace.
Shot list
This shot list provides details for 5 shots in a film scene where a group of friends explore an abandoned house. Shot 1 establishes the outside of the school buildings with buildup music. Shot 2 shows all the characters entering an empty field with continuing buildup music as they approach the house. Shot 3 slowly zooms in on the school building outside door with suspenseful music as they break into the house. Shot 4 moves left to right inside a room with suspenseful music as the group explores the broken into house. Shot 5 remains still on someone's startled face with jumpy music as something happens while exploring one of the rooms.
Shot List
The document provides details on 35 shots for a film scene involving a detective investigating a girl. It describes elements like camera angles, character movements, lighting, sounds, and locations for each shot. The shots progress from the detective following the girl to confronting a villain at a computer while pointing a gun at him. The final shots involve the detective smiling and saying "Game over" as he pulls the trigger on the villain.
Shot list
This document contains a shot list for a music video titled "If I Were a Boy MV". It outlines 56 shots across 5 scenes: 1) The main character getting ready in their bedroom, 2) Another character getting ready in their bedroom, 3) The two characters walking together on the street, 4) The characters sitting and playing together in a park, and 5) The characters at one of their houses. The shots include a variety of angles, distances, and camera movements to capture the actions and interactions between the characters throughout the video.
Shot list
This shot list contains 41 shots describing scenes from a film involving the kidnapping and torture of several girls. The shots show the girls being abducted on the street, tied up in a kitchen and shed, a boy being dragged into the shed while injured, the girls interrogating and attacking their captors, and two girls holding another over a fire while being watched by a man drinking wine. Location details and some dialogue are provided to give context for each shot.
Friday march 4, 2011 was a weird day
The document is a collection of observations from March 4, 2011 by Sam Smith describing weird scenes from around the world, including carnivals in Bolivia and Berlin, architectural structures in Dubai, Chicago, Shanghai, and Rio de Janeiro, and unusual sights in Spain, Venice, Malaysia, Somalia, and France.
Idea for film 4
The short film follows a man searching an abandoned house for food in an apocalyptic setting. He encounters zombies and struggles to survive. It is revealed that the apocalyptic scenario is part of the man's imagination, and the zombies are actually his family. In a series of flashbacks and the present time, the man fights for his life against the undead versions of his loved ones. In the end, he hangs himself upon realizing he has killed his wife and the apocalypse was just in his mind.
Shooting schedule
This shooting schedule outlines scenes over several days filming for the movie "The Dead Returning". Scenes include a phone call at Rowan's house on November 29th with characters Arren and Tom. Another scene on November 29th shows Dad working in his car with a phone call. Outdoor scenes on December 6th involve children Beth and Grace playing in the garden and Beth hiding in a closet. Later scenes include Tom being rejected during a phone call in his bedroom on December 7th, a car attack involving Arren, Tom and Dad on December 6th, and a night scene on December 7th of Tom being chased down the street. The final scenes listed involve a news reporter at a school on December 7th.
Timeline
1. The document outlines a timeline of 15 verbal, non-verbal, and technical codes that could be used to develop tension and emotions in a TV show or film. It includes shots showing different emotions, someone being accused, promotional shots of the setting, implied dialogue, shots of someone looking anxious and speed walking while being followed, and a final shot implied to show a death.
Unit 16 lo3 b
The document provides details on 19 shots for a film scene involving an interrogation. It describes the shots which include close-ups and mid shots of the individuals being interrogated and the detective. It also describes a flashback scene showing interactions and dialogue between some of the individuals at a party on the night of an incident. The document includes notes on dialogue, atmospheric sounds, sound effects and non-diegetic music to be used in each shot.
Idea for film 2
The document outlines a 5 part idea for a film. Part 1 introduces the protagonist alone in a kitchen with a hallucinated boy after being bitten. A flashback reveals in Part 2 that the protagonist entered an abandoned house searching rooms with his weapon. In Part 3 he is injured in the bathroom by a zombie and struggles to reach his gun. Part 4 shows him searching the house and being attacked by a zombie while listening to music. Part 5 returns to the present with the protagonist attempting to stop the bleeding from his bite by cutting off his arm.
Draft 2 planning
The girl is sitting in the park reading through her journal which contains flashbacks of her arguing with her mother and being physically abused. She realizes she is running late to her 4:30pm curfew and rushes home. When she arrives, she hesitates at the front door, worried about her mother's reaction to her being late. She sees that she has 10 missed calls from her mother.
Draft 3 planning
This document provides a draft timeline and planning details for shooting scenes for a short film. The timeline outlines the opening sequence showing a girl arriving at a park and having flashbacks through reading her journal of past abuse. It then shows her rushing home after seeing that she has missed calls from her mother. Shot descriptions and props needed are listed. A short term filming plan is provided to shoot the park and bus stop scenes on one day and indoor flashback scenes on another.
Thriller film script
The thriller film script follows Shauna as she walks down a street at night. She appears frightened and is running from an unseen pursuer. As she arrives at a house, she finds Alyssa and Lucy standing inside the doorway, unmoving. Shauna backs away in fear as the camera pans upwards and the lights fade to darkness, leaving Alyssa and Lucy standing motionless in long shots as the film ends.
The shot list for our music video
The shot list proposes 16 shots for a music video featuring artists Frank and Fabian. Shot locations include London at night, a dark room, BlackBox music studio, a music studio, and an estate of houses. Shots include establishing shots, long shots, mid shots, close ups, and extreme close ups of the artists rapping and moving around the locations. The final shot returns to an establishing shot of London at night.
Inhumane Script
The document provides a shot list for a film scene depicting a girl standing in a symmetrical background. It includes various camera shots ranging from long shots to close ups of the girl in the same position. Interspersed are flashback shots including the girl holding a knife to her face, a bottle smashing on a table, nooses tied up with the girl walking under them, and the word "inhumane" written in blood on a wall. The scene ends with a close up of the girl's face on a TV screen that then cuts to static and fades to black.
Storyline 2
1) The trailer begins with a disclaimer and production logo, then states a Facebook statistic.
2) It shows two girls walking home from school, with the popular girl planning to meet some guys whose identities she does not know.
3) That night, the popular girl receives a Facebook message from someone who seems to know what she is wearing, frightening her.
Storyline
1) The trailer begins with a popular girl receiving a suspicious Facebook message from someone who seems to know details about her life.
2) A news report then indicates that someone is killing people and uploading videos of the acts to social media, trying to identify the killer.
3) Multiple characters become targets of the killer, including the popular girl, a jock, and others, with brief shots showing their deaths intercut with shots of the killer stalking locations like a school and parks.
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Risk Assessment
The document outlines several risks associated with filming a trailer and proposes risk controls. It identifies risks such as: knocking over equipment in a small bedroom; props like glass bottles smashing and causing cuts; working near roads with traffic; equipment being mistreated or broken; and injuries from walking through bushes. Control measures proposed include: clearing space for equipment; being careful with props; having people direct traffic; treating equipment carefully; and being aware of surroundings when walking locations.
Location shots
This document discusses various locations that were used for shooting scenes in a film trailer. It describes five different locations: 1) a residential area with a bench used for a scene where characters meet up and argue; 2) under a train bridge where the gang hangs out, described as run down and isolated; 3) the outskirts of town with a bench where a character joins the gang; 4) a road with some traffic where a character receives a phone call; and 5) grass and bush areas on the side of the road suggesting an abandoned area where characters cross to leave one character behind. Each location was chosen to suit different aspects and scenes in the film trailer.
Multimodal texts
The document provides an analysis of the multimodal features used in movie trailers to impact audiences. It examines the use of written text, spoken language, moving images, sound effects, and music in the trailers for Selma, Central Intelligence, and Suicide Squad. The analysis finds that these features are used to convey information to audiences, set the tone and genre, create anticipation, and appeal to a wide target audience to increase ticket sales.
Captain fantastic’ trailer
The film trailer introduces the family who live happily in the forest away from society. When the mother dies, the children must venture into the real world for the first time to attend her funeral. They struggle to adjust and don't fit in, learning difficult lessons. The father faces challenges as others question his parenting. The trailer shows the family's journey as they experience new things and deal with their loss while maintaining their close bond.
Storyboard - 2nd Draft
The document is a second draft of a storyboard. Storyboards are used in filmmaking and animation to plan scenes and visualize the flow of action. This particular storyboard draft has been revised from a previous version to refine and improve upon the planned sequence of events in the story.
Soundtrack
The document analyzes the soundtracks of two movie trailers, The Good Lie and Birdman. For The Good Lie, the soundtrack uses uplifting African music to set the scene and introduces the main characters as refugees from Sudan. For Birdman, the soundtrack shifts between classical and drum music to represent the protagonist's changing mood and life situation as a former celebrity struggling in the present. Both soundtracks effectively summarize the films' stories through music and dialogue without revealing the endings.
Film trailer script
This film trailer script provides an overview of key scenes and narrative elements. It consists of 30 frames that show Mia at home, with friends, and joining a gang, before she gets left behind by the gang and steps into the road, where a car screeches to a halt. Interspersed are captions that provide context about awards, reviews, and narrative themes. The script establishes Mia's circumstances and hints at the drama that unfolds when she loses her way but seeks new hope with the gang.
Treatment
The document discusses the production of a film trailer for a social realism film targeted at teenagers and young adults aged 15-25. It will include magazine covers, posters, and hashtags to promote the film on social media. The trailer will follow conventions like introducing problems and events over the course of the film. It will be distributed on buses, TV, and art house cinemas. The main character explores social issues like friendship, drinking, and family arguments. While some representations conform to stereotypes, the male character subverts expectations. The trailer aims to clearly portray the social realism genre through locations, tones, and depicting the main character's journey overcoming adversity.
Location Shots
The document discusses four potential film locations:
1) A bench near houses, for scenes of Mia walking to meet friends.
2) Another bench near a road and houses, for scenes of Mia encountering a gang.
3) Under a train bridge in an abandoned area, for scenes of the gang drinking and using drugs.
4) A field with an opening to a road, for scenes of the gang walking and Mia stopping to decline a phone call. The locations provide rural yet populated settings that fit the needs of the scenes.
Logo questionnaire
This document is a questionnaire asking the respondent to rank 6 production company logos from most liked to least liked by numbering them 1 to 6, and providing additional comments.
Genre of film trailers
The document discusses how film trailers use genre to appeal to target audiences. It analyzes the genres and intended audiences of the films Unbroken, American Sniper, and Blackhat. All three films are described as realistic dramas based on true stories. Unbroken and American Sniper focus on the experiences of men at war, while Blackhat involves a cyber terrorism plot. The trailers use music, imagery and other elements to set the tone expected for their genres and give viewers a sense of whether they align with the intended audience.
Social Realism Questionnaire
The document summarizes the results of a questionnaire about a potential social realism film. For the question on whether respondents had heard of social realism, 60% answered yes. For the question on gender of the lead, responses were split 50-50 between male and female. 80% of respondents said they would watch the film based on the summary provided. 71% thought the brief would appeal to an audience aged 15-25. And 80% thought the film summary fit the genre of social realism. Overall, the results indicate strong interest and recognition of key elements of social realism among the target audience.
Production brief
The document provides a production brief for a film trailer about a teenage girl who feels neglected by her family and turns to drugs and alcohol. It outlines the project name, format, length, deadlines, group members, target audience of female teenagers, comparable products, rationale behind the text, representations in the text, how success will be tested, generic codes and conventions, obvious and hidden messages, possible publishing suggestions, and resource constraints.
Film opening script
This trailer summarizes the plot of a new film about a teenage girl named Mia dealing with family issues at home. It shows Mia arguing with her friends, joining a gang who drink and do drugs, and impulsively chasing after them into the path of an oncoming car. The trailer builds tension through its shots of Mia's troubled home life and risky decisions with the gang, culminating in the car accident at the end. It promotes the film's exploration of a girl losing her way but ultimately finding new hope.
Social Realism Film Posters Analysis
The document analyzes several movie posters for social realism films. It discusses various design elements used in the posters and how they aim to attract audiences. Common elements included are: plain backgrounds to make text/images stand out; main actors/characters in large font to create recognition; taglines to hint at narratives; reviews/awards to establish credibility; and images that provide clues to the film's storylines or targeted demographics. Overall, the posters analyzed use graphic and textual elements strategically to intrigue audiences and encourage viewership.
Techniques used in film trailers
The document discusses techniques used in film trailers to engage audiences. It analyzes shots like long shots to set the scene, close ups to show emotion, two shots to suggest relationships, and mid shots to set atmosphere. It also discusses uses of cuts, quick cuts to add pace, fades between scenes, over the shoulder shots for conversations, and music to enhance dramatic moments or suggest context. The goal of using these techniques in trailers is to interest audiences and entice them to watch the full film by highlighting characters, relationships, and pivotal moments in a fast-paced manner.
Evaluation Question 1
This document analyzes conventions used in film trailers for social realism genres and how the media product adheres to or challenges these conventions. It discusses elements like titles, establishing shots, logos, mise-en-scene, costumes, camera techniques, captions, reviews, characters, and settings from example film trailers. For each element, it notes how the media product incorporates similar conventions, such as using simple titles and fonts, grounded establishing shots, and emotive camera angles, while also subverting some expectations, like having a female lead instead of a male. The analysis of conventions from example trailers and application to the media product shows an understanding of how to effectively summarize a document.
Crime genre
This document analyzes and compares the genres and features of three different film trailers. It finds that while they are all primarily in the crime genre, they each incorporate other genres like romance and comedy as well. The trailers make use of special effects like explosions and employ soundtracks to help set tone and create suspense. The intended audiences appear to be teenagers, young adults, and those interested in the books or games the films are based on. Common features across the crime genre trailers are guns, fights, car chases, and explosions.
Detailed Film Poster Analysis
The poster analyzes the key elements of film posters including the title, reviews, images, taglines, backgrounds, logos and bylines. These elements are purposefully included in posters to attract audiences, provide information and context about the film, and help promote the film through reviews, intrigue and familiar names. Posters aim to sell the film and draw in the widest possible audience through these visual and textual marketing techniques.
Analysing Potential Film Poster Images
The document discusses feedback received on test images for a film poster. Image 1 was most favored as it framed the main character prominently. Images 3 and 4 were less clear about the main character. Feedback indicated a preference for being able to see supporting characters both closer and further from the main character. The best received images will likely be used for the final poster design since they clearly highlighted the main character.
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Evaluation 2
The document discusses how the trailer, poster, and magazine cover work together as a marketing campaign for a film. It analyzes how key elements like location, costumes, colors, fonts, taglines, and logos are consistently used across all three items to clearly link them and effectively promote the film. While the magazine cover cannot include every single element, it mirrors the most important visuals, text, and colors from the trailer and poster to still feel connected as part of the overall campaign.
Magazine Cover Screenshots - Final Draft of Cover
The document describes various edits and design changes made to a magazine cover. The website address was moved underneath the title to increase visibility. Text around Sophie's head was filled in using a spot healing tool. The anchorage text was made slightly smaller using transform tools. An American price was added below the British price since the magazine covers world cinema. The background was darkened by selecting Sophie's body, creating a new layer, and using brightness tools. The cover line text was spread out so 'music' and 'stop' aligned.
Magazine Cover Draft 1 Process with Screenshots
The document describes the process of creating a magazine cover in Adobe Photoshop CC 2015. Key steps included:
1) Cropping and resizing the background image to fit a magazine cover format.
2) Selecting and separating the actor's head from the rest of the image using selection and layer tools.
3) Adding elements like the magazine logo, barcode, price, and text describing cover stories using shape and text tools.
4) Refining the layout and design through adjustments to font sizes, colors, and positions of elements to improve readability and emphasis.
Magazine Logo Ideas
Creating a memorable logo is key for any new magazine. Designers should consider incorporating the magazine's name, focus, or tone into simple, eye-catching visuals that will stand out on shelves and online. An effective logo combines recognizability and versatility to build awareness of the brand across different formats and over time.
Film Poster Step By Step Process
The document describes the process of creating a movie poster in Photoshop. It involves selecting and adjusting elements like characters, cropping and positioning images, adding text, and blending layers. Multiple adjustment tools are used to darken and lighten sections, remove distractions, and ensure the focal person stands out against the background. The final poster includes credits, reviews, release details and logos positioned according to conventions.
Evaluation: Question 1
The document discusses how the media product, a film trailer, uses conventions of the social realism genre. It analyzes elements like props, logos, locations, characters, titles, and credits from the trailer and compares them to examples from real social realism films. Overall, it shows how the trailer conforms to genre conventions through similar use of these elements, while also subverting some expectations through its rural setting rather than an urban one typically seen in social realism.
Film Magazine Covers Analysis
The document analyzes magazine covers and how they are designed to attract readers. It discusses several elements of magazine covers including the use of images, titles, fonts, colors and additional information. Placement of elements is also important as covers aim to draw attention to key details like the main article title and image. Summaries of additional articles encourage readers to learn more about other stories inside the issue. Together, these visual and textual elements are crafted to entice audiences to purchase the magazine.
Props
The document discusses several props that will be used in a trailer to convey meaning, set scenes, and represent characters. Fake drugs made of baking powder in clear bags, empty beer bottles, and cardboard will establish an abandoned area and suggest reckless behavior. A range of empty bottles will further indicate illegal acts and the stereotype of teenage drinking. A cell phone will be used to represent teenage obsession with technology and play a role in the narrative.
Treatment
1) The trailer is being produced to promote a film with a female protagonist, targeting teenagers and young adults aged 15-25, especially females.
2) The trailer will be distributed in cinemas, on television, and social media to reach its target audience.
3) The trailer will use the conventions of the social realism genre, including typical locations, characters, and a narrative about a protagonist dealing with social issues and changes in her life, while also subverting some stereotypes about teenagers and gender.
Production Brief - A2 Media Studies
The production brief outlines a short film project focusing on a troubled teenage girl. The film will be a social realism drama approximately two minutes in length. It will tell the story of a 18-year-old girl who feels unwanted by her family and begins hanging out with a bad crowd, until she nearly gets hit by a car and meets a man who helps repair her family relationships. The filmmakers will create a trailer, poster and magazine cover to promote the film. They have researched comparable social issue films and plan to vary the trailer's pace and match music to editing to engage audiences. Representations of teenagers and family dynamics will conform to stereotypes initially but subvert expectations by the end. The filmmakers will test screen
Southpaw Trailer Close Analysis
This trailer is for the sports drama film 'Southpaw'. It focuses on the rise and fall of boxer Billy Hope as he deals with tragedies in his personal life. After his wife's death, he loses his daughter and his boxing career is suspended. The film explores how these events impact and motivate him. Notable stars like Jake Gyllenhaal, Forest Whitaker, and Rachel McAdams are highlighted to attract audiences. The hybrid genres of sports and drama along with themes of overcoming adversity position the target audience as predominantly male fans of boxing and sports films.
Mulitmodal Texts
The document summarizes the key multimodal features used in the trailers for the films "Selma" and "Joy" and analyzes their impact on the audience. For "Selma", the written text establishes the historical context, the dialogue emphasizes Martin Luther King's message, and the images and sounds convey a sense of violence and tension. For "Joy", the written text introduces the film, the dialogue reflects the main character's journey, and the images, sounds and music of the era help audiences connect with the narrative.
How did you attract/address your audience?
The document discusses various techniques used in the opening of a crime/action thriller film to engage the audience. It describes using a toy gun and headset to signify the genre. Fast-paced music was chosen to match other action films and keep the opening energetic. Text was included to clearly establish the time and setting. Split screen editing allowed multiple events to be shown simultaneously and maintain pace. The unique selling point of having female leads in action roles challenges stereotypes and makes the film more interesting to wider audiences.
How did you attract/address your audience?
The document discusses various techniques used in the opening of a crime/action thriller film to engage the audience. It describes using a toy gun and headset to signify the genre. Fast-paced music was chosen to match other action films and keep the opening energetic. Text was included to clearly establish the time and setting. Split screen editing allowed multiple events to be shown simultaneously and maintain pace. The unique selling point of having female leads in action roles challenges stereotypes and makes the film more interesting to wider audiences.
Evaluation 1
The document analyzes and evaluates the film opening created by the student. It discusses several elements of the opening including the use of credits, introduction of characters, props, story/narrative set up, editing, camerawork, and title of the film. It provides examples from real films to demonstrate how the student's opening develops or challenges conventions of the crime/thriller genre. Overall, the document offers a thorough review and analysis of the techniques used in the student's opening title sequence.
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Filming Schedule
- 1. Date Time Location Shots Action/ Content Actors Costume Props Equipment 5/11/16 12:45 Bedroom Medium shot Mia is on her phone. Sophie Casual clothes. Mobile phone Camera Tripod 5/11/16 1:30 Outside house Establishing shot Passing traffic in area. N/A N/A N/A Camera Tripod 5/11/16 1:45 Bench by road Long/tracking shot Over the shoulder shot Mia walking past a gang and them calling her over. Sophie Rebecca Amy Katie Sophie – casual clothes. Gang – darker clothing. N/A Camera Tripod 5/11/16 2:45 Train bridge Long shot Medium shot Gang and Mia talking and taking drugs and drinking. Sophie Rebecca Amy Katie Darker clothes – including hoodies. Empty beer bottles Fake drugs Cardboard Camera Tripod 5/11/16 4:00 Common/ field Point of view shot Long shot Close up shot Medium shot Gang walking through field and crossing road. Sophie Rebecca Amy Katie Darker clothes – including hoodies. Mobile phone Camera Tripod 6/11/16 10:00 Bench by canal Long shot Medium shot Mia meeting friends and having an argument. Sophie Eleanor Emily Casual clothes. N/A Camera Tripod 6/11/16 12:45 House Medium shot Point of view shot Close up shot Mia’s mother drinking and her step- father holding baby. Linda David Mother - casual clothes /loungewear. Step-father – smart casual. Wine bottle Baby (doll) Blankets Camera Tripod