Filming day
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The document discusses the filming of scenes for a movie poster and film. It describes taking photos at a cemetery for the poster background. It also details setting up lighting and a table to film a bedroom scene and getting close-ups of an actor in a blacked out room. Additionally, it explains dampening fake blood on a shirt to make a death scene look realistic on camera.
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conjuring
The document provides an analysis of the opening scene of the horror film "The Conjuring". It summarizes that the film is based on a true story about paranormal investigators in 1971 investigating a family experiencing hauntings on their farmhouse. It analyzes the film techniques used in the opening scene, including low key lighting, eerie music, and the color red to build tension and scare the audience. Costumes, decor, and a doll are used to set the time period and suggest a sense of danger and lurking threats. Sound is employed with voice over, music, and loud chords to further frighten viewers. Camera work includes zooms, shots, and close-ups to draw attention to broken objects and remind
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Ignis is the main character of a film idea. In the first scene, only the light of a flame is visible in darkness. Ignis then appears in the light, with his face edited to have glowing red, burning eyes. The second location is an empty room where Ignis sits with his legs up and eyes visible. Flashbacks show him running without powers, which eventually cause him to fall and cry with tears down his cheeks. Another character enters and Ignis grabs them, with his eyes burning with flames, though he is eventually calmed down.
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The opening sequence of Alien establishes the dark, empty setting of space to make the audience feel uncomfortable and vulnerable. A long, panning shot introduces the foreign planet in the distance to emphasize how far from home the characters are. Slow, gloomy music and a gradual reveal of the title further underscore how mysterious and sophisticated space is.
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conjuring
The document provides an analysis of the opening scene of the horror film "The Conjuring". It summarizes that the film is based on a true story about paranormal investigators in 1971 investigating a family experiencing hauntings on their farmhouse. It analyzes the film techniques used in the opening scene, including low key lighting, eerie music, and the color red to build tension and scare the audience. Costumes, decor, and a doll are used to set the time period and suggest a sense of danger and lurking threats. Sound is employed with voice over, music, and loud chords to further frighten viewers. Camera work includes zooms, shots, and close-ups to draw attention to broken objects and remind
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The document provides an analysis of the opening sequence of the horror film "The Grudge". It summarizes the key elements of the sequence in the following ways:
1) The storyline of "The Grudge" involves a curse that is born when someone dies in anger or sorrow, and the curse kills those who encounter it and is passed from victim to victim.
2) The genre is supernatural horror, set in Japan where traditional elements like sleeping on blankets and sliding doors are shown.
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Opening sequence proposal for blog to finsh
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The document summarizes the narrative structure, cinematography techniques, editing, sound, mise-en-scene, representation, and genre of a music video. The narrative includes establishing shots of characters on a sofa, developing shots of people entering a house, and a complication of getting drunk in a field that leads to a climactic rewinding of the video in the bridge and resolution of characters sleeping off hangovers. Cinematography includes long shots, zooms, close-ups, and handheld camera work. Editing uses fades and rewinding. Sound includes an indie rock soundtrack and diegetic natural sounds. Mise-en-scene features include costumes, a house and field locations, and props like
Story board
The document provides descriptions of potential scenes and shots for a music video. The scenes include a ballerina dancing in a studio, an actress applying makeup and looking distressed, a woman singing as she walks down the street, the actress sitting by a window and singing, and the actress lying on the floor singing. Other scenes involve the actress swinging on a swing, walking in a field, sitting alone at an empty table, animations, a scrunched up piece of paper, photos of the actress posing with a heart, and a burning letter that sends a man packing. The scenes showcase the actress singing and emoting in various settings and poses.
Photography Schedule
The photography schedule outlines a shoot on January 25, 2017 at 9:30 AM featuring Thenuka as the model portraying G-Money/The Rapper. Shots will include close-ups, medium close-ups, and medium shots in the green screen room and black screen area at Sunmarke School, with studio lighting in the green screen room and photographic lighting in the black screen area. Thenuka will wear a hoodie to convey the rap genre, and the shoot will require a Canon EOS 70D DSLR, 18-55mm lens, and tripod.
Location recce 1
The document provides a location recce for filming a scene at 4 Linnet Close in Luton. The scene will be filmed in the living room and focus closely on one character. The lighting in the room is quite dark, which suits the character who is portrayed as dark. Some potential issues are that noise from children could interfere with filming, unless done when the children are absent. There are also potential trip hazards and shelves above the filming area that could pose risks if photos fell. Overall, the location is suitable for the thriller genre of the film despite some challenges.
Production roles
Henry Dence is directing a production titled "The Final Job" and taking on multiple roles such as director, script writer, camera operator, sound, editor, locations manager, costumes, and production manager. He will be responsible for directing shots and actors, writing the script, operating camera with others, handling sound, editing the film, securing three filming locations, coordinating costumes, and ensuring the production runs smoothly and meets deadlines.
Crime Scene Photography Portfolio Final Results
The document provides guidance on proper photography techniques for crime scene documentation. It discusses the importance of focusing the frame on the intended subject without distractions. It also addresses concepts like exposure, depth of field, white balance, lighting, and equipment settings needed to clearly capture evidence, layout, and details to document the crime scene for investigators and in court. Proper photography is essential to accurately represent the scene and location of key information.
Documentary Script
The document discusses how horror films from Japan and Germany in the early 20th century effectively used sound and lighting to create surprise and suspense for audiences. It provides examples from seminal Japanese films like Ugetsu and Rodan from the 1950s that used diegetic sounds and ominous lighting to build atmosphere. German Expressionist films from the 1920s like The Cabinet of Dr. Caligari and Nosferatu are highlighted for their use of non-diegetic music soundtracks and dramatic shadows to convey fear without words. The document argues these audiovisual techniques were pioneering in immersing viewers and eliciting strong emotional responses.
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The document analyzes and compares the opening title sequences (OTS) of four horror films: Terrified, Dawn of the Dead, Ernest: Scared Stupid, and The Last of Us. It describes the techniques used in each OTS to frighten audiences, such as scary music, jump scares, and news reports depicting a worsening situation. It also compares the OTS of Dawn of the Dead and The Last of Us in their similar depictions of outbreaks through news reports, and contrasts their visual styles. Ernest: Scared Stupid and Terrified are also compared for their use of horror elements, with a distinction made between the comedy and serious tones of each.
Common Film Languauge Roles
The document outlines various roles in film production such as director, screenwriter, cinematographer, editor, and sound designer. It provides definitions for each role from Dictionary.com and credits various Flickr users for images used on October 8, 2015.
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A man comes across another hiding in bushes during war. He loads his weapon, fires and the hidden man falls dead, ending the audio cut sequence. The creator edited the sounds to make them more realistic, changing volume and panning to make it seem like the person was moving. Two audio clips are the same track cut and stitched back together to recreate the story.
Evaluation question 5
The document discusses techniques used in a media production that appealed to the audience. It notes that the word exchange between characters speaking English and an Elvish language appealed to viewers by making the characters seem less human. A dynamic fight scene with music that maintained pace was also well-received. While the production incorporated some fantasy genre conventions like magic and elves, the limited colors, effects, and weapon props meant it may not have fully satisfied action fans. Camera angles that captured faces and expressions were a strength, especially a rising shot of a character getting up after being knocked down.
Opening sequence proposal for blog to finsh
The opening sequence proposal introduces four male characters, ages 20-21, getting dressed to go clubbing. The sequence will show each character fitting their ties and buttoning their blazers as they get ready at their separate houses, before meeting up. Despite being a comedy, the opening aims to introduce the main characters without humor in order to capture their perceived class and status through surroundings and costumes, set to music that synchronizes with the titles.
Group 070 pitch
The document proposes a teaser trailer that blends horror and social realism genres in a post-apocalyptic, possibly zombie-themed world where a virus has caused near total destruction of life. To set the eerie mood, the teaser would feature deserted locations, blood, diegetic screams and heavy breathing, shakey handheld camerawork, sparse non-diegetic music, silence, short and fast-paced shots, and a broken camera effect.
Av lesson6 internet_friendly
The document discusses different types of sound that can be used in movies including diegetic sound, non-diegetic sound, Foley effects, ambience, dubbing, ADR, sound bridges, and voice overs. It provides definitions for each type of sound and includes links to video clips that demonstrate these concepts. The document also mentions an Oscar winning short film called The Phone Call and includes a link for writing an analysis of the sounds used in the film.
Documentary styles
The document outlines 6 documentary styles described by Bill Nichols: poetic, expository, observational, participatory, reflexive, and performative. It provides examples and brief descriptions of each style. The poetic style uses subjective interpretations and creative editing. The expository style aims to inform by presenting facts, interviews, and narration. The observational style allows viewers to form their own conclusions through fly-on-the-wall footage without interference. The participatory style emphasizes interaction between filmmaker and subjects. The reflexive style exposes the documentary's construction. And the performative style addresses the audience emotionally through a narrative.
Are audiences impacted more by sound or visuals in film?
The document discusses how silent films relied solely on visuals to convey meaning and emotion, using techniques like expressionist sets, lighting, and camera angles. The introduction of sound in films in the 1920s allowed filmmakers to use music and other sounds to further set mood and atmosphere. While visuals were still important, sound provided elements that actors and visuals alone could not convey. The document examines examples from films like The Cabinet of Dr. Caligari to show how visual and auditory techniques worked together to impact audiences.
The apprentice
The document summarizes various aspects of the production techniques used in the television show "The Apprentice". It discusses how the costumes and setting are designed to mimic a business environment. It also describes the various camera shots used, including drone footage and close-ups. Dramatic music is used to build tension and anxiety among contestants. Editing employs jump cuts during action scenes to maintain a fast pace, with occasional smooth cuts during landscape shots and zooms to focus on key participants in boardroom discussions.
Im a celebrity
The document discusses various aspects of the production and style of the TV show "I'm a Celebrity Get Me Out of Here". It notes that the contestants wear jungle attire while the presenters wear smart casual clothing. It also describes the camera angles used, iconic theme music, diverse contestants but potentially stereotypical character, and fast-paced editing with frequent camera angle shifts during challenges.
Production concept of my Adventure Trailer
Chris is the main character who is introduced through narration describing his backstory and journey across the country seeking freedom and solitude in nature. The plot follows Chris' adventures as he encounters different landscapes and experiences while traveling. Most of the trailer will feature natural scenery shot at sunset to set an inspiring and adventurous tone. Chris wears typical hiking gear including an old army coat as his only props are cigarettes he smokes. The trailer uses techniques like low angle shots, dolly shots, and tracking shots of Chris walking to showcase the landscapes and his reactions throughout his journey. Sound and music will start low and increase in volume to match the progression of the trailer while incorporating natural ambient noises.
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Are audiences impacted more by sound or visuals in film?
Are audiences impacted more by sound or visuals in film?
Similar to Filming day
Evaluation task 1
The document compares shots and techniques used in the filmmaker's thriller to those used in several well-known thriller films to effectively create suspense and tension. It discusses how shots from films like "The Lovely Bones" and "The Usual Suspects" that frame characters from below or show isolated rooms or feet were replicated to give villains presence and convey isolation. Similarly, the use of subtle unsettling music in key moments, like in "The Lovely Bones," helped build an ominous atmosphere in the filmmaker's work. The comparisons highlight how established thriller techniques can successfully generate mystery and suspense when adopted in new films.
Treamentsheet 1
The treatment sheet provides details on the cinematography, lighting, camera work, and performance for a music video of Florence + The Machine's "Cosmic Love". It outlines using linear and parallel narratives to tell the story of the protagonist Hayley. Dark lighting and locations like the beach and church will be used to create a gothic style. Various camera shots like medium, close-up, and hand-held will showcase Hayley's performance and emotions. Her dancing will represent the song while establishing her image as the star.
Treamentsheet 1
This treatment sheet outlines plans for the lighting, camerawork, and performance aspects of a music video for Florence + The Machine's song "Cosmic Love". It proposes using different lighting styles to differentiate the narrative and performance sections. Various camera shots like medium shots, close-ups, and handheld footage are discussed to showcase the location, emotions, and body language. The performance will show the protagonist Hayley's journey from nervousness to finding strength through dancing and posture that connects to the song's meaning.
Production- AS media portfolio
The document provides details about the production of an opening sequence for a film. It discusses the ideas behind using shots of the protagonist's eye, exterior locations of past murders, and revealing the protagonist through mise-en-scene. It describes using a drum sound to introduce the protagonist and faster camera movements when an alarm goes off. Visual and audio changes are made to shots and music to create tension and unsettle the audience. Sound editing in Logic Pro is used to loop music under shots to extend its length.
Evaluation question 1
The document discusses how the filmmakers drew inspiration from post-apocalyptic films like 28 Days Later, The Book of Eli, The Road, and I Am Legend for various elements of their short film. They emulated locations, props, costumes, characters, sounds, and titles from these films to recreate the look and feel of the post-apocalyptic genre. While their film was inspired by these other works, it was not meant to be an exact replica and had to adapt certain elements due to budget and time limitations. The document analyzes the influences on their mise-en-scene, narrative, characters, and other components to demonstrate how it engages with conventions of the post-apocalyptic
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The document summarizes two filming sessions for a short film called "The Apprentice". In the first session, the filmmakers captured an over-the-shoulder, high angle shot of three actors discussing their mission. They used a tripod-mounted camera to get the shot. They note that the classroom location was not ideal and they will change locations for the next draft. In the second session, they captured an establishing panoramic shot of a new outdoor location and a close-up, high angle shot of fake blood and an actor laying on the ground pretending to be dead. They discuss improvements that could be made in editing to make the blood more visible.
Q1 Evaluation
The document summarizes the opening scene of a film project. It describes choosing a mysterious soundtrack that builds tension over time. Lighting was dim to seem secretive as the protagonist gets ready alone at night. The location décor suited a single middle-class man but some areas like the bedroom were too dark. Props like a computer, map, and deck of cards hinted the protagonist's involvement in illegal activities. Tattoos and scars were added to the actor to suggest a criminal past. The opening establishes the protagonist as a sophisticated yet mysterious criminal mastermind.
Pre visualisation 2
The original plot involved a love story between Louise and Freddie but was changed based on audience research. The new plot focuses solely on Jamal and his everyday life, with scenes depicting his performance and daily activities. During the performance scene, Jamal will sing in a white room as paint is thrown on him. In the narrative scene, Jamal will walk down the road followed by extras, while the camera moves backwards to give the feel that he is walking through a neighborhood. The filter will change moods from happy to mad to represent reality and Jamal's imagination.
Evaluation
This document analyzes the trailer for Emily's Game and compares various elements to other films in the genre to make the trailer more believable and authentic. Elements like restricted audience screens, title screens with distinct fonts, end credits with company logos, establishing shots showing the forest setting, costumes like white nightgowns, and unnatural shots of characters being dragged were inspired by films like Paranormal Activity, The Last Exorcism, The Ring, and The Grudge. The story is set up through a backstory narration like in The Blair Witch Project to introduce the antagonist and plot.
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A2 Media Evaluation Q3
The document discusses how the filmmaker gathered feedback from test screenings and audience research to inform their film project. They conducted primary research through surveys distributed on Snapchat to understand their target demographic of 15-24 year old males. They also used secondary research from Pearl & Dean on popular genres and consumer groups. They presented a pitch and received feedback, making changes to plan more events for their teaser trailer. A rough cut screening provided insights that led to improvements in sound design, color grading, and shot structure. A final screening yielded minor critiques that will help with future projects.
Q3 - What have you learned from your audience feedback?
Natalie Rockall learned about the importance of test screenings and audience feedback for films. Test screenings allow directors and producers to preview films with audiences before wide release to gauge reactions and make necessary edits. Feedback from screenings helps identify what needs changes to improve the film and determine the target audience for marketing. Natalie conducted research like surveys and statistics to define their target audience for a supernatural thriller film as ages 15-24, more males than females, and lower middle class socioeconomic groups. She presented a pitch and screened rough cuts to get feedback, making changes like improving sound design and color grading based on insights.
Film Magazine Research
There are many film magazines in the UK that target different audiences. Little White Lies focuses on impassioned writing about films and iconic covers dedicated to upcoming releases. Total Film publishes monthly interviews with actors and directors to give insight into the filmmaking process. Sight & Sound is an international brand publishing for over 50 years that includes expert perspectives on trends and film culture in extensive reviews and director/actor interviews.
Rough Cut Screening feedback
The document provides feedback from a rough cut screening. It notes that the overall story and character arcs were engaging but the pacing was uneven at times. Some scenes dragged while others felt rushed. Minor reworks to scene structure and timing are recommended to improve flow and maintain audience interest throughout.
Genre Camera Research
This document discusses different camera shots and angles used in horror films. It describes shots like slanted angles that create tension, establishing shots that introduce settings, extreme close-ups that intensify emotions, tracking shots that build suspense, close-ups that show facial reactions, CCTV shots that imply characters are being watched, handheld shots that make the audience feel engaged, POV shots that put the viewer in the character's perspective, low angles that emphasize dominance, and high angles that show vulnerability. These various shots and angles are effective techniques for drawing viewers into the action and building tension in horror movies.
Pitch Presentation
The pitch presentation proposes a horror film in the found footage genre about a boy who is stuck in a time loop where he is possessed each day and forced to kill whoever he is with. It describes the main character as a nerdy college student and his equally nerdy best friend. The promotional campaign would emphasize the time loop theme and feature the main character. Concepts are proposed for a teaser trailer with a voiceover explaining the curse and time loop, as well as posters and magazine covers featuring the main character. The target audience is ages 16-24 who are somewhat outgoing, adventurous, use the internet often, and attend education or work.
Character Development
The document describes a protagonist named Dan who is a college student. It mentions that Dan is cursed and nerdy. The document also includes the terms "mind-map" and "mood board" which seem to be tasks or assignments related to understanding the character of Dan.
The Blair Witch Project
The trailer begins with production company logos to establish the studio and set expectations. Text then appears describing the disappearance of three film students to intrigue viewers and build tension. Throughout, dark screens and unsettling sounds are used to create a sense of fear and isolation. The title of the film is then revealed with a glowing, supernatural effect alongside a symbolic figure. Close-ups of a terrified student aim to make the audience empathize with the characters and their vulnerable situation in the woods alone.
Finding a Story
The document discusses combining elements from the films Happy Death Day and Groundhog Day by having the protagonist stuck in a time loop that they cannot control due to a paranormal curse or element. It also mentions the filmmaker's own experience with déjà vu and being inspired by trailers of Happy Death Day to base a trailer they are creating on someone stuck in a time loop.
Beauty and the beast
The document discusses various marketing strategies used to promote the 2017 film Beauty and the Beast. The first teaser poster recreated an iconic image from the original film. A theatrical one sheet poster illustrated the ensemble cast with Belle and the Beast at the top. TV spots aired before and during the film's release to generate awareness and encourage viewers to see the film. Synergy involved releasing popular songs from the film soundtrack to continue buzz about the movie. Interviews with Emma Watson and the director provided exclusive insights to promote the film. Social media was also utilized to cheaply and widely distribute marketing content.
Task 6
The document discusses the various technologies used to create a media production project. It describes using a Canon camera to film footage, a tripod to keep shots steady, an iMac desktop to edit the project using Final Cut Pro software. It also mentions using a sound recorder, microphone, and Photoshop. Research was aided by websites like Art of the Title and Pearl & Dean. Communication was through iMessage, Outlook, and OneDrive was used to share files. The finished project was uploaded to YouTube.
Task Three
This document discusses distribution options for a low-budget thriller film. It notes that distributors market films, target audiences, and convince cinemas to show films. Large distributors like 20th Century Fox are unlikely due to the film's low budget. However, smaller distributors like Metrodome may be interested in low-budget films. The film's target audience would be ages 25-34 and female. Exhibition options include theaters, TV, and home video. Self-distribution using social media could create awareness cost-effectively. Ourscreen.com is an alternative to traditional cinema distribution for independent films.
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- 3. Firstly, we headed to the cemetery and took some stills of the graveyard to go in the background of our film poster, some of the photos taken can be seen below: LOCATION 1 LOOP
- 4. LOCATION 3 LOOP In the bedroom scene (above) we needed to bring in some lights into the set in order for the image to be of better quality, and then tone down the look of the artificial lighting in post production after. The use of the table in the middle of the room was to stand on so we could get a high-shot on Jamie sleeping. The black out room (right) was used to get a close up of Jamie and we had to use different lights to reduce the shadows behind him.
- 5. For the death scenes, we needed to have blood on Alfie’s shirt, and in order to make it look more realistic on camera we had to dampen a tissue and water down the fake blood to look like the blood had seeped through and spread across the shirt