Film Opening Analysis-Anchor Man
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The opening scene of Anchor Man immediately establishes that the film is set in the 1970s news world. It introduces the legendary anchorman Ron Burgundy, showing how respected he is in his job through his expensive clothes and helicopter entrance. However, it also shows he is quite immature, throwing tantrums on air and being generally obnoxious. This establishes the film as a satire of the birth of televised news and women's developing roles in the industry at the time. Elements like the costumes, props, and music used in the opening aim to immerse the viewer in the period setting through a comedic lens.
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Film opening analysis anchor man
The opening scene of Anchor Man immediately establishes that the film is a satire of televised news in the 1970s. Ron Burgundy is introduced as the legendary but egotistical anchor of the news team in San Diego. While he is good at his job, he acts very immaturely, drinking and shouting at work. The scene is edited to look and feel like it is from an old television through the use of cameras, costumes, props, and music from the 1970s. This sets up Ron Burgundy as the narrator to satirize gender roles and the birth of televised news at the time through his character.
Presentation
Bradley Cooper plays a British soldier named Terrance who is injured but manages to infiltrate the German trenches during World War 1. The film follows his mission to avoid detection as an enemy combatant. Anne Hathaway plays Maryln, giving the historical genre a new twist. Morgan Freeman narrates the film. The film aims to educate viewers about WW1 while also surprising them with an unexpected plot. Promotional materials will feature Bradley Cooper in a billboard split between British and German uniforms to represent his undercover role.
WritingSample
The song "99 Red Balloons" was originally written in German by Nena in 1983 and later translated to English in 1984, losing some of the original message and meaning. The English version depicts a single detection being mistaken for a nuclear threat and triggering an all-out nuclear strike, when in reality the threat was just a bunch of balloons. The song concludes with the image of a lone girl in a destroyed and abandoned city, with only a red balloon floating above to represent what was once there.
Album Cover Analysis 1
The album cover references a car accident the band had while driving to film a music video. It depicts a van in a snowy field.
The title is taken from a letter Vincent van Gogh wrote to his brother describing his renewed health and vigor for painting.
"Folie à Deux" is a French term meaning a madness shared by two, referring to how the bear thinks he's a man and the man thinks he's a bear.
It was the first album by the band to feature photos of themselves on the cover, dressed as cowboys and taken during a photo session in a sandpit.
All the band's previous albums featured the War-Pig symbol, a f
History of horror -bartek wielblad
The history of horror films began in 1896 with the 3-minute silent film The Haunted Castle, which was among the first to depict horror scenes and scare audiences, though it seems laughable by today's standards. Horror originated from authors before becoming a film genre. Frankenstein was the second horror film made in 1910 over three days and sixteen minutes based on the novel. The Cabinet of Dr. Calibari gained popularity in 1920 for its storyline and cast, and still holds high ratings today. Modern horror films focus on families, spirits, and murder, with popular recent examples including The Conjuring, Insidious, and Paranormal Activity.
El perfume
The document provides a summary of the 2006 German film "Perfume: The Story of a Murderer" directed by Tom Tykwer. It takes place in 18th century France and follows Jean-Baptiste Grenouille, a man with an extraordinary sense of smell who desires to create the ultimate perfume by murdering a virgin girl. He is eventually discovered, sentenced to death, and dies after using his creation to attract a mob. The film stars Ben Wishaw as Grenouille alongside Dustin Hoffman, Alan Rickman, and Rachel Hurd-Wood.
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This document discusses several pioneering copywriters throughout history. It provides brief biographies of copywriters including Stan Freberg, Leo Burnett, Bernice Bowles Fitz-Gibbon, David Abbott, Fairfax M. Cone, Dave Trott, William Bernbach, Drayton Bird, Jo Foxworth, and David Ogilvy. It notes that these copywriters challenged conventions and helped shape modern advertising through their creative talents and approaches. The document concludes by wondering who will be the next generation of minds to challenge current conventions.
German expressionist film
The document discusses German Expressionist film of the early 20th century. It analyzes key films from this era like The Cabinet of Dr. Caligari and Metropolis, focusing on their expressionist elements including distorted sets, dramatic lighting, and themes of madness and dystopia. The document also notes how these early expressionist films influenced later works incorporating similar styles like Dark City, Shutter Island, Edward Scissorhands, and Batman Begins.
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Film opening analysis anchor man
The opening scene of Anchor Man immediately establishes that the film is a satire of televised news in the 1970s. Ron Burgundy is introduced as the legendary but egotistical anchor of the news team in San Diego. While he is good at his job, he acts very immaturely, drinking and shouting at work. The scene is edited to look and feel like it is from an old television through the use of cameras, costumes, props, and music from the 1970s. This sets up Ron Burgundy as the narrator to satirize gender roles and the birth of televised news at the time through his character.
Presentation
Bradley Cooper plays a British soldier named Terrance who is injured but manages to infiltrate the German trenches during World War 1. The film follows his mission to avoid detection as an enemy combatant. Anne Hathaway plays Maryln, giving the historical genre a new twist. Morgan Freeman narrates the film. The film aims to educate viewers about WW1 while also surprising them with an unexpected plot. Promotional materials will feature Bradley Cooper in a billboard split between British and German uniforms to represent his undercover role.
WritingSample
The song "99 Red Balloons" was originally written in German by Nena in 1983 and later translated to English in 1984, losing some of the original message and meaning. The English version depicts a single detection being mistaken for a nuclear threat and triggering an all-out nuclear strike, when in reality the threat was just a bunch of balloons. The song concludes with the image of a lone girl in a destroyed and abandoned city, with only a red balloon floating above to represent what was once there.
Album Cover Analysis 1
The album cover references a car accident the band had while driving to film a music video. It depicts a van in a snowy field.
The title is taken from a letter Vincent van Gogh wrote to his brother describing his renewed health and vigor for painting.
"Folie à Deux" is a French term meaning a madness shared by two, referring to how the bear thinks he's a man and the man thinks he's a bear.
It was the first album by the band to feature photos of themselves on the cover, dressed as cowboys and taken during a photo session in a sandpit.
All the band's previous albums featured the War-Pig symbol, a f
History of horror -bartek wielblad
The history of horror films began in 1896 with the 3-minute silent film The Haunted Castle, which was among the first to depict horror scenes and scare audiences, though it seems laughable by today's standards. Horror originated from authors before becoming a film genre. Frankenstein was the second horror film made in 1910 over three days and sixteen minutes based on the novel. The Cabinet of Dr. Calibari gained popularity in 1920 for its storyline and cast, and still holds high ratings today. Modern horror films focus on families, spirits, and murder, with popular recent examples including The Conjuring, Insidious, and Paranormal Activity.
El perfume
The document provides a summary of the 2006 German film "Perfume: The Story of a Murderer" directed by Tom Tykwer. It takes place in 18th century France and follows Jean-Baptiste Grenouille, a man with an extraordinary sense of smell who desires to create the ultimate perfume by murdering a virgin girl. He is eventually discovered, sentenced to death, and dies after using his creation to attract a mob. The film stars Ben Wishaw as Grenouille alongside Dustin Hoffman, Alan Rickman, and Rachel Hurd-Wood.
The Best Copywriters Of All Time (So Far)
This document discusses several pioneering copywriters throughout history. It provides brief biographies of copywriters including Stan Freberg, Leo Burnett, Bernice Bowles Fitz-Gibbon, David Abbott, Fairfax M. Cone, Dave Trott, William Bernbach, Drayton Bird, Jo Foxworth, and David Ogilvy. It notes that these copywriters challenged conventions and helped shape modern advertising through their creative talents and approaches. The document concludes by wondering who will be the next generation of minds to challenge current conventions.
German expressionist film
The document discusses German Expressionist film of the early 20th century. It analyzes key films from this era like The Cabinet of Dr. Caligari and Metropolis, focusing on their expressionist elements including distorted sets, dramatic lighting, and themes of madness and dystopia. The document also notes how these early expressionist films influenced later works incorporating similar styles like Dark City, Shutter Island, Edward Scissorhands, and Batman Begins.
History of horror 2
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2) Back to the Future (1985) directed by Robert Zemeckis for Universal Studios, written by Zemeckis and Bob Gale.
3) When Harry Met Sally (1989) directed by Rob Reiner for MGM Studios, written by Nora Ephron.
4) The Graduate (1967) directed by Mike Nichols for MGM Studios.
The analysis then focuses on the opening sequence of The Graduate, discussing the symbolism of the shots and music to depict the main character's sense of isolation and
German expressionism
German Expressionism was a movement in silent horror films that emerged during World War 1. These films used stylistic techniques like twisted sets and landscapes to express feelings about the war and critique society. The Cabinet of Dr. Caligari, released in 1920, is considered one of the earliest and most influential examples, dealing with themes of insanity, murder and serial killers that went on to influence many later horror films. Nosferatu also used expressionist techniques in its 1922 adaptation of the Dracula story. Overall, German Expressionist films shocked audiences by using horror and psychological drama to provide social commentary on the post-war era in a way not seen before in cinema.
1930’s horror
The 1930s saw the rebirth of horror movies with the advent of sound films. Sound added tension through music, footsteps, and other audio cues. Universal Pictures launched a successful horror film series including Tod Browning's Dracula (1931) and James Whale's Frankenstein (1931), which blended Gothic horror and science fiction. These films featured iconic monsters created by makeup artist Jack Pierce and starred actors like Boris Karloff and Bela Lugosi who built careers in the genre. Frankenstein contained controversial scenes that were cut for its original release involving the monster drowning a girl and Frankenstein's line "Now I know what it feels like to be God!"
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The production schedule outlines five filming days from December 28th to January 9th. On the 28th and 29th, scenes will be filmed at Brian's house and childhood locations featuring Stanley and Albert Gulliford. On January 3rd and 4th, interrogation scenes will be filmed at Anthony's house with Stanley, Jake Witherington, and Rosie Patton. The final day on January 9th will film scenes of Brian's driveway and him cycling down the road. An 1100D camera and tripod are needed for all shoots.
Equipment list
The document provides an equipment list for filming, including a Canon 1100D camera with no audio support due to limited supply but capable of decent quality images, a tripod to stabilize the camera except for adding tension, a 32GB SD card for storing large amounts of footage, and Adobe Premier Pro for editing and adding multiple sound layers and transition effects.
Film opening analysis austin powers
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The document provides analysis of the openings of four classic films:
1) Citizen Kane (1941) directed by Orson Welles for RKO Studios, written by Welles.
2) Back to the Future (1985) directed by Robert Zemeckis for Universal Studios, written by Zemeckis and Bob Gale.
3) When Harry Met Sally (1989) directed by Rob Reiner for MGM Studios, written by Nora Ephron.
4) The Graduate (1967) directed by Mike Nichols for MGM Studios.
The analysis then focuses on the opening sequence of The Graduate, discussing the symbolism of the shots and music to depict the main character's sense of isolation and
German expressionism
German Expressionism was a movement in silent horror films that emerged during World War 1. These films used stylistic techniques like twisted sets and landscapes to express feelings about the war and critique society. The Cabinet of Dr. Caligari, released in 1920, is considered one of the earliest and most influential examples, dealing with themes of insanity, murder and serial killers that went on to influence many later horror films. Nosferatu also used expressionist techniques in its 1922 adaptation of the Dracula story. Overall, German Expressionist films shocked audiences by using horror and psychological drama to provide social commentary on the post-war era in a way not seen before in cinema.
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The document traces the history and evolution of the horror genre from its origins in Gothic literature to modern times. Some key developments include the first horror films in the late 19th century, the rise of German Expressionist films following WWI that explored the psychological horrors of war, the popularization of slasher films in the 1970s like The Texas Chain Saw Massacre, and more recently the comeback of zombie apocalypse films. Sound was a major development when introduced to film in the late 1920s, intensifying the tension and scares in horror movies.
Cinema sample 2
1. Early animated films like Fantasmagorie in 1908 and The Adventures of Prince Achmed in 1926 showed the possibilities of animation.
2. In 1928, Mickey Mouse first appeared in Steamboat Willie, establishing Disney's magic of animation with catchy music and anthropomorphic characters.
3. During the Golden Age of Disney from 1937 to 1942, Walt Disney and his animators produced landmark animated films including Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, and Bambi that set the template for animated feature films and pioneered techniques like the use of sound and emotional depth.
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Old horror films
This document summarizes information about two early horror films: Nosferatu, eine Szmphonie des Grauens from 1921, and Frankenstein from the 1930s. Nosferatu was one of the first horror films ever made and was based on Dracula but without permission. It featured Max Schreck as the title character Nosferatu. Frankenstein was based on the Mary Shelley novel and featured Boris Karloff famously playing the monster. It portrayed a new type of horror where audiences sympathized more with the monster than with the humans like Dr. Frankenstein.
TR Guest CV
TR Guest is a playwright, screenwriter, and journalist. They have written an original opera libretto commissioned by Pegasus Opera Company, a play that won the Rose Bruford Theatre Futures competition, and another commissioned play. For completed film projects, TR Guest has written a thriller about a kidnapped woman forced to impersonate others, a horror about a woman seeking therapy for her fears only to have them exploited, and a romantic comedy about a cynical private eye falling for her target. TR Guest is currently developing a London-based thriller and comedy, and also works as a journalist and copywriter producing content for various magazines, websites, and clients.
The bald soprano (characters + writer )
Eugène Ionesco was a leading 20th century French absurdist playwright. His most famous play, The Bald Soprano, subverts conventions by having a plotless dialogue between characters that discuss inconsequential topics without meaning or logic. The play features the Smiths, a boring suburban couple, and their guests the Martins. Through empty conversations, Ionesco satirizes concepts like communication, rational thinking, and gender norms. The play highlights the absurdity and banality of everyday life.
Audience research
Film Noir originally attracted older audiences from 30-60 years old due to its complex storylines and lack of graphic violence or swearing in the black and white films of the 1940s-1950s. Modern Neo Noir films from the 2000s attract slightly younger audiences from 20-50 years old through more violence, gore, and swearing to match contemporary tastes, though their stories are often less complex. Regulators dictate that mild implied violence can receive lower age ratings, so original Film Noir often received PG ratings while highly graphic Neo Noir violence earns an 18 rating restricting audiences to older viewers.
Documentary Research
Channel 4 is known for airing bold, controversial documentaries on subjects other channels avoid. The documentary "The Secret Life of Living Dolls" profiles men who secretly dress as dolls, spending thousands on costumes and makeup. It explores this hidden community respectfully while allowing viewers to form their own opinions. Stylistic techniques like opening montages, labels, and hashtags help introduce the topic and engage viewers.
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169 Moulin Rouge
The Moulin Rouge is a famous cabaret in Paris, France established in 1889. It is located in the Montmartre neighborhood. The artist Henri de Toulouse-Lautrec helped immortalize the Moulin Rouge through his posters and paintings in the late 19th century. There have been two films about the Moulin Rouge - a 1952 film directed by John Huston and a 2001 musical film directed by Baz Luhrmann.
Documentary Research
This document provides examples of several documentaries produced by Channel 4 in the UK:
- "The Secret Life of Living Dolls" explores the secret world of men who transform themselves by dressing as dolls. It observes their hobby and allows viewers to form their own opinions.
- "One Born Every Minute" observes the busy labor ward of a hospital over multiple episodes and seasons. It follows new parents through the experience of childbirth.
- "My Brother, the Murderer" is a one-off documentary that follows a woman's journey to meet her brother in prison, who she has never met, after he was convicted of murder.
- "9/11: The Lost Tapes
The Cabinet of Dr. Caligari
The Cabinet of Dr. Caligari was a 1920 German Expressionist horror film written by Hans Janowitz and Carl Mayer. It tells the story of Francis who shares strange stories with a companion, including about a disturbed woman and encounters with the mysterious Dr. Caligari at a fair. Francis investigates after his friend is found dead, learning that Caligari is actually the director of a nearby asylum. In a twist ending, Francis and other characters are revealed to be patients in the asylum. The film was an early example of psychological horror and influenced expressionism in set design and filmmaking techniques.
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Picnic on the battlefield
Zapo, a civilian drafted into war, hallucinates a picnic with his parents in a trench amid distant gunshots and explosions. The production concept is that the picnic is Zapo's dream within the nightmare of war to escape his loneliness and fear. The play will have gritty, low lighting for war scenes and bright lighting for the dream picnic scene until a bomb drops and the lights fade, transporting the audience between Zapo's reality and hallucination.
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Production schedule
The production schedule outlines five filming days from December 28th to January 9th. On the 28th and 29th, scenes will be filmed at Brian's house and childhood locations featuring Stanley and Albert Gulliford. On January 3rd and 4th, interrogation scenes will be filmed at Anthony's house with Stanley, Jake Witherington, and Rosie Patton. The final day on January 9th will film scenes of Brian's driveway and him cycling down the road. An 1100D camera and tripod are needed for all shoots.
Equipment list
The document provides an equipment list for filming, including a Canon 1100D camera with no audio support due to limited supply but capable of decent quality images, a tripod to stabilize the camera except for adding tension, a 32GB SD card for storing large amounts of footage, and Adobe Premier Pro for editing and adding multiple sound layers and transition effects.
Film opening analysis austin powers
The opening sequence parodies classic James Bond films through exaggeration and comedic elements. It establishes Dr. Evil as the villain plotting his evil plan from his bizarre lair outside Las Vegas with his cat Mr. Bigglesworth. Dr. Evil then dispatches incompetent assassins to kill Austin Powers, spoofing Bond villains. The scene cuts to London where British stereotypes like double decker buses, schoolgirls, and Austin's bad teeth create humor by playing up 1960s UK culture. Austin is swarmed by admiring crowds and does a fake front flip into a Bond-style car, lampooning the coolness of James Bond.
Film Opening Analysis-Austin Powers
The opening establishes that the film is a parody of James Bond by showing Dr. Evil's villain lair described vaguely as "somewhere outside Las Vegas" in a comedic way. Dr. Evil then addresses his assassins, who are spoofed versions of classic Bond villains, firing them for failing to kill Austin Powers in a scene where he shouts in a colloquial tone. The scene cuts to London where British stereotypes from the 1960s like double decker buses and schoolgirls establish the setting and present Austin Powers, playing on stereotypes of British men at the time for comedic effect.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Distraught by what happened, Brian panics about the consequences while Anthony tries to calm him down and devise a plan to dispose of the body.
3. The scene then flashes back to Brian 6 years earlier, depicting him as a normal boy growing up in a small town. He narrates that he wants to change his image and gain respect by becoming a "bad boy".
Equipment list
The equipment list includes a Canon 1100D camera for shooting decent quality images despite lacking audio support, a tripod to stabilize shots and allow panning movements, a 32GB class 10 SD card with high storage and fast transfer speeds, and Adobe Premier Pro software for editing layers of sound and footage using effects suited to the genre.
Production schedule
The document outlines the production schedule and requirements for a film project taking place from December 2015 to February 2016. It details the dates, locations, people and equipment needed for pre-production, production, post-production and evaluation. Key dates include filming on December 28-29 at Brian's house, interrogation scenes on January 3-4, and editing from January 15 to February 5. The filmmaker Stanley Gulliford and others will use a Canon 1100D camera and Adobe Premier Pro to film and edit the project at various local locations like Ringwood School.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Distraught by what happened, Brian panics about the consequences while Anthony tries to calm him down and devise a plan to dispose of the body.
3. The scene then flashes back to show Brian as a well-behaved churchgoing boy who wants to change his image to gain respect from older kids at his new school. He sets out to become a "badass" but his actions lead to the deadly mistake at Anthony's house.
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The conversation opening analysis
The opening scene of The Conversation begins with an aerial shot of Union Square in San Francisco that slowly zooms in. As it zooms, diegetic sounds of people talking in the park can be heard. The camera picks out the protagonist, Harry Caul, from the crowd and follows him. Caul is dressed professionally in a grey suit, suggesting he works in a legal profession. Strange screeching sounds are heard throughout the opening shot, disorienting the viewer. These sounds are revealed to be sound interference captured from a long-range microphone, showing that the camera is meant to represent surveillance technology that is a theme in the film.
Film
Warner Bros. is one of the major film studios headquartered in Burbank, California and New York. It has several subsidiary companies including Warner Bros. Studios and Warner Bros. Pictures. Pixar specializes in animated films for audiences of all ages and has produced many acclaimed films. 20th Century Fox produces many television shows and films and is widely known for its theme and opening intro.
Media Language Essay
The short film "Smashed" follows four friends on a night out drinking in an urban city setting. Through the use of camera shots, props, lighting, and sound, the film conveys messages about the characters and importance of alcohol in their lives. The run-down city setting and casual outfits of the characters suggest they are trying to forget problems and act older than they are. Key props like an egg, paper bag, letters, and alcohol demonstrate the characters' troubles and how they use drinking to cope. Shots of these props draw attention to their symbolic meanings. Changing music, lighting effects, and camera work help progress the plot and immerse viewers in the characters' experiences throughout the night.
The Best Directors
The document discusses the world's 40 best directors and provides brief descriptions of several directors. It begins by discussing David Lynch as the most important current filmmaker known for surreal films that take audiences to strange worlds. It then briefly profiles Martin Scorsese, the Coen brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, Terence Davies, and others known for their unique and influential directorial styles across different genres and countries.
The Best Directors
The document discusses the world's 40 best directors and provides brief descriptions of several directors. It begins by discussing David Lynch as the most important current filmmaker known for surreal films that take audiences to strange worlds. It then briefly profiles Martin Scorsese, the Coen brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, Terence Davies, and others known for their unique and influential directorial styles across different genres and countries.
Presentac The Best Directors
The document discusses the world's 40 best directors as ranked by an unknown publication. It provides brief summaries of the careers and styles of directors ranked in the top 10, including David Lynch, Martin Scorsese, the Coen Brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, and Terence Davies. It continues discussing and summarizing the careers of directors ranked 11 through 33.
Presentac The Best Directors
The document discusses the world's 40 best directors. It provides information on several notable directors, including David Lynch, Martin Scorsese, the Coen Brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, Terence Davies, Lynne Ramsay, Bela Tarr, Wong Kar-wai, Pedro Almodovar, Todd Haynes, Quentin Tarantino, Tsai Ming-Liang, and Aki Kaurismaki. It analyzes their film styles and influences, and ranks them among the most important directors currently working in the film industry.
Presentac The Best Directors
The document discusses the world's 40 best directors. It provides information on several notable directors, including David Lynch, Martin Scorsese, the Coen Brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, Terence Davies, Lynne Ramsay, Bela Tarr, Wong Kar-wai, Pedro Almodovar, Todd Haynes, Quentin Tarantino, Tsai Ming-Liang, and Aki Kaurismaki. It analyzes their film styles and influences, and ranks them among the most important directors currently working in the film industry.
The Best Directors
The document discusses the world's 40 best directors. It provides information on several notable directors, including David Lynch, Martin Scorsese, the Coen Brothers, Steven Soderbergh, Terrence Malick, Abbas Kiarostami, Errol Morris, Hayao Miyazaki, David Cronenberg, Terence Davies, Lynne Ramsay, Bela Tarr, Wong Kar-wai, Pedro Almodovar, Todd Haynes, Quentin Tarantino, Tsai Ming-Liang, and Aki Kaurismaki. It analyzes their film styles and influences, and ranks them among the most important directors currently working in the film industry.
Ingmar bergman film style
It is about the film making styles of Ingmar Bergman. He needs to be appreciated and credited as an auteur film maker of all times basing on his oeuvre .
Genre Analysis/Auteur Theory
This document discusses genre analysis, auteur theory, and provides examples of directors considered auteurs such as Alfred Hitchcock, Francis Ford Coppola, and Quentin Tarantino. It analyzes how these directors broke conventions of their genres through elements like editing, music, casting, and plot devices. The document also considers whether Rian Johnson can be considered an auteur for his film Looper, but concludes he has not yet directed enough critically acclaimed, unconventional films to earn that label.
Uses and gratification theory film trailors
The document discusses two films, The Rum Diary and Tinker Tailor Soldier Spy, in terms of uses and gratification theory.
For The Rum Diary, it satisfies audiences' desires to see major stars Johnny Depp and Amber Heard. The themes of romance and intrigue on a beautiful island gratify audiences seeking an escape from their everyday lives.
For Tinker Tailor Soldier Spy, its all-star British cast intrigues audiences skeptical about remakes. Being produced by a smaller distributor appeals to audiences wanting credibility. It gratifies British audiences' sense of national pride and those seeking escapism through gritty realism about cold war espionage. The two films gratify audiences in different ways.
Art1204 film noir
This document discusses the origins and key characteristics of film noir. It began as a genre distinct from gangster films, influenced by German Expressionism. Common noir elements include a dark, shadowy visual style produced by low-key lighting; a cynical worldview where chance plays a larger role than fate; and archetypal characters like the femme fatale who ensnares the protagonist in danger. Symbols like fog, water, and means of transportation are often used to create suspense or represent entrapment.
Analysis of Crime Films
The film opening establishes the crime genre through a hospital scene. A well-dressed man talks to his injured brother in the hospital, indicating he was the victim of a crime or attack. The mood shifts from calm to depressing as the music changes. The opening creates mystery as the viewer does not know what led to the injured man being in the hospital.
The second film opening establishes the 1960s crime genre in London. An establishing shot of London is followed by scenes of cars and people dressed in 1960s fashion. The opening introduces twin gangster brothers who are wealthy and respected in London's criminal underworld. It establishes them as "princes of the city" without providing details of their crimes to generate mystery.
Issue 11
The document is a newsletter from June 1999 that includes a staff listing dominated by Ed Burton in various roles, a section titled "The Shaft Page" with brief bios on adult film stars Sean Michaels and Butch Patrick, and a preview of upcoming summer blockbuster movies including Adam Sandler's Big Daddy, Eyes Wide Shut starring Tom Cruise and Nicole Kidman, and an unnamed romantic comedy.
Summary of all three movies
This document provides summaries of the narratives, genres, audiences, purposes, messages and values, and levels of success for the films Zombieland, 2am, and Sing Street.
Zombieland follows a linear narrative structure and focuses on a group of strangers banding together for survival in a post-apocalyptic zombie world. It blends horror and comedy genres and was largely successful commercially and critically. 2am is a short horror film with a limited cast that builds tension as a man is chased. It was a calling card for its director. Sing Street follows a boy who forms a band to impress a girl and incorporates musical elements and fantasy sequences into its coming of age story. It aims to entertain
Saving private ryan opening sequence analysis
The opening sequence of Saving Private Ryan establishes the genre, narrative, and representation of the film. It begins with an elderly man crying at a WWII gravesite, then cuts to Normandy beach defenses on D-Day, establishing the genre as a WWII film. The narrative jumps between the modern day and D-Day on June 6, 1944. Soldiers are represented as young, frightened men to make the depiction of the Normandy Landings more realistic.
Dracula
This document provides details about the making of Francis Ford Coppola's 1992 film "Bram Stoker's Dracula". It describes Coppola's directorial process, including rehearsals where he had the cast improvise and read from the original novel. Gary Oldman had some friction with Coppola over direction. The film utilized elaborate period costumes designed by Eiko Ishioka and practical effects over CGI. While not an entirely smooth production, Coppola was pleased with his son Roman's contributions and the performances of stars like Winona Ryder and Gary Oldman in the stylish adaptation of the classic vampire story.
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Evaluation: Question 1
In what ways does your product use, develop or challenge forms and conventions of real media products?
Target audience
This document discusses target audiences for comedy films. It notes that the most successful comedy films are PG and PG-13 rated, appealing to both children and teenagers. While some R-rated comedies like "The Hangover" can also be very successful by targeting only adults. Children's animated comedies tend to be family-friendly and universally accessible. PG-13 rated comedies appeal to teenagers seeking more mature humor. The target audience for the film being produced is 13-18 year olds, as the action and violence is not suitable for children but comedies at this rating are very popular with teenagers and appeal to both genders.
Target audience
This document discusses target audiences for comedy films. It notes that the most successful comedy films in the US are rated PG and PG-13, appealing to both children and teenagers. While some R-rated films like The Hangover also do well targeting solely adults, family-friendly animated films are very popular due to having no age restrictions. PG-13 films appeal to teenagers seeking more mature humor. The target audience for the film being produced is 13-18 year olds, as the action and violence is not suitable for children but will appeal to stereotypical male teenage interests, though the comedy aims to appeal to both genders.
Genre Analysis
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies address serious topics. The genre has evolved over time, from slapstick silent films to verbal humor films to modern hybrid genres that blend comedy with action, horror, or drama. Successful comedies rely on humor, strong casting, reputable production studios, and wide distribution to become popular at the box office.
Cast, costumes and props
The document discusses casting, costumes, and props for a film. It describes casting the director's brother Albert as the younger version of Brian due to their resemblance. It also describes casting the director, Stanley Gulliford, as the older Brian for convenience, and their friend Jake Witherington as the intimidating drug dealer Anthony. The costumes are chosen to reflect the characters' personalities - Brian's failed attempt to be cool, Anthony's threatening image, and Rosie's drug-addicted scruffiness. Props include a recorder, piano, gun, and Brian's bike to emphasize backstory and provide comic relief.
Shot list
The document provides a shot list for a film or video project containing 21 shots with descriptions of the shot type, camera movement, location, and sound for each shot. The shots include establishing shots, medium shots, close ups, subjective point of view shots, and more from various locations like Anthony's house, Brian's bedroom, the town entrance, a church, and Brian's house and driveway. The sound listed is primarily non-diegetic narration and dialogue.
Recce
This document discusses potential filming locations for the movie RECCE, including Brian's bedroom to show his childhood innocence, the church to show his traditional upbringing, Anthony's house for a dark integration scene at the beginning, and the driveway where Brian exits looking cool on his bike to end the opening scene.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Brian panics at what has happened, worrying about going to jail and what his mother will think. Anthony tries to reassure Brian that they can cover up the crime.
3. The story then flashes back to show Brian as a normal teenager six years earlier, but who is trying to change his image and gain respect by acting "badass." It sets up how a small mistake on Brian's part leads to a much larger crisis.
Script
1. Brian, a 17-year-old boy, accidentally causes Anthony, a 21-year-old drug kingpin, to shoot and kill one of his customers during an argument over an unpaid debt.
2. Anthony slaps Brian in a panic over what has happened, as Brian screams that they are all going to die.
3. The scene then flashes back to show Brian 6 years earlier as a normal boy, before transitioning to the present day where Brian narrates that he is going to try becoming a "bad boy" to gain respect, not knowing it will lead to the worst mistake of his life.
Floor plans
The document provides directions for camera shots and locations for filming a story about a character named Brian. It describes shooting inside and outside Anthony's house, including the garden, corridor, table, bedroom and driveway. It also includes directions for shooting inside a church, with Brian facing the altar and a shot of young Brian entering. The camera will film Brian cycling away and his childhood as well as him getting ready in the present day.
Target audience
This document discusses including both male and female viewers in an analysis of comedy films because different genres of comedy appeal to different genders. It also includes a 13-year-old to represent teenagers, who enjoy popular PG-13 comedy films. An 18-year-old is included to represent adult comedy consumers, as R-rated comedy films are also very popular and only viewable by adults. The outfit chosen for the 13-year-old depicts a typical casual weekend outfit for teenagers.
Genre Analysis- Comedy
Comedy is a genre that aims to elicit laughter through entertaining stories and characters, though some comedies take on serious material. While comedy dates back to silent films relying on slapstick, the addition of dialogue introduced verbal humor. In the 1960s, comedy became darker, but lightened again in the 1990s with films like "Home Alone." Modern comedy continues to evolve with genres like action comedy, black comedy, horror comedy, and dramedy that provide a balance of humor and serious issues.
Sound
The document discusses different types of sounds that can be used in films, including selective sound to emphasize key elements, ambient sound to create atmosphere, and sound bridges to help with transitions between sequences. It also describes diegetic sounds whose source is visible or implied and non-diegetic sounds like music that create atmosphere, as well as synchronous sounds that match the action and asynchronous sounds from outside the film.
Camera shots and movement
This document defines and describes various types of camera shots and camera movements that are used in filmmaking, including establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, two shots, shot/reverse shots, pans, tilts, high and low camera angles, dolly shots, hand-held shots, and zooms. These shots and movements help establish locations, show scale, provide different perspectives, and follow conversations or action sequences.
Indivdual advert analysis
This document analyzes an advertisement for the Toyota Tacoma truck. The ad shows an "invisible truck" driving through a muddy field, destroying the earth and making loud sounds. When it stops, text reveals "the beast is revealed." The ad uses powerful engine sounds and a roar to portray the truck as powerful and ferocious like a lion. Men over 18 are the target audience, as the ad aims to make the truck seem exciting, dangerous, and manly. The message is that buying this truck will provide excitement, danger, and make the buyer feel manly like a king of the animal kingdom.
Unit 1 research methods worksheet y11
This document discusses research methods used for media projects in year 11 units on photography techniques and advertising. It provides definitions and examples of primary research, secondary research, qualitative research, and quantitative research. The document asks what research methods and techniques were used for assignments in those units, including questionnaires, internet research, practice shots, and inspiration from real products and advertisements. It also asks how the collected information was organized and stored, such as in PowerPoint presentations, bookmarks, folders, and word documents. Finally, it discusses what research methods might be used for future projects.
Unit 18 evaluation
The team worked well together due to equally sharing work and making quick, efficient decisions. One member filmed much of the advert and produced print ads, another filmed well with steady camerawork and made a good TV ad. A third brought humor as a ninja actor. The author edited the advert well but felt they could have acted better. The print ad looked professional with an oriental theme but the slogan could have had a more interesting font. The pitch was delivered clearly though one member was unable to answer a question that was not prepared for. Overall the team performed well but could improve colors, stabilize shots, re-do scenes, and prepare for all possible questions.
Task 3
Mark Henauer is a photographer from Geneva, Switzerland who specializes in underwater landscape photography. He takes photos while scuba diving in interesting places like underwater parks in Austria, capturing interesting things found in the water. His current jobs include being an international photographer for several publications and agencies, while also working as a free diving instructor. He has received awards for his photography work, including third prize in a 2014 National Geographic photo contest.
Unit 18 advertising task 8 group pitch
Zephyr Advertising is a global advertising company founded in Hampshire in 2015 that specializes in advertising products from around the world. They also help new and small businesses. The document discusses their advertising campaign for Quantic-Fresh water bottles from Mount Hotaka in Japan. It includes print adverts that will run in magazines and newspapers, an online banner advert for the Quantic-Fresh website, and an advert to appear on buses, trains and subways. At the end is a link to a YouTube video called "The Quantic Monk" which is part of the official advertising campaign.
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