Film distribution
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Film distribution is the process of making a film available to audiences through various platforms like TV, cinemas, and DVD. Film distributors determine the marketing strategy and release date, decide which platforms the film will be viewable on, and find the best promotion methods. Some major film distributors in the UK include Vertigo Films, Warner Bros., Universal Pictures UK, Paramount Pictures UK, Pathé Distribution, Walt Disney Studios Motion Pictures UK, Sony Pictures Releasing, and Lionsgate.
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Film distribution
Film distribution involves making a film available to audiences through various methods like cinema, television, or DVD. It may also include promoting the film if it is for commercial purposes. There are two types of film distributors - major studios that have global offices and distribute their own films, and independent distributors that have to sell films to different distributors in each country or territory since they have fewer offices and locations. Some examples of major UK distributors mentioned are Warner Bros, Sony, 20th Century Fox, Universal, Walt Disney, Lionsgate, and StudioCanal.
Film distribution introduction
The document discusses company structures in the film industry, including conglomerates, horizontal integration, and vertical integration. It then focuses on distribution, explaining that distribution involves getting films shown and promoted between production and exhibition. The major distributors that control most film distribution are identified as United International Pictures, Warner Brothers, Buena Vista, 20th Century Fox, and Sony.
Film Production Cycle
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
During production, a production company creates the film through pre-production, production, and post-production. Distribution involves releasing and sustaining the film in the marketplace through techniques like wide release, platform release, and limited release. Marketing employs strategies such as trailers, advertisements, publicity events, and product tie-ins to promote the film. Finally, exhibition makes the film experience available to audiences through cinema screenings and home media like DVDs, streaming, and TV broadcasts.
Task
The film industry works to maximize profits by reducing risks during production. Studios consider factors like previous films' successes, recognizable directors/actors, popular genres, and merchandising opportunities to attract audiences. The British film industry lacks major studios and relies on complex co-financing between government funds, distributors, broadcasters, and investors. To compete, British companies like Vertigo Films make low-budget films targeting commercial appeal through new technologies and financing from multiple investors.
Impact of Media Ownership on Products Available
Media ownership has a great impact on the range of products available to audiences in the film industry. Major media conglomerates like Warner Bros. and Disney, which own film studios as well as distribution channels like cinemas and music labels, can produce and widely promote a large number of films. They have the financial resources to invest heavily in large-budget blockbusters and market them across their various properties. In contrast, small independent film companies have more limited financing and distribution options, so they produce far fewer films that are often aimed at niche audiences. The dominance of large conglomerates shapes the film industry and market in favor of big-budget Hollywood productions.
jhfjikdp
1. The document discusses the production, distribution, and marketing of the Disney animated film Frozen.
2. Frozen had a $150 million budget and was produced by Disney-owned studios using a blend of CGI and hand-drawn animation. It was given a wide international distribution through Disney channels.
3. Disney engaged in extensive marketing campaigns including trailers, partnerships with retailers, and a saturation theater release. This led Frozen to become a massive commercial success, grossing over $1 billion globally.
Film distribution
The document provides an overview of key concepts related to film distribution, including:
1) It defines film distribution as everything that happens between production and exhibition, including acquiring legal rights, marketing, and releasing prints/files to cinemas and stores.
2) It discusses major distributors that control much of the industry through vertical and horizontal integration, as well as the top 5 distributors in the UK.
3) It explains important distribution concepts like local distribution, the advantages of major studios over independent producers, and the transition to digital distribution and projection.
The film process
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
Production involves creating the film and arranging financing. Distribution gets the film to theaters and other platforms. Marketing uses techniques like trailers, ads, and publicity events to promote the film. Exhibition/consumption is when audiences view the film in theaters or at home.
Recommended
Film distribution
Film distribution involves making a film available to audiences through various methods like cinema, television, or DVD. It may also include promoting the film if it is for commercial purposes. There are two types of film distributors - major studios that have global offices and distribute their own films, and independent distributors that have to sell films to different distributors in each country or territory since they have fewer offices and locations. Some examples of major UK distributors mentioned are Warner Bros, Sony, 20th Century Fox, Universal, Walt Disney, Lionsgate, and StudioCanal.
Film distribution introduction
The document discusses company structures in the film industry, including conglomerates, horizontal integration, and vertical integration. It then focuses on distribution, explaining that distribution involves getting films shown and promoted between production and exhibition. The major distributors that control most film distribution are identified as United International Pictures, Warner Brothers, Buena Vista, 20th Century Fox, and Sony.
Film Production Cycle
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
During production, a production company creates the film through pre-production, production, and post-production. Distribution involves releasing and sustaining the film in the marketplace through techniques like wide release, platform release, and limited release. Marketing employs strategies such as trailers, advertisements, publicity events, and product tie-ins to promote the film. Finally, exhibition makes the film experience available to audiences through cinema screenings and home media like DVDs, streaming, and TV broadcasts.
Task
The film industry works to maximize profits by reducing risks during production. Studios consider factors like previous films' successes, recognizable directors/actors, popular genres, and merchandising opportunities to attract audiences. The British film industry lacks major studios and relies on complex co-financing between government funds, distributors, broadcasters, and investors. To compete, British companies like Vertigo Films make low-budget films targeting commercial appeal through new technologies and financing from multiple investors.
Impact of Media Ownership on Products Available
Media ownership has a great impact on the range of products available to audiences in the film industry. Major media conglomerates like Warner Bros. and Disney, which own film studios as well as distribution channels like cinemas and music labels, can produce and widely promote a large number of films. They have the financial resources to invest heavily in large-budget blockbusters and market them across their various properties. In contrast, small independent film companies have more limited financing and distribution options, so they produce far fewer films that are often aimed at niche audiences. The dominance of large conglomerates shapes the film industry and market in favor of big-budget Hollywood productions.
jhfjikdp
1. The document discusses the production, distribution, and marketing of the Disney animated film Frozen.
2. Frozen had a $150 million budget and was produced by Disney-owned studios using a blend of CGI and hand-drawn animation. It was given a wide international distribution through Disney channels.
3. Disney engaged in extensive marketing campaigns including trailers, partnerships with retailers, and a saturation theater release. This led Frozen to become a massive commercial success, grossing over $1 billion globally.
Film distribution
The document provides an overview of key concepts related to film distribution, including:
1) It defines film distribution as everything that happens between production and exhibition, including acquiring legal rights, marketing, and releasing prints/files to cinemas and stores.
2) It discusses major distributors that control much of the industry through vertical and horizontal integration, as well as the top 5 distributors in the UK.
3) It explains important distribution concepts like local distribution, the advantages of major studios over independent producers, and the transition to digital distribution and projection.
The film process
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
Production involves creating the film and arranging financing. Distribution gets the film to theaters and other platforms. Marketing uses techniques like trailers, ads, and publicity events to promote the film. Exhibition/consumption is when audiences view the film in theaters or at home.
Uk film industry as media
The British film industry has experienced several booms and recessions since the 1930s. In the 1990s, costume dramas and comedies like Four Weddings and a Funeral and Brassed Off found success. National Lottery funding and the British Film Council provided support. Key choices for the industry included low-budget films for mainstream British and art house audiences, as well as international co-productions. A successful film industry is important for Britain's economy, bringing in much of its revenue from outside the UK. Government support and production companies have aided development, though partnerships with US distributors are often needed to achieve large profits.
06 g322 section b distribution
The document discusses film distribution and the power dynamics between audiences, film studios, and distributors. It presents competing views on whether audiences or the film industry holds more power in influencing what films get made and seen. While audiences have the power to determine commercial success by choosing what films to see, the industry argues it relies more on knowing what audiences in different markets will pay for rather than simply responding to audience demands. The document also provides details on the roles and strategies of film distributors, the revenue streams and release windows of the film industry, United International Pictures as a case study of a major distributor, and the British Board of Film Classification system.
film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
08haless uk film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
Independent v hollywood distribution
The document discusses film distribution and the differences between Hollywood and independent films. Film distribution refers to marketing and circulating movies in theaters and home video. A film distributor secures placements for films between producers and exhibitors. Hollywood studios have an advantage through vertical integration, owning production, distribution and exhibition. Independent films often struggle to find distributors after completion.
Film distribution
Film distribution involves getting a film from production to exhibition through promotion, advertising, and legal distribution rights. It includes distributing the physical film to cinemas, marketing the film, releasing it on DVD/Blu-ray, and other platforms. Major film distributors that control much of the UK/Ireland market include United International Pictures, Warner Bros., Buena Vista, Twentieth Century Fox, Sony, Lionsgate, Walt Disney, Paramount, eOne Films, and Universal. The goal of distribution is to recoup the film's production costs and make a profit at the box office and through related merchandise.
G322 film industry quick overview
1. The exam questions may focus on areas related to media ownership, synergy and cross-media convergence, new media technologies, or how major industries target British audiences.
2. Media conglomerates own massive companies across film, TV, music, publishing, and the internet, allowing them to fund large film productions and market films across all their subsidiary companies using synergy.
3. While some independent films are made outside the major studios in Britain with smaller budgets, these films often require partnerships with larger distributors to achieve wide release and profitability.
Cue cards for film industry as revision
A Field in England utilized synergistic partnerships with Film 4, Channel 4, and BFI to fund, market, and distribute the film across multiple platforms simultaneously. It targeted a niche audience of older, middle-class viewers interested in history and independent films. Pacific Rim had a large budget from parent company Time Warner and worked with subsidiaries like NECA for merchandise and Legendary Pictures for production. It used extensive viral and cross-platform marketing techniques to appeal to both male and female audiences around the world. Both films leveraged technological convergence for digital distribution while A Field in England was more limited by its smaller budget.
Film distribution
Film distributors handle the distribution and marketing of films in cinemas and on DVD/Blu-ray. Their main objectives are to persuade cinemas to screen films and advertise them. They secure contracts with cinemas, collect ticket sales, ensure accurate reporting of profits, and split profits between production companies. Distributors also dub/subtitle films for international release and ensure any censoring meets other countries' standards. Vertigo Films is a UK distributor that handles both British and foreign independent films.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
P:\media studies\as level media\film industry\working title\how film makes it...
A film aims to make money at different stages of its commercial lifecycle, including theatrical exhibition, home video/DVD, television, and international distribution deals. Most films recoup their budgets through DVD sales. The more a film is distributed through different channels and territories, the more revenue it can generate for producers and distributors. However, many independent British films struggle to earn back their production costs from theatrical release alone.
What is distribution media
This document discusses film distribution. Distribution involves releasing films in cinemas, on DVD, and television to reach audiences. Major US studios like Paramount, Warner Bros., and Universal dominate global distribution through their large size and ability to distribute films internationally. Distribution involves producing film prints, marketing, deciding release dates and theaters. Independent British films have a harder time getting international distribution deals and theatrical screenings due to lack of funding compared to major Hollywood blockbusters. Film festivals help independent films get noticed and potentially picked up by distributors.
Revision film ownership
There are three main stages in the film industry: production, distribution, and exhibition. Companies can own businesses across different stages (vertical integration) or within the same stage (horizontal integration). This allows them to have more control over a film throughout its lifecycle. For example, Disney owns production studios like Pixar and distribution companies, while Warner Bros. owns production, distribution, and formerly owned exhibition theaters.
Film distribution
Film distribution involves getting films from production to exhibition through deals with cinemas, television networks, and other outlets. Major film distributors in the UK control much of the industry and prioritize distributing large Hollywood blockbusters. This makes it difficult for smaller distribution companies to get their films shown widely, as they have fewer resources for prints and promotion. The digital age has also made film distribution more challenging for independent distributors.
Media Ownership
The document discusses issues related to media ownership and concentration. It notes that a small number of large conglomerate companies, through mergers and acquisitions, now dominate markets like film production and distribution in the U.S. These conglomerates have advantages like financial resources and the ability to leverage synergies across business units. However, they also face disadvantages like pressure to appeal to mass markets. In contrast, independent studios have challenges in areas like financing and distribution but can take more creative risks. The document uses examples like Skyfall and Ill Manors to illustrate these points.
Presentation3 distribution
The document discusses potential media institutions to distribute the low-budget independent British film "Coldstream" based on its target audience of 15-25 year olds and limited budget. It considers Film 4, Vertigo Films, and Lionsgate as options, noting Film 4's Oscar-winning successes, Vertigo's diverse genres and box office hit Street Dance 3D, and Lionsgate's productions of The Hunger Games trilogy and Twilight saga films. Social media is suggested as a cost-effective marketing method for "Coldstream" to reach its target audience.
Film
This document discusses key concepts related to media conglomerates and convergence in the film industry. It covers how giant media companies vertically and horizontally integrate across different sectors like production, distribution, and exhibition. It also explores technological convergence allowing users to consume media across multiple platforms. Emerging concepts discussed include prosumers who both consume and create media, and new digital technologies and business models in the film industry like video on demand.
US Film Industry 2016
The US film industry is dominated by a small number of large conglomerates that own film production studios, distribution companies, television networks and other media properties. This level of vertical and horizontal integration gives them control over the entire filmmaking process and allows them to promote their films across multiple platforms. In contrast, the British film industry relies on co-productions and distribution deals with Hollywood studios, meaning creative and financial control often rests with American companies. As a result, decisions that affect the British industry are influenced more by US audiences tastes and the goals of maximizing profits for American conglomerates.
Media production is dominated by global institution which sells their product...
Major Hollywood studios dominate the global film industry and own companies that cover all aspects of filmmaking, making their productions powerful through synergistic promotions that allow for larger dominance over independent films. For example, the blockbuster film Avatar benefited greatly from word-of-mouth promotion. However, convergence between large American studios and smaller British studios does not always benefit the product nationally, as interests often diverge, as seen when the partnership between Aardman and Universal ended in dissatisfaction. Additionally, Adorno's view that the cultural industry devalues products to solely entertain audiences may resonate more with some British companies focused on realism and social issues versus today's audiences who are highly manipulated by dominant industry promotions.
Shifty case study
This is a complex question without a straightforward answer. A film's success is usually determined by both its appeal and the resources devoted to distributing and marketing it. Here are a few key points:
- A highly appealing film is more likely to find an audience, but it still needs exposure through distribution and marketing channels to reach its potential viewers.
- Marketing and promotion help raise awareness of a film and convey what it's about, which is important for driving interest and ticket/DVD sales. This is especially true for independent films with limited budgets.
- Wider distribution through more cinemas and territories increases the chances of finding an audience. However, distribution is costly and not guaranteed to overcome lack of appeal.
-
audience feedback
The feedback on the music video posted to YouTube, Vimeo, and shared with friends on Facebook has been overwhelmingly positive, with people connecting emotionally to the video and interpreting their own meanings. Responses on Vimeo asked technical questions about the camera and slow motion effects. Feedback from direct messages with friends provided more depth and confirmed the video's message came through effectively.
how we targeted our audience
We targeted our audience for a music video and promotional material in several ways:
- We conducted questionnaires and focus groups with peers and our target audience, ages 15-20, who preferred the alternative music genre.
- We determined YouTube would be the best platform to distribute the video based on our research into common audiences.
- We considered feedback from examiners who would evaluate our work, and used recommended techniques like Final Cut Pro for editing and consistent color grading.
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What's hot
Uk film industry as media
The British film industry has experienced several booms and recessions since the 1930s. In the 1990s, costume dramas and comedies like Four Weddings and a Funeral and Brassed Off found success. National Lottery funding and the British Film Council provided support. Key choices for the industry included low-budget films for mainstream British and art house audiences, as well as international co-productions. A successful film industry is important for Britain's economy, bringing in much of its revenue from outside the UK. Government support and production companies have aided development, though partnerships with US distributors are often needed to achieve large profits.
06 g322 section b distribution
The document discusses film distribution and the power dynamics between audiences, film studios, and distributors. It presents competing views on whether audiences or the film industry holds more power in influencing what films get made and seen. While audiences have the power to determine commercial success by choosing what films to see, the industry argues it relies more on knowing what audiences in different markets will pay for rather than simply responding to audience demands. The document also provides details on the roles and strategies of film distributors, the revenue streams and release windows of the film industry, United International Pictures as a case study of a major distributor, and the British Board of Film Classification system.
film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
08haless uk film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
Independent v hollywood distribution
The document discusses film distribution and the differences between Hollywood and independent films. Film distribution refers to marketing and circulating movies in theaters and home video. A film distributor secures placements for films between producers and exhibitors. Hollywood studios have an advantage through vertical integration, owning production, distribution and exhibition. Independent films often struggle to find distributors after completion.
Film distribution
Film distribution involves getting a film from production to exhibition through promotion, advertising, and legal distribution rights. It includes distributing the physical film to cinemas, marketing the film, releasing it on DVD/Blu-ray, and other platforms. Major film distributors that control much of the UK/Ireland market include United International Pictures, Warner Bros., Buena Vista, Twentieth Century Fox, Sony, Lionsgate, Walt Disney, Paramount, eOne Films, and Universal. The goal of distribution is to recoup the film's production costs and make a profit at the box office and through related merchandise.
G322 film industry quick overview
1. The exam questions may focus on areas related to media ownership, synergy and cross-media convergence, new media technologies, or how major industries target British audiences.
2. Media conglomerates own massive companies across film, TV, music, publishing, and the internet, allowing them to fund large film productions and market films across all their subsidiary companies using synergy.
3. While some independent films are made outside the major studios in Britain with smaller budgets, these films often require partnerships with larger distributors to achieve wide release and profitability.
Cue cards for film industry as revision
A Field in England utilized synergistic partnerships with Film 4, Channel 4, and BFI to fund, market, and distribute the film across multiple platforms simultaneously. It targeted a niche audience of older, middle-class viewers interested in history and independent films. Pacific Rim had a large budget from parent company Time Warner and worked with subsidiaries like NECA for merchandise and Legendary Pictures for production. It used extensive viral and cross-platform marketing techniques to appeal to both male and female audiences around the world. Both films leveraged technological convergence for digital distribution while A Field in England was more limited by its smaller budget.
Film distribution
Film distributors handle the distribution and marketing of films in cinemas and on DVD/Blu-ray. Their main objectives are to persuade cinemas to screen films and advertise them. They secure contracts with cinemas, collect ticket sales, ensure accurate reporting of profits, and split profits between production companies. Distributors also dub/subtitle films for international release and ensure any censoring meets other countries' standards. Vertigo Films is a UK distributor that handles both British and foreign independent films.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
P:\media studies\as level media\film industry\working title\how film makes it...
A film aims to make money at different stages of its commercial lifecycle, including theatrical exhibition, home video/DVD, television, and international distribution deals. Most films recoup their budgets through DVD sales. The more a film is distributed through different channels and territories, the more revenue it can generate for producers and distributors. However, many independent British films struggle to earn back their production costs from theatrical release alone.
What is distribution media
This document discusses film distribution. Distribution involves releasing films in cinemas, on DVD, and television to reach audiences. Major US studios like Paramount, Warner Bros., and Universal dominate global distribution through their large size and ability to distribute films internationally. Distribution involves producing film prints, marketing, deciding release dates and theaters. Independent British films have a harder time getting international distribution deals and theatrical screenings due to lack of funding compared to major Hollywood blockbusters. Film festivals help independent films get noticed and potentially picked up by distributors.
Revision film ownership
There are three main stages in the film industry: production, distribution, and exhibition. Companies can own businesses across different stages (vertical integration) or within the same stage (horizontal integration). This allows them to have more control over a film throughout its lifecycle. For example, Disney owns production studios like Pixar and distribution companies, while Warner Bros. owns production, distribution, and formerly owned exhibition theaters.
Film distribution
Film distribution involves getting films from production to exhibition through deals with cinemas, television networks, and other outlets. Major film distributors in the UK control much of the industry and prioritize distributing large Hollywood blockbusters. This makes it difficult for smaller distribution companies to get their films shown widely, as they have fewer resources for prints and promotion. The digital age has also made film distribution more challenging for independent distributors.
Media Ownership
The document discusses issues related to media ownership and concentration. It notes that a small number of large conglomerate companies, through mergers and acquisitions, now dominate markets like film production and distribution in the U.S. These conglomerates have advantages like financial resources and the ability to leverage synergies across business units. However, they also face disadvantages like pressure to appeal to mass markets. In contrast, independent studios have challenges in areas like financing and distribution but can take more creative risks. The document uses examples like Skyfall and Ill Manors to illustrate these points.
Presentation3 distribution
The document discusses potential media institutions to distribute the low-budget independent British film "Coldstream" based on its target audience of 15-25 year olds and limited budget. It considers Film 4, Vertigo Films, and Lionsgate as options, noting Film 4's Oscar-winning successes, Vertigo's diverse genres and box office hit Street Dance 3D, and Lionsgate's productions of The Hunger Games trilogy and Twilight saga films. Social media is suggested as a cost-effective marketing method for "Coldstream" to reach its target audience.
Film
This document discusses key concepts related to media conglomerates and convergence in the film industry. It covers how giant media companies vertically and horizontally integrate across different sectors like production, distribution, and exhibition. It also explores technological convergence allowing users to consume media across multiple platforms. Emerging concepts discussed include prosumers who both consume and create media, and new digital technologies and business models in the film industry like video on demand.
US Film Industry 2016
The US film industry is dominated by a small number of large conglomerates that own film production studios, distribution companies, television networks and other media properties. This level of vertical and horizontal integration gives them control over the entire filmmaking process and allows them to promote their films across multiple platforms. In contrast, the British film industry relies on co-productions and distribution deals with Hollywood studios, meaning creative and financial control often rests with American companies. As a result, decisions that affect the British industry are influenced more by US audiences tastes and the goals of maximizing profits for American conglomerates.
Media production is dominated by global institution which sells their product...
Major Hollywood studios dominate the global film industry and own companies that cover all aspects of filmmaking, making their productions powerful through synergistic promotions that allow for larger dominance over independent films. For example, the blockbuster film Avatar benefited greatly from word-of-mouth promotion. However, convergence between large American studios and smaller British studios does not always benefit the product nationally, as interests often diverge, as seen when the partnership between Aardman and Universal ended in dissatisfaction. Additionally, Adorno's view that the cultural industry devalues products to solely entertain audiences may resonate more with some British companies focused on realism and social issues versus today's audiences who are highly manipulated by dominant industry promotions.
Shifty case study
This is a complex question without a straightforward answer. A film's success is usually determined by both its appeal and the resources devoted to distributing and marketing it. Here are a few key points:
- A highly appealing film is more likely to find an audience, but it still needs exposure through distribution and marketing channels to reach its potential viewers.
- Marketing and promotion help raise awareness of a film and convey what it's about, which is important for driving interest and ticket/DVD sales. This is especially true for independent films with limited budgets.
- Wider distribution through more cinemas and territories increases the chances of finding an audience. However, distribution is costly and not guaranteed to overcome lack of appeal.
-
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What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
P:\media studies\as level media\film industry\working title\how film makes it...
P:\media studies\as level media\film industry\working title\how film makes it...
Media production is dominated by global institution which sells their product...
Media production is dominated by global institution which sells their product...
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The feedback on the music video posted to YouTube, Vimeo, and shared with friends on Facebook has been overwhelmingly positive, with people connecting emotionally to the video and interpreting their own meanings. Responses on Vimeo asked technical questions about the camera and slow motion effects. Feedback from direct messages with friends provided more depth and confirmed the video's message came through effectively.
how we targeted our audience
We targeted our audience for a music video and promotional material in several ways:
- We conducted questionnaires and focus groups with peers and our target audience, ages 15-20, who preferred the alternative music genre.
- We determined YouTube would be the best platform to distribute the video based on our research into common audiences.
- We considered feedback from examiners who would evaluate our work, and used recommended techniques like Final Cut Pro for editing and consistent color grading.
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Similar to Film distribution
Evaluation task 3
Film distribution is the process of making a movie available to an audience through various channels of exhibition and viewing. Major film distributors in Hollywood known as the "Big Six" handle distribution for large commercial films. Independent film studios like Lionsgate and Metrodome focus on distributing smaller, lower budget films they acquire from film festivals. A filmmaker may choose to self-distribute to retain full control, but it requires a significant time commitment and lacks the industry relationships of a professional distributor.
Film Distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors like theaters to show the film and set up screenings. They handle advertising, securing contracts with theaters regarding ticket sales revenue, collecting additional profits from DVD/Blu-ray sales and streaming, ensuring copies of the film are delivered to theaters on time, and monitoring box office performance. Distributors must consider factors like the target audience, competition from other releases, and a film's star power when planning distribution. They use varying strategies based on a film's type, from big Hollywood releases to smaller foreign or independent films.
Production cycle
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
During production, a production company creates the film through pre-production, production, and post-production stages. Distribution involves releasing and sustaining the film in the marketplace. Marketing employs various techniques to promote the film such as trailers, advertisements, and publicity events. Exhibition makes the film available to audiences in cinemas and later through home entertainment formats like DVDs and streaming.
Evaluation question 3
Film 4 would be an appropriate distributor for the independent, low-budget British film. As a major UK film distributor owned by Channel 4, Film 4 would be interested in acquiring the film despite its small budget. Film 4 previously distributed popular and financially successful films like The Inbetweeners 2 and Step Up 3D. They would want to distribute the film because it could potentially spawn a television series, allowing Film 4 to profit further.
Evaluation Question #3 Distribution Companies
Distribution companies market and promote films to make them available for consumers to view. They determine where films are shown in cinemas/theaters. For a small, independent horror film, RLJ Entertainment would be a good choice as they specialize in distributing such films. Releasing the film in late July to early August would be ideal, as this is when students finish school and have free time. Marketing the film on social media sites like Facebook and YouTube that target the intended younger audience would help promote and create buzz around the film.
New forms of distribution
This document discusses new forms of film distribution made possible by technology. It defines distribution as getting a product to consumers through marketing and logistics. Traditionally, major studios distributed films in cinemas and on video, marketing through TV, newspapers, and trailers. Technological changes like digital encoding allow global simultaneous releases, reducing piracy risks. Distribution is now quicker, cheaper, and less fragile. Streaming services and social media have replaced traditional rental shops and marketing. The document prompts examining how films are distributed and the advantages/disadvantages for audiences.
Movie marketing
The document discusses various techniques used to market films, including traditional above-the-line advertising methods like trailers, websites, and tie-ins as well as below-the-line publicity methods. It notes that the goal is to create a cohesive marketing campaign across different media platforms to build buzz leading up to a film's release. Successful marketing is crucial as most films do not break even from cinema revenue alone and require strong word-of-mouth to drive DVD sales. The document also outlines how marketers measure success and where marketing budgets are typically allocated.
Film Distribution ect.
This document discusses distribution options for a new media product. It defines production and distribution, with production referring to the filmmaking process and distribution getting the completed film to audiences. Distribution can occur through theaters, DVD/Blu-ray, TV channels like Netflix. The document examines Metrodome as a potential distributor, noting they work with both small independent films and larger budget films. It analyzes whether the new media product would appeal to a UK audience given its focus on teenagers, and discusses marketing, release and exhibition strategies like posters and trailers. Self-distribution is also mentioned as a riskier option that could succeed.
Film distribution
Film distribution is the process of getting completed films in front of audiences through cinemas, television, or DVD. It is an important but often invisible part of the film industry, as it is how films actually make a profit. The distributor is responsible for convincing exhibitors like cinemas to show the film and using marketing to reach the target audience. They handle delivering prints to theaters, ensuring shows go ahead as scheduled, and collecting prints afterwards. The first few days of a film's cinema run are critical to its long term success. UK distributors must research a film's audience and decide if releasing costs can be justified. Vertigo Films would be a good choice to distribute an independent horror/thriller film due to
Evaluation question 3
A film distributor is responsible for marketing a film and getting it distributed to theaters, home video, and television. For the film opening described in the document, a major studio like Universal Pictures would be best suited as the distributor, as the genre (action/spy) has a mainstream audience. Universal has its own distribution arm, United International Pictures, which distributes many action and spy films. Choosing a major studio and distributor like Universal would allow the film to be broadly marketed and distributed globally to reach its intended mainstream audience.
Media evaluation q3
Film distribution involves an organization representing and selling a film to the public and companies. The distributor handles the initial release in one country, as well as home video and streaming releases. They also promote the film at festivals and through advertising. Distribution is crucial as it connects the audience with completed films. The most successful distribution integrates production and exhibition under one company's control.
Evaluation task 3
Distribution involves launching and sustaining films in the marketplace through various methods. Some potential distribution companies mentioned are Lionsgate, Paramount Pictures UK, and Sony Pictures Releasing. Lionsgate would likely be interested in distributing the film due to their previous success with similar genres like action thrillers. The film would also likely have wide appeal, not just in the UK, but globally due to the popularity of the thriller genre in films like Taken, Inception, and The Lovely Bones that found international success. Effective distribution strategies include creating visibility through posters, trailers, awards season promotion, and premieres to build excitement and persuade audiences to see the film.
power point!
Distribution involves marketing and releasing a film to the public through various channels like cinemas, DVD, television or streaming. A distributor is responsible for deciding how and when a film is released. They may directly own cinemas or work through distribution networks. Some distributors specialize in specific formats like DVD or Blu-ray. Typically, films are first released in cinemas and then on other platforms. Production companies like Paramount and Lakeshore Entertainment that have successfully released similar thriller genres in the past may be interested in distributing this film. The film would likely appeal widely due to the global popularity of the thriller genre.
Evaluation question 3
Film 4 would be an appropriate distributor for the independent British film described in the document. As a UK film distributor owned by Channel 4, Film 4 has experience distributing both low-budget independent films as well as more mainstream films. Film 4 would consider the film's target audience, competition from other films, and whether the storyline would engage audiences - all important factors for successful distribution. Previously, Film 4 has distributed popular and financially successful films such as The Inbetweeners 2 and Step Up 3D.
Evaluation question 3
Film 4 would be the most likely media institution to distribute the media product because it supports independent UK filmmakers and has distributed many successful small-scale British films. As a company that funds productions targeting local audiences, Film 4 provides opportunities for independent films to reach audiences and gain recognition in the industry. Other options for independent film distribution include smaller companies like Microwave that provide funding to promote young UK filmmakers, as well as national lottery grants awarded by the BFI to encourage British film production and distribution.
Imran task 2 eveluation
Metrodome is a UK film distribution company that would be interested in distributing our low-budget, short film. As a small company based in multiple locations, Metrodome specializes in low-budget films and would promote our film online to appeal to worldwide audiences not limited to the UK. Our film's marketing strategy would focus on online advertising through websites like Facebook and YouTube to target teenage and youth audiences, as well as posters in locations they frequent like cinemas and colleges.
Presentation1
Film distributors in the UK spend £300 million annually bringing new releases to audiences. They identify films' target audiences and develop release strategies to maximize box office returns. A film's performance in its first 3 days generates 30% of total sales. Distributors consider a film's marketability, playability, director and stars when planning saturation or specialized releases across 1000+ screens or select theaters, respectively, to best reach interested audiences.
Film Distribution Companies
The document discusses film distribution and provides examples of major studios and independent studios. Major studios are often vertically integrated with production and distribution, allowing them to maintain all profits within one conglomerate. Independent studios must sell their films to separate distribution companies. Some major distributors in the UK are listed, including Lionsgate Films UK. A case study of Lionsgate describes their focus on thriller and teen films, and how their marketing strategy for the film Nerve leveraged social media and viewer participation to promote themes from the film.
Media evaluation question 3
A film distributor works with a film production company to plan the release of a film. This includes creating release plans that detail how the film will be distributed and marketed. The release plan must target audiences and overcome competition from other films being released. An important part of the release plan is determining the type of cinema release, such as saturation screening for large Hollywood films or platform screening for smaller films that show in only one or two cinemas initially. Film4 is proposed as a potential UK-based distribution company that could provide platform screening for the film given its experience distributing independent, low-budget films.
Media evaluation question 3
A film distributor works with a film production company to plan the release of a film. This includes creating release plans that detail how the film will be distributed and marketed. The release plan must target audiences and overcome competition from other films being released. An important part of the release plan is determining the type of cinema release, such as saturation screening for large Hollywood films or platform screening for smaller films that show in only one or two cinemas initially. Film4 is proposed as a potential film distributor, as it is a well-known UK distribution company that could give the film exposure through its TV channels, despite recent funding cuts that have reduced the number of films it distributes.
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Film distribution
- 1. Film Distribution BY CHARLIE MEADOWS
- 2. What is film distribution • Film distribution is the process of making film available to be viewed by an audience. This can be through several platforms- TV, Cinema and DVD etc. • This is the final step in film making where the film is passed on from the distributors to the consumers.
- 3. What do film distributors do? They have a range of responsibilities including: • Determining the marketing strategy for the film. • Deciding which media platforms the film will be made viewable on e.g. DVD. • Finding the best method for film promotion • The release date for the film.
- 4. Examples of film distributors in the UK • Vertigo Films • Warner Bros. • Universal Pictures UK • Paramount pictures UK • Pathé Distribution • Walt Disney Studios Motion Pictures UK • Sony Pictures Releasing •Lionsgate