Presentation3 distribution
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The document discusses potential media institutions to distribute the low-budget independent British film "Coldstream" based on its target audience of 15-25 year olds and limited budget. It considers Film 4, Vertigo Films, and Lionsgate as options, noting Film 4's Oscar-winning successes, Vertigo's diverse genres and box office hit Street Dance 3D, and Lionsgate's productions of The Hunger Games trilogy and Twilight saga films. Social media is suggested as a cost-effective marketing method for "Coldstream" to reach its target audience.
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Presentation1
Film distributors in the UK spend £300 million annually bringing new releases to audiences. They identify films' target audiences and develop release strategies to maximize box office returns. A film's performance in its first 3 days generates 30% of total sales. Distributors consider a film's marketability, playability, director and stars when planning saturation or specialized releases across 1000+ screens or select theaters, respectively, to best reach interested audiences.
Evaluation question 3
Film 4 would be the most likely media institution to distribute the media product because it supports independent UK filmmakers and has distributed many successful small-scale British films. As a company that funds productions targeting local audiences, Film 4 provides opportunities for independent films to reach audiences and gain recognition in the industry. Other options for independent film distribution include smaller companies like Microwave that provide funding to promote young UK filmmakers, as well as national lottery grants awarded by the BFI to encourage British film production and distribution.
08haless uk film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
Uk film industry as media
The British film industry has experienced several booms and recessions since the 1930s. In the 1990s, costume dramas and comedies like Four Weddings and a Funeral and Brassed Off found success. National Lottery funding and the British Film Council provided support. Key choices for the industry included low-budget films for mainstream British and art house audiences, as well as international co-productions. A successful film industry is important for Britain's economy, bringing in much of its revenue from outside the UK. Government support and production companies have aided development, though partnerships with US distributors are often needed to achieve large profits.
Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
Distribution lesson1 24.11.11
The document discusses how film distribution works, focusing on the role of distributors in marketing films to audiences and getting them exhibited in cinemas or on television. It notes the differences between film distribution systems in the US and UK, with US studios often controlling production and distribution, while UK distributor Film4 helped finance and distribute independent British films but struggled to appeal to both domestic and international audiences. The role of distributors in the film industry and challenges of independent films finding distribution are also examined.
Film Production Cycle
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
During production, a production company creates the film through pre-production, production, and post-production. Distribution involves releasing and sustaining the film in the marketplace through techniques like wide release, platform release, and limited release. Marketing employs strategies such as trailers, advertisements, publicity events, and product tie-ins to promote the film. Finally, exhibition makes the film experience available to audiences through cinema screenings and home media like DVDs, streaming, and TV broadcasts.
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Presentation1
Film distributors in the UK spend £300 million annually bringing new releases to audiences. They identify films' target audiences and develop release strategies to maximize box office returns. A film's performance in its first 3 days generates 30% of total sales. Distributors consider a film's marketability, playability, director and stars when planning saturation or specialized releases across 1000+ screens or select theaters, respectively, to best reach interested audiences.
Evaluation question 3
Film 4 would be the most likely media institution to distribute the media product because it supports independent UK filmmakers and has distributed many successful small-scale British films. As a company that funds productions targeting local audiences, Film 4 provides opportunities for independent films to reach audiences and gain recognition in the industry. Other options for independent film distribution include smaller companies like Microwave that provide funding to promote young UK filmmakers, as well as national lottery grants awarded by the BFI to encourage British film production and distribution.
08haless uk film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
film distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors to show the film and set up screenings. They will advertise through posters, videos, and arrange release dates and territories. Distributors must secure contracts specifying payment from ticket sales. They ensure copies are delivered on time and monitor showings. Considerations include targeting the right audience, competition, and star power. Distribution deals and formats vary between large Hollywood films and smaller independent or foreign films.
Uk film industry as media
The British film industry has experienced several booms and recessions since the 1930s. In the 1990s, costume dramas and comedies like Four Weddings and a Funeral and Brassed Off found success. National Lottery funding and the British Film Council provided support. Key choices for the industry included low-budget films for mainstream British and art house audiences, as well as international co-productions. A successful film industry is important for Britain's economy, bringing in much of its revenue from outside the UK. Government support and production companies have aided development, though partnerships with US distributors are often needed to achieve large profits.
Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
Distribution lesson1 24.11.11
The document discusses how film distribution works, focusing on the role of distributors in marketing films to audiences and getting them exhibited in cinemas or on television. It notes the differences between film distribution systems in the US and UK, with US studios often controlling production and distribution, while UK distributor Film4 helped finance and distribute independent British films but struggled to appeal to both domestic and international audiences. The role of distributors in the film industry and challenges of independent films finding distribution are also examined.
Film Production Cycle
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
During production, a production company creates the film through pre-production, production, and post-production. Distribution involves releasing and sustaining the film in the marketplace through techniques like wide release, platform release, and limited release. Marketing employs strategies such as trailers, advertisements, publicity events, and product tie-ins to promote the film. Finally, exhibition makes the film experience available to audiences through cinema screenings and home media like DVDs, streaming, and TV broadcasts.
Global institutions and global audiences
Global institutions like Disney dominate media production through their vast financial resources that allow extensive marketing and distribution worldwide. However, independent films can still succeed globally with a quality product like "The King's Speech", which earned over $400 million despite a smaller budget and target audience. While institutions produce most films, independent companies demonstrate there is appetite for alternatives through viral marketing and a compelling story. Overall, global institutions largely control media production, but independent films can still achieve influence.
Ai 4 film industry
The document discusses key issues facing film exhibition in cinemas. It notes that exhibitors control how films are programmed and presented to audiences, giving them influence over box office success. Exhibitors face shifting market conditions, competition from other cinemas, monopolization in some areas, government regulation, and costly investments in new technology. The document also compares multiplex and independent cinemas, noting differences in their film offerings, ticket and food prices, and target audiences. It explores how audiences consume films through various theatrical, home entertainment, and mobile options, as well as the problem of film piracy.
US Film Industry 2016
The US film industry is dominated by a small number of large conglomerates that own film production studios, distribution companies, television networks and other media properties. This level of vertical and horizontal integration gives them control over the entire filmmaking process and allows them to promote their films across multiple platforms. In contrast, the British film industry relies on co-productions and distribution deals with Hollywood studios, meaning creative and financial control often rests with American companies. As a result, decisions that affect the British industry are influenced more by US audiences tastes and the goals of maximizing profits for American conglomerates.
The film process
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
Production involves creating the film and arranging financing. Distribution gets the film to theaters and other platforms. Marketing uses techniques like trailers, ads, and publicity events to promote the film. Exhibition/consumption is when audiences view the film in theaters or at home.
Film distribution
The document provides an overview of key concepts related to film distribution, including:
1) It defines film distribution as everything that happens between production and exhibition, including acquiring legal rights, marketing, and releasing prints/files to cinemas and stores.
2) It discusses major distributors that control much of the industry through vertical and horizontal integration, as well as the top 5 distributors in the UK.
3) It explains important distribution concepts like local distribution, the advantages of major studios over independent producers, and the transition to digital distribution and projection.
Film distribution introduction
The document discusses company structures in the film industry, including conglomerates, horizontal integration, and vertical integration. It then focuses on distribution, explaining that distribution involves getting films shown and promoted between production and exhibition. The major distributors that control most film distribution are identified as United International Pictures, Warner Brothers, Buena Vista, 20th Century Fox, and Sony.
Cue cards for film industry as revision
A Field in England utilized synergistic partnerships with Film 4, Channel 4, and BFI to fund, market, and distribute the film across multiple platforms simultaneously. It targeted a niche audience of older, middle-class viewers interested in history and independent films. Pacific Rim had a large budget from parent company Time Warner and worked with subsidiaries like NECA for merchandise and Legendary Pictures for production. It used extensive viral and cross-platform marketing techniques to appeal to both male and female audiences around the world. Both films leveraged technological convergence for digital distribution while A Field in England was more limited by its smaller budget.
Task 3
Distribution involves delivering a completed media product to audiences through various channels like DVD, television, streaming, and merchandise. Some major film distributors are 21st Century Fox, DreamWorks, Paramount Pictures, Sony, and Disney/Pixar, which could deliver a film based on its genre and similarity to the distributor's past successful titles. The document considers whether the sample film would appeal only to UK audiences or have wider global appeal, as well as potential marketing strategies and release options.
Film Distribution
The British film industry received funding in the 1990s which led to increased film production. However, many of the films produced lacked distribution networks and cinema exhibition. As a result, they did not reach wide audiences. Critics argued that Lottery-funded films at the time were rushed through development and production without sufficient script quality. The document discusses that film distribution is key to connecting films from producers to cinema exhibitors in order to maximize viewership. Distributors are responsible for marketing films, targeting appropriate audiences, and tracking audience reception during promotional campaigns which aim to pique interest and attract viewers.
Distribution and marketing
This document discusses the film distribution process. It explains that a film distributor chooses which films to distribute, decides on the number of film prints and marketing budget. The distributor negotiates the release date and theaters, and pays for prints, advertising, and a percentage of ticket sales. They monitor the film's exhibition and can implement changes. The distributor also conducts advertising through various media and maintains the film's brand image. Film ideas are often pitched to studios with a simple high concept premise that can be easily marketed.
Film exhibition
The document discusses film exhibition, primarily in cinemas. It notes that films can be shown in festivals but the focus is on different types of cinemas and the films they show. The two main types of cinemas in the UK are multiplexes and independent cinemas. Multiplexes first arrived in the UK in the 1980s and were largely situated outside of towns. They were able to show a wide variety of films from different studios. Independent cinemas are typically smaller and show foreign, independent, and experimental films in renovated buildings. They offer a different experience compared to multiplexes.
Uk Film Distribution
The document discusses UK film distribution and the process and challenges involved. It notes that distributors must identify the largest possible audience for a film from the over 500 titles released annually in the UK. The distributor's goal is to create buzz around a film to attract a large audience in the crucial first weekend of release, when 30% of box office is typically generated. Distribution involves acquiring rights, developing screenplays, filming, post-production, and negotiating with exhibitors to showcase films in cinemas. Considerations for distributors include competition from other films, whether a film has mass appeal or a niche audience, and bankability of stars. Distribution strategies vary from saturation releases on 1000 screens for blockbusters to limited runs for
Media evaluation question 3
A film distributor works with a film production company to plan the release of a film. This includes creating release plans that detail how the film will be distributed and marketed. The release plan must target audiences and overcome competition from other films being released. An important part of the release plan is determining the type of cinema release, such as saturation screening for large Hollywood films or platform screening for smaller films that show in only one or two cinemas initially. Film4 is proposed as a potential film distributor, as it is a well-known UK distribution company that could give the film exposure through its TV channels, despite recent funding cuts that have reduced the number of films it distributes.
Film distribution
Film distribution is the process of marketing and releasing a movie to the appropriate target audience. During development, the distribution company considers who the intended audience is and whether the story and characters will appeal to that group. The distribution process involves the producer obtaining rights, filming, post-production, and the distributor developing a release strategy. They then present the film to exhibitors to negotiate showings in cinemas and launch a marketing campaign to the targeted audience.
Distribution and exhibition
Distribution involves releasing films in the marketplace and involves either vertical or horizontal integration models. Films are usually launched on Fridays and marketed through various traditional and new technologies. Film distribution has unique procedures where success or failure of theatrical releases determines subsequent home media releases. Distribution is transitioning to digital with encrypted files being sent directly to cinemas for screening.
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Film distribution presentation
The film distribution process begins with an idea that is developed into a synopsis to attract interest. The rights are then purchased by a studio or investor. A team is assembled to produce the film. Once complete, the film is sent to the owner who licenses it to a distribution company. The distributor determines copies made and shows the film to cinema buyers, who negotiate lease terms and select films. Cinemas receive copies in advance and show the film for weeks before returning prints to complete the distribution cycle.
Film distribution!!
A film distributor's job is to market and circulate movies in theaters and home entertainment to generate revenue. They work to get exhibitors like movie theaters interested in screening a film. As an independent low-budget English film, companies that may distribute it include DNA Films, Film4, and Vertigo Films. DNA Films in particular has had success distributing similar films and has a partnership with 20th Century Fox for worldwide distribution and funding, which could help get an independent film screened more widely.
Shifty case study
This is a complex question without a straightforward answer. A film's success is usually determined by both its appeal and the resources devoted to distributing and marketing it. Here are a few key points:
- A highly appealing film is more likely to find an audience, but it still needs exposure through distribution and marketing channels to reach its potential viewers.
- Marketing and promotion help raise awareness of a film and convey what it's about, which is important for driving interest and ticket/DVD sales. This is especially true for independent films with limited budgets.
- Wider distribution through more cinemas and territories increases the chances of finding an audience. However, distribution is costly and not guaranteed to overcome lack of appeal.
-
Question 3
The document discusses potential media institutions that could distribute a film called "Delinquent". It suggests that Film4 Productions would be the ideal distributor. Film4 Productions is a British film company owned by Channel 4 that has distributed many successful UK films. It has experience working with thriller films and distributing them internationally. Film4 could advertise "Delinquent" across Channel 4's television channels and work with a major Hollywood studio for financial backing and international distribution. The document outlines how Film4 could distribute the film online, through DVD/Blu-Ray, and in cinemas to reach wide audiences.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film production. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options. Film4 is identified as the preferred choice as it specializes in smaller, UK-based films and has a track record of distributing successful horror titles. Though Lionsgate and Studio Canal also have experience with the genre, they tend to focus on higher budgets than the production being considered. Film4 could provide national distribution through its Channel 4 and E4 platforms, targeting younger audiences, and may allow global reach through partnerships.
Research on the Film4 Production Company
Channel 4's remit prioritizes public service over profit by demonstrating innovation, appealing to diverse audiences, making educational contributions, and exhibiting distinctive programming. It commissions many independent productions, including from Europe. Film4 Productions aimed to develop British talent and innovation by investing around £500,000 in 20 films annually and co-producing with international independents. Though it suffered losses, successes like Slumdog Millionaire and 12 Years a Slave allowed it to continue supporting low-budget films like those in similar genres to the author's film.
More Related Content
What's hot
Global institutions and global audiences
Global institutions like Disney dominate media production through their vast financial resources that allow extensive marketing and distribution worldwide. However, independent films can still succeed globally with a quality product like "The King's Speech", which earned over $400 million despite a smaller budget and target audience. While institutions produce most films, independent companies demonstrate there is appetite for alternatives through viral marketing and a compelling story. Overall, global institutions largely control media production, but independent films can still achieve influence.
Ai 4 film industry
The document discusses key issues facing film exhibition in cinemas. It notes that exhibitors control how films are programmed and presented to audiences, giving them influence over box office success. Exhibitors face shifting market conditions, competition from other cinemas, monopolization in some areas, government regulation, and costly investments in new technology. The document also compares multiplex and independent cinemas, noting differences in their film offerings, ticket and food prices, and target audiences. It explores how audiences consume films through various theatrical, home entertainment, and mobile options, as well as the problem of film piracy.
US Film Industry 2016
The US film industry is dominated by a small number of large conglomerates that own film production studios, distribution companies, television networks and other media properties. This level of vertical and horizontal integration gives them control over the entire filmmaking process and allows them to promote their films across multiple platforms. In contrast, the British film industry relies on co-productions and distribution deals with Hollywood studios, meaning creative and financial control often rests with American companies. As a result, decisions that affect the British industry are influenced more by US audiences tastes and the goals of maximizing profits for American conglomerates.
The film process
The key stages of the film process are production, distribution, marketing, and exhibition/consumption.
Production involves creating the film and arranging financing. Distribution gets the film to theaters and other platforms. Marketing uses techniques like trailers, ads, and publicity events to promote the film. Exhibition/consumption is when audiences view the film in theaters or at home.
Film distribution
The document provides an overview of key concepts related to film distribution, including:
1) It defines film distribution as everything that happens between production and exhibition, including acquiring legal rights, marketing, and releasing prints/files to cinemas and stores.
2) It discusses major distributors that control much of the industry through vertical and horizontal integration, as well as the top 5 distributors in the UK.
3) It explains important distribution concepts like local distribution, the advantages of major studios over independent producers, and the transition to digital distribution and projection.
Film distribution introduction
The document discusses company structures in the film industry, including conglomerates, horizontal integration, and vertical integration. It then focuses on distribution, explaining that distribution involves getting films shown and promoted between production and exhibition. The major distributors that control most film distribution are identified as United International Pictures, Warner Brothers, Buena Vista, 20th Century Fox, and Sony.
Cue cards for film industry as revision
A Field in England utilized synergistic partnerships with Film 4, Channel 4, and BFI to fund, market, and distribute the film across multiple platforms simultaneously. It targeted a niche audience of older, middle-class viewers interested in history and independent films. Pacific Rim had a large budget from parent company Time Warner and worked with subsidiaries like NECA for merchandise and Legendary Pictures for production. It used extensive viral and cross-platform marketing techniques to appeal to both male and female audiences around the world. Both films leveraged technological convergence for digital distribution while A Field in England was more limited by its smaller budget.
Task 3
Distribution involves delivering a completed media product to audiences through various channels like DVD, television, streaming, and merchandise. Some major film distributors are 21st Century Fox, DreamWorks, Paramount Pictures, Sony, and Disney/Pixar, which could deliver a film based on its genre and similarity to the distributor's past successful titles. The document considers whether the sample film would appeal only to UK audiences or have wider global appeal, as well as potential marketing strategies and release options.
Film Distribution
The British film industry received funding in the 1990s which led to increased film production. However, many of the films produced lacked distribution networks and cinema exhibition. As a result, they did not reach wide audiences. Critics argued that Lottery-funded films at the time were rushed through development and production without sufficient script quality. The document discusses that film distribution is key to connecting films from producers to cinema exhibitors in order to maximize viewership. Distributors are responsible for marketing films, targeting appropriate audiences, and tracking audience reception during promotional campaigns which aim to pique interest and attract viewers.
Distribution and marketing
This document discusses the film distribution process. It explains that a film distributor chooses which films to distribute, decides on the number of film prints and marketing budget. The distributor negotiates the release date and theaters, and pays for prints, advertising, and a percentage of ticket sales. They monitor the film's exhibition and can implement changes. The distributor also conducts advertising through various media and maintains the film's brand image. Film ideas are often pitched to studios with a simple high concept premise that can be easily marketed.
Film exhibition
The document discusses film exhibition, primarily in cinemas. It notes that films can be shown in festivals but the focus is on different types of cinemas and the films they show. The two main types of cinemas in the UK are multiplexes and independent cinemas. Multiplexes first arrived in the UK in the 1980s and were largely situated outside of towns. They were able to show a wide variety of films from different studios. Independent cinemas are typically smaller and show foreign, independent, and experimental films in renovated buildings. They offer a different experience compared to multiplexes.
Uk Film Distribution
The document discusses UK film distribution and the process and challenges involved. It notes that distributors must identify the largest possible audience for a film from the over 500 titles released annually in the UK. The distributor's goal is to create buzz around a film to attract a large audience in the crucial first weekend of release, when 30% of box office is typically generated. Distribution involves acquiring rights, developing screenplays, filming, post-production, and negotiating with exhibitors to showcase films in cinemas. Considerations for distributors include competition from other films, whether a film has mass appeal or a niche audience, and bankability of stars. Distribution strategies vary from saturation releases on 1000 screens for blockbusters to limited runs for
Media evaluation question 3
A film distributor works with a film production company to plan the release of a film. This includes creating release plans that detail how the film will be distributed and marketed. The release plan must target audiences and overcome competition from other films being released. An important part of the release plan is determining the type of cinema release, such as saturation screening for large Hollywood films or platform screening for smaller films that show in only one or two cinemas initially. Film4 is proposed as a potential film distributor, as it is a well-known UK distribution company that could give the film exposure through its TV channels, despite recent funding cuts that have reduced the number of films it distributes.
Film distribution
Film distribution is the process of marketing and releasing a movie to the appropriate target audience. During development, the distribution company considers who the intended audience is and whether the story and characters will appeal to that group. The distribution process involves the producer obtaining rights, filming, post-production, and the distributor developing a release strategy. They then present the film to exhibitors to negotiate showings in cinemas and launch a marketing campaign to the targeted audience.
Distribution and exhibition
Distribution involves releasing films in the marketplace and involves either vertical or horizontal integration models. Films are usually launched on Fridays and marketed through various traditional and new technologies. Film distribution has unique procedures where success or failure of theatrical releases determines subsequent home media releases. Distribution is transitioning to digital with encrypted files being sent directly to cinemas for screening.
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Film distribution presentation
The film distribution process begins with an idea that is developed into a synopsis to attract interest. The rights are then purchased by a studio or investor. A team is assembled to produce the film. Once complete, the film is sent to the owner who licenses it to a distribution company. The distributor determines copies made and shows the film to cinema buyers, who negotiate lease terms and select films. Cinemas receive copies in advance and show the film for weeks before returning prints to complete the distribution cycle.
Film distribution!!
A film distributor's job is to market and circulate movies in theaters and home entertainment to generate revenue. They work to get exhibitors like movie theaters interested in screening a film. As an independent low-budget English film, companies that may distribute it include DNA Films, Film4, and Vertigo Films. DNA Films in particular has had success distributing similar films and has a partnership with 20th Century Fox for worldwide distribution and funding, which could help get an independent film screened more widely.
Shifty case study
This is a complex question without a straightforward answer. A film's success is usually determined by both its appeal and the resources devoted to distributing and marketing it. Here are a few key points:
- A highly appealing film is more likely to find an audience, but it still needs exposure through distribution and marketing channels to reach its potential viewers.
- Marketing and promotion help raise awareness of a film and convey what it's about, which is important for driving interest and ticket/DVD sales. This is especially true for independent films with limited budgets.
- Wider distribution through more cinemas and territories increases the chances of finding an audience. However, distribution is costly and not guaranteed to overcome lack of appeal.
-
What's hot (19)
Similar to Presentation3 distribution
Question 3
The document discusses potential media institutions that could distribute a film called "Delinquent". It suggests that Film4 Productions would be the ideal distributor. Film4 Productions is a British film company owned by Channel 4 that has distributed many successful UK films. It has experience working with thriller films and distributing them internationally. Film4 could advertise "Delinquent" across Channel 4's television channels and work with a major Hollywood studio for financial backing and international distribution. The document outlines how Film4 could distribute the film online, through DVD/Blu-Ray, and in cinemas to reach wide audiences.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film production. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options. Film4 is identified as the preferred choice as it specializes in smaller, UK-based films and has a track record of distributing successful horror titles. Though Lionsgate and Studio Canal also have experience with the genre, they tend to focus on higher budgets than the production being considered. Film4 could provide national distribution through its Channel 4 and E4 platforms, targeting younger audiences, and may allow global reach through partnerships.
Research on the Film4 Production Company
Channel 4's remit prioritizes public service over profit by demonstrating innovation, appealing to diverse audiences, making educational contributions, and exhibiting distinctive programming. It commissions many independent productions, including from Europe. Film4 Productions aimed to develop British talent and innovation by investing around £500,000 in 20 films annually and co-producing with international independents. Though it suffered losses, successes like Slumdog Millionaire and 12 Years a Slave allowed it to continue supporting low-budget films like those in similar genres to the author's film.
Film 4 production company- Research
Channel 4's remit prioritizes public service over profit by demonstrating innovation, appealing to diverse audiences, making educational contributions, and exhibiting distinctive programming. It was first established in 1982 as Channel Four Films to produce diverse films for Channel 4, achieving financial success in the 1990s with films like The Crying Game and Trainspotting. Its ethos is to develop British talent, invest in low-budget films, support international independents, and show its films on Channel 4 and FilmFour. The document outlines why the author chose FilmFour Productions to distribute their film due to its support of low-budget independent films and niche audiences.
Evaluation activity 3
Film4 would be the best distribution company for the filmmakers' low-budget horror film. As a UK-based company that specializes in distributing smaller, independent films, including horror, Film4 could nationally distribute their film through television channels they own like Channel 4 and E4. Internet distribution would also be effective since it's relatively cheap and broad in reach. While companies like Lionsgate and StudioCanal have success distributing horror films, they tend to focus on higher budgets than the filmmakers' production. Film4 offers emerging talent opportunities and has experience with similar low-budget, national distribution projects.
Film Distribution
The document discusses film distribution, which involves marketing and circulating films in theaters and home viewing formats. A distributor's main objectives are to persuade exhibitors like theaters to show the film and set up screenings. They handle advertising, securing contracts with theaters regarding ticket sales revenue, collecting additional profits from DVD/Blu-ray sales and streaming, ensuring copies of the film are delivered to theaters on time, and monitoring box office performance. Distributors must consider factors like the target audience, competition from other releases, and a film's star power when planning distribution. They use varying strategies based on a film's type, from big Hollywood releases to smaller foreign or independent films.
What kind of media institution might distribute your media product and why?
This document discusses potential media institutions to distribute a horror film and analyzes Columbia Pictures, Universal Pictures, Warp Films, and Screamtime Films. Columbia Pictures and Universal Pictures are major studios known for distributing popular horror titles to wide audiences through various media platforms. Warp Films and Screamtime Films are independent distributors that could be a good match due to experience with low-budget horror films and a ability to still reach broad audiences. Screamtime Films in particular has over 25 years of experience distributing independent horror films.
Working titles andWARP
Working Titles is a British film company founded in 1983 that has produced over 100 films grossing nearly $6 billion worldwide. It is known for award-winning films like Les Miserables and collaborating with notable directors and actors. The company's films have evolved to target changing audiences, with earlier films aimed primarily at UK viewers due to their focus on British culture, while more recent productions have found greater international success through broader appeal.
Film 4 production company- Information
Channel 4's remit requires it to demonstrate innovation, appeal to diverse tastes and interests, make educational contributions, and exhibit distinctive character. FilmFour Productions was established in 1982 to produce diverse films for Channel 4. Notable successes included The Crying Game, Four Weddings and a Funeral, and Trainspotting. Its ethos was to develop British talent, invest in low-budget films, and support international independents. The author chose FilmFour due to its focus on developing British talent and innovative films, as their productions would be a good fit and they prioritize audience satisfaction over profits.
Distribution Options
Film 4 and the BFI are two potential film distribution companies. Film 4 develops and co-finances films with distinctive talent, operating with a mix of license fees and equity. It has produced acclaimed films like 12 Years a Slave and Slumdog Millionaire. The BFI uses lottery funds to support UK films and increase audiences. It has released films like The Changes and The Ghost Stories for Christmas. BBC Films co-produces around eight films annually with international partners. It aims to make strong British films while developing new talent. Potential films for each distributor are listed.
Independent cinema research media molly
The document discusses the process of independent filmmaking, including developing a story, pitching ideas, creating storyboards and scripts, filming, editing, and distribution. It contrasts independent films, which are lower budget and not funded by major studios, with mainstream films from large studios that have bigger marketing budgets. It also lists some UK independent film producers and festivals that can help get independent films exposure.
Production funding
The document discusses the film industry and provides details about the production and distribution stages. It focuses on the films Straight Outta Compton and I, Daniel Blake as case studies. Production involves creating the film and is handled by a production company. It notes that Straight Outta Compton had a larger budget since it was produced by a major Hollywood studio, while I, Daniel Blake likely had to use public funding sources common for British films. The distribution stage gets the completed film in front of audiences through theatrical release, home media, or digital distribution.
Production funding1
The document discusses the film industry and provides details about the production and distribution stages. It focuses on the films Straight Outta Compton and I, Daniel Blake as case studies. Production involves creating the film and is handled by a production company. It notes that Straight Outta Compton had a larger budget since it was produced by a major Hollywood studio, while I, Daniel Blake likely had to use public funding sources common for British films. The distribution stage gets the completed film in front of audiences.
Afie l6 industry
The document lists various film marketing strategies that can be used to promote a film in 2 minutes or less, including:
- Posters, trailers, viral campaigns, TV interviews, print ads, social networking, websites, Q&A sessions, YouTube videos, and merchandise. It provides a concise overview of the essential film marketing tactics.
Production funding.pdf
1. The film industry involves three stages: production, distribution, and exhibition. Production involves creating the film, distribution gets the film to audiences, and exhibition is when audiences view the film.
2. The document discusses funding methods for films, including studio funding, government funding, presales, and crowdfunding. It also discusses the differences between the Hollywood and British film industries.
3. The Hollywood system relies on large conglomerates and aims to produce big-budget, high-concept films to appeal to global audiences. The British industry is smaller and produces more low-budget, socially-focused films that target domestic audiences.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film produced by Dream Light Productions. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options, as they have experience distributing similar films in the UK. Film4 is highlighted as a good choice as it supports emerging talent, has a strong online presence, and has successfully distributed films like "Kill List". While global distribution could provide more revenue, national distribution through Film4's UK channels is more realistic given the film's small budget.
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The film A Field in England was produced on a very low budget of £300,000 by independent British production company Rook Films. It utilized new technologies and a non-traditional distribution strategy, being simultaneously released in UK cinemas, free-to-air television, DVD, and video-on-demand. This innovative approach aimed to maximize audience reach and profits. Initial results were positive, with solid cinema box office and thousands of digital/DVD purchases in the first week. Audiences responded positively overall to having increased access options.
Working title films
Working Title Films is a leading British film production company founded in 1984 by Tim Bevan and Sarah Radclyffe. It is now owned by Universal Studios. Working Title is known for producing romantic comedies written by Richard Curtis and films from the Coen Brothers. Their most commercially successful film is Four Weddings and a Funeral. While initially independent, Working Title benefited from partnerships with PolyGram and Universal that provided funding and access to international markets. This allowed Working Title to take risks on smaller films while also producing larger-scale movies. Working Title balances artistic freedom with commercial considerations to sustain the British film industry.
Evaluation 3
The document discusses choosing a media institution to distribute a British film. It analyzes potential distributors before selecting Film 4. Key reasons for choosing Film 4 include that it is a major name in British film distribution, has experience with similar films, invests £500,000 in productions, and owns popular TV channels for advertising and screening films. Other potential distributors like Working Title Films were rejected for not being a good fit for the film's genre.
Film Industry Answers
The document discusses the distribution of the films Straight Outta Compton and I, Daniel Blake. It provides information on what film distribution entails, such as releasing and marketing films. For Straight Outta Compton, Universal Pictures distributed the film internationally using a saturated release pattern. I, Daniel Blake was distributed internationally through various smaller distributors suited for its independent and niche audience. Both films used platform release patterns to build audiences through word-of-mouth in key territories.
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Presentation3 distribution
- 2. FACTORS TO CONSIDER • Who is the target audience of ‘Cold stream’? • What is the estimated income the film will produce? • Will the target audience be interested in the film? • What is the films budget? Who is it produced by? • Who are the actors in the film? Are they famous? • How well have similar films done? What audiences did they attract?
- 3. ABOUT ‘COLDSTREAM’ • Coldstream (2017) is a low budget, independent British film by Silverlinings pictures, based in Peterborough, UK. • The target market is 15 to 25 year old • Due to it being a low budget film, they cannot afford to spend excessively on the distribution and marketing methods of the film • Therefore, social media is a very useful marketing method as it is cost effective and is very popular within the target audiences ages.
- 4. CASE STUDY: FILM 4 • Film 4 is a British film company established in 1982 • Film 4 have produced some successful films which have been Oscar winning such as Slumdog Millionaire (2009) • Film 4 is backed by Channel 4, who are not required by legislation to make films.
- 5. CASE STUDY: VERTIGO FILMS • Vertigo Films is a UK Film and distribution company founded in 2002 by Alian Niblo and James Richardson • The films span a range of genres and audience taste and include the box office smash hit Street Dance 3D • Vertigo also owns a successful post production company in Berlin. The post republic and is a partner is sales company Protagonist Pictures with Film 4 and Ingenious
- 6. CASE STUDY: LIONSGATE • Lionsgate are an American-Canadian entertainment company established in 1997 • They produced the Huger games trilogy films which was ranked in 2012 the top digital title and the twilight saga films • They have distribution partnerships with the history channel and A&E Networks