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Final Cut Pro X is a 64-bit video editing application with fast media ingestion, efficient media management, and simple multicam editing. However, it lacks some professional features and requires third party plugins for online editing in external applications. The interface includes a library, events, projects, and magnetic timeline. The workflow involves media ingestion, syncing audio, editing, effects, color correction, sound mixing, and output. Useful features include audition, compound clips, and advanced trimming tools.
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This document provides guidance on writing documentary treatments and pitches. It discusses the purpose of treatments, outlines common treatment elements like loglines and narrative synopses, and offers tips on style and common mistakes. Students will pitch their documentary projects to the class and receive feedback to help strengthen their treatments. Effective treatments tell a compelling story through visual language and present a worthy subject, theme, and central question.
4 writing treatment
The document provides guidance on writing a 4-page treatment for a screenplay. It discusses the key elements to include in a treatment such as a title, logline, introduction to characters, and breakdown of the three acts. The treatment should flesh out the story in an outline format and define the structural events. It also provides examples of how to write the different sections, including using dramatic recreations and narrative synopses for the opening, plot points and ending. Exercises are given to help the writer practice developing these various components of a full treatment.
4 weston
This document discusses tools that film directors use to analyze scripts and plan shoots. It describes how directors identify emotional events in a character's story and breakdown a script into individual storytelling events. It also outlines how directors develop a character's spine, objective, and intention in a scene. The document provides examples of questions directors ask to make adjustments and discusses different levels of imagery that can be explored. It concludes by outlining the typical steps a director would take in analyzing a script and planning a shoot or rehearsal.
3 the interview_workflow
The document provides guidance on conducting interviews for documentaries. It recommends preparing questions in advance, making interview subjects feel comfortable, asking open-ended questions, avoiding yes or no questions, and considering location and visual elements. The workflow of documentary production is also outlined, including pre-production research, casting, shooting, and post-production editing, sound design, and distribution. Crew roles like the director, cinematographer, sound person, and editor are defined.
3 weston
This document summarizes key points from chapters 5-7 of Judith Weston's book. It discusses goals of script analysis such as developing a "beginner's mind" and ensuring the story is about people. Subtext and character choices are important to "play the subtext". Result-oriented acting can be addressed through quick fixes like using action verbs, facts, images, events, and physical tasks. The document also provides exercises for free association and developing characters' inner lives from photos or observations.
2 choosing subjects
This document discusses finding subjects and developing ideas for documentary films. It provides tips on following your passion, solving problems, making topics personal, asking questions, and going with your gut instincts. It also discusses finding compelling characters, exploring one's unique access, developing story ideas from various sources, testing potential subjects, and avoiding topics one doesn't have direct experience with. The document emphasizes narrowing in on topics that have personal meaning and significance. Overall, it provides guidance on selecting documentary topics and developing early ideas.
2 weston
This document summarizes chapters 1-3 from Judith Weston's book on result-oriented direction versus experiential direction. It discusses avoiding giving actors adjectives or explanations and instead using action verbs, facts, images, events, and physical tasks. It also emphasizes listening to actors, working moment-to-moment, and understanding subtext rather than just the explicit dialogue. The overall message is that directors should create an atmosphere where actors can play off each other and take risks, rather than the director strictly controlling every aspect of their performance.
Disrupting Documentary: Ecstatic Truth & Elusive Fiction
This document discusses different approaches to documentary filmmaking such as direct cinema, ecstatic truth, and elusive fiction. It provides examples of films that exemplify these concepts, including Chronicle of a Summer, Little Dieter Needs to Fly, and Jia Zhangke's films. The document also discusses the relationship between truth, objectivity, and subjectivity in documentaries. Key thinkers cited include Werner Herzog, Abbas Kirostami, and Michel Brault.
360 video
The document discusses new approaches to narrative and concepts of reality using 360 virtual reality. It explores how VR may enhance a reader's capacity for empathy by allowing them to literally enter the interior worlds of others. However, it also notes challenges, such as the risk of "poverty porn" or presenting only certain perspectives. The document also examines how VR can reconfigure concepts of truth and reality by showing multiple perspectives and narrative fallibility. It suggests VR may require considering the physical experience of the viewer in new ways compared to traditional media.
Writing a Documentary Treatment or Script
This document provides tips and methods for organizing ideas and writing treatments for documentary scripts. It discusses writing exercises, keeping a notebook for observations, finding one's most creative time, and not agonizing over getting it right. Other sections explain using the hero's journey model, mind mapping with images and colors, getting feedback from a partner, using cue cards to break down the story visually and aurally, and creating mood boards with collected images and text to set the theme. The overall message is that treatments help get ideas organized for documentary script writing.
4 the interview_workflow
The document outlines the various phases and roles involved in documentary film production, including pre-production, production, post-production, and distribution. It discusses preparation such as developing ideas and scripts, shooting, editing, sound design, and distribution. It also provides guidance on interview techniques for documentary filmmakers such as preparing questions, active listening, avoiding leading questions, and making subjects feel comfortable.
3 sm2002 2016
This document discusses various film editing techniques for constructing time in a film, including parallel editing, temporal ellipsis, and temporal expansion. It provides examples of each technique from famous films. Parallel editing or cross-cutting involves cutting between two stories simultaneously to invite comparisons. Temporal ellipsis omits parts of an event to condense time, while temporal expansion stretches out time through techniques like slow motion. Organizing footage into bins or other systems is also discussed as important for efficient editing.
1 Advanced Doc Production
This document provides an overview of the course structure and assignments for a documentary production class. The course is divided into two parts: thinking (research, planning, writing) and doing (filming, interviewing, editing). Assignments include screening discussions and a film journal (10%), a production plan and reflection (25%), a project treatment (25%), a pitch (15%), and a final screening (25%). The document discusses different types of documentaries including participatory, reflexive, performative, poetic, expository, and observational forms. It also provides examples of influential documentaries in each style.
1 sm2002 2016
Please email me the details and I will send you the footage for your group to work on next week.
Ge3106: Making your Doc
The document provides guidance for students on conducting field research for a documentary project on Shanghai Street, including taking detailed observational notes for 30 minutes on their assigned section that describes sights, sounds, conversations, and potential storylines, as well as taking 5-10 photographs to act as visual notes. Students are instructed on what elements must be included in their field notes, such as date, time, location details, and personal responses, and they will later type up their notes and photos to share online.
Class 3: Documentary and Everyday Urban Life
This document discusses the concept of the global city and how cities are changing in relation to the global economy. It notes that the rise of information technologies and increased mobility of capital have weakened the role of nations and led to the internationalization of finance and industry. As a result, cities now have more diverse and globally integrated economic activities, and corporate functions are more centralized. Labor has also become more informalized as a survival strategy. The document then outlines seven elements that characterize the global city model, including geographic diversity of economic activities, outsourcing, and the development of transnational urban systems disconnecting cities from local contexts.
Ge class2
This document provides an overview of concepts and techniques for documenting cityscapes through film. It discusses how films can shape and interpret places of memory and identity. Various filmic devices for documenting cities are presented, such as landscapes, urban self-portraits, and metal films. The document also examines ideas of subjectivity, representation of space, and different styles of documentaries. World systems theory and the concept of post-industrial cities are introduced. Key theorists discussed include Henri Lefebvre and Michel de Certeau and their work on spatiality. Specific films analyzed include "London" by Patrick Keiller and "Los Angeles Plays Itself" by Thom Anderson.
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Chapter wise All Notes of First year Basic Civil Engineering.pptx
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
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A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
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Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Fcpx tricks
- 1. Useful Tips and Tricks for Editing in Final Cut Pro X Presented by Boban Chaldovich SM2002 The Art of Editing /prof Shannon Walsh School of Creative Media, City University of Hong Kong
- 2. Pros and cons using Final Cut Pro X PROS: 64-bit application Fast Media Ingestion Efficient and Improved Media Management Background Tasks Automatic Audio and Image Analysis Syncing External Audio Simple and Fast Multicam Editing Fast Editing and Exporting Automatic Saving
- 3. Pros and cons using Final Cut Pro X CONS: Lack of Built-in Features required in Professional Settings Third Party Plugins often Very Expensive Storyline Approach VS Timeline Approach requires tweaks and third party plugins and applications when doing online editing in external applications Sound Transitions have to be made manually Automatic Saving
- 4. Overview of the interface
- 5. Final Cut Pro X Terminology Library Events Project Magnetic Timeline Storyline Editing Primary and Secondary Storyline Audition Compound Clip Multicam Clip
- 6. Workflow overview Installing Required Camera Plugins if Necessary Creating Project Library and Events Media Ingestion Syncing External Audio / Mutlicam Clip Creation Editing Effects, Transitions, Titles Colouring Sound Mix Mastering
- 7. Preparing for Editing Creating Library Creating Events Installing Required Camera Plugins Ingesting Media (Sound and Image Analysis, Media Management, Transcoding) Syncing External Audio (if necessary) Logging (Keyword Tagging, Sorting / Filtering)
- 8. Editing Laying Clips into the Project Primary Storyline (Interviews) Secondary Storyline (B-rolls) Magnetic Timeline Clip Re-Arranging Trimming (Keyboard Shortcuts, Advanced Trimming)
- 9. Useful Features Audition Append Clip Connect to Primary Storyline Favorite / Unrate Clip Break Clip Apart Change Duration / Speed Nudge Clip / Cut Advanced Trimming Adjust Volume for Multiple Clips Many More…
- 11. Sound mix Use of Audio Analysis and Correction of Common Audio Problems Use of Sound Presets Sound Library Sound Transitions
- 12. Video Transitions, Effects and Titles Built in Transitions and Effects FX Factory – Third Party Plugin Store Integration with Motion (Creation and Editing of Presets in Motion, Controlling Specific Parameters in Final Cut) 3D Titles
- 13. Colouring Colour Matching Primary And Secondary Colour Correction Filters (Built-in, Third Party – FX Factory)
- 14. Outputs and Publishing Built-in Presets Preset Creation with and without Compressor Web Publishing directly from FCPX Working with Proxy and Original Files Drafts Mastering
- 15. Archiving Media Copied to Library or Not? Optimized and Proxy Media Render and Cache Final Cut Library Manager – Third Party Application
- 16. Conclusion Good for Short Video Production with In-House / In-App Workflow Doesn’t Require Media Transcoding for Most Popular DSLRs and Camcorders Less Apt for Workflows that Require External Applications, Unless Using Third Party Plugins and Applications