Final Cut Pro X allows users to easily edit multichannel audio in the timeline by revealing or collapsing audio channels with a keystroke. It also features a unified import window to add footage from various sources, streamlined sharing options to deliver finished projects, and dual viewers to compare shots. The software also supports RED camera files, MXF plug-ins, copying clip attributes, flexible clip connections, XML 1.2 file interchange, and efficient multicam editing.

1. Final Cut Pro X
Multichannel Audio Editing
Edit multichannel audio faster than ever. A simple keystroke reveals separate audio channels
when you need them and collapses them when you don’t — right in the timeline. Easily
disable individual channels or select ranges for fine control of timing and volume. And access
the Inspector to view details of any audio file, rename individual channels, or hide them in the
timeline.
Unified Import
Use the new single-window interface to import from all sources, includingfile-based video
cameras, DSLRs, external hard drives, and network locations. Choose the customizable List
view to display a variety of clip metadata, or switch to Filmstrip view for a visual
representation of all your footage. Even add commonly used locations to the Favorites
sidebar for fast access.
Streamlined Share
Deliver your work faster than ever from Final Cut Pro. Choose from export presets optimized
for a wide range of uses — including iPhone, iPad, and Apple TV. Or build custom settings in
Compressor and easily access them in Final Cut Pro. Export an entire project, a single clip,
or a selected range in your project or event. Bundle multiple destinations to deliver different
versions of the same project in a single step. And add Chapter Markers right in Final Cut Pro
to quickly move between sections within a QuickTime file, DVD, or Blu-ray disc.
Dual Viewers
Compare shots and match action by enabling a second viewer on demand, which displays
the media you skim, select, and play in your Event Browser. You can choose to show video
scopes for both viewers, making it easy to grade and match footage.
RED Camera Support
Import RED media directly into Final Cut Pro X and start editing right away with native
support for .r3d files. Convert to either ProRes 4444 or ProRes Proxy in the background
while you work, and use the optional RED ROCKET card to accelerate transcode, render,
and playback. Even adjust essential debayer and color settings to get the look you need
without leaving Final Cut Pro.
MXF Plug-in Support
Work natively with MXF files using third-party plug-ins by developers including Hamburg Pro
Media and Calibrated Software. Import MXF files from your media library, archive, or other
video source and export directly from Final Cut Pro in the MXF format.
In depth info about FCPX can be discovered at main website.
Copy and Paste Attributes

2. Easily copy and paste specific attributes between multiple clips. A new interface allows you
to see the source clip and choose exactly which effects you want to transfer.
Flexible Clip Connections
Control how Connected Clips respond to changes in your timeline. Choose to keep them
connected to clips as you edit or — with a simple modifier key — have them remain in place
when slipping, sliding, or moving clips in the Primary Storyline.
XML 1.2 with Metadata Import and Export
Enjoy richer integration when moving projects and media between applications. XML 1.2
includes new standard metadata fields such as Reel. And Final Cut Pro X XML now includes
custom project and media metadata, so you can import from — and export to — third-party
apps and media asset management systems.
Multicam
Edit multicam projects faster than ever before with a collection of innovative features. Select
videos and photos, then create a Multicam Clip by automatically syncing different angles
based on time of day, timecode, markers, or audio waveforms.