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Fateh Khaled 13SWA
The course consists of two units 
1. G324: Advanced Portfolio in Media (Coursework) – 
50% 
-Research and planning – 20 marks 
- Promotion – 60 marks (consists of the final media 
product which is worth 40 marks and two ancillary 
tasks worth 10 marks each. 
- Evaluation – 20 marks (consists of 4 questions) 
2. G325: Critical Perspectives 
(Exam) – 50% - Consists of two sub-sections
Coursework in more detail: 
The coursework itself will consist of a promotion 
package for the release of an album, to include a 
music promo video, together : 
• a digipak for the album’s release; 
• a magazine advertisement for the digipak. 
Students will also be required to use Photoshop and 
Adobe Illustrator and In-Design to make the ancillary 
tasks.
Below the 4 evaluation questions are stated 
•In what ways does your media product use, 
develop or challenge forms and conventions of real 
media products? 
•How effective is the combination of your main 
product and ancillary texts? 
•What have you learnt from your audience 
feedback? 
•How did you use new media technologies in the 
construction and research, planning and evaluation 
stages?
The exam in detail: 
The duration of the exam is 2 Hours 
There are two sections to this paper: 
Section A: Theoretical Evaluation of 
Production (50 marks) 
Section B: Contemporary Media Issues (50 
marks)
Section A has two compulsory questions: 
Question 1a asks you to describe and evaluate your 
skills development over the course of all your 
production work, from AS to A2. 
In the examination, questions will be posed using 
one or two of the following categories: 
• Digital Technology 
• Creativity 
• Research and planning 
• Post-production 
• Using conventions from real media texts
Question 1b asks you to select one 
production (i.e. either AS or A2 
work) and evaluate it in relation to 
one of the following media 
concepts: 
•Genre 
•Narrative 
•Representation 
•Audience 
•Media language
Section B: Contemporary Media 
Regulation 
• What is the nature of contemporary media 
regulation compared with previous 
practices? 
• What are the arguments for and against 
specific forms of contemporary media 
regulation? 
• How effective are regulatory practices? 
• What are the wider social issues relating to 
media regulation?
Research and Planning 
• Level 4 16–20 marks 
• x Planning and research evidence will be complete and detailed. 
• x There is excellent research into similar products and a potential 
target audience. 
• x There is excellent work on shotlists, layouts, drafting, scripting or 
storyboarding. 
• x There is excellent organisation of actors, locations, costumes or 
props. 
• x Time management is excellent. 
• x There is excellent skill in the use of digital technology or ICT in the 
presentation. 
• x There are excellent communication skills. 
• x There is an excellent level of care in the presentation of the research 
and planning.
Grading of Film/Video (MAIN TASK) 
• Level 4 
• The candidate is expected to demonstrate excellence in the 
creative use of most of the following 
• technical skills: 
• x shooting material appropriate to the task set; including 
controlled use of the camera, attention to 
• framing, variety of shot sizes and close attention to mise en 
scene 
• x editing so that meaning is apparent to the viewer and making 
selective and appropriate use of shot 
• transitions, captions and other effects 
• x recording and editing sound with images appropriately. 
• Where a candidate has worked in a group, an excellent 
contribution to construction is evident.
Grading of Ancillary Tasks 
• Level 4 
• The candidate is expected to demonstrate excellence in the creative use of most 
of the following 
• technical skills: 
• x awareness of conventions of layout and page design 
• x awareness of the need for variety in fonts and text size 
• x accurate use of language and register 
• x the appropriate use of ICT for the task set 
• x appropriate integration of illustration and text 
• x framing a shot, using a variety of shot distances as appropriate 
• x shooting material appropriate to the task set; selecting mise-en-scène 
including colour, figure, 
• lighting, objects and setting 
• x manipulating photographs as appropriate, including cropping and resizing. 
• Where a candidate has worked in a group, an excellent contribution to 
construction is evident.
Evaluation - Grading 
• Level 4 16–20 marks 
• x There is excellent skill in the use of digital technology or ICT in the 
evaluation. 
• x There is excellent understanding of the forms and conventions used 
in the productions. 
• x There is excellent understanding of the role and use of new media in 
various stages of the 
• production. 
• x There is excellent understanding of the combination of main product 
and ancillary texts. 
• x There is excellent understanding of the significance of audience 
feedback. 
• x There is excellent skill in choice of form in which to present the 
evaluation. 
• x There is excellent ability to communicate.
Music Video Questions 
• Q. How long should music videos be? 
• A. The length of the track is the usual convention, but if it is a particularly long track, they could 
fade early. Three minutes is the classic pop song. 
• For the Digipak is there a template for students to produce all four panes or can they just 
complete four CD sized examples? 
• A. No template is provided by OCR. All you would need to do would be to identify which bit of 
the Digipak belongs where, e.g. front cover, front inside etc. See clarification 6 on the OCR Get 
Ahead Media Studies Blog and this post on the OCR Media Studies Get Ahead Blog for more 
information. 
• Q. Is there room for flexibility in A2 briefs, e.g. swapping 'Digipak' for CD cover as music 
video ancillary task? 
• A. No there's no flexibility to the briefs as all outcomes must be comparable between centres 
and candidates. 
• Q. How do we deal with copyright issues in relation to using music for advanced 
production? 
• A. For the music video, candidates need to show evidence they have sought permission to use 
the track - no more than that, e.g. a letter or fax to the artist/label concerned. Other non-original 
material may only be used in a limited way. 
• Brief

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A2 Media Studies - What is it all about?

  • 2. The course consists of two units 1. G324: Advanced Portfolio in Media (Coursework) – 50% -Research and planning – 20 marks - Promotion – 60 marks (consists of the final media product which is worth 40 marks and two ancillary tasks worth 10 marks each. - Evaluation – 20 marks (consists of 4 questions) 2. G325: Critical Perspectives (Exam) – 50% - Consists of two sub-sections
  • 3. Coursework in more detail: The coursework itself will consist of a promotion package for the release of an album, to include a music promo video, together : • a digipak for the album’s release; • a magazine advertisement for the digipak. Students will also be required to use Photoshop and Adobe Illustrator and In-Design to make the ancillary tasks.
  • 4. Below the 4 evaluation questions are stated •In what ways does your media product use, develop or challenge forms and conventions of real media products? •How effective is the combination of your main product and ancillary texts? •What have you learnt from your audience feedback? •How did you use new media technologies in the construction and research, planning and evaluation stages?
  • 5. The exam in detail: The duration of the exam is 2 Hours There are two sections to this paper: Section A: Theoretical Evaluation of Production (50 marks) Section B: Contemporary Media Issues (50 marks)
  • 6. Section A has two compulsory questions: Question 1a asks you to describe and evaluate your skills development over the course of all your production work, from AS to A2. In the examination, questions will be posed using one or two of the following categories: • Digital Technology • Creativity • Research and planning • Post-production • Using conventions from real media texts
  • 7. Question 1b asks you to select one production (i.e. either AS or A2 work) and evaluate it in relation to one of the following media concepts: •Genre •Narrative •Representation •Audience •Media language
  • 8. Section B: Contemporary Media Regulation • What is the nature of contemporary media regulation compared with previous practices? • What are the arguments for and against specific forms of contemporary media regulation? • How effective are regulatory practices? • What are the wider social issues relating to media regulation?
  • 9. Research and Planning • Level 4 16–20 marks • x Planning and research evidence will be complete and detailed. • x There is excellent research into similar products and a potential target audience. • x There is excellent work on shotlists, layouts, drafting, scripting or storyboarding. • x There is excellent organisation of actors, locations, costumes or props. • x Time management is excellent. • x There is excellent skill in the use of digital technology or ICT in the presentation. • x There are excellent communication skills. • x There is an excellent level of care in the presentation of the research and planning.
  • 10. Grading of Film/Video (MAIN TASK) • Level 4 • The candidate is expected to demonstrate excellence in the creative use of most of the following • technical skills: • x shooting material appropriate to the task set; including controlled use of the camera, attention to • framing, variety of shot sizes and close attention to mise en scene • x editing so that meaning is apparent to the viewer and making selective and appropriate use of shot • transitions, captions and other effects • x recording and editing sound with images appropriately. • Where a candidate has worked in a group, an excellent contribution to construction is evident.
  • 11. Grading of Ancillary Tasks • Level 4 • The candidate is expected to demonstrate excellence in the creative use of most of the following • technical skills: • x awareness of conventions of layout and page design • x awareness of the need for variety in fonts and text size • x accurate use of language and register • x the appropriate use of ICT for the task set • x appropriate integration of illustration and text • x framing a shot, using a variety of shot distances as appropriate • x shooting material appropriate to the task set; selecting mise-en-scène including colour, figure, • lighting, objects and setting • x manipulating photographs as appropriate, including cropping and resizing. • Where a candidate has worked in a group, an excellent contribution to construction is evident.
  • 12. Evaluation - Grading • Level 4 16–20 marks • x There is excellent skill in the use of digital technology or ICT in the evaluation. • x There is excellent understanding of the forms and conventions used in the productions. • x There is excellent understanding of the role and use of new media in various stages of the • production. • x There is excellent understanding of the combination of main product and ancillary texts. • x There is excellent understanding of the significance of audience feedback. • x There is excellent skill in choice of form in which to present the evaluation. • x There is excellent ability to communicate.
  • 13. Music Video Questions • Q. How long should music videos be? • A. The length of the track is the usual convention, but if it is a particularly long track, they could fade early. Three minutes is the classic pop song. • For the Digipak is there a template for students to produce all four panes or can they just complete four CD sized examples? • A. No template is provided by OCR. All you would need to do would be to identify which bit of the Digipak belongs where, e.g. front cover, front inside etc. See clarification 6 on the OCR Get Ahead Media Studies Blog and this post on the OCR Media Studies Get Ahead Blog for more information. • Q. Is there room for flexibility in A2 briefs, e.g. swapping 'Digipak' for CD cover as music video ancillary task? • A. No there's no flexibility to the briefs as all outcomes must be comparable between centres and candidates. • Q. How do we deal with copyright issues in relation to using music for advanced production? • A. For the music video, candidates need to show evidence they have sought permission to use the track - no more than that, e.g. a letter or fax to the artist/label concerned. Other non-original material may only be used in a limited way. • Brief