Factual development and planning pro forma [autosaved]
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The document outlines a plan for creating a video about Easter eggs in Halo games. It will have a comedic and informative style, focusing on Grunt easter eggs, crazy marines, cavemen, Master Chief, and more. A two-week production schedule is proposed, including recording gameplay footage, drawing a thumbnail, writing a script, and editing the video together with music and effects. Equipment needed includes a capture card, microphone, computer, Xbox One, and software like Adobe Photoshop, Premiere, and a voice recorder.
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Factual research pro forma
The document summarizes research conducted on tutorial videos about hidden easter eggs in video games. The research found that effective easter egg tutorials both show footage of finding the easter egg and explain audibly how to get to it. They may also provide additional context images related to the easter egg. The research will inform the creation of a video explaining easter eggs in Halo games by including visual and audio instructions, as well as related images, and an introductory section.
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Oliver summarized his research for an art gallery exhibition documentary. While limited to the gallery's website, it provided good information. Jack conducted primary and secondary audience research through social media analytics and a survey to understand the target audience. Will animated an introduction video for the event. Adam filmed footage for the documentary and voiced the narration. Oliver was pleased with how the documentary turned out despite some challenging lighting and location issues. The event was a success with a good turnout and positive feedback.
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- Using red, white, and yellow colors to represent blood, assassins, and fire
- Choosing dramatic rock music that matches violence in the games
- Selecting creepy fonts to match the sinister tone
- Storyboarding fast and slow clips from various games to blend with the music
- Gathering game clips from YouTube and editing over 8 days in Adobe Premiere
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- He storyboarded, gained audience feedback, and took more photos for the album cover and advert while continuing to film footage.
- In editing, he worked on building suspense in the introduction by gradually increasing the brightness and opacity of slow motion running clips to match the increasing pace of the song.
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The document compares four music video ideas from different members of a team:
- Abi's idea focuses on an aquarium scene but would be expensive to film and difficult to cast.
- Ellen's "Chicken Nuggets" video has an interesting tone but would also be expensive and possibly offensive.
- Hazal's performance-based "On My Own" video could explore character depth but the song and story need more development.
- Jack's "Paradise" video is catchy and fun with a surprise ending, though expensive to film across multiple locations.
The team ultimately chooses Jack's idea as having the strongest potential and being challenging yet developing their skills.
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Luke Ross is planning locations and scenes for his short horror film. He has chosen 7 locations around 78 Princess Drive and surrounding areas that will represent settings for different horror film scenes and killings. The document provides details on each planned scene and why each location was chosen. It also states that Luke has secured access to the locations and created storyboards.
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Evaluation
The document provides an overview of the research conducted for a review series of The Mandalorian season 2. It examines existing reviewers on YouTube and their styles, magazine reviews, existing merchandise lines, and merchandise websites. Questionnaires were distributed and interviews conducted to understand the target audience. Research found the target audience was primarily girls aged 18-24, and the review series would need to be educational and entertaining without pandering to outdated stereotypes. Overall, the research aimed to identify successful elements from other media that could be incorporated into the review series and merchandise to appeal to the target demographic. However, more context on the specific reviewers and why certain elements were chosen could have strengthened the analysis.
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5. pre production(4)
This document outlines the pre-production planning for recording sound effects and music for a video about improvements to guns in a game. It includes a list of the sound effects and music tracks needed, where they will be recorded, potential issues and solutions, health and safety considerations, and a proposed 8-day schedule. Sound effects of guns reloading and firing will be captured from a PlayStation 4 or Xbox 1, while background music will come from YouTube. A contingency plan addresses issues like audio corruption, equipment failures, and noise interference.
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5. fmp pre production
This document outlines a pre-production plan for a video game montage. It includes details on style, colors, fonts, music, games to be featured, storyboards, props, locations, contingency planning, health and safety considerations, and a production schedule. Red, yellow, and blue colors will be used to represent blood, fire, and icy mist. Dramatic rock music will be incorporated to match action scenes. Storyboards divide clips into fast and slow pacing to match the music. The montage will be edited over 8 days in Adobe Premiere.
5. fmp pre production
This document outlines the pre-production plan for a montage video including:
- Using red, white, and yellow colors to represent blood, assassins, and fire
- Choosing dramatic rock music that matches violence in the games
- Selecting creepy fonts to match the sinister tone
- Storyboarding fast and slow clips from various games to blend with the music
- Gathering game clips from YouTube and editing over 8 days in Adobe Premiere
Treatment and Propsal for Music Video
The document proposes a music video concept for the song "FAVORITE SIN" by the artist. The video will feature characters attempting poor impersonations of famous music videos and movies in a homemade, humorous style. It will be shot on November 16, 2008 in Quezon City using a handheld camera. The director provides guidelines on the narrative design, use of extras, lighting, locations, and shot sequencing. Example music videos and movies are referenced to illustrate the intended tone and style.
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The document outlines a personal project to create an FPS game in Unreal Engine over 12 weeks. It involves picking a theme, researching assets and gameplay, and building out the game world, player controls, and sound design. Potential issues include ensuring the project supports learning objectives and adds to knowledge, while expanding beyond the base assets provided in Unreal Engine. A schedule is proposed to focus on planning, development, polishing, and getting peer feedback to release a "pre-alpha" version of the game.
Production Reflection
In week 1, the document outlines learning the basics of filmmaking techniques like camera angles, editing, and receiving the brief for an upcoming film festival. Week 2 involved initial planning like mind maps and mood boards to develop story ideas. Week 3 included practice with shots and angles through tasks. Week 4 was spent planning more extensively with paperwork and booking equipment. During filming, the footage was found to be too grainy and dark, so reshoots were planned for week 5 to improve the quality.
Project analysis
1. The project tasked the group to create a viral video advertising another group's short film about gaming. The idea was an angry bird interacting with older video games.
2. The author came up with the idea and did most of the editing, including storyboards, assisting with filming, finding conversion software, and fixing sound issues.
3. While more time, experience, and budget could have improved the quality, the author felt they contributed the most work, including coming up with the idea, all storyboards, most editing, and adding the soundtrack.
Production Logs
The document provides details from Jack Munge's production log for his music video project. It describes his planning, preparation, filming, and editing process. Some key points:
- He filmed 4-5 vox pops to understand his target audience's views on music videos. Equipment issues forced him to use a lower quality camera.
- He storyboarded, gained audience feedback, and took more photos for the album cover and advert while continuing to film footage.
- In editing, he worked on building suspense in the introduction by gradually increasing the brightness and opacity of slow motion running clips to match the increasing pace of the song.
5. pre production (interactive)(1) (1)
The document outlines the pre-production of a game where the player finds an egg. It includes sections on style sheets, game layout, character sprites, logo design, storyboarding, resources and software needed, potential issues and solutions, health and safety warnings, and an 8-day production schedule to animate the game.
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This document outlines the pre-production plan for a crime game. It discusses choosing a yellow title font to fit the crime scene theme. It provides a storyboard showing the player choosing a username, completing level objectives by finding objects within a time limit to earn stars, and advancing to new levels or replaying based on stars earned. It lists needed resources like images and fonts, and software like Pixel Art and PowerPoint. It discusses contingency plans for issues like bugs, crashes or power outages. It identifies potential health and safety issues and solutions for backaches, eye strain and overheating. Finally, it provides an 8 day production schedule to design assets like the logo, gameplay elements, backgrounds, hidden objects and feedback for object discovery
Fmp planning
The document provides details on the locations, equipment, costumes, props, and personnel that will be used for the filming of Luke Ross's short horror film. Seven different locations are listed for various scenes involving victims. Equipment that has been purchased or needs to be purchased is outlined. Costumes and props needed to create the horror scenes and immerse the audience are also listed. Finally, the people who will be operating equipment, filling acting roles, and their roles are described.
4. pre production(1) (1)
This document outlines the pre-production for a small horror-themed animation and RPG video game. It will target 16-18 year old male gamers and be distributed on gaming platforms and sites like YouTube. Character sketches were created for the protagonist and villain. A production schedule over 4 weeks is outlined, including creating characters, environments, objectives, combat systems and animations. Health and safety considerations and contingency planning are also addressed.
Production experiments
This document summarizes several experiments conducted for a film production project. It discusses experiments creating background soundtracks using royalty-free music remixed in Adobe Audition. It also covers experiments interviewing subjects, including camera angles and audio setup. Further experiments capturing videogame footage are summarized, noting challenges from system performance and bugs encountered. Issues refining the documentary script are also briefly outlined.
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Team
The document compares four music video ideas from different members of a team:
- Abi's idea focuses on an aquarium scene but would be expensive to film and difficult to cast.
- Ellen's "Chicken Nuggets" video has an interesting tone but would also be expensive and possibly offensive.
- Hazal's performance-based "On My Own" video could explore character depth but the song and story need more development.
- Jack's "Paradise" video is catchy and fun with a surprise ending, though expensive to film across multiple locations.
The team ultimately chooses Jack's idea as having the strongest potential and being challenging yet developing their skills.
Fmp planning
Luke Ross is planning locations and scenes for his short horror film. He has chosen 7 locations around 78 Princess Drive and surrounding areas that will represent settings for different horror film scenes and killings. The document provides details on each planned scene and why each location was chosen. It also states that Luke has secured access to the locations and created storyboards.
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Evaluation
The document provides an overview of the research conducted for a review series of The Mandalorian season 2. It examines existing reviewers on YouTube and their styles, magazine reviews, existing merchandise lines, and merchandise websites. Questionnaires were distributed and interviews conducted to understand the target audience. Research found the target audience was primarily girls aged 18-24, and the review series would need to be educational and entertaining without pandering to outdated stereotypes. Overall, the research aimed to identify successful elements from other media that could be incorporated into the review series and merchandise to appeal to the target demographic. However, more context on the specific reviewers and why certain elements were chosen could have strengthened the analysis.
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This document discusses the history and importance of reviews. It begins by looking at the origins of reviews in newspapers in the early 1900s reviewing films. It then explores the rise of online reviews around 1999 with websites like RateItAll allowing people to review various products. A key moment was the Angry Video Game Nerd web series in 2004, which pioneered comedic video game reviews on YouTube. Today, YouTube is the main platform for product reviews, with popular reviewers in different genres like Jangbricks for Lego and Chris Stuckmann for movies. These reviewers are seen as influential opinion leaders under media theories, with millions of subscribers seeking their reviews to inform purchasing decisions.
Criticisms and reviews research
This document discusses several sources related to online reviews and media theories. It examines sources that describe the history and evolution of online reviews from the early 2000s to present day. This includes how early review sites like RateItAll and Epinions started the trend of online reviews and how social media platforms now allow reviews. The document also looks at famous reviewers across different media like movies, video games, toys and their reviewing styles. The sources relate to the media theories of uses and gratifications model and two-step flow model, exploring how reviewers act as opinion leaders and how reviews satisfy audience needs.
Fmp proposal 2020
James Cooper-Abel proposes a final major project reviewing season 2 of the Mandalorian television show in video format. Each review episode will be a few minutes long discussing the plot and giving a rating. Merchandise designs like shirts and mugs will also be created along with a merchandise website. Research will include analyzing existing review shows, merchandise, and website designs. Feedback will be gathered through surveys, interviews and peer reviews to evaluate if the project appeals to the target audience and achieves its goals of informing and entertaining. A production diary will track progress.
Fmp experimentation
The document discusses experiments and potential problems the author may encounter while using various equipment for their FMP project.
For their microphone experiment, the author will use a Blue Snowball Ice microphone to record voiceovers. A potential problem is the microphone picking up computer fan noise. To address this, the author will record audio at different distances from the computer and find the distance with no fan noise. Another issue is noise from working at home; the author will record in the quietest areas and times.
For their shirt design experiment, the author places an existing design over a blank shirt image in Photoshop to see if it looks like the design is printed on the shirt. Comparing to an existing product, the author
Fmp experimentation
The document provides details about experiments conducted to design shirt graphics for a merchandise project. It describes taking a photo of a blank shirt and editing designs onto it in Photoshop. The experiment involved placing a "Wish You Were Here" postcard design on a shirt template, including characters in the front and a location image behind them. The background of the characters was removed and the location image scaled to fit, then the layers were merged. Conducting this experiment allowed testing if editing designs onto shirts in Photoshop would work for the project.
Contingency form blank 2021
This contingency plan outlines potential problems that could affect production of a review series for The Mandalorian Season 2, along with solutions and responsible parties. Technical issues like computer crashes, damaged cameras, lost flash drives, or software crashes could slow production, but backup equipment and saving files to multiple locations reduces delays. Organizational missteps including poor time management, scheduling errors, or incomplete planning could cause delays if unaddressed. Logistical challenges involve finding a quiet recording space if locations become too loud, doing work at home if unable to access college, or focusing on other tasks if key personnel fall ill or fail to participate.
Existing product research
The document discusses several existing video review series and analyzes techniques used in the series. It examines the Halo Escalation comic review series by Halo Cannon, which uses machinima and cuts between footage and the reviewer's avatar. It also looks at Lumiose Trainer Zac's Pokémon Journeys anime review series, which includes plot breakdowns and final episode ratings. Finally, it analyzes Hellogreedo's Star Wars: The Clone Wars review series, which employs green screen and overlaying separate recorded mediums. The document concludes by stating elements the author will incorporate into their own planned review series, including machinima, animations, plot breakdowns with positive/negative feedback, and avoiding copyrighted
Contextual and theory
1. The document discusses James Cooper-Abel's research goals for his contextual project, which is to analyze the style, mood, and presentation of YouTube reviewers to understand how they appeal to audiences.
2. It provides examples of how reviewers SomeCallMeJohnny, Chris Stuckmann, PeanutButterGamer, and Jeremy Jahns present their reviews with calming, casual, comedic, and casual moods respectively.
3. Commonalities found across the reviewers included directly addressing the audience, using footage, having title animations, following a structure, and having a casual/comedic mood. These techniques will inform James's own video review series.
Contextual statement
The document provides context for the student's final major project (FMP) in which they plan to expand their video editing skills through new audio and footage techniques while also improving their design skills through merchandise image design. The student chose to be inspired by the review styles of somecallmejohnny for its calm mood, peanutbuttergamer for its comedic timing, and chris stuckmann for how it discusses what was watched without spoiling too much, and aims to combine aspects of each to create their own unique review series style.
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Factual development and planning pro forma [autosaved]
- 1. Factual: Idea Development and Planning James cooper-abel
- 2. Mood board (or other idea development work):
- 3. Content: Content within the video 1. Usage of halo 5 machinima 2. Footage of easter eggs within halo games 3. Title card 4. Audio explanations of easter eggs 5. Back up footage from similar videos just in case I can’t get it myself Style: the style of the video will be comedic and informative. Easter that will be focused on 1. Grunt easter eggs 2. Crazy marines 3. Cave men 4. Master chief easter eggs 5. Club easter egg 6. More if found Genre: the genre of the video will be factual easter egg video.
- 4. Planning: Video easter egg story board Introduction: the video will begin with a brief introduction to the video on what the purpose of the video will be Unfinished title card Title card shows then disappears for the video to start. Explanation of the crazy marine easter egg and where to find them. Explanation of caveman easter egg and how to find it Explanation of master chief cryo easter egg and were you can find it Explanation of grunt easter egg and where you can find them Explanation of club errera easter egg and how to activate it The ending will consist with me asking someone what their favorite easter egg was whether it be in halo or another game franchise
- 5. Production Schedule: Week 1 week2 Tuesday: draw out a thumbnail for the easter egg video whilst finding a background song for the video Tuesday: record halo green screen and halo 5 machinima Thursday: finish drawing thumbnail for video and begin writing for video script Thursday: finish recording halo green screen and halo 5 machinima Friday: finish writing video script. Friday: record easter egg footage and record audio Week 1 Week 2 Week 3 Tuesday: edit together halo 5 greens screen and easter egg footage. Tuesday: finish editing together tue and thur footage with halo 5 introduction footage. Tuesday: add background music to video. Thursday: finishing editing together halo 5 green screen and easter egg footage. Thursday: edit together footage with audio recordings. Thursday: add visual and audio effects to video. Creating content weeks Postproduction weeks
- 6. Equipment needed Equipment needed Software needed 1. Capture card 2. Snowball microphone 3. Laptop/computer 4. Xbox one 5. Usb drive 1. Adobe photoshop 2. Adobe premiere 3. Halo 5 guardians 4. Halo MC collection 5. Voice recorder
Editor's Notes
- You could create a mood board of images related to your product. They could be inspirational or visually interesting. Analyse what you have gathered.
- Decide on content and think about how you will structure your piece – consider the conventions of your chosen style/genre, think about the best methods to appeal to your audience.
- Planning will vary depending on if you are doing a web series, podcast or a fanzine. Web-series: A script, storyboard, organisational docs and clearance forms for your contributors/sources. Fanzine: Content outline, visual style, pagination, organisational documents. Podcast: Script, organisational docs, clearance forms for your contributors/sources.
- Finally work out a production schedule for the project. Once you have a final proposal, begin to plan how you intend to realise your project and what you will need to create/collect.