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The document provides an analysis of the film "The Social Network" which tells the story of Mark Zuckerberg and the creation of Facebook. It discusses the film's structure as moving between past and present to show Zuckerberg's relationships deteriorating as the company grows and his lawsuits progress. The genre is described as a comedic drama, using Zuckerberg's dry and socially unaware comments for comedy. The film would interest those interested in Facebook's history and origins, as well as current Facebook users.
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Strategy for gta
The document outlines a strategy for marketing and releasing a new Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and a website to generate interest, followed by four trailers released every 3 months. Advertising will include billboards, press articles, graffiti, and a TV commercial campaign. Celebrity cameos and hands-on previews for writers are intended to increase hype. The game will be released on December 21, 2011 to take advantage of the holiday season and the doomsday date's proximity.
Strategy for gta
The document outlines a marketing strategy for a hypothetical Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and trailers on specific dates throughout 2011 to generate hype. It will feature a main character named Carlos navigating the zombie apocalypse. The goal is to maintain interest until the game's release on December 21, 2011, close to Christmas for high sales. A guerilla marketing campaign using graffiti and flyers will supplement the trailers, website, and TV advertisements.
Media presentation
The document provides analysis of several silent films from the 1920s and early talkies from the 1930s-1940s. It discusses techniques used in each film including color palettes, shots, costumes, and target audiences. For the 1920 film The Flapper, it notes the use of black and white, simple editing to depict lifestyle, and fancy costumes to create escapism. Pollyanna from 1920 also used black and white to set a sense of mystery and comedy. The document continues analyzing several other films in similar fashion regarding their visual elements and intended audiences.
James hyde top 3 trailers
The document provides details on trailers for three films: The Social Network, Transformers: Dark of the Moon, and Superbad. It analyzes elements of each trailer such as sounds, shots, editing, effects, and relationships portrayed to understand how they promote the films' genres and stories. Key details on the films' plots are also briefly summarized.
Mindmap ideas for our soap opera
The document outlines a plan for a soap opera titled "Southbank" set in a small town along a river. It will follow Freddie Brown, the villainous main character, as he walks through various town locations where other characters are introduced. Each character will have some past connection or history with Freddie revealed through subtle clues about divorces, affairs, abortions, and other secrets and rumors. The soap opera will have a dark and eerie atmosphere as it is set at dusk on a rainy evening, using lighting to highlight characters and locations. Props like a wedding ring, pregnancy test, phone messages, and fake blood on Freddie's hands will further the narrative and foreshadow future events. Characters will wear
Mindmap ideas for our soap opera
The document outlines a plan for a soap opera titled "Southbank" set in a small town along a river. It will follow Freddie Brown, the villainous main character, as he walks through various town locations where other characters are introduced. These locations include a church, pubs, parks, and restaurants along a narrow road. Each character will have a secret or history with Freddie revealed through subtle clues like a wedding ring or phone messages. The soap opera will have a dark and eerie atmosphere as it is set at dusk. Shots will slowly zoom in on characters and locations, with low angles used to make Freddie seem powerful. Music without lyrics will build tension throughout.
How does your media product represent particular social groups?
The document discusses how different social groups are represented in the media product "The Killer's Identity". The main characters, Lauren and Ben, are middle class, white, and between the ages of 17-19 to appeal to the target demographic of 15-25 year olds. Both female and male genders are represented, with the female character Lauren being chased and potentially killed by Ben, supporting the stereotype that women are weaker. The characters' sexuality is represented as heterosexual to avoid controversy.
Lady Gaga - Postmodern Artist
Lady Gaga is a postmodern artist who creates a hyperreal persona named Lady Gaga separate from her personal identity of Stefani Germanotta. She references other works like films in her music videos and live performances to remix genres and push boundaries in unconventional ways for a mainstream pop star. By blending symbols, signs, and intertextual references from popular culture, Lady Gaga controls her image and critiques society.
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Strategy for gta
The document outlines a strategy for marketing and releasing a new Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and a website to generate interest, followed by four trailers released every 3 months. Advertising will include billboards, press articles, graffiti, and a TV commercial campaign. Celebrity cameos and hands-on previews for writers are intended to increase hype. The game will be released on December 21, 2011 to take advantage of the holiday season and the doomsday date's proximity.
Strategy for gta
The document outlines a marketing strategy for a hypothetical Grand Theft Auto game set in a zombie-infested London leading up to December 21, 2012. The strategy involves releasing teaser posters and trailers on specific dates throughout 2011 to generate hype. It will feature a main character named Carlos navigating the zombie apocalypse. The goal is to maintain interest until the game's release on December 21, 2011, close to Christmas for high sales. A guerilla marketing campaign using graffiti and flyers will supplement the trailers, website, and TV advertisements.
Media presentation
The document provides analysis of several silent films from the 1920s and early talkies from the 1930s-1940s. It discusses techniques used in each film including color palettes, shots, costumes, and target audiences. For the 1920 film The Flapper, it notes the use of black and white, simple editing to depict lifestyle, and fancy costumes to create escapism. Pollyanna from 1920 also used black and white to set a sense of mystery and comedy. The document continues analyzing several other films in similar fashion regarding their visual elements and intended audiences.
James hyde top 3 trailers
The document provides details on trailers for three films: The Social Network, Transformers: Dark of the Moon, and Superbad. It analyzes elements of each trailer such as sounds, shots, editing, effects, and relationships portrayed to understand how they promote the films' genres and stories. Key details on the films' plots are also briefly summarized.
Mindmap ideas for our soap opera
The document outlines a plan for a soap opera titled "Southbank" set in a small town along a river. It will follow Freddie Brown, the villainous main character, as he walks through various town locations where other characters are introduced. Each character will have some past connection or history with Freddie revealed through subtle clues about divorces, affairs, abortions, and other secrets and rumors. The soap opera will have a dark and eerie atmosphere as it is set at dusk on a rainy evening, using lighting to highlight characters and locations. Props like a wedding ring, pregnancy test, phone messages, and fake blood on Freddie's hands will further the narrative and foreshadow future events. Characters will wear
Mindmap ideas for our soap opera
The document outlines a plan for a soap opera titled "Southbank" set in a small town along a river. It will follow Freddie Brown, the villainous main character, as he walks through various town locations where other characters are introduced. These locations include a church, pubs, parks, and restaurants along a narrow road. Each character will have a secret or history with Freddie revealed through subtle clues like a wedding ring or phone messages. The soap opera will have a dark and eerie atmosphere as it is set at dusk. Shots will slowly zoom in on characters and locations, with low angles used to make Freddie seem powerful. Music without lyrics will build tension throughout.
How does your media product represent particular social groups?
The document discusses how different social groups are represented in the media product "The Killer's Identity". The main characters, Lauren and Ben, are middle class, white, and between the ages of 17-19 to appeal to the target demographic of 15-25 year olds. Both female and male genders are represented, with the female character Lauren being chased and potentially killed by Ben, supporting the stereotype that women are weaker. The characters' sexuality is represented as heterosexual to avoid controversy.
Lady Gaga - Postmodern Artist
Lady Gaga is a postmodern artist who creates a hyperreal persona named Lady Gaga separate from her personal identity of Stefani Germanotta. She references other works like films in her music videos and live performances to remix genres and push boundaries in unconventional ways for a mainstream pop star. By blending symbols, signs, and intertextual references from popular culture, Lady Gaga controls her image and critiques society.
Earl sweatshirt star construction luke o'donnell
Earl Sweatshirt's clothing in the music video conveys messages of intimidation, rebellion, and rejection of trends through items like a hoodie reading "fucking awesome" and a shaved head. The video is set in a gritty suburban neighborhood in contrast to opulent rap video settings, further showing his rejection of trends. Earl was the subject of media attention in 2011 when he disappeared for a time, sparking speculation until it was revealed he had been sent to a military school in Samoa by his mother. His YouTube video for the song has nearly 8 million views but mixed comments, with praise but also trolls making controversial statements.
Presentation1
The mise-en-scene includes buses, taxis, and buildings in dark colors with plain costumes to lack color. The lighting uses a green background and bright views of busy American streets with yellow taxis to set the scene and tone for a thriller. The opening music is choppy, exciting, and tense to build atmosphere and set the tone. Credits scroll individually on screen before the title appears and fades, removing the green background. The atmosphere creates enigma as the audience does not know the main character but can assume he is a wealthy businessman with a secretary based on the setting.
Me and my movies comedy
The document provides summaries for 3 movie trailers:
1) The Hangover (2009) - About four friends who go to Las Vegas for a bachelor party and wake up with no memory of the night before and realizing the groom is missing.
2) American Pie (1999) - About a group of college students who make a pact to lose their virginity by graduation and their attempts to find prom dates.
3) Anchorman (2004) - Set in the 1970s, it's about a famous male news anchor whose job is threatened when a female anchor is hired and they start a relationship.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The film aims to attract a wide audience by featuring several elements:
1) A conspiracy theory about Marilyn Monroe's mysterious death and the Kennedy family's involvement will interest those who lived during that time and younger generations familiar with Monroe.
2) Marilyn Monroe's character will attract male viewers as a 1950s sex symbol, and female viewers through her relationship with JFK.
3) Scenes of a detective investigating Monroe's death and the conspiracy will engage those who enjoyed conspiracy thriller films.
4) Using Monroe's real life and songs will attract more viewers by being based on true events.
5) Musical and performance scenes featuring Monroe's songs will add entertainment value.
Evaluation question 2
The document discusses the effectiveness of combining a main product with ancillary tasks. It analyzes a poster, magazine, and trailer for a 1930s gangster film. All three depict the actors in similar poses and statuses to represent wealthy, sophisticated gangsters obsessed with glamour and violence. Props like guns and money were used consistently across the products to associate them. While set in contemporary London, the trailer blended urban and traditional gangster elements to cross genres rather than define the setting. Marketing preferences are discussed, with the poster best for buses and stations, the magazine only appealing to older demographics, and the trailer appealing more widely through online platforms.
Afrika shox case study
Case Study: The creative use of media language in the Chris Cunningham music video “Africa Shox” by Leftfield.
Creative Critical Reflection
The document discusses Haseeb Ahmed's music video for the song "Holding On and Letting Go" by Ross Copperman. The video uses a narrative style to represent different social groups and their struggles, including a troubled student, an addict, a domestic worker, and a girl dealing with heartbreak. Ahmed aims to promote and distribute the video through partnerships with major platforms like VEVO and social media campaigns using hashtags. He produced the video using a Canon DSLR, Windows Movie Maker for editing, and hosted it on Vimeo to avoid copyright issues.
Diffrence in social groups.
The document discusses how social groups are represented in the opening of a film through various elements of mise-en-scene including location, characters, costumes, age, gender, and ethnicity. It notes that the location of a lower class shopping area helps portray the characters' social class. The aggressive behavior of one character helps identify her as being from a lower status background. Including both male and female characters of various ages broadens the potential audience. Representing different ethnicities could make the film feel more relatable to diverse cultures.
Radio proposal
This radio proposal summarizes an upcoming horror film called "Indelible" about female genital mutilation (FGM). The proposal describes targeting 15-30 year olds, especially "Explorers" interested in new experiences and "Reformers" conscious of social issues. It outlines demographics of students and casual workers. The proposed radio advert uses ambient music and sounds to depict a girl being taken to her new home, then features a flashback with her cries of distress before an ear-piercing scream. It will air on popular mainstream stations like Capital FM and horror podcasts. The unique selling point is bringing awareness to the taboo issue of FGM through the new genre of a horror film.
Evaluation Q2
The document analyzes and evaluates a media product that represents teenage characters. It compares the protagonist "Laura Golding", a typical teenage girl, to characters from other shows like Pretty Little Liars who are stalked. The antagonist, referred to as "Unknown", is analyzed as well and compared to stalker characters who wear dark hoodies. Details are provided about the mise-en-scene including the girl's bedroom setting, costumes like the guy's black hoodie, and how colors were used. Camera techniques, sound, and editing choices are also discussed that build mystery, tension and don't reveal too much about the characters.
How can texts in music videos and television be described as postmodern
Music videos and television shows can be described as postmodern through their use of conventions like intertextuality, pastiche, parody, and challenging rational thought. Lady Gaga's "Paparazzi" music video is postmodern as it contains homages to other works, self-references to her celebrity persona, and intertextual references through costumes. It is also unusually long at 7 minutes. Sitcoms like "Family Guy" are also postmodern due to their use of intertextual references to other media, parody, self-referential humor, and disjointed narratives that subvert expectations. They challenge audiences to question what is real through techniques like mocking current events, celebrities, and social issues.
Rom-com Research
The genre of romantic comedies began in the early 1930s with films like Trouble in Paradise, building on conventions from Shakespearean comedies featuring romance plots. Typical rom-coms follow a "meet cute" structure where the future couple meets awkwardly or amusingly at the start and their romance develops over the film. In the 1990s, rom-coms took a new direction with films like When Harry Met Sally featuring more sexually charged narratives. Modern studios now experiment with sub-genres and complex topics while maintaining the typical happy ending.
Character powerpoint
Phillip Ross and Jack O'Connell are suggested to play the main character Luke Ryan due to their similar ages and appearances fitting the role. Channing Tatum is also proposed due to his ability to show strong emotions. Sam Riley and Jaime Winstone are put forward for their experience in gritty, low-budget British films aiding their suitability. Kara Tointon and Kaya Scodelario are recommended for Stacey Greene based on their portrayals of emotional roles in British soap operas and dramas. Adam Deacon, Russell Tovey, and Ashley Walters are proposed for supporting roles due to their experience in urban British films.
Emma's imag
This document outlines a marketing campaign for a new musical artist named Emma. It describes her persona as countryside/folk and ethereal. Her style is simple, pretty colors and patterns like lace and floral dresses. Her primary audience is late teen and young adult females who engage with media like Facebook and music magazines. A secondary audience is females in their 30s-40s of diverse ethnicities. Publicity strategies include performing lots of live gigs at bars and clubs in London to build her profile.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The document discusses how a film about the mysterious death of Marilyn Monroe would attract and address its audience. It would attract older audiences who lived during Monroe's time through the intrigue surrounding her death and involvement of high-profile political figures like the Kennedy brothers. Younger audiences would be drawn to films about Monroe given her status as a famous actress and sex symbol from films they may have seen or heard about. The conspiracy theory and detective elements of the film involving the investigation into her death would appeal to those who enjoyed similar thriller films. Musical elements and inclusion of Monroe's songs would add to the intrigue for those interested in her cultural impact and legacy as a famous pop icon from the 20th century.
Postmodern analysis
Lady Gaga's music video for "Telephone" featuring Beyoncé exhibits many postmodern elements including blurring boundaries between genres, referencing other works of art, and mixing fiction and reality. The video pays homage to films like Thelma & Louise through its narrative and uses props like the car from Kill Bill to blend elements from different media. Lady Gaga herself blurs distinctions by wearing a telephone as a hat and breaking the fourth wall to give a cooking demonstration, exemplifying the postmodern ideals of breaking down limits.
Analysis of teaser trailer skylar
The document analyzes scenes from a teaser trailer for a film called Skylar. It summarizes that a close-up shot of a car crash appears to be evidence from a crime scene, possibly suggesting a past car accident is part of the plot. Another scene shows a woman with duct tape over her mouth, implying she has been kidnapped, suggesting the film will be a dramatic thriller about situations that could happen in real life. The analysis also notes that a woodland scene with a character being circled could indicate confusion, loss, or a search, while an overlapping image reinforces the thriller/drama hybrid by suggesting the main character is searching for a friend.
Narrativeforq1b 120126102918-phpapp01[1]
1) The document discusses narrative structure in films, focusing on the concepts of plot and story. It defines plot as the explicit events presented in a film, while the story includes both explicit and inferred events.
2) It then examines the ideas of Bordwell and Thompson, who distinguish between plot and story. Plot refers to the visible events in a film, while story encompasses all events, both explicit and inferred. The document also discusses how narratives can leave elements open to interpretation and inference.
3) In conclusion, the key points are that narrative analysis requires considering both the explicit plot and implicit story, including elements left for the audience to infer or presume.
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This document discusses ideas for revising key media concepts for different learning styles including mind maps, posters, and other visual representations of concepts that appeal to visual and tactile learners beyond traditional writing.
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This document provides information about media language and semiotics. It defines key terms like denotation and connotation, and signifiers and signified. It explains how Roland Barthes' semiotic theory examines how media texts construct cultural meanings through signs on both a denotative and connotative level. Examples are provided of how signs in advertisements take on connotative meanings based on codes and conventions that are culturally understood. The document suggests analyzing one's own media content for its use of signs, denotations, connotations, and how it may reinforce cultural myths.
Sound Lesson 2013
This document provides lesson objectives and materials for teaching students about the use of sound in media. It begins by explaining the key objectives: for students to understand diegetic and non-diegetic sound with examples; analyze how sound creates meaning in a TV drama clip; and use sound terminology. It then defines important sound terminology like diegetic, non-diegetic, sound effects, and voiceovers. Examples are provided of different sound clips to analyze meanings. The document aims to teach students how sound enhances emotional experience and meaning in media.
Camerawork for AS Media
The document discusses various techniques of camera work including angle, movement, position/framing, composition, and depth of field. It provides examples of different camera angles like high, low, and canted angles. It also discusses different types of camera movement such as pans, tilts, tracks, cranes, handheld shots, and zooms. Position/framing refers to the distance between the camera and subject, such as extreme long shots, medium shots, and close-ups. Composition techniques like the rule of thirds are also covered. Depth of field refers to focal length and examples of selective focus, deep focus, and pull focus are given.
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Earl sweatshirt star construction luke o'donnell
Earl Sweatshirt's clothing in the music video conveys messages of intimidation, rebellion, and rejection of trends through items like a hoodie reading "fucking awesome" and a shaved head. The video is set in a gritty suburban neighborhood in contrast to opulent rap video settings, further showing his rejection of trends. Earl was the subject of media attention in 2011 when he disappeared for a time, sparking speculation until it was revealed he had been sent to a military school in Samoa by his mother. His YouTube video for the song has nearly 8 million views but mixed comments, with praise but also trolls making controversial statements.
Presentation1
The mise-en-scene includes buses, taxis, and buildings in dark colors with plain costumes to lack color. The lighting uses a green background and bright views of busy American streets with yellow taxis to set the scene and tone for a thriller. The opening music is choppy, exciting, and tense to build atmosphere and set the tone. Credits scroll individually on screen before the title appears and fades, removing the green background. The atmosphere creates enigma as the audience does not know the main character but can assume he is a wealthy businessman with a secretary based on the setting.
Me and my movies comedy
The document provides summaries for 3 movie trailers:
1) The Hangover (2009) - About four friends who go to Las Vegas for a bachelor party and wake up with no memory of the night before and realizing the groom is missing.
2) American Pie (1999) - About a group of college students who make a pact to lose their virginity by graduation and their attempts to find prom dates.
3) Anchorman (2004) - Set in the 1970s, it's about a famous male news anchor whose job is threatened when a female anchor is hired and they start a relationship.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The film aims to attract a wide audience by featuring several elements:
1) A conspiracy theory about Marilyn Monroe's mysterious death and the Kennedy family's involvement will interest those who lived during that time and younger generations familiar with Monroe.
2) Marilyn Monroe's character will attract male viewers as a 1950s sex symbol, and female viewers through her relationship with JFK.
3) Scenes of a detective investigating Monroe's death and the conspiracy will engage those who enjoyed conspiracy thriller films.
4) Using Monroe's real life and songs will attract more viewers by being based on true events.
5) Musical and performance scenes featuring Monroe's songs will add entertainment value.
Evaluation question 2
The document discusses the effectiveness of combining a main product with ancillary tasks. It analyzes a poster, magazine, and trailer for a 1930s gangster film. All three depict the actors in similar poses and statuses to represent wealthy, sophisticated gangsters obsessed with glamour and violence. Props like guns and money were used consistently across the products to associate them. While set in contemporary London, the trailer blended urban and traditional gangster elements to cross genres rather than define the setting. Marketing preferences are discussed, with the poster best for buses and stations, the magazine only appealing to older demographics, and the trailer appealing more widely through online platforms.
Afrika shox case study
Case Study: The creative use of media language in the Chris Cunningham music video “Africa Shox” by Leftfield.
Creative Critical Reflection
The document discusses Haseeb Ahmed's music video for the song "Holding On and Letting Go" by Ross Copperman. The video uses a narrative style to represent different social groups and their struggles, including a troubled student, an addict, a domestic worker, and a girl dealing with heartbreak. Ahmed aims to promote and distribute the video through partnerships with major platforms like VEVO and social media campaigns using hashtags. He produced the video using a Canon DSLR, Windows Movie Maker for editing, and hosted it on Vimeo to avoid copyright issues.
Diffrence in social groups.
The document discusses how social groups are represented in the opening of a film through various elements of mise-en-scene including location, characters, costumes, age, gender, and ethnicity. It notes that the location of a lower class shopping area helps portray the characters' social class. The aggressive behavior of one character helps identify her as being from a lower status background. Including both male and female characters of various ages broadens the potential audience. Representing different ethnicities could make the film feel more relatable to diverse cultures.
Radio proposal
This radio proposal summarizes an upcoming horror film called "Indelible" about female genital mutilation (FGM). The proposal describes targeting 15-30 year olds, especially "Explorers" interested in new experiences and "Reformers" conscious of social issues. It outlines demographics of students and casual workers. The proposed radio advert uses ambient music and sounds to depict a girl being taken to her new home, then features a flashback with her cries of distress before an ear-piercing scream. It will air on popular mainstream stations like Capital FM and horror podcasts. The unique selling point is bringing awareness to the taboo issue of FGM through the new genre of a horror film.
Evaluation Q2
The document analyzes and evaluates a media product that represents teenage characters. It compares the protagonist "Laura Golding", a typical teenage girl, to characters from other shows like Pretty Little Liars who are stalked. The antagonist, referred to as "Unknown", is analyzed as well and compared to stalker characters who wear dark hoodies. Details are provided about the mise-en-scene including the girl's bedroom setting, costumes like the guy's black hoodie, and how colors were used. Camera techniques, sound, and editing choices are also discussed that build mystery, tension and don't reveal too much about the characters.
How can texts in music videos and television be described as postmodern
Music videos and television shows can be described as postmodern through their use of conventions like intertextuality, pastiche, parody, and challenging rational thought. Lady Gaga's "Paparazzi" music video is postmodern as it contains homages to other works, self-references to her celebrity persona, and intertextual references through costumes. It is also unusually long at 7 minutes. Sitcoms like "Family Guy" are also postmodern due to their use of intertextual references to other media, parody, self-referential humor, and disjointed narratives that subvert expectations. They challenge audiences to question what is real through techniques like mocking current events, celebrities, and social issues.
Rom-com Research
The genre of romantic comedies began in the early 1930s with films like Trouble in Paradise, building on conventions from Shakespearean comedies featuring romance plots. Typical rom-coms follow a "meet cute" structure where the future couple meets awkwardly or amusingly at the start and their romance develops over the film. In the 1990s, rom-coms took a new direction with films like When Harry Met Sally featuring more sexually charged narratives. Modern studios now experiment with sub-genres and complex topics while maintaining the typical happy ending.
Character powerpoint
Phillip Ross and Jack O'Connell are suggested to play the main character Luke Ryan due to their similar ages and appearances fitting the role. Channing Tatum is also proposed due to his ability to show strong emotions. Sam Riley and Jaime Winstone are put forward for their experience in gritty, low-budget British films aiding their suitability. Kara Tointon and Kaya Scodelario are recommended for Stacey Greene based on their portrayals of emotional roles in British soap operas and dramas. Adam Deacon, Russell Tovey, and Ashley Walters are proposed for supporting roles due to their experience in urban British films.
Emma's imag
This document outlines a marketing campaign for a new musical artist named Emma. It describes her persona as countryside/folk and ethereal. Her style is simple, pretty colors and patterns like lace and floral dresses. Her primary audience is late teen and young adult females who engage with media like Facebook and music magazines. A secondary audience is females in their 30s-40s of diverse ethnicities. Publicity strategies include performing lots of live gigs at bars and clubs in London to build her profile.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The document discusses how a film about the mysterious death of Marilyn Monroe would attract and address its audience. It would attract older audiences who lived during Monroe's time through the intrigue surrounding her death and involvement of high-profile political figures like the Kennedy brothers. Younger audiences would be drawn to films about Monroe given her status as a famous actress and sex symbol from films they may have seen or heard about. The conspiracy theory and detective elements of the film involving the investigation into her death would appeal to those who enjoyed similar thriller films. Musical elements and inclusion of Monroe's songs would add to the intrigue for those interested in her cultural impact and legacy as a famous pop icon from the 20th century.
Postmodern analysis
Lady Gaga's music video for "Telephone" featuring Beyoncé exhibits many postmodern elements including blurring boundaries between genres, referencing other works of art, and mixing fiction and reality. The video pays homage to films like Thelma & Louise through its narrative and uses props like the car from Kill Bill to blend elements from different media. Lady Gaga herself blurs distinctions by wearing a telephone as a hat and breaking the fourth wall to give a cooking demonstration, exemplifying the postmodern ideals of breaking down limits.
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\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
How can texts in music videos and television be described as postmodern
How can texts in music videos and television be described as postmodern
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
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Analysis of teaser trailer skylar
The document analyzes scenes from a teaser trailer for a film called Skylar. It summarizes that a close-up shot of a car crash appears to be evidence from a crime scene, possibly suggesting a past car accident is part of the plot. Another scene shows a woman with duct tape over her mouth, implying she has been kidnapped, suggesting the film will be a dramatic thriller about situations that could happen in real life. The analysis also notes that a woodland scene with a character being circled could indicate confusion, loss, or a search, while an overlapping image reinforces the thriller/drama hybrid by suggesting the main character is searching for a friend.
Narrativeforq1b 120126102918-phpapp01[1]
1) The document discusses narrative structure in films, focusing on the concepts of plot and story. It defines plot as the explicit events presented in a film, while the story includes both explicit and inferred events.
2) It then examines the ideas of Bordwell and Thompson, who distinguish between plot and story. Plot refers to the visible events in a film, while story encompasses all events, both explicit and inferred. The document also discusses how narratives can leave elements open to interpretation and inference.
3) In conclusion, the key points are that narrative analysis requires considering both the explicit plot and implicit story, including elements left for the audience to infer or presume.
G325 question 1b revision ideas
This document discusses ideas for revising key media concepts for different learning styles including mind maps, posters, and other visual representations of concepts that appeal to visual and tactile learners beyond traditional writing.
Media language social
This document provides information about media language and semiotics. It defines key terms like denotation and connotation, and signifiers and signified. It explains how Roland Barthes' semiotic theory examines how media texts construct cultural meanings through signs on both a denotative and connotative level. Examples are provided of how signs in advertisements take on connotative meanings based on codes and conventions that are culturally understood. The document suggests analyzing one's own media content for its use of signs, denotations, connotations, and how it may reinforce cultural myths.
Sound Lesson 2013
This document provides lesson objectives and materials for teaching students about the use of sound in media. It begins by explaining the key objectives: for students to understand diegetic and non-diegetic sound with examples; analyze how sound creates meaning in a TV drama clip; and use sound terminology. It then defines important sound terminology like diegetic, non-diegetic, sound effects, and voiceovers. Examples are provided of different sound clips to analyze meanings. The document aims to teach students how sound enhances emotional experience and meaning in media.
Camerawork for AS Media
The document discusses various techniques of camera work including angle, movement, position/framing, composition, and depth of field. It provides examples of different camera angles like high, low, and canted angles. It also discusses different types of camera movement such as pans, tilts, tracks, cranes, handheld shots, and zooms. Position/framing refers to the distance between the camera and subject, such as extreme long shots, medium shots, and close-ups. Composition techniques like the rule of thirds are also covered. Depth of field refers to focal length and examples of selective focus, deep focus, and pull focus are given.
Audience for Q1b 2013
This document discusses audience analysis and reception theory. It explains that reception theory views audiences as active interpreters of media rather than passive receivers. Stuart Hall's encoding/decoding model is discussed, which suggests audiences can take preferred, negotiated, or oppositional readings of a text based on their own experiences and perspectives. A preferred reading accepts the producer's intended meaning, a negotiated reading understands the producer's goals but interprets it through their own lens, and an oppositional reading rejects the producer's values embedded in the text. The document asks how different audiences may interpret a TV drama trailer differently based on these concepts.
Representation for Q1b 2014
This document provides a framework for analyzing representations in media based on Richard Dyer's work. It outlines four key questions: 1) What is represented in terms of characters, subject matter, and place? 2) How are social groups represented and what stereotypes are reinforced? 3) Who is responsible for the representations? 4) How might different audiences respond to and make meaning from the representations? For each question, it gives examples of what to consider such as character demographics, production companies, and how representations relate to genres and target audiences.
Q1(b) overview
This document provides guidance for answering a question that requires students to select a production task and evaluate it in relation to one of several media concepts, including genre, narrative, representation, audience, or media language. It asks what the examiner says the question is about and provides examples of past questions.
Editing Lesson 2013
The document discusses various techniques of film editing, including:
- Order of shots and how their sequence can impact meaning
- Continuity editing which maintains logical spatial relationships
- Montage editing which compresses information through suggestive juxtaposition of shots
- Transitions like fades, dissolves and wipes which can imply passage of time or location
- Shot duration and pace, with shorter shots conveying action and longer intimacy
It emphasizes that editing controls what information is seen, when, and by whom, impacting narrative and representation.
Narrative for Q1(b)
The document discusses narrative structure in film, distinguishing between plot and story. It defines plot as the explicit events presented in a film, while the story includes both explicit and inferred events. Bordwell and Thompson's definitions of explicit vs inferred events are provided. The key to narrative analysis is considering the wider story, not just the plot, as audiences infer subtle details. Narrative structure techniques like restricted/unrestricted narratives, open/closed narratives, and enigma codes that engage audiences are also discussed.
Intro media online
This document provides context and discussion points around the topic of media in the online age. It outlines four potential exam questions on how online media has developed, the impact of the internet on media production, how consumer behavior and audiences have been transformed, and the extent to which convergence has transformed media. It then discusses key concepts like the development of the internet and web, changing consumer behaviors and audiences, new business models, and debates around issues like piracy, censorship, control and ownership in the digital age.
Media in the online age research & presentation task 2017
This document outlines a research and presentation task for students to complete in small groups on various media companies and web services. Each group will research the history and developments of companies like Google, YouTube, Facebook, Twitter, or Wikipedia. The presentations should provide an overview of the company's history, including what their website looked like over the years, key changes and acquisitions, user numbers, and current valuation.
David gauntlett andrew keen
The document discusses differing views on the impact of Web 2.0. David Gauntlett argues that Web 2.0 has created a more democratic media by empowering prosumers and challenging the dominance of media institutions. Andrew Keen counters that Web 2.0 has created cultural chaos by fostering a "cult of the amateur" that devalues professionals and expertise, with internet oligarchs replacing old media oligarchs. They disagree on whether the removal of gatekeepers will open media to greater democracy or devalue talent.
Media in the Online Age Unit Overview
This document provides guidance for answering an exam question on contemporary media issues in the online age. Students will be asked to answer one of two questions analyzing how online media has developed and impacted media production, consumer behavior, and convergence. They must use specific case studies and research to demonstrate understanding across at least two media forms. Students should discuss the historical context, current issues, and future debates related to online media and the chosen topics. Potential topics include music/film distribution, online television, gaming, news, or other forms of user-generated content.
Question 1a presentation task
The document provides guidance for answering question 1a on a critical perspectives exam. It recaps that question 1a requires discussing skills development in relation to digital technology, research and planning, post-production, using conventions from real media texts, and creativity. It outlines a group poster presentation task where students will focus on one of these areas to help understand what to discuss for each skill. The poster must include a definition, what was done in the coursework for that category, examples of relevant skills and how they are shown in the work, and how the skills contributed to creative decision making.
Question 1a overview
Q1(a) requires you to describe and evaluate your skills development over the course of your media production work, from your foundation portfolio to your advanced portfolio. You must focus on developing 1-2 specific skills from the following areas: digital technology, research and planning, post-production, using conventions from real media texts, or creativity. The chief examiner advises providing specific examples from media texts you analyzed to demonstrate how they influenced your work.
Wikipedia
Wikipedia launched in 2001 and quickly overtook the existing encyclopedia Nupedia. It expanded internationally and gained mainstream media attention in 2001. The Wikimedia Foundation was established in 2003. By 2005, Wikipedia became the most popular reference website on the internet. It grew rapidly between 2001-2008, reaching over 5 million registered editors and 2.5 million English articles. While Wikipedia is non-profit and run primarily by volunteers, it is estimated to be worth tens of billions of dollars based on replacement costs and similar websites' valuations, though it only costs $25 million annually to operate.
What the F**K is Social Media: One Year Later
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Media in the online age research & presentation task 2017
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Group Project Humanities
This document summarizes several influential cultural works from the 2000s, including Johnny Cash's cover of "Hurt" in 2003, which was seen as encompassing his outlook at the end of his life; the Lord of the Rings film trilogy, which demonstrated that very long films could be commercially successful; Shepard Fairey's iconic "Hope" poster promoting Barack Obama's 2008 presidential campaign; and the Harry Potter book and film franchise, which had a massive global impact and brought readers and non-readers together.
Media language
This document analyzes the music video for Leftfield's "Africa Shox" through several theoretical lenses. It discusses the genre characteristics of electronica seen in the video's urban, greyscale visuals and robotic sounds. It examines how the video illustrates, amplifies, and contradicts the lyrics through the use of a main character. The relationship between the dark, confined visuals of New York City and the electronic music is explored, as well as how camera angles place the viewer with the oppressed main character. Finally, the video's intertextual references to films depicting dystopian societies like Metropolis and Blade Runner are summarized.
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Pitch presentation
1) The movie "Adventure Bound" follows a 22-year old university graduate who rebels against his privileged upbringing by going on an independent sailing trip. However, his boat hits rocks near a deserted island, stranding him.
2) The opening scene would create intrigue by showing the unconscious graduate surfacing in the water with no context, leaving the audience unsure of what happened.
3) The main character, Robert, would be played by Jason Bateman. His parents, pushing him to succeed, would be played by Cameron Diaz and Keanu Reeves.
Evaluation
The document summarizes Daniella Worth's opening sequence for a media project set in the 1920s that combines the romance and action genres. It discusses researching other similar films for inspiration, using special effects to indicate the 1920s setting, and including shots and techniques common to the genres to attract both male and female audiences. Stereotypes of women in 1920s films are challenged by making the female protagonist adventurous. The sequence aims to appeal to audiences aged 16+ from various socioeconomic backgrounds.
Afrika Shox Media Language
The music video for "Afrika Shox" by Leftfield features a black man wandering the streets of New York City in a zombie-like state. The video was directed by Chris Cunningham and aims to make a political statement about how society treats people who are not white. It contrasts the dystopian portrayal of New York against the electronic music. While the band Leftfield is not featured, Afrika Bambaataa appears and is portrayed as a powerful figure who helps the black man, highlighting the racial divide that still exists.
Film Music Research
The document discusses the history of film soundtracks from the first sound films in 1900 to modern digital composition software. It outlines some of the most famous composers like John Williams and soundtracks from films like Star Wars. It then discusses the target audience for film score magazines, noting it is difficult to define but generally eclectic fans of both film and music who are usually adults. Finally, it considers subgenres of film scores, competition from other film music magazines, cross-media uses of scores, and potential futures including more electronic scores and merging of instruments/effects in software.
A2 pitch
The document outlines a pitch for a 5 minute short film noir called "The Detective A2" that will be shot entirely in black and white. It will feature codes and conventions of the noir genre including urban settings, mystery, and corruption. The synopsis describes an unnamed detective who meets with two crime bosses and is later investigated for corruption. Key locations and actors are identified. The target audience is males aged 18-40 who enjoy film noir. Promotion will include social media, festivals, and magazines. The film will be shot on a camcorder and edited in iMovie.
A2 Pitch
The document outlines a pitch for a 5 minute film noir short film called "The Detective A2". It will be shot in black and white and conform to genre conventions like low angle shots and shadowy lighting. The synopsis describes a corrupt detective meeting with crime bosses before his colleague begins to uncover his deception. It provides details on the script, locations, cast, target 18-40 male audience, and plans for promotion and technology within the constraints of a small student production.
ASY! Media Straight Outta Compton pt 1 context production distribution
This document discusses the biographical film Straight Outta Compton, which dramatizes the rise of the influential hip hop group N.W.A. in 1980s Los Angeles. It provides context on the film's production, including its director F. Gary Gray's background in hip hop music videos. It also examines N.W.A.'s significance in popularizing gangsta rap and reflecting the social issues of their environment, while acknowledging their lyrics were also criticized for misogyny.
ASY1 Media C1SB Straight Outta Compton pt 1 context production distribution
The document provides context about the production of the biopic film Straight Outta Compton (2015) which depicts the rise of the influential hip hop group N.W.A. It details the production companies and director involved, as well as background information on the director's experience with hip hop music videos. The distribution company Universal Pictures is described as handling the process of releasing the film to cinemas worldwide to reach the largest possible audience.
Q5 how did you attract
The document discusses strategies for attracting and addressing a young adult audience for a film project. It suggests using relatable elements like messy bedrooms and hungover characters. It also recommends using mystery, blurred scenes, and fantasy situations that teenagers could imagine themselves in, like drunken parties. Familiar tropes from other young adult films and TV shows are discussed, such as different social groups and mysterious symbols that propel the story and pique audience curiosity. Music and sounds are highlighted as important for setting the right tone and hooking viewers.
Virtual Celebrities
Lara Croft, the main character from the Tomb Raider video game and film franchise, achieved widespread fame and recognition despite being a fictional character. She became a celebrity through extensive marketing and licensing of her character across various media. Similarly, Gorillaz, a virtual band created by musicians Damon Albarn and Jamie Hewlett, sold over 7 million albums and earned recognition as the most successful virtual band due to their crossover appeal and promotion across music, video, and websites. Fans of the cult film The Big Lebowski treat characters like The Dude and Walter Sobchak as celebrities through annual fan festivals and by creating numerous online profiles for characters on sites like MySpace and Facebook.
Virtual celebrities
Lara Croft, the main character from the Tomb Raider video game and film franchise, achieved widespread fame and recognition beyond her original medium. She became a celebrity through extensive marketing and licensing of her character across various platforms. Similarly, the virtual band Gorillaz, created by musician Damon Albarn and artist Jamie Hewlett, sold over 7 million albums and earned recognition in the Guinness Book of World Records despite being fictional and having no real band members. Characters from the film The Big Lebowski, like The Dude and Walter Sobchak, inspired a large fan following and annual fan festival called Lebowski Fest, showing how fictional characters can develop devoted cult followings in today's converged media landscape
Film openings analysis
The opening scene of the film introduces the main character Mark and his girlfriend Erica having a tense date at a pub. Through their dialogue and facial expressions, it is evident that Mark is direct, stubborn, and lacks interest in personal appearance. Erica breaks up with Mark, telling him that girls don't date him because he's an "a**hole." After she leaves, distressed close-up shots show Mark sitting alone at the pub. The scene then follows Mark running across the Harvard campus in a distressed state following the breakup, setting up his character and the conflict he must now overcome.
2. Research done
The document discusses research conducted for a short horror film project aimed at 15-24 year olds. It analyzes existing horror films and techniques used to create tension. A questionnaire was distributed which found that the target audience prefers films with jump scares, a clear protagonist/antagonist dynamic, suspenseful music, and action-horror genres set in realistic worlds. The research will help make the short film appealing to its target demographic through these established horror tropes and techniques.
Martin scorcese
Martin Scorsese is an American film director, screenwriter, producer, actor and film historian who is widely regarded as one of the greatest directors of all time. In 1990 he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2007 he founded the World Cinema Foundation. He has received numerous awards including an Academy Award, Golden Globes, BAFTAs, and DGA Awards for his contributions to cinema.
Pelicula de ingles
1) The film The Social Network tells the story of the creation of Facebook by Mark Zuckerberg and the lawsuits between him and his former friend and partner Eduardo Saverin.
2) It shows Zuckerberg as a genius but arrogant founder willing to do anything to succeed, even at the cost of his friendship. His character has been portrayed as very close to the real Zuckerberg.
3) The movie depicts the legal issues around creating Facebook and the deteriorating relationship between Zuckerberg and Saverin as Zuckerberg acquired more power over the growing social network.
Media straight outta compton presentation
The document discusses how "Straight Outta Compton" is both a mainstream and high concept film. It can be summarized in a sentence or two, features recognizable characters, and has a high budget for marketing. The film depicts the career of the rap group N.W.A. and focuses on the rise and fall of the group and its members Eazy-E, Ice Cube, and Dr. Dre. It uses stereotypes, archetypes, and universal themes like racism and police brutality to tell its simple narrative story.
Boxxx september-2012
Eric Jones founded Big E Films in 2011 in Port Arthur, Texas. The independent media company produces photography, videos, graphics and more. Jones had success in music from a young age and used profits to grow his business. Big E Films provides affordable services and Jones hopes to expand its online presence and connect directly with fans. The company offers a one-stop shop for creative projects.
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ASY! Media Straight Outta Compton pt 1 context production distribution
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- 1. The Social Network by maisy
- 2. STRUCTURE ➤ open in the past with the break of his girlfriend Erica- a clearly dark and smoke filled bar- with shot reverse shot continuous throughout. ➤ Cutting between past and present (his two law suits and how he got there) - although this was not necessarily explained very clearly until about half way through the film. ➤ Structured to show the progress of his company and the break down of his relationships with those around him as well as showing the outcome of the situation.
- 3. SOUND ➤ Diegetic Sound bridge overlapping the Company Ident and then proceeded to open in the past with the break of his girlfriend Erica- a clearly dark and smoke filled bar- with shot reverse shot continuous throughout. Identification of their status, not through their clothing but through the intelligent conversation being held where Zuckerberg continuously breaks fluency to interrupt his girlfriend with dry, obnoxious and somewhat socially unaware comments. ➤ No extremely noticeable non diegetic sound besides the rowing scene where a loud, atmospheric music was played. Majority was mostly diegetic dialogue and background noise. Clearly set in America that was identifiable by the accents and setting in Harvard University. ➤ Setting of a build up city location suggested by diegetic background noise such as sirens and cars- taxis clearly visible.
- 4. GENRE ➤ Personally, the film felt as if the genre could run along the same lines as that of a comedic drama- with the stress of his lawsuits and break down of his relationships to the dry, sarcasm and socially unaware and on the occasion unacceptable extreme impoliteness making it comedic for the audience.
- 5. WHO WOULD BE INTERESTED IN THIS?➤ Those interested in the History and the origin of Facebook would be especially interested in this film as it documents its progress and development. Those that use Facebook may also be interested in watching this programme. At the time of its release half a billion people were currently using Facebook and this ranged from people aged 13+. ➤ However if this film was to have been released later on when the actors were more well known and as popular as they are now (especially Andrew Garfield) the film may have been more successful and earn more that £5,000,000 in the Box Office.