Q5 how did you attract
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The document discusses strategies for attracting and addressing a young adult audience for a film project. It suggests using relatable elements like messy bedrooms and hungover characters. It also recommends using mystery, blurred scenes, and fantasy situations that teenagers could imagine themselves in, like drunken parties. Familiar tropes from other young adult films and TV shows are discussed, such as different social groups and mysterious symbols that propel the story and pique audience curiosity. Music and sounds are highlighted as important for setting the right tone and hooking viewers.
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Q5 -how did you attract/address your audience?
The document discusses how the film attracted its target teenage audience. It begins with an unclear memory from the night before that hooks viewers who want to know what happened. Mysterious markings and eerie sounds further the mystery and intrigue audiences. Relatable scenes of partying and being in that drunken situation allow audiences to connect with the misfit teen characters. An important line is used that the whole film centers around, keeping audiences remembering and engaged throughout.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Teaser trailer presentation
This document contains ideas and planning for a mystery/thriller film teaser trailer. It includes potential film titles, a plot summary about a girl who goes missing and is later spotted by her friend, details on the target audience (ages 15-40), descriptions of the main characters (the missing girl and her friend), proposed props, ideas for the poster layout showing the two characters, and selecting Empire film magazine as a suitable outlet for marketing the film. Real film trailers are referenced as inspiration for conventions to follow for the teaser trailer.
Presentation selma 2
The trailer analyzes the film Selma and provides details on its mise-en-scene, costumes, performances, editing, sound, genre, narrative, and representations. Key elements include the settings of the White House, church, and streets of Alabama which reflect the racial tensions of 1950s America. Martin Luther King Jr. is shown trying to persuade officials to help address attacks on black citizens. The trailer uses montage editing and aggressive music to build tension around the civil rights movement and confrontation to come.
Evaluation
The document discusses how the media product represents different social groups. It focuses on representing teenagers, using them as main characters to appeal to a wide audience that can relate to the issues portrayed. Specifically, it features a group of British teenage friends dealing with independence without caution. While some stereotypes are followed, like a setting in the woods, others are subverted, such as having the protagonist and antagonist be different genders than typically seen in thrillers. The goal is to capture a realistic portrayal of rebellious yet respectful British teenage culture and appeal to audiences both within and outside the UK.
New Film Plot
The film follows two high school students, Charlotte and Frank, who are attempting to solve a series of killings after their friend Tom goes missing. Charlotte finds evidence that Frank is the killer, as he has only targeted males, like Tom. In a climactic confrontation, Charlotte discovers that Frank has been killing to impress her, believing she had feelings for Tom. This leads to a fight between the two students. The film has been altered from the original plot involving detectives, to better suit the age range of available actors and end without guns. Charlotte and Frank have been friends since high school, though Frank has romantic feelings for Charlotte, which were exacerbated by Tom expressing interest in her.
Media presentation evaluation q1
This document discusses how the media producer's music video uses and challenges conventions of real media products. The genre of the music video is comedy, and it specifically parodies the 1960s Batman television show. Some conventions from comedy genres and Batman that are used include bright colors, funny props, onomatopoeia in fight scenes, and tilted camera angles. However, the music video also challenges conventions by telling a narrative about a female protagonist who fights back against school bullies, combating typical gender roles and bullying storylines. Overall, the music video uses conventions from comedy and Batman genres but also develops the format by combining a comical parody narrative within a music video, challenging mainstream music videos that typically have more serious stories and sexual
Prime suspect slides
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins finding evidence suggesting Frank is the killer. Due to her friendship and trust in Frank, she ignores the evidence in an attempt to prove his innocence. On Charlotte's birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing people similar to her to make her unique. When Charlotte realizes the truth, a fight ensues where they draw their guns on each other. Gunshots are heard and everything goes black, but it's unclear who shot whom.
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Q5 -how did you attract/address your audience?
The document discusses how the film attracted its target teenage audience. It begins with an unclear memory from the night before that hooks viewers who want to know what happened. Mysterious markings and eerie sounds further the mystery and intrigue audiences. Relatable scenes of partying and being in that drunken situation allow audiences to connect with the misfit teen characters. An important line is used that the whole film centers around, keeping audiences remembering and engaged throughout.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Teaser trailer presentation
This document contains ideas and planning for a mystery/thriller film teaser trailer. It includes potential film titles, a plot summary about a girl who goes missing and is later spotted by her friend, details on the target audience (ages 15-40), descriptions of the main characters (the missing girl and her friend), proposed props, ideas for the poster layout showing the two characters, and selecting Empire film magazine as a suitable outlet for marketing the film. Real film trailers are referenced as inspiration for conventions to follow for the teaser trailer.
Presentation selma 2
The trailer analyzes the film Selma and provides details on its mise-en-scene, costumes, performances, editing, sound, genre, narrative, and representations. Key elements include the settings of the White House, church, and streets of Alabama which reflect the racial tensions of 1950s America. Martin Luther King Jr. is shown trying to persuade officials to help address attacks on black citizens. The trailer uses montage editing and aggressive music to build tension around the civil rights movement and confrontation to come.
Evaluation
The document discusses how the media product represents different social groups. It focuses on representing teenagers, using them as main characters to appeal to a wide audience that can relate to the issues portrayed. Specifically, it features a group of British teenage friends dealing with independence without caution. While some stereotypes are followed, like a setting in the woods, others are subverted, such as having the protagonist and antagonist be different genders than typically seen in thrillers. The goal is to capture a realistic portrayal of rebellious yet respectful British teenage culture and appeal to audiences both within and outside the UK.
New Film Plot
The film follows two high school students, Charlotte and Frank, who are attempting to solve a series of killings after their friend Tom goes missing. Charlotte finds evidence that Frank is the killer, as he has only targeted males, like Tom. In a climactic confrontation, Charlotte discovers that Frank has been killing to impress her, believing she had feelings for Tom. This leads to a fight between the two students. The film has been altered from the original plot involving detectives, to better suit the age range of available actors and end without guns. Charlotte and Frank have been friends since high school, though Frank has romantic feelings for Charlotte, which were exacerbated by Tom expressing interest in her.
Media presentation evaluation q1
This document discusses how the media producer's music video uses and challenges conventions of real media products. The genre of the music video is comedy, and it specifically parodies the 1960s Batman television show. Some conventions from comedy genres and Batman that are used include bright colors, funny props, onomatopoeia in fight scenes, and tilted camera angles. However, the music video also challenges conventions by telling a narrative about a female protagonist who fights back against school bullies, combating typical gender roles and bullying storylines. Overall, the music video uses conventions from comedy and Batman genres but also develops the format by combining a comical parody narrative within a music video, challenging mainstream music videos that typically have more serious stories and sexual
Prime suspect slides
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins finding evidence suggesting Frank is the killer. Due to her friendship and trust in Frank, she ignores the evidence in an attempt to prove his innocence. On Charlotte's birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing people similar to her to make her unique. When Charlotte realizes the truth, a fight ensues where they draw their guns on each other. Gunshots are heard and everything goes black, but it's unclear who shot whom.
Film Idea Pitch
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins to suspect Frank is the killer due to evidence, but ignores it due to their friendship. On her birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing women like her. A fight ensues and gunshots are fired, but it's unclear who shot whom. Frank and Charlotte met years ago when Frank counseled Charlotte, and Frank developed split personalities and feelings for Charlotte.
Audience Theory
The traditional audience for film noir was older males from 60-70 years ago, but marketing experts argue younger generations are interested to understand 1940s lifestyle. However, more recent films may be rated 18+ due to violence and sexual content. Film noir typically featured male leads and femme fatales to seduce them, making the genre somewhat sexist. The document proposes subverting expectations by having a female lead to attract both male and female 18-24 year old audiences and change traditional elements of the film noir genre.
Rotten Evaluation Questions
The summary provides information about the media product "Rotten" in 3 sentences:
The film opening for "Rotten" reinforces stereotypes of characters in psychological thrillers through the main character Lucy's emotions. It also develops conventions through synchronizing non-diegetic music with setting movements. The film challenges forms and conventions through its ironic use of loud music and title introduction to remind viewers of the genre in an abstract way.
Shot list2
This document contains a shot list for filming on 19th October. It describes 42 shots, mostly focusing on characters Frank and Charlotte at a party and later investigating a murder. The shots include close-ups of the characters' faces, reactions shots, over-the-shoulder shots, shots of them interacting at the party and investigating evidence at the murder scene. The shots will be used to tell the story of their interactions and investigation of the murders.
Pulp fiction
Pulp Fiction is considered a post-modern film because it contains many post-modern features such as unconventional narrative structure, references to other films (intertextuality), and focusing on trivial details and mundane dialogue. It jumps between different time periods confusing the viewer and draws attention to itself as a constructed work. While some critics argue it focuses too much on style over substance, Pulp Fiction remains an iconic example of a post-modern film through its narrative experimentation and self-referential elements.
Comedy
Comedy has evolved significantly since the early silent films of the late 19th century. Physical slapstick was most common initially due to the lack of sound, but verbal humor like puns and jokes became prevalent starting in the 1930s with the rise of talking pictures. In the 1960s, comedy took a darker turn with works like Monty Python that included social commentary. Modern comedy blockbusters like Home Alone in 1990 popularized incorporating mini comedic clips. While action comedies declined in the 2000s, spoof films and mockumentaries became more common. Comedy appeals to a wide audience but targets younger viewers with slapstick and more mature audiences with cruder humor. Key elements of comedy films include settings that facilitate social interaction
Short Film Pitch
The document outlines a proposed short film about a 17-year-old lesbian girl named Jade. The plot follows Jade as she struggles to come out to her family and deals with the death of her mother in a car accident. Key themes include homosexuality, adoption, bereavement, love, and friendship. The target audience is envisioned as teenagers who can relate to Jade's emotions, with the goal of increasing understanding of LGBT issues and social themes addressed in the film.
Evaluation 4
This document discusses the target audience for a media product. The primary audience is women and men in their 20s to early 30s, focusing mainly on women. The secondary audience is teenagers of both genders. Two TV shows are discussed that have similar audiences and genres: Homeland, a spy thriller, and The Bridge, also a thriller. Three films are also discussed that targeted similar audiences: Alien for its corporate storyline, The Bourne Supremacy for its spy/thriller genre and origins as a book series appealing to women, and The Untouchables for representing the target male audience.
Pulp fiction post modernism
Pulp Fiction can be considered a postmodern film for several reasons:
1) It has a non-linear narrative structure that is split into three separate stories and requires the viewer to pay attention to piece together the timeline of events.
2) It incorporates intertextuality by including references to other works, such as characters quoting from the Bible or hairstyles mirroring those in other films.
3) It flattens effects by juxtaposing casual discussions of drugs, crime, and sex with normal conversations, which decreases the dramatic effect and deviates from film norms.
The Imposter: Overview notes
The document summarizes key details and elements from the film "The Imposter". It notes the silent presence of the director, settings that include Spain and suburban America, and media file footage covering missing children cases. Voices in the film focus on Frederic and Carey and their relationship. Shots include scenes that evoke sympathy for the lost child narrative and depict rising tensions as lies are stretched. The structure uses juxtaposition of subjects' comments, a three year time period, and montage sequences to depict events in a way that comes close to a traditional story structure with a shocking revelation but no happy ending.
1234
The document proposes two music video ideas. The first follows a male protagonist's journey after a breakup, showing his emotional breakdown through themes of alcohol, violence, anger and pain. The second idea is a drama genre video with a dark, edgy atmosphere conveying linked themes and conventions. It suggests music by Matt Healy, The 1975, Russ and The Weeknd to set the mood. Pros are a relatable narrative and large audience, while cons are a similar style may lack authenticity and require a skilled lead actor.
Genres unit 26 (plus homework)
Genres are categories of films that share similar codes, conventions, and techniques. For example, social realist films like Imperial Dreams aim to capture realistic depictions of life. Genre expectations influence audience experiences - gangster films typically contain elements like car chases, guns, violence, and organized crime. Horror films aim to provoke fear and suspense through techniques like unexpected scenes, handheld camerawork, and unsettling music. Producers benefit from genres by having established formulas to follow that can guarantee popularity and help market their films to targeted audiences.
Film noir target audience
Film noir target audiences can vary in age and gender. While some experts argue the genre targets older audiences who grew up with film noirs, others believe younger viewers are interested in understanding the 1940s criminal underworld. However, more recent film noirs often receive 18+ ratings due to violence and sexual content. In general, the target gender is male, as film noirs typically feature attractive femme fatales who seduce or fall for the main male character, adding an element of fantasy for the male viewer. So in conclusion, while the target audience age may depend on the specific film, the genre generally aims for a male viewership.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The film aims to attract a wide audience by featuring several elements:
1) A conspiracy theory about Marilyn Monroe's mysterious death and the Kennedy family's involvement will interest those who lived during that time and younger generations familiar with Monroe.
2) Marilyn Monroe's character will attract male viewers as a 1950s sex symbol, and female viewers through her relationship with JFK.
3) Scenes of a detective investigating Monroe's death and the conspiracy will engage those who enjoyed conspiracy thriller films.
4) Using Monroe's real life and songs will attract more viewers by being based on true events.
5) Musical and performance scenes featuring Monroe's songs will add entertainment value.
Genre Assignment
The document outlines the plot, characters, genre, and conventions of a short teen comedy film called "Monday Morning Madness". The narrative follows two characters - Charlotte, the "clever girl" who is rushing to get to school on time, and Joe, the "ditsy boy" who is not concerned about being late. Throughout their morning routines, both characters encounter comedic problems that could cause them to be late. The genre of the film is a teen comedy that will rely on facial expressions and physical comedy rather than dialogue. Typical conventions of the genre that will be used include music highlighting comedic moments, contrasting characters, and a problem that needs to be resolved.
Ancillary Task: Film Review Analysis - Candy Floss
1) The document reviews a short film called Candy Floss. It uses rhetorical questions, character introductions, and analysis of the film poster to intrigue readers and suggest the film will be a realistic drama about working-class urban lives.
2) Key details about the characters Shane and Jasmine are provided to engage readers with the film's narrative and encourage them to watch it. Descriptions of their language and pasts elicit sympathy for their relationship.
3) The review analyzes the film poster's dark color scheme and font to further indicate the film will provide a realistic portrayal of urban life. It also shares the director's goal of creating a "powerhouse film, loaded with compelling realism."
Evaluation activity 4
The moodboard suggests that the target audience for the film would be males aged 16-60 and females aged 20-40 who enjoy depictions of wealth, violence, and unhealthy but "cool" behaviors like smoking and drinking. They would appreciate the expensive cars, weapons, and suits shown and want to live an extravagant lifestyle. Romantic subplots and themes of brotherhood and family would broaden the audience to include younger females. The film also has international appeal, especially to American fans of gangster movies.
In what ways does your media product use, develop, challenge forms of real me...
The document discusses how the media product uses and develops conventions of real crime thriller films. Specifically, it used low-key lighting in scenes involving death to create tension, included a murder mystery for detectives to solve, and revealed the killer's identity upfront to create intrigue. It also featured a mental conflict between characters instead of a physical one to challenge editing abilities. Overall, the opening conformed to crime thriller conventions regarding narrative, including a recent murder, and use of dramatic music and screams to emphasize drama.
Slasher stock classes
The theory of Propp identifies common stock characters that help tell the basic structure of slasher films. These characters include the Final Girl who survives, the Killer/Monster as the main character, and a group of friends including a sexually active girl. Propp's theory suggests these characters and their roles are conventions that define the slasher film genre.
Evaluation question 3
The document discusses how the author used audience feedback from questionnaires and classmates to help develop a music video project. Feedback from questionnaires helped the author realize they would need to target a UK audience and led them to research British bands. Most responses indicated the target audience would be 80s fans or alternative-seeking youth. Classmate and teacher feedback provided more specific, technical advice and confirmed many of the author's ideas, though some suggestions were disregarded when the author had differing opinions.
Evaluation question 4
The target audience for this media product is males and females aged 15 to late 30s. This is based on primary research the author conducted, asking 37 people which age groups would be most interested in a post-apocalyptic film. Statistics from the similar film "12 Monkeys" also showed highest ratings and interest from those aged 18-44, especially males. The author's film characters are teenagers to relate to this target audience. The film will be rated 15 due to strong language and violence, though there is no sexual content.
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Film Idea Pitch
This film follows two detectives, Charlotte and Frank, searching for a serial killer in December. Charlotte begins to suspect Frank is the killer due to evidence, but ignores it due to their friendship. On her birthday, Frank reveals he is the killer and was trying to impress Charlotte by killing women like her. A fight ensues and gunshots are fired, but it's unclear who shot whom. Frank and Charlotte met years ago when Frank counseled Charlotte, and Frank developed split personalities and feelings for Charlotte.
Audience Theory
The traditional audience for film noir was older males from 60-70 years ago, but marketing experts argue younger generations are interested to understand 1940s lifestyle. However, more recent films may be rated 18+ due to violence and sexual content. Film noir typically featured male leads and femme fatales to seduce them, making the genre somewhat sexist. The document proposes subverting expectations by having a female lead to attract both male and female 18-24 year old audiences and change traditional elements of the film noir genre.
Rotten Evaluation Questions
The summary provides information about the media product "Rotten" in 3 sentences:
The film opening for "Rotten" reinforces stereotypes of characters in psychological thrillers through the main character Lucy's emotions. It also develops conventions through synchronizing non-diegetic music with setting movements. The film challenges forms and conventions through its ironic use of loud music and title introduction to remind viewers of the genre in an abstract way.
Shot list2
This document contains a shot list for filming on 19th October. It describes 42 shots, mostly focusing on characters Frank and Charlotte at a party and later investigating a murder. The shots include close-ups of the characters' faces, reactions shots, over-the-shoulder shots, shots of them interacting at the party and investigating evidence at the murder scene. The shots will be used to tell the story of their interactions and investigation of the murders.
Pulp fiction
Pulp Fiction is considered a post-modern film because it contains many post-modern features such as unconventional narrative structure, references to other films (intertextuality), and focusing on trivial details and mundane dialogue. It jumps between different time periods confusing the viewer and draws attention to itself as a constructed work. While some critics argue it focuses too much on style over substance, Pulp Fiction remains an iconic example of a post-modern film through its narrative experimentation and self-referential elements.
Comedy
Comedy has evolved significantly since the early silent films of the late 19th century. Physical slapstick was most common initially due to the lack of sound, but verbal humor like puns and jokes became prevalent starting in the 1930s with the rise of talking pictures. In the 1960s, comedy took a darker turn with works like Monty Python that included social commentary. Modern comedy blockbusters like Home Alone in 1990 popularized incorporating mini comedic clips. While action comedies declined in the 2000s, spoof films and mockumentaries became more common. Comedy appeals to a wide audience but targets younger viewers with slapstick and more mature audiences with cruder humor. Key elements of comedy films include settings that facilitate social interaction
Short Film Pitch
The document outlines a proposed short film about a 17-year-old lesbian girl named Jade. The plot follows Jade as she struggles to come out to her family and deals with the death of her mother in a car accident. Key themes include homosexuality, adoption, bereavement, love, and friendship. The target audience is envisioned as teenagers who can relate to Jade's emotions, with the goal of increasing understanding of LGBT issues and social themes addressed in the film.
Evaluation 4
This document discusses the target audience for a media product. The primary audience is women and men in their 20s to early 30s, focusing mainly on women. The secondary audience is teenagers of both genders. Two TV shows are discussed that have similar audiences and genres: Homeland, a spy thriller, and The Bridge, also a thriller. Three films are also discussed that targeted similar audiences: Alien for its corporate storyline, The Bourne Supremacy for its spy/thriller genre and origins as a book series appealing to women, and The Untouchables for representing the target male audience.
Pulp fiction post modernism
Pulp Fiction can be considered a postmodern film for several reasons:
1) It has a non-linear narrative structure that is split into three separate stories and requires the viewer to pay attention to piece together the timeline of events.
2) It incorporates intertextuality by including references to other works, such as characters quoting from the Bible or hairstyles mirroring those in other films.
3) It flattens effects by juxtaposing casual discussions of drugs, crime, and sex with normal conversations, which decreases the dramatic effect and deviates from film norms.
The Imposter: Overview notes
The document summarizes key details and elements from the film "The Imposter". It notes the silent presence of the director, settings that include Spain and suburban America, and media file footage covering missing children cases. Voices in the film focus on Frederic and Carey and their relationship. Shots include scenes that evoke sympathy for the lost child narrative and depict rising tensions as lies are stretched. The structure uses juxtaposition of subjects' comments, a three year time period, and montage sequences to depict events in a way that comes close to a traditional story structure with a shocking revelation but no happy ending.
1234
The document proposes two music video ideas. The first follows a male protagonist's journey after a breakup, showing his emotional breakdown through themes of alcohol, violence, anger and pain. The second idea is a drama genre video with a dark, edgy atmosphere conveying linked themes and conventions. It suggests music by Matt Healy, The 1975, Russ and The Weeknd to set the mood. Pros are a relatable narrative and large audience, while cons are a similar style may lack authenticity and require a skilled lead actor.
Genres unit 26 (plus homework)
Genres are categories of films that share similar codes, conventions, and techniques. For example, social realist films like Imperial Dreams aim to capture realistic depictions of life. Genre expectations influence audience experiences - gangster films typically contain elements like car chases, guns, violence, and organized crime. Horror films aim to provoke fear and suspense through techniques like unexpected scenes, handheld camerawork, and unsettling music. Producers benefit from genres by having established formulas to follow that can guarantee popularity and help market their films to targeted audiences.
Film noir target audience
Film noir target audiences can vary in age and gender. While some experts argue the genre targets older audiences who grew up with film noirs, others believe younger viewers are interested in understanding the 1940s criminal underworld. However, more recent film noirs often receive 18+ ratings due to violence and sexual content. In general, the target gender is male, as film noirs typically feature attractive femme fatales who seduce or fall for the main male character, adding an element of fantasy for the male viewer. So in conclusion, while the target audience age may depend on the specific film, the genre generally aims for a male viewership.
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
The film aims to attract a wide audience by featuring several elements:
1) A conspiracy theory about Marilyn Monroe's mysterious death and the Kennedy family's involvement will interest those who lived during that time and younger generations familiar with Monroe.
2) Marilyn Monroe's character will attract male viewers as a 1950s sex symbol, and female viewers through her relationship with JFK.
3) Scenes of a detective investigating Monroe's death and the conspiracy will engage those who enjoyed conspiracy thriller films.
4) Using Monroe's real life and songs will attract more viewers by being based on true events.
5) Musical and performance scenes featuring Monroe's songs will add entertainment value.
Genre Assignment
The document outlines the plot, characters, genre, and conventions of a short teen comedy film called "Monday Morning Madness". The narrative follows two characters - Charlotte, the "clever girl" who is rushing to get to school on time, and Joe, the "ditsy boy" who is not concerned about being late. Throughout their morning routines, both characters encounter comedic problems that could cause them to be late. The genre of the film is a teen comedy that will rely on facial expressions and physical comedy rather than dialogue. Typical conventions of the genre that will be used include music highlighting comedic moments, contrasting characters, and a problem that needs to be resolved.
Ancillary Task: Film Review Analysis - Candy Floss
1) The document reviews a short film called Candy Floss. It uses rhetorical questions, character introductions, and analysis of the film poster to intrigue readers and suggest the film will be a realistic drama about working-class urban lives.
2) Key details about the characters Shane and Jasmine are provided to engage readers with the film's narrative and encourage them to watch it. Descriptions of their language and pasts elicit sympathy for their relationship.
3) The review analyzes the film poster's dark color scheme and font to further indicate the film will provide a realistic portrayal of urban life. It also shares the director's goal of creating a "powerhouse film, loaded with compelling realism."
Evaluation activity 4
The moodboard suggests that the target audience for the film would be males aged 16-60 and females aged 20-40 who enjoy depictions of wealth, violence, and unhealthy but "cool" behaviors like smoking and drinking. They would appreciate the expensive cars, weapons, and suits shown and want to live an extravagant lifestyle. Romantic subplots and themes of brotherhood and family would broaden the audience to include younger females. The film also has international appeal, especially to American fans of gangster movies.
In what ways does your media product use, develop, challenge forms of real me...
The document discusses how the media product uses and develops conventions of real crime thriller films. Specifically, it used low-key lighting in scenes involving death to create tension, included a murder mystery for detectives to solve, and revealed the killer's identity upfront to create intrigue. It also featured a mental conflict between characters instead of a physical one to challenge editing abilities. Overall, the opening conformed to crime thriller conventions regarding narrative, including a recent murder, and use of dramatic music and screams to emphasize drama.
Slasher stock classes
The theory of Propp identifies common stock characters that help tell the basic structure of slasher films. These characters include the Final Girl who survives, the Killer/Monster as the main character, and a group of friends including a sexually active girl. Propp's theory suggests these characters and their roles are conventions that define the slasher film genre.
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\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
\\Ace\Students\11\Oleg Naumenko\My Documents\Media Studies\Monroe\Task 5 Pre...
Ancillary Task: Film Review Analysis - Candy Floss
Ancillary Task: Film Review Analysis - Candy Floss
In what ways does your media product use, develop, challenge forms of real me...
In what ways does your media product use, develop, challenge forms of real me...
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Evaluation question 3
The document discusses how the author used audience feedback from questionnaires and classmates to help develop a music video project. Feedback from questionnaires helped the author realize they would need to target a UK audience and led them to research British bands. Most responses indicated the target audience would be 80s fans or alternative-seeking youth. Classmate and teacher feedback provided more specific, technical advice and confirmed many of the author's ideas, though some suggestions were disregarded when the author had differing opinions.
Evaluation question 4
The target audience for this media product is males and females aged 15 to late 30s. This is based on primary research the author conducted, asking 37 people which age groups would be most interested in a post-apocalyptic film. Statistics from the similar film "12 Monkeys" also showed highest ratings and interest from those aged 18-44, especially males. The author's film characters are teenagers to relate to this target audience. The film will be rated 15 due to strong language and violence, though there is no sexual content.
Photos and videos from set
The document provides photos and updates from the set of a film shoot, including hair and makeup preparation for actors playing vampires, testing fake tattoos and strobe lights, and filming scenes at a church and party with main characters Matt, Levi, and Ellie, as well as extras. Stills and clips were also taken throughout the day's shoot.
Q5 - how did you address/attract your audience?
The filmmakers used several methods to attract their target young adult audience and address what they wanted in a vampire movie. They conducted an online poll to understand viewers' ages and preferences. They also pitched their idea to classmates who were in the target age range and gathered feedback. Additionally, they promoted their idea on social media sites targeting teens to collect more feedback to create a film that would appeal to their audience.
Evaluation Question 2
The document discusses the effectiveness of links between a main product and ancillary texts for a music video project. Key links included using similar dark colors like black and red throughout, focusing on the central "star image" character of Jacob, incorporating common imagery like skulls and crosses, including the same record label logo, using consistent fonts, and keeping the main character in the same black clothing. These visual and thematic links were intended to tie the different elements together into a cohesive overall product for audiences. The student believes the combination of their main text and ancillary texts is highly effective due to the clear links created.
EVALUATION 4
The document discusses research and tools used to create a music video for a rock genre artist. Search engines and YouTube were used to research rock music videos, their common elements, and audience feedback. Social media was also found to be important for artist promotion. Photoshop and Adobe programs were used to design graphics for the website, digipak, and to edit the music video. Various filming equipment including DSLR cameras, tripods, and lighting fixtures helped capture high quality footage for the music video.
Q6. Equipment and editing
This slide share is an evaluation of what equipment and editing i used on my final film opening- As media.
Planning ideas
The document outlines plans for a film character who is a female with a distorted body image and mental distress from a disturbed past as a drug addict. She will be seen in an abandoned rustic building in the woods during flashback scenes to her psychotic break. The soundtrack and lighting will match her emotional state with fast-paced screeching music and a low-key purple/blue color tint to set a gloomy atmosphere as the story is also seen through the eyes of a passing stranger.
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Similar to Q5 how did you attract
Film assignment final
The document provides analysis of the opening scenes of two films - Conjuring 2 (horror genre) and 10 Things I Hate About You (romance genre). For Conjuring 2, the basement setting and low-key lighting create a creepy atmosphere to signal the horror genre. Costumes also suggest the story will be set in the past. For 10 Things I Hate About You, an upbeat opening sketch and music establish the film's high school setting and teenage characters, with contrasts suggesting different personalities. Props and costumes further reinforce the stereotypical settings of an American high school romantic comedy.
Media evaluation
The document provides an analysis of the film created by the student for their media production project. It examines how the film uses conventions of the thriller genre, such as portraying the female protagonist as vulnerable. It represents the teenage social group through scenes of partying with drugs and alcohol. A British film company would be suited to distribute the film due to its gritty portrayal of English youth. The intended audience is 16+ British teenagers who could relate to the themes. Music, imagery and flashbacks are used to attract this audience. Throughout the project the student learned about the importance of planning, storyboarding, filming techniques, editing and the challenges of collaboration.
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
The film opening sequence titled "The Guy Upstairs" establishes the main character Alice, a university student, living a normal life downstairs. Strange noises from upstairs begin to disrupt her sense of safety. Visual conventions like lighting and camera angles are used to contrast Alice's space with the mysterious figure upstairs. The film examines representations of social groups, engaging audiences through mystery and suspense. As a thriller/crime genre film, it would be distributed widely to teenagers and young adults.
Mean girls opening titles
The opening sequence of Mean Girls uses various cinematic techniques to establish that the film is targeting a teenage audience. Non-diegetic music and shots of clouds and stars create a dreamlike atmosphere and sense of escapism. The tempo of the music increases to generate intrigue for teenage viewers. Fonts and colors are used symbolically, with white representing purity and femininity and blue standing out against black to attract teenage attention. Various shots are used to depict the main character Cady as innocent and inferior to her powerful parents, signifying her role as the outsider prop character that teenage viewers could relate to.
Treatment Final
The document summarizes the opening sequence for a thriller film. A teenage girl is home alone and hears someone enter the house. She later finds a figure holding a knife behind her in the bathroom. Strands of her hair are then found in her bedroom. The document discusses promoting the film to 15-25 year olds on social media and in schools. It describes how the opening sequence will be shown in a dark classroom to create tension and suspense for the audience.
Mean girls opening titles
The opening sequence of Mean Girls uses various cinematic techniques to establish it as a film targeting teenage audiences. Non-diegetic music and shots of stars create a dreamlike atmosphere and sense of escapism. The tempo of the music increases to build intrigue in viewers. Font choices and colors used for the title represent the film as fun, youthful and appealing to both female and male teens. Various shots are used to depict the main character Cady as innocent and inferior to others, identifying her as the archetypal outsider character teens can relate to. These formal elements provide information to attract and engage teenage viewers.
Final evaluation
Fatima evaluated her group's horror film project. She discussed how they used conventions like isolated locations and costumes to attract their target teenage audience. Their killer wore a mask like in other horror films. Sound effects from "Sinister" helped build tension. Different camera shots like POV kept viewers engaged. Editing skills improved from preliminary to final projects. Overall, the group effectively analyzed their film and technical skills progression.
The Generic Conventions Of Film Openings
The opening scene of Forrest Gump establishes the film's romance genre through its focus on a white feather that lands at Forrest's feet, representing innocence and romance. Very little of the plot is revealed, keeping audiences curious. Iconography like the feather placed in Forrest's book implies he intends to remember the moment. Non-diegetic music sets the mood. The film aims to appeal to all ages and socioeconomic classes through relatable life events.
Evil Dead analysis
The trailer is for a horror film called Evil Dead that takes place in a remote cabin in the woods. Five friends unwittingly summon demons from a Book of Dead they discover. The demons begin possessing the friends one by one until only one is left to fight for survival. The trailer uses ominous shots of the dark woods and cabin along with unsettling non-diegetic sounds to set a scary, sinister mood that suggests the film is a horror. It also employs quick cuts and close-ups during intense scenes to build tension and emphasize gore.
PR1 finished
The document discusses different types of research techniques, including quantitative and qualitative research as well as primary and secondary research. It also discusses different types of audiences for films, including mainstream, alternative, and niche audiences. Finally, it discusses various methods for profiling audiences, such as by gender, age, ethnicity, demographics, and psychographics.
The Conjuring
The opening sequence of 'The Conjuring' sets an ominous tone through its dark color palette and unsettling string music. It introduces the main characters, paranormal investigators Ed and Lorraine Warren, through a flashback story told by other characters. Ed and Lorraine are depicted as respected experts in a university lecture scene. The sequence establishes that the film is based on real events involving the Warrens and their investigations. It hints that the film will be a scary supernatural thriller in the vein of 'The Exorcist' through visual cues and an increasing sense of tension and unease created by the music.
Inspiration for our film
The document analyzes elements from the trailers of three films: The Number 23, The Lovely Bones, and Shutter Island. It discusses themes, characters, shots, sounds, and mise-en-scene for each trailer. Key techniques highlighted include the use of cross-cutting and flashbacks to build tension, incorporating unexpected random cuts, and focusing on a younger or female protagonist to subvert horror genre conventions. These techniques will inform the creation of the trailer.
2. Research done
The document discusses research conducted for a short horror film project aimed at 15-24 year olds. It analyzes existing horror films and techniques used to create tension. A questionnaire was distributed which found that the target audience prefers films with jump scares, a clear protagonist/antagonist dynamic, suspenseful music, and action-horror genres set in realistic worlds. The research will help make the short film appealing to its target demographic through these established horror tropes and techniques.
The shining
The trailer for The Shining uses nonlinear editing techniques to summarize the plot. Short clips are shown out of chronological order and accompanied by a voiceover narration to explain the story. This includes flashes of the main character committing violent acts intercut with other scenes. The trailer builds suspense through ominous music and zoomed-in shots of unhinged characters. It reveals that the film involves a family staying in an isolated hotel where the father has a mental breakdown and intends to kill his wife and son, leaving the wife as the final girl who must confront the killer.
Textual analysis of ‘friend request’
1) The document analyzes a trailer for the horror/thriller film "Friend Request" which focuses on the dangers of social media and how the antagonist contacts the protagonist through sites like Facebook.
2) The trailer begins with technological glitches to introduce the technology theme and draw in audiences who can relate to technology ownership. It then shows an attractive teenage girl who is the protagonist, setting up the main character.
3) Shots of the girl looking at a sunrise with her Facebook profile shown establish a sense of calm before conflict arises. Friend requests are accepted, including one from a mysterious dark profile belonging to "Ma Rina", setting up intrigue.
Migrain – film trailers
The film trailer uses symbolic imagery and editing to create an unsettling tone. The antagonist is shown wearing white, symbolizing purity, yet sounds depict her as evil. Jump cuts and jittery screens show disorientation to portray supernatural elements without visuals. Intertitles tell the audience what to feel, such as "FEAR" appearing after the antagonist. Harsh drumbeats create a sense of fear and unease throughout the trailer.
Rosemarys baby
The trailer provides an overview of the plot of the 1968 horror film "Rosemary's Baby" in under 2 minutes. It uses a combination of linear storytelling and cross-cutting between characters to introduce the main characters, a young couple who move into a new home. Suspense is built through ominous music, religious imagery, and shots suggesting something sinister is affecting the woman's pregnancy. The trailer represents the stereotypes of the time through its portrayal of gender roles and the use of a stereotypical "damsel in distress" character.
Evaluation q5 elise
The document discusses how the film Dream Paralysis targeted and addressed its intended audience of 15-18 year olds, mainly boys. It did this through its violent story line featuring characters in the same age range that audiences could relate to. The title highlights the themes of dreams and hallucinations, attracting more viewers. The sound design built tension differently than other thrillers. Editing techniques like transitions between reality and dreams left parts for audiences to figure out. Overall, the film followed thriller conventions and targeted a relatable age range to attract its audience.
Research for production
The document provides summaries and analyses of four horror genre films: Wrong Turn, Eden Lake, Scream, and Shutter Island. It summarizes the plot, genre, settings, target audiences, and notable scenes of each film. For Wrong Turn, it highlights a graphic scene of cannibalistic mountain men eating a character. For Eden Lake, it analyzes an effective scene of the main characters hiding under a bridge in torn clothes. For Scream, it praises the film's quick editing and the ghost face costume. For Shutter Island, it summarizes the film's mystery plot on an isolated island hospital.
Evaluation no 4
The document discusses targeting audiences for a media product. It aims its thriller film at teenagers aged 15-18 because the protagonist is that age, allowing audiences to relate to her. Teenagers also engage in behaviors shown, like attending parties. Both male and female teenagers are targeted as the film includes scenes that appeal to both genders. Scenes may also appeal to adults aged 20-30 but the film is rated 15 due to mild language and violence. Audience research found thrillers appeal more to males but the film aims to attract both genders. Feedback from the target demographic found they could relate to and engage with aspects of the film.
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AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
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Research into record labels
Syco Music has offices in London and Los Angeles and exclusively signs winners and finalists from shows like The X Factor. It has enjoyed success in the UK market with 22 number-one singles and 13 number-one albums between 2004-2009. The document discusses researching Syco Music as a label for a potential girl band because of its experience in the pop industry with multiple number one hits and management of groups like Little Mix and Fifth Harmony. Virgin Records was founded in 1972 and had success with artists like Roy Orbison, Devo, and Spice Girls. Polydor Records operates as part of Universal Music Group and has represented artists like Cheryl Cole, Girls Aloud, Ellie Goulding, and Lana Del
The music industry
The music industry consists of companies and individuals that create and sell music, including musicians, music publishers, producers, record labels, and retail stores. The industry is dominated by four major record companies - Universal Music Group, Sony BMG Music Entertainment, Warner Music Group, and EMI Group. These conglomerates own many record labels and music publishing rights. Sources of competition include piracy of CDs and MP3s, as well as new forms of entertainment. To promote artists amid losses from piracy and downloads, the industry focuses on merchandise, social media, vinyl records, and concerts/festivals. Record deals typically involve 5 album contracts paying artists 7-15% royalties after costs are recouped.
Destinys child say my name analysis
The music video for "Say My Name" by Destiny's Child uses close-ups, as suggested by Archer's "meat" theory. It features bright colors that later contrast with darker tones, showing the members as sexy. While heavily focused on their performance, the video advertises and sells the band but lacks connection to the lyrics. Shot on a single set with little camera movement, it keeps viewers interested through changing colors and voyeuristic elements showing the girls in sexy outfits and dance routines, conforming to expectations of a girl band video.
Hype williams
Hype Williams is a renowned music video director known for his high-budget videos for popular artists like Nicki Minaj and Kanye West. His videos feature quick cuts and editing that matches the beat of the music. He brings energy to videos for artists across genres like Drake and Rihanna. Hype has the artists perform in his videos to add vibrancy and gets females to wear revealing but tasteful outfits. He typically uses natural lighting and shoots in beaches and cities to give his videos a realistic, summery feel.
Mark romanek
Mark Romanek is known for his gritty and distinctive style in music videos, often using handheld cameras and natural lighting to create an uncomfortable feel. He frequently shoots in black and white to enhance the gritty realism, which suits rock genres. Romanek also focuses on creating a strong relationship between the rough music and dark cinematography through techniques like matching camera movements to the beat. His video for Fiona Apple's "Criminal" effectively uses an eerie atmosphere through deep sounds and dark lighting to match the rock genre and lyrics relating to girls' experiences.
Chris cunnigham
Chris Cunningham has a recognizable and consistent style in his work as a music video director. He often breaks conventions by using disturbing imagery and unconventional editing techniques matched to techno or electronic music. His videos do not usually follow clear narratives but instead prioritize visual style over substance and meaning.
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The shot list storyboard outlines the visual elements and sequence of shots needed to film a scene. It includes descriptions of camera angles, character movements, and settings to help the director envision the scene before filming. The storyboard acts as a plan to ensure all necessary shots are captured to effectively tell the story through cinematography.
Shot list storyboard
The shot list storyboard outlines the visual elements and sequence of shots needed to film a scene. It includes descriptions of camera angles, character movements, and settings to help the director envision the scene before filming. The storyboard acts as a plan to ensure all necessary shots are captured to effectively tell the story through cinematography.
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The boy wakes up with blurry visions of the previous night's events, including drinking competitions with a mysterious red liquid and people with fangs. Upon washing his face, he notices a mark on his chest that will not rub off, reminding him of being in a circle where a robed figure marked him and said it was a gift. The film then transitions to animated opening titles.
Script for film opening 'Marked'
The boy wakes up with blurry visions of the previous night's events, including drinking competitions with a mysterious red liquid and people with fangs. Upon washing his face, he notices a mark on his chest that will not rub off, reminding him of being in a circle where a robed figure marked him and said it was a gift. The film then transitions to animated opening titles.
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The document discusses the use of lighting and shadows in four vampire films: Nosferatu, 30 Days of Night, Let the Right One In, and Only Lovers Left Alive. It notes that Nosferatu was influential in setting the tone for low-key lighting and shadowy figures in vampire films. 30 Days of Night and Let the Right One In both feature periods of darkness when sinister events occur. Only Lovers Left Alive takes place mostly in a dark apartment. Overall, the document concludes that vampire movies generally employ low-key lighting, shadows, and dark décor.
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Q5 how did you attract
- 1. Q5- how did you attract/address your audience?
- 2. Straight away teens could find this film comical, a typical ‘hung-over’ teen that we can all relate to. Teens would also be able to relate to the messy bedroom in the background and the messy clothes he slept in from the night before.
- 3. The mark adds mystery to the film opening as the character is in a clear panic over it. Many other fantasy films use things like this to add mystery/fear/ to show a group. For example harry potter uses the dark mark showing evil wizards and the deathly hallows to represent powerful objects. This sort of thing sets aside these films from reality.
- 4. Although a little cheesy the whole ‘I don’t remember last night’ face hooks an audience straight away because like the character they want to know what happened last night. This sort of thing can also be seen in Gossip Girl and The maze runner both films that are aimed at a young adult audience.
- 5. A party is right up any teens street and with a drunken music vibe mixed with this blurry scene it feels like the audience is there. The misfit teens from shows like skins and films like 21 and over (both of which are aimed at my target audience) make it so the audience can relate because they themselves have been in that situation. It’s a fantasy that could really happen. Also the shakiness of the camera adds more to the drunk feel of the scene.
- 6. The group of vampires in the circle is relatable for teens and their friendship groups. Also the higher ranking people (Ezra) show different social groups of people for example in a lot of American high school films you find the jocks, Geeks and popular girls.
- 7. In just using 1 line in the whole of our opening the audience remember it. This is an important line because the whole film is based around it. After looking at other vampire films I found that rock music opens them. I think this is because tis upbeat and action like and gives the audience a clue as to what they are in for. The eerie sounds and chant to this scene make it creepy and get the audience hooked as they dive deeper into the mystery. Sounds