Face it analysisnew
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This document analyzes a music video called "Face It". It notes that the video follows conventions of British hip hop by featuring graffiti in urban locations similar to their video "Ain't Amused". The target audience is likely younger people aged 16-25 who can relate to the surroundings. The video also uses a fisheye lens and jump cuts like "Ain't Amused" to make it more interesting, while emphasizing the group's originality through camera angles and editing. Their clothing features the brand ESM which supports the music group.
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Face it analysisnew
This video analysis discusses a British hip hop music video called "Face It". The video follows conventions of the genre with graffiti-covered urban locations. It targets younger viewers aged 16-25 who would relate to the surroundings. Like another video by the artist called "Ain't Amused", it features graffiti being painted in the background. Unique camera angles and jump cuts are used to make the video interesting while emphasizing the artist's original style compared to previous works. The artists in the video wear clothing from a brand that supports their work.
Drop of poison analysisnew
This document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Slowthai. It analyzes the use of location shots in Bristol featuring timelapses of clouds and the sun, graffiti in the background, a fisheye lens, and clothing styles typical of British hip hop. It also notes the use of medium and close-up shots of the artists rapping and using hand gestures to express themselves.
Pitch for cars
This document is a pitch for a documentary about vintage cars. It proposes a 5-part reflexive documentary that would educate viewers about how vintage cars have evolved over time and increased in value (Paragraph 1). As a reflexive documentary, it would acknowledge the filmmaker's presence and provide narrative guidance to engage viewers (Paragraph 2). The target audience would be people aged late teens to adults, especially older males, interested in cars and history (Paragraph 3). An on-screen documentarian would narrate to more easily teach the audience about vintage cars (Paragraph 4). The BBC channel would be most suitable in the evening for maximum viewership (Paragraph 5). Similar car documentaries provide examples to learn conventions from for this unique documentary idea
Drop of poison analysis
The document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Rizzle Kicks. It analyzes the use of time-lapse shots showing the passing day in their hometown of Bristol, recognizable graffiti and fish-eye lens shots. It also notes the members' typical British hip hop clothing of hats and hoodies from brands like Adidas and Reebok, and their use of hand gestures to express themselves, consistent with other Rizzle Kicks music videos.
Short film research
Short films are typically under 40 minutes long and tell a story with a beginning, middle, and end through linear or non-linear narrative. They are generally low budget and made by amateur filmmakers. Short films have existed since the 1920s when they were shown before feature films in theaters to entertain audiences. By the 1950s, short films lost popularity in cinemas. Today, short films are less common in theaters but are featured at many film festivals and on websites that support up-and-coming filmmakers.
Plans for Image taking
Chris Reynolds will be known as an artist in the British hip hop genre under the stage name "Reynolds." He is of dual heritage and will attract a wide audience, enabling him to build a large following quickly. For photos, Chris will wear all black clothes and shoes with a gold chain, which are stereotypical conventions of British hip hop. No props will be needed for the medium shot of Chris against a wall, posing with a serious face and looking into the camera, similar to the example photo provided.
Eval 3 final
Film4 had a significant impact during the pre-production of the documentary by setting expectations for controversial realist themes and low budgets. This influenced the filmmaker's choice of unknown actors, location, and style. During production, Film4's model of using average equipment and prioritizing authenticity without added sounds was followed. Post-production distribution plans included small independent cinemas and word-of-mouth on social media to target the intended 18-24 audience, in line with Film4's approach.
Impact of Film4
Film4 had a significant impact on all stages of production for the document's author's film. During pre-production, the author considered Film4's history of releasing controversial, realistic films and aimed to develop a project aligned with their style. Film4's low-budget model also influenced choices around actors, locations, and equipment. During production, the author emulated Film4's use of unknown actors, handheld cameras, and authentic settings and sounds. For distribution, the author plans to screen at small, independent cinemas like those that show Film4 films, and release online and DVD through Film4's channels due to their targeted audience.
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Face it analysisnew
This video analysis discusses a British hip hop music video called "Face It". The video follows conventions of the genre with graffiti-covered urban locations. It targets younger viewers aged 16-25 who would relate to the surroundings. Like another video by the artist called "Ain't Amused", it features graffiti being painted in the background. Unique camera angles and jump cuts are used to make the video interesting while emphasizing the artist's original style compared to previous works. The artists in the video wear clothing from a brand that supports their work.
Drop of poison analysisnew
This document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Slowthai. It analyzes the use of location shots in Bristol featuring timelapses of clouds and the sun, graffiti in the background, a fisheye lens, and clothing styles typical of British hip hop. It also notes the use of medium and close-up shots of the artists rapping and using hand gestures to express themselves.
Pitch for cars
This document is a pitch for a documentary about vintage cars. It proposes a 5-part reflexive documentary that would educate viewers about how vintage cars have evolved over time and increased in value (Paragraph 1). As a reflexive documentary, it would acknowledge the filmmaker's presence and provide narrative guidance to engage viewers (Paragraph 2). The target audience would be people aged late teens to adults, especially older males, interested in cars and history (Paragraph 3). An on-screen documentarian would narrate to more easily teach the audience about vintage cars (Paragraph 4). The BBC channel would be most suitable in the evening for maximum viewership (Paragraph 5). Similar car documentaries provide examples to learn conventions from for this unique documentary idea
Drop of poison analysis
The document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Rizzle Kicks. It analyzes the use of time-lapse shots showing the passing day in their hometown of Bristol, recognizable graffiti and fish-eye lens shots. It also notes the members' typical British hip hop clothing of hats and hoodies from brands like Adidas and Reebok, and their use of hand gestures to express themselves, consistent with other Rizzle Kicks music videos.
Short film research
Short films are typically under 40 minutes long and tell a story with a beginning, middle, and end through linear or non-linear narrative. They are generally low budget and made by amateur filmmakers. Short films have existed since the 1920s when they were shown before feature films in theaters to entertain audiences. By the 1950s, short films lost popularity in cinemas. Today, short films are less common in theaters but are featured at many film festivals and on websites that support up-and-coming filmmakers.
Plans for Image taking
Chris Reynolds will be known as an artist in the British hip hop genre under the stage name "Reynolds." He is of dual heritage and will attract a wide audience, enabling him to build a large following quickly. For photos, Chris will wear all black clothes and shoes with a gold chain, which are stereotypical conventions of British hip hop. No props will be needed for the medium shot of Chris against a wall, posing with a serious face and looking into the camera, similar to the example photo provided.
Eval 3 final
Film4 had a significant impact during the pre-production of the documentary by setting expectations for controversial realist themes and low budgets. This influenced the filmmaker's choice of unknown actors, location, and style. During production, Film4's model of using average equipment and prioritizing authenticity without added sounds was followed. Post-production distribution plans included small independent cinemas and word-of-mouth on social media to target the intended 18-24 audience, in line with Film4's approach.
Impact of Film4
Film4 had a significant impact on all stages of production for the document's author's film. During pre-production, the author considered Film4's history of releasing controversial, realistic films and aimed to develop a project aligned with their style. Film4's low-budget model also influenced choices around actors, locations, and equipment. During production, the author emulated Film4's use of unknown actors, handheld cameras, and authentic settings and sounds. For distribution, the author plans to screen at small, independent cinemas like those that show Film4 films, and release online and DVD through Film4's channels due to their targeted audience.
Robbers - Existing Media Product Analysis
The document analyzes and summarizes the music video for "Robbers" by The 1975 band. It notes that the video tells a storyline rather than just showing the band, explores a relationship between a couple, and uses a dark, musky mise-en-scene through costume and location to establish the indie rock genre. The locations seem exotic, foreign, and slightly dangerous which could inspire rebellion in teenage audiences. Overall, the analysis takes inspiration from the video's costume, location, relationship narrative, and genre conventions for the creator's own project on The 1975 song "Girls".
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The pitch
The documentary will focus on graffiti art culture, interviewing both graffiti artists and police officers. It will include footage of graffiti being created and shots of walls with spray cans. The documentary will aim to explore whether graffiti is art or vandalism by presenting both perspectives in an unbiased manner. It will be targeted towards males aged 16-34 but also attract female audiences interested in art. The documentary will air on Channel 4 to reach its target demographic.
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- In 1919, the National Screen Service was founded and became the dominant producer of trailers from the 1920s-1960s, creating a template style using wipes and fly-in titles.
- A major breakthrough occurred in 1927 when the trailer for "The Jazz Singer" used sound. Stylistic innovations continued into the 1940s-1960s with the use of narrative and title elements.
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Media homework
20th Century Fox would be the ideal distributor if the film had an unlimited budget, as they are a major global distributor known for distributing films of various genres, including thrillers similar to the one described. However, Lionsgate would be a better choice as they have experience distributing smaller, lower-budget films from new filmmakers, using effective promotional methods like trailers, posters, and premiers. Lionsgate's willingness to work with independent films and less known creators makes them the most suitable distributor.
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Question 4
The document describes how various media technologies were used at different stages of a project. Internet Explorer and Wikipedia were used for initial research on the genre of British hip hop and the band Split Prophets. PowerPoint was used to present research and SlideShare was used to share the presentations online. YouTube was used both to research the band's style and to publish and get feedback on the finished video, which was also shared on Facebook. A Canon 600d camera was also used.
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American Student Achievement Institute has released this presentation and I found it quite useful. With acknowledgement to their contribution I share it with all who are in ned of it.
Math Quiz
1) The document contains math word problems and instructions to write equations and solve for various variables.
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3) It provides scenarios about cows and chickens walking distances over days and asks the reader to write equations and solve to find values.
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Vitamin B-kompleks sangat penting untuk mengontrol stres dan mencegah penyakit seperti obesitas, tekanan darah tinggi, peningkatan denyut jantung, dan gangguan sistem kekebalan tubuh dan pencernaan. Vitamin ini mengandungi B1, B2, B3, B5, B6, B9, dan B12.
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The pitch
The documentary will focus on graffiti art culture, interviewing both graffiti artists and police officers. It will include footage of graffiti being created and shots of walls with spray cans. The documentary will aim to explore whether graffiti is art or vandalism by presenting both perspectives in an unbiased manner. It will be targeted towards males aged 16-34 but also attract female audiences interested in art. The documentary will air on Channel 4 to reach its target demographic.
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History of movie trailers
Trailers have evolved significantly since their origin in the early 20th century. Some key developments include:
- The first movie trailer was created in 1913 to promote a Broadway play, showing actual rehearsal footage. By 1916, movie studios began releasing their own trailers featuring film snippets and text.
- In 1919, the National Screen Service was founded and became the dominant producer of trailers from the 1920s-1960s, creating a template style using wipes and fly-in titles.
- A major breakthrough occurred in 1927 when the trailer for "The Jazz Singer" used sound. Stylistic innovations continued into the 1940s-1960s with the use of narrative and title elements.
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Video hybirds and Marxist
1) The video uses hybrid methods like a concept-based narrative and shapes Missy Elliott's figure as dominant to subvert stereotypes of female rap videos while still adhering to genre conventions.
2) It represents Missy Elliott's larger figure as shapeless but dominant compared to the doll-like dancers, subverting the usual "video girl" look and giving a post-feminist, positive portrayal of larger women.
3) These hybrid methods allow the artist to potentially gain a wider audience by appealing to more people.
Media homework
20th Century Fox would be the ideal distributor if the film had an unlimited budget, as they are a major global distributor known for distributing films of various genres, including thrillers similar to the one described. However, Lionsgate would be a better choice as they have experience distributing smaller, lower-budget films from new filmmakers, using effective promotional methods like trailers, posters, and premiers. Lionsgate's willingness to work with independent films and less known creators makes them the most suitable distributor.
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This lecture introduces a film English course that aims to strengthen students' English communication skills through exploring film from a cross-cultural perspective. The course will combine English language education, film theory, and basic filmmaking techniques. It will develop students' critical thinking abilities in a multicultural context and allow them to apply what they learn through a microfilm project. The course will cover the history of film development, analysis and reading of English novels adapted into films, comparisons between Taiwanese and Western films, and making a microfilm in groups. Students will be evaluated based on group discussions, script writing and film adaptations, and their final microfilm projects.
Final documentary pitch
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- The album cover depicts the French flag in smoke, representing an appeal to international audiences as "Viva La Vida" means "long live life" in Spanish.
- The painting on the front cover is used to symbolize the French Revolution.
- Black and white portraits of each band member on the inside portray them as having a "stripped back" style and showing they each play an equal part.
- The design aims to appeal to various audiences while still maintaining the band's roots.
Synapse talent
Voice-over work is an important part of filmmaking and documentary production. While films are no longer silent, voice actors are still needed to provide voiceovers that translate dialogue and narration into other languages. For example, a documentary about World War II would need voice actors to translate interviews with German and French soldiers so that audiences of all nationalities could understand. Hiring professional voice actors is necessary because it requires specialized skills to deliver voiceovers that match the emotion and acting in a film. Providing voiceover is a skilled profession and not something that just anyone can do successfully.
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The document discusses the target audience and purpose of a teaser trailer, poster, and magazine cover for a film called "Girl with no hands". The target audience is described as 15-50 year olds of any gender who enjoy fantasy, horror tales, and 1920s silent black and white films. The purpose is to intrigue this audience into purchasing the final product. The style of the teaser materials is described as a modern take on classic 1920s silent film aesthetics to look authentic while incorporating modern filming techniques. Conventions around trailer structure and pacing will be challenged to make the teaser trailer resemble the introductory film itself rather than fast-paced clips. Research has been done on film institutions from the 1920
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This document summarizes key elements of the music video for "Drop of Poison" by British hip hop group Rizzle Kicks. It features shots of their hometown of Bristol with changing skies. Graffiti and a fisheye lens are used, both conventions in British hip hop. The band members wear typical British hip hop style clothing like hats, hoodies, and brands like Adidas and Reebok. Hand gestures are used to express themselves, as seen in other Rizzle Kicks music videos.
Drop of poison analysisnew
This document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Slowthai. It analyzes the use of location shots in Bristol featuring timelapses of clouds and the sun, graffiti in the background, a fisheye lens, and clothing styles typical of British hip hop. It also notes the use of medium and close-up shots of the artists rapping and using hand gestures to express themselves.
Drop of poison analysisnew
This document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Slowthai. It analyzes the use of location shots in Bristol, graffiti in the background, fish eye lenses, and clothing styles common to British hip hop. Close-up and medium shots of the artists rapping and using hand gestures help express the feelings in the video and connect it to Slowthai's other music videos.
Drop of poison analysisnew
This document summarizes techniques used in the music video for "Drop of Poison" by British hip hop group Slowthai. It analyzes the use of location shots in Bristol featuring timelapses of clouds and the sun, graffiti in the background, a fisheye lens, and clothing styles typical of British hip hop. It also notes the use of medium and close-up shots of the artists rapping and using hand gestures to express themselves.
Evaluation Q 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
History of Music Videos
This document traces the history and development of music videos from early promotional films in the 1950s-60s to modern videos on platforms like YouTube. It outlines key developments like the first music videos by The Beatles and Bob Dylan, the impact of MTV in the 1980s which helped launch many artists' careers, and how technological advances led to higher production values and global distribution online. Modern videos aim to go viral and drive music sales, with YouTube and controversial videos like Miley Cyrus' "Wrecking Ball" achieving massive early viewership. Over time, music videos have become more sophisticated, integrated with music promotion, and reflective of social trends.
Types of documentaries
This document describes several types of documentaries:
- Fly on the wall documentaries observe everyday events without narration or interference to allow audiences to form their own opinions.
- Direct cinema documentaries from the 1960s aimed for objectivity without narration or staged scenes to also allow audience interpretation.
- Cinema verite documentaries from the 1960s used handheld cameras to seem lifelike but included filmmaker opinions through propaganda and interviews unlike direct cinema.
- Docusoaps follow individuals' lives like reality TV but are less realistic and use setup scenes and cliffhangers for entertainment over social issues.
Analysis of secion boyz oi
This video analyzes a grime music video from the group Section Boyz-OI. Some key aspects analyzed include:
- The video was filmed in an abandoned car park to portray the gritty streets the artists represent.
- The artists all wear the same clothing brand, Trapstar, because the video was sponsored by the brand to promote it. Product placement and sponsorship is common in grime videos due to limited funds.
- Medium close-ups and fast cuts between artists are used to keep the fast-paced song engaging for viewers and portray the artists on the same level as their audience.
Evaluation Question 1
The document discusses how the media products created for a course assignment, including a film trailer, poster, and magazine cover, both use conventions of real media and challenge some conventions. Specifically:
The magazine cover follows conventions like including a masthead, model, and sell line. The poster includes elements like the film logo, credits, and actors' names. However, some conventions are challenged, like the logo placement on the poster. The trailer uses conventions of the urban drama genre like costumes, shots, and montage editing. But it also challenges conventions by including countryside scenes atypical of the genre. Overall, the projects developed the film poster convention of including character portraits.
Skepta
This music video for "Shutdown" by Skepta is for a grime song. It shows Skepta surrounded by a large group of people wearing tracksuits, hats, and hoodies, typical of the grime genre. The video cuts between shots of Skepta rapping and group shots that rotate around him, presenting him as the central figure. There are references to other grime artists and songs. Overall it lacks a narrative and instead focuses on visually representing Skepta's lyrics and the grime music and culture.
Skepta
This music video for "Shutdown" by Skepta is for a grime song. It shows Skepta surrounded by a large group of people wearing tracksuits, hats, and hoodies, typical of the grime genre. The video cuts between shots of Skepta rapping and group shots that rotate around him, presenting him as the central figure. There are references to other grime artists and songs. Overall it lacks a narrative and instead focuses on visually representing Skepta's lyrics and the grime music and culture.
Research
- The document discusses several existing products related to mod subculture, including the films Quadrophenia and The Pebble and the Boy, as well as the documentaries Story of the Skinheads by Don Letts and The Filth and the Fury about the Sex Pistols. It also examines elements that should be focused on when making a documentary, such as interviews, music, and location.
Audience research
The document discusses the target audience for a short film blending German expressionist cinema and film noir genres. The target audience includes both male and female film lovers aged 16-30 who appreciate the aesthetics and storytelling styles of these classic genres, as well as working class individuals who could afford to see the film at festivals or small cinemas. Fans of German expressionism and film noir specifically are also identified as part of the target audience since the film will incorporate conventions of these genres.
Research
The document provides information on existing products related to mods including the film Quadrophenia, the documentaries of Don Letts and Julien Temple, and the 2021 film The Pebble and the Boy. It also discusses techniques for documentary filmmaking like using a voiceover, conducting direct and indirect interviews, and incorporating archival footage. Market research shows there is an audience interested in learning more about mods through documentary films.
Textual analysis
This document provides summaries of two documentary films. The first is a BBC documentary titled "Can We Trust the Police?" which investigates whether people can trust the police. It is narrated by British actor Adam Deacon and targeted towards teenagers aged 15-25. The second is the MTV documentary series "16 and Pregnant" which follows the lives of teenage girls who are pregnant in high school. It is produced in a docu-soap style and also targeted towards teenage audiences aged 15-18. Key conventions used in both documentaries include music, cutaways, interviews, and targeting clothing, language and visual styles that would appeal to younger viewers.
Wiley – where’s my brother
This video is a classic example of a British grime music video. It features Wiley rapping in run-down locations around London that represent the working-class backgrounds of grime artists. Throughout the video, Wiley raps passionately into a microphone, with the visuals cutting perfectly to the music. There are also cameo appearances from other grime artists in the background, showcasing the music label. The editing uses fast cuts and effects to tie the narrative scenes and Wiley's rapping together tightly.
Theories for Production
The document discusses several postmodern theories used in Eminem's music video for "Without Me". It analyzes how the video uses intertextuality by referencing popular TV shows like ER and news channels. It also discusses how the video breaks the fourth wall with Eminem rapping directly to the camera. Additionally, the video parodies other works through costumes and scenes that mock Batman and other pop culture icons. Overall, the document analyzes how the "Without Me" video blurs reality and fiction through these postmodern techniques to engage audiences.
Factual programmes assignment one (4)
This document discusses different types of documentary films and their codes and conventions. It provides the expository documentary "Catfish" as an example, describing its plot and how it uses techniques like voiceover, interviews, and observational footage. It also summarizes the observational documentary "Big Brother" and how it features unscripted real situations among other conventions. Finally, it examines the participatory documentary "Mark Thomas on Coca Cola," noting how the filmmaker interacts directly with subjects using handheld cameras.
Task 4
The document discusses 5 television channel idents analyzing their design elements. Each ident featured the channel's logo or theme. They also included a narrator to inform viewers about upcoming shows. Key elements identified for making an ident were including a theme, logo, and narrator providing programming information. The idents aimed to appeal to target audiences and give impressions of each channel. Common across idents was use of themes, logos, and narration of program schedules.
Presentation research and planning.[1].ppt christianah222
The document summarizes the student's research and planning for their media studies advanced portfolio project. They will create a dubstep music video as their main project, with additional projects being a CD cover design and advertisement. Through researching popular music videos, the student learned common techniques used like cuts, camera angles, themes and lighting. For the dubstep genre specifically, the student found techniques like close-up shots, low key lighting and fades were commonly used. Their music video will incorporate these elements along with locations around London to appeal to their target audience of males and females aged 16-25.
Similar to Face it analysisnew (20)
Presentation research and planning.[1].ppt christianah222
Presentation research and planning.[1].ppt christianah222
More from emsteward
Pitch
This document provides information about a proposed music video. It will feature the song "Stuck in their Strategy" by the artist Split Prophets. The video aims to follow conventions of existing British hip hop videos and portray stereotypical aspects of British hip hop culture like drugs, graffiti, sex, and rebellion through a story that follows the song's lyrics. The target audience is predominantly male ages 17-20 who are interested in urban skating style clothing.
Recce report
This RECCE report outlines considerations for filming a music video at Bishy Bumps skate park including health and safety concerns, parking, power access, lighting, and permission. It lists props like cigarettes, a duck, lava lamp, camera equipment, clothes, and cars that relate to British hip hop culture and will be incorporated into scenes. The camera, clothing, cigarettes, and cars featuring in the video are meant to reflect British hip hop genre conventions.
How did you use media technologies in the
I used various media technologies at different stages of my project. In the research stage, I used Internet Explorer and Wikipedia to research the British hip hop genre and band Split Prophets. I used PowerPoint to present my research and uploaded the slides to my blog using SlideShare. During production, I used a Canon camera to film a music video and Photoshop to design promotional materials. Finally, I used online platforms like YouTube, Facebook, and SurveyMonkey to share and get feedback on my work from an audience.
What have you learned from your audience feedback
The feedback received on the music video, digipack, and magazine advert for a British hip hop band was mostly positive. Audience members responded well to the representations of British hip hop culture in the editing, shots, fonts, and color schemes used. Some felt the shots in the music video were too long. Overall, the feedback showed the projects successfully portrayed the band and genre.
Pitch
The document proposes a music video for the song "Stuck in their Strategy" by the artist Split Prophets. It will portray stereotypical British hip hop culture through themes of drugs, graffiti, sex, rebellion and violence. The video will incorporate the song's lyrics about living in an illusion of freedom under hypocritical democracy. It will use fast-paced editing to bring the lyrics to life visually. The target audience is predominantly male ages 17-20 who are interested in urban culture.
How did you use media technologies in the
The document discusses the various media technologies used at different stages of a project. It describes using Internet Explorer and Wikipedia for initial research, PowerPoint for presenting findings, YouTube to view existing content and share new content, a Canon camera to film a music video, Photoshop to design packaging, and Survey Monkey to collect audience feedback which was then posted to a blog. The media technologies allowed for planning, creation, and evaluation of content as well as obtaining audience responses.
How effective is the combination of your main
The document discusses how a band created synergy across a music video, magazine advert, and album packaging for their new single. Key elements like the band's logo, name, and song title were kept consistent in a graffiti font style to reinforce the band's UK hip hop genre. Colors like red, black, and white were also kept the same. Images and styles from the music video were translated to the magazine advert to create a cohesive link between the media texts and appeal to fans of the genre. The goal was to make the materials easily recognizable and help promote and sell the new album release.
Advert 3
The magazine advert promotes Eminem's upcoming album "The Eminem Show" through an image of the artist on the album cover sitting on a stage with open curtains and microphone, relating to the album name. The advert notes the June 3 release date and inclusion of the single "Without Me" to generate interest. It also promotes a limited edition version with a DVD and lists the executive producer as Dr. Dre, another famous rapper, to appeal to their shared fan bases.
Advert 2
This magazine advert promotes the debut album "Wretchrospective" of the hip hop artist Wretch 32. It features a large image of the artist in stereotypical hip hop clothes with graffiti-style editing on his arms and background. The release date and guest appearances are prominently displayed to attract fans. Contact information and images of the album cover are also provided so viewers can easily purchase and find more information about the album and artist.
Audience profile
The typical fan of the band Split Profits is an 18-year-old white male from social group B-D who enjoys skateboarding and hanging out with friends. He is a dedicated fan who goes to many small gigs and listens to UK hip hop music. He wears clothing brands like Adidas and Nike that are associated with hip hop culture, and Caucasian people have become just as involved in hip hop culture and gang culture as African Americans.
Magazine advert analysis
This magazine advert for Jay Z's album "The Blueprint 3" features the album cover image of piled musical instruments to portray his music as art. It prominently displays the album title and number as the third release, along with popular song titles and the release date to entice purchases. Though not featuring Jay Z's image like typical hip hop ads, it effectively promotes the album through its modern, artistic design that identifies key details in a clear, professional layout.
Audience profile
The typical fan of the band Split Profits is an 18-year-old white male from social group B-D who enjoys skateboarding and hanging out with friends. He is a dedicated fan who goes to many small gigs and listens to UK hip hop music. Though hip hop culture is stereotypically associated with African Americans, Caucasian fans have also become strongly involved in hip hop culture and related aspects like wearing certain shoe brands.
Conventions of british hip hop
Graffiti and skateboarding are commonly featured in British hip hop music videos and help express the culture. British hip hop artists often use graffiti styles to write their names and in their album covers as a recognizable feature. Most British hip hop artists perform in small local gigs due to the niche fan base and personal experience it provides fans.
British hip hop digipack analysis
The front cover of the Split Prophets digipack shows a piece of paper titled "scribbled thoughts" written in graffiti style, representing the hip hop genre where artists write lyrics as they think them. It features a microphone and pens, the basic tools artists use. The back cover has a plain dark grey background common in British hip hop and includes the Split Prophets logo and clothing brand logos written in graffiti style, emphasizing the British hip hop genre.
British hip hop digipack analysis
The front cover of the Split Prophets digipack shows a piece of paper titled "scribbled thoughts" written in graffiti style, emphasizing the hip hop genre, with a microphone and pens, highlighting the tools used to create hip hop music. The back cover has a plain dark grey background common in British hip hop, along with the Split Prophets and ESM logos written in graffiti style to further indicate the genre.
The strteets
The digipack cover features an image representing British hip hop culture, showing a council estate and referencing pirate radio broadcasts, while the band name appears casually displayed on a lighter. The back cover repeats the image in black and white alongside the track list, emphasizing the lyrical content over visuals in a style typical of British hip hop albums.
Fee
The document discusses several technologies the author learned to use while constructing a magazine product. These include Photoshop CS3 for images and layout, Dafont for finding effective fonts, and Blogger for posting research, planning and production updates. SurveyMonkey was also used to question audiences. Hardware used included a camera to take photos, a memory stick to transfer work between locations, and a computer and laptop to do the work.
Fee
The document discusses several technologies the author learned about and used during the process of creating a magazine product. The author used Photoshop to improve images and design layout, Dafont to find effective fonts, and Blogger to post research, planning and production updates. A survey tool called SurveyMonkey was also used to gather audience feedback. Hardware technologies like a camera captured photos, a memory stick transferred files, and a computer/laptop were used to complete the work.
What have you learnt about technologies from the
Through creating their magazine, the author learned to use Photoshop CS3 to improve images and layout, the font website Dafont to find effective fonts, and the blogging platform Blogger to post their research, planning, and production. They also used SurveyMonkey to question audiences about what they wanted in the magazine. Hardware like a camera was used to take photos for the magazine, a memory stick to transfer work between locations, and a computer and laptop were necessary to complete the work.
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Face it analysisnew
- 2. • This video goes along with the conventions of British hip hop and is similar to the video “Ain’t Amused” with lots of graffiti on the walls in urban locations. The target audience will most likely be able to associate with the video as the surrounding may be familiar. They will be of the younger generation: 16-25. • This video is similar to “Ain’t Amused”, as they are surrounded by graffiti, with someone in the background painting the walls in graffiti which emphasizes the British hip hop genre.
- 3. • They also use a fish eye lens like to “Ain’t Amused” and jump cuts to make the video more interesting, as they have a very simple style. They emphasize their originality through their use of camera angles and editing which makes this video different to their others such as “Aint Amused” and “Drop of Poison”. • They have direct address to camera which makes it more personal.
- 4. • Their clothes are similar with them wearing esm tops, the clothing brand which supports the Split Prophets and supplies their clothing. Hoods and caps show a gangster look and are stereotypical of British hip hop.