The document discusses 5 television channel idents analyzing their design elements. Each ident featured the channel's logo or theme. They also included a narrator to inform viewers about upcoming shows. Key elements identified for making an ident were including a theme, logo, and narrator providing programming information. The idents aimed to appeal to target audiences and give impressions of each channel. Common across idents was use of themes, logos, and narration of program schedules.
This document discusses television idents and provides examples. It discusses:
- The key elements of an ident including setting, tempo, audience interaction, and purpose
- An example BBC ident showing a raindrop and flashing images to promote a program on terrorism
- An example E4 ident where a living room transforms with objects moving and forming the channel's logo
- An example BBC1 ident for the 2010 World Cup featuring flags forming a circle and fans doing a Mexican wave
The document analyzes three advertisements:
1) A 2003 Honda ad that uses mechanical sounds and parts moving together to represent how all the parts of the car work together reliably.
2) A 2005 Sony Bravia TV ad showing colorful bouncing balls to convey the vivid colors and realistic images of the TV.
3) A T-Mobile ad from filmed people spontaneously dancing in a train station to promote sharing experiences on their network.
The document requests £2015 in funding from Vibe Productions to produce an indie music video for the band Reverie covering the song "Lines" by Lucy Rose. £1800 would be used to rent a high quality camera, £100 would pay the small crew, £100 would rent a tripod, and £15 would cover petrol costs over the 3 days of filming. The target audience for the music video is females ages 15 to 26 since indie music appeals most to that demographic and the song's narrative discusses relationships. Minimal resources are needed beyond a camera, tripod, editing studio with Adobe Premiere and Cubase software, and travel expenses for the small cast and single-person crew.
This document analyzes features across albums, trailers, and music videos from three different artists/groups - Imagine Dragons, Skepta, and The 1975 - to identify common branding elements. For Imagine Dragons, a consistent dark theme and atmosphere is used. Skepta prominently features a red stamp image of the artist across various products. The 1975 utilizes the color pink in multiple ways to relate to their target audience and establish a distinct visual identity with consistent fonts and color schemes.
http://www.stagerightinc.com/continuing_education/music-video-licensing/ We produced this live event about music and video licensing for meeting planners at our Chicago area office. By clicking the link above you can view the actual video of the event or enjoy the slides here. Many of our clients are CMP or Certified Meeting Planners and members of MPI.
1. Early filmmakers had to deal with heavy, cumbersome camera equipment which made filming and editing difficult as they had to cut and rearrange physical strips of film.
2. Pioneering directors like D.W. Griffith and Sergei Eisenstein experimented with innovative editing techniques like parallel editing and montage to manipulate time and better tell stories.
3. Modern digital technology has allowed for lighter cameras with new capabilities like zooming and easier editing through nonlinear software rather than cutting and rearranging physical film.
This document discusses three BBC idents for different TV shows:
1) An ident for The Voice shown in the evenings to remind viewers the show is returning. It conveys the show will be bigger and better.
2) A Strictly Come Dancing ident using glitter balls to reflect the ballroom theme and salsa music to get viewers excited.
3) A Doctor Who ident possibly shown on Saturdays to excite fans by featuring the iconic Darlic character.
Each ident reminds viewers of the BBC channel and upcoming shows through consistent use of a circle motif.
This document discusses television idents and provides examples. It discusses:
- The key elements of an ident including setting, tempo, audience interaction, and purpose
- An example BBC ident showing a raindrop and flashing images to promote a program on terrorism
- An example E4 ident where a living room transforms with objects moving and forming the channel's logo
- An example BBC1 ident for the 2010 World Cup featuring flags forming a circle and fans doing a Mexican wave
The document analyzes three advertisements:
1) A 2003 Honda ad that uses mechanical sounds and parts moving together to represent how all the parts of the car work together reliably.
2) A 2005 Sony Bravia TV ad showing colorful bouncing balls to convey the vivid colors and realistic images of the TV.
3) A T-Mobile ad from filmed people spontaneously dancing in a train station to promote sharing experiences on their network.
The document requests £2015 in funding from Vibe Productions to produce an indie music video for the band Reverie covering the song "Lines" by Lucy Rose. £1800 would be used to rent a high quality camera, £100 would pay the small crew, £100 would rent a tripod, and £15 would cover petrol costs over the 3 days of filming. The target audience for the music video is females ages 15 to 26 since indie music appeals most to that demographic and the song's narrative discusses relationships. Minimal resources are needed beyond a camera, tripod, editing studio with Adobe Premiere and Cubase software, and travel expenses for the small cast and single-person crew.
This document analyzes features across albums, trailers, and music videos from three different artists/groups - Imagine Dragons, Skepta, and The 1975 - to identify common branding elements. For Imagine Dragons, a consistent dark theme and atmosphere is used. Skepta prominently features a red stamp image of the artist across various products. The 1975 utilizes the color pink in multiple ways to relate to their target audience and establish a distinct visual identity with consistent fonts and color schemes.
http://www.stagerightinc.com/continuing_education/music-video-licensing/ We produced this live event about music and video licensing for meeting planners at our Chicago area office. By clicking the link above you can view the actual video of the event or enjoy the slides here. Many of our clients are CMP or Certified Meeting Planners and members of MPI.
1. Early filmmakers had to deal with heavy, cumbersome camera equipment which made filming and editing difficult as they had to cut and rearrange physical strips of film.
2. Pioneering directors like D.W. Griffith and Sergei Eisenstein experimented with innovative editing techniques like parallel editing and montage to manipulate time and better tell stories.
3. Modern digital technology has allowed for lighter cameras with new capabilities like zooming and easier editing through nonlinear software rather than cutting and rearranging physical film.
This document discusses three BBC idents for different TV shows:
1) An ident for The Voice shown in the evenings to remind viewers the show is returning. It conveys the show will be bigger and better.
2) A Strictly Come Dancing ident using glitter balls to reflect the ballroom theme and salsa music to get viewers excited.
3) A Doctor Who ident possibly shown on Saturdays to excite fans by featuring the iconic Darlic character.
Each ident reminds viewers of the BBC channel and upcoming shows through consistent use of a circle motif.
This document analyzes and summarizes 5 television channel idents from BBC One, ITV, Channel 4, Channel 5, and Sky 1.
The idents ranged from 18-31 seconds long and mostly consisted of a single camera shot with a voiceover. Common conventions included faster pacing at the beginning that slowed at the end when the logo appeared. The idents aimed to entertain and attract their target audiences through creative ideas, special effects, and hints of the types of shows on each channel.
Analyzing the idents provided insights into how to effectively catch viewers' attention while also conveying essential information through pacing and production elements.
This document discusses television channel idents. It provides examples of idents from BBC One and BBC Three.
The BBC One ident analyzed features children running in a circle, representing the BBC One logo. It is simple with minimal elements to represent childrens' programming.
The BBC Three ident summarized has an orange puppet that announces the upcoming show. It uses visual elements like the puppet character and BBC Three logo to appeal to its target young adult audience.
In general, the document explores the purpose of idents for branding channels and informing viewers of upcoming programming through analysis of specific ident examples from BBC One and BBC Three.
This document discusses various purposes and design elements of television channel idents. It examines how idents are used for branding, packaging content, segmenting scheduling, and marketing channels. It also explores how idents establish identity, and discusses elements like logo, font, and imagery that viewers associate with a particular channel. Scheduling of programs and consideration of watershed periods and prime viewing times are also covered. The document provides analysis of several channel idents as examples to illustrate these different design purposes and strategies.
The BBC ident is 39 seconds long and features a helicopter flying through the sky to represent the news program about to air. It uses realistic footage and slow rising music to subtly inform viewers of the serious news content. The ident is aimed at older audiences and its purpose is to interest and remind viewers about upcoming BBC programming.
The Channel 4 ident is set in Blackpool and lasts 32 seconds. It features everyday scenes of people walking to subtly form the Channel 4 logo and represent its creative style. The upbeat music and friendly narration aim to entertain and inform viewers young and old.
The Channel 5 ident is 21 seconds and features a glowing eye that transforms into the channel's logo number 5. It uses bright colors and catch
The document summarizes and analyzes the idents (channel branding/promos) of several UK television channels:
4Seven's idents feature natural landscapes and feature the number 4 imprinted in locations while the number 7 is a 3D object, conveying a sense of imagination.
ITV's ident shows two boys playing in leaves, intended to portray a friendly, family-focused programming.
BBC One's ident references its iconic circles and previews upcoming shows to indicate its wide range of entertainment.
BBC News' ident emphasizes its role in providing necessary information through intense music and images connecting global locations.
Sky Living's ident slowly reveals the channel name over previews of shows like The
The document discusses television channel idents, including:
- The purpose of idents is to link to the next program, make viewers aware of the channel, promote the channel, stand out from competition, and keep up with the times.
- Interviews found the main purposes are to advertise the channel, anticipate viewers, and promote the channel.
- The design of idents usually includes colors representing the channel, catchy images, things related to upcoming shows, and elements to grab viewers' attention.
- Idents change over time due to technology advances and to keep the ident memorable through consistent motifs like BBC1's use of a circle shape.
The ident shows a hand-held camera moving toward the end of an estate balcony where the Channel 4 logo is revealed piece by piece. It is 27 seconds long and portrays a gloomy, run-down estate. The ident suggests the channel features shows about lower-class people and areas typically shown in programs like Top Boy and Hollyoaks. It aims to attract a young audience aged 16-30 who could relate to troublesome teenagers depicted.
The document provides an overview of television channel idents and their purpose. It discusses three sample idents from Fox Kids (1997), 4Music (2012), and CBBC (undated). The idents are analyzed in terms of their design elements, target audiences, and how they inform viewers about programming. Additionally, the document poses questions about common aspects of the idents and discusses best practices for ident design, such as using the full screen space and coordinating motion with background music. Bibliographic references are provided for the image sources.
BBC One's idents feature a magical world with fairies and nature to appeal to families while reflecting the channel's high production values. Channel 4's ident shows an oriental cityscape to imply an adult tone. Channel 5's ident features a child's animation battle to seem young and cool. ITV's ident shows a concert crowd dancing to relate to younger audiences. Sky One's ident uses a dancing star to portray entertainment over factual shows. Overall, idents subtly convey channel brands through imagery and logos without explicit statements.
Idents are short clips played between TV programs to identify the channel. BBC 2 uses a consistent "suite" featuring the number 2 to help viewers easily identify the channel. Idents convey brand identity and provide information about upcoming programs through voiceovers. While idents attract audiences through entertainment, their short length limits detailed information and production techniques like stop motion require significant resources. Certain idents can only be used seasonally, limiting their value for broadcasters. Overall, idents aim to build viewer loyalty through consistent branding cues while introducing upcoming programming in a short time frame.
Idents are short clips played between programs on television channels to identify the channel brand. They typically feature elements like the channel logo and number. Idents inform viewers of upcoming programs and help build brand loyalty through consistent visual conventions. Effective idents attract audiences in short timeslots using techniques like voiceovers, entertaining visuals, and emotionally appealing tones. However, idents also face limitations due to their brief duration and inability to be used year-round for seasonal idents that are only relevant for certain times of year.
Unit 32 designing idents for television lo1 andEmmaTheUnicorn
The document discusses television idents, which are short advertisements that identify the channel. It describes what idents are used for, such as creating brand identity and intriguing audiences. It provides examples of idents from channels like BBC, Channel 4, and Cartoon Network. These idents showcase themes, logos, sounds and images tailored to each channel's target audience. The document also discusses conventions, marketing opportunities, and how idents appeal to different audiences through distinctive features.
This document discusses various aspects of television channel idents and branding, including design, tempo, use of space and time, information vs entertainment focus, interaction with viewers, density of information, branding, packaging and repackaging, segmentation within scheduling, marketing, identity, and scheduling. Examples are provided for each topic to illustrate effective and ineffective approaches.
An ident is a short clip, usually around 20 seconds, that is shown on TV before a programme starts. It tells viewers what channel they are watching. Idents are designed to attract audiences to a channel and represent its identity and brand. Common purposes of idents are to identify the channel, inform viewers of upcoming programmes, and build brand recognition. BBC One introduced its first ident, called the "Bat's Wings", in 1953.
E4 is a British television channel aimed at audiences aged 16-34. It broadcasts comedy shows and was originally a subscription channel but became available on Freeview in 2005, increasing its audience and advertising revenue. The channel's idents are strange but comedic, featuring a purple robot mascot. They reference youth culture through references and varying tones from calm to crazy.
This document discusses various aspects of television channel idents, including their design, purpose, and how they are used. It examines examples from channels like BBC, MTV, Channel 4 and E4 to illustrate concepts like branding, interaction with viewers, information vs entertainment, and how idents are scheduled between programs. The document analyzes how idents represent a channel's identity, values and target audience while also entertaining and engaging viewers.
The document provides an analysis of television idents from various channels including the BBC and ITV. It discusses the purpose of idents in establishing a channel's identity and branding. Three BBC idents are analyzed in detail focusing on themes, visuals, music and how they relate to the channel. A comparison is made to an ident from Channel 5, noting similarities and differences in approach. The evolution of BBC idents over time and use of idents for marketing specific shows is also summarized.
The document discusses several aspects of television channel idents, including:
- Channel idents vary in screen tempo, with some having fast-paced animations (E4) and others slower to focus on details (Channel 4).
- Idents are typically 10-15 seconds to avoid boring viewers but still convey their message and remind viewers of the channel.
- Channels use different ident styles, colors, logos, and voices tailored to their target audiences.
- Idents are played between and during breaks in programming to identify the channel.
Reality television shows like The X Factor use various techniques to appear authentic and create a sense of intimacy between audiences and contestants, while still exercising control over the narrative. Producers shape contestant stories and personalities to increase drama and competition. Though audiences feel involved through voting, their role is still passive as they consume a pre-packaged product. The quest to find new music stars engages audiences but also raises questions about the authenticity of reality television genres.
This document discusses and analyzes television idents for different channels. It begins by outlining the core purposes of idents such as branding, identity, and informing viewers. Developments in broadcasting that led to modern channel branding are explained.
The document then analyzes specific channel idents in depth. It describes the current design of BBC1 idents and how it reflects the channel's brand identity. BBC2, ITV, Channel 4, and Channel 5 idents are also described and analyzed in terms of design, style, and how they reflect the respective channel's identity.
Opportunities and limitations of onscreen graphic representations are discussed. Two channels aimed at different audiences, CBeebies and BBC3, have
Shift work allows workers to do the same job at different times, such as early mornings, days, nights, weekends or holidays. Radio producers may work shifting schedules depending on the location. Actors and actresses sign fixed term contracts that specify the length of their work on a TV or film production. Production coordinators, who manage production offices, work regular office hours set by production managers. Freelance makeup and hair artists are hired by companies for individual productions. Gaffers, who work in the film industry, may have irregular work patterns with unpredictable hours due to zero hour contracts. Runners assisting with TV and film productions are typically paid hourly rates ranging from £6.50 to £10 per hour, though some work
Mia Bittar works as an editor in post-production, making final cuts to films by working closely with directors. Her work is time-consuming but rewarding as she feels like she helps create the final movie. Mia started her career as a runner and assistant runner before working her way up over the years. Looking at Mia's career highlights the importance of starting from the bottom and gaining experience to advance in the industry.
This document analyzes and summarizes 5 television channel idents from BBC One, ITV, Channel 4, Channel 5, and Sky 1.
The idents ranged from 18-31 seconds long and mostly consisted of a single camera shot with a voiceover. Common conventions included faster pacing at the beginning that slowed at the end when the logo appeared. The idents aimed to entertain and attract their target audiences through creative ideas, special effects, and hints of the types of shows on each channel.
Analyzing the idents provided insights into how to effectively catch viewers' attention while also conveying essential information through pacing and production elements.
This document discusses television channel idents. It provides examples of idents from BBC One and BBC Three.
The BBC One ident analyzed features children running in a circle, representing the BBC One logo. It is simple with minimal elements to represent childrens' programming.
The BBC Three ident summarized has an orange puppet that announces the upcoming show. It uses visual elements like the puppet character and BBC Three logo to appeal to its target young adult audience.
In general, the document explores the purpose of idents for branding channels and informing viewers of upcoming programming through analysis of specific ident examples from BBC One and BBC Three.
This document discusses various purposes and design elements of television channel idents. It examines how idents are used for branding, packaging content, segmenting scheduling, and marketing channels. It also explores how idents establish identity, and discusses elements like logo, font, and imagery that viewers associate with a particular channel. Scheduling of programs and consideration of watershed periods and prime viewing times are also covered. The document provides analysis of several channel idents as examples to illustrate these different design purposes and strategies.
The BBC ident is 39 seconds long and features a helicopter flying through the sky to represent the news program about to air. It uses realistic footage and slow rising music to subtly inform viewers of the serious news content. The ident is aimed at older audiences and its purpose is to interest and remind viewers about upcoming BBC programming.
The Channel 4 ident is set in Blackpool and lasts 32 seconds. It features everyday scenes of people walking to subtly form the Channel 4 logo and represent its creative style. The upbeat music and friendly narration aim to entertain and inform viewers young and old.
The Channel 5 ident is 21 seconds and features a glowing eye that transforms into the channel's logo number 5. It uses bright colors and catch
The document summarizes and analyzes the idents (channel branding/promos) of several UK television channels:
4Seven's idents feature natural landscapes and feature the number 4 imprinted in locations while the number 7 is a 3D object, conveying a sense of imagination.
ITV's ident shows two boys playing in leaves, intended to portray a friendly, family-focused programming.
BBC One's ident references its iconic circles and previews upcoming shows to indicate its wide range of entertainment.
BBC News' ident emphasizes its role in providing necessary information through intense music and images connecting global locations.
Sky Living's ident slowly reveals the channel name over previews of shows like The
The document discusses television channel idents, including:
- The purpose of idents is to link to the next program, make viewers aware of the channel, promote the channel, stand out from competition, and keep up with the times.
- Interviews found the main purposes are to advertise the channel, anticipate viewers, and promote the channel.
- The design of idents usually includes colors representing the channel, catchy images, things related to upcoming shows, and elements to grab viewers' attention.
- Idents change over time due to technology advances and to keep the ident memorable through consistent motifs like BBC1's use of a circle shape.
The ident shows a hand-held camera moving toward the end of an estate balcony where the Channel 4 logo is revealed piece by piece. It is 27 seconds long and portrays a gloomy, run-down estate. The ident suggests the channel features shows about lower-class people and areas typically shown in programs like Top Boy and Hollyoaks. It aims to attract a young audience aged 16-30 who could relate to troublesome teenagers depicted.
The document provides an overview of television channel idents and their purpose. It discusses three sample idents from Fox Kids (1997), 4Music (2012), and CBBC (undated). The idents are analyzed in terms of their design elements, target audiences, and how they inform viewers about programming. Additionally, the document poses questions about common aspects of the idents and discusses best practices for ident design, such as using the full screen space and coordinating motion with background music. Bibliographic references are provided for the image sources.
BBC One's idents feature a magical world with fairies and nature to appeal to families while reflecting the channel's high production values. Channel 4's ident shows an oriental cityscape to imply an adult tone. Channel 5's ident features a child's animation battle to seem young and cool. ITV's ident shows a concert crowd dancing to relate to younger audiences. Sky One's ident uses a dancing star to portray entertainment over factual shows. Overall, idents subtly convey channel brands through imagery and logos without explicit statements.
Idents are short clips played between TV programs to identify the channel. BBC 2 uses a consistent "suite" featuring the number 2 to help viewers easily identify the channel. Idents convey brand identity and provide information about upcoming programs through voiceovers. While idents attract audiences through entertainment, their short length limits detailed information and production techniques like stop motion require significant resources. Certain idents can only be used seasonally, limiting their value for broadcasters. Overall, idents aim to build viewer loyalty through consistent branding cues while introducing upcoming programming in a short time frame.
Idents are short clips played between programs on television channels to identify the channel brand. They typically feature elements like the channel logo and number. Idents inform viewers of upcoming programs and help build brand loyalty through consistent visual conventions. Effective idents attract audiences in short timeslots using techniques like voiceovers, entertaining visuals, and emotionally appealing tones. However, idents also face limitations due to their brief duration and inability to be used year-round for seasonal idents that are only relevant for certain times of year.
Unit 32 designing idents for television lo1 andEmmaTheUnicorn
The document discusses television idents, which are short advertisements that identify the channel. It describes what idents are used for, such as creating brand identity and intriguing audiences. It provides examples of idents from channels like BBC, Channel 4, and Cartoon Network. These idents showcase themes, logos, sounds and images tailored to each channel's target audience. The document also discusses conventions, marketing opportunities, and how idents appeal to different audiences through distinctive features.
This document discusses various aspects of television channel idents and branding, including design, tempo, use of space and time, information vs entertainment focus, interaction with viewers, density of information, branding, packaging and repackaging, segmentation within scheduling, marketing, identity, and scheduling. Examples are provided for each topic to illustrate effective and ineffective approaches.
An ident is a short clip, usually around 20 seconds, that is shown on TV before a programme starts. It tells viewers what channel they are watching. Idents are designed to attract audiences to a channel and represent its identity and brand. Common purposes of idents are to identify the channel, inform viewers of upcoming programmes, and build brand recognition. BBC One introduced its first ident, called the "Bat's Wings", in 1953.
E4 is a British television channel aimed at audiences aged 16-34. It broadcasts comedy shows and was originally a subscription channel but became available on Freeview in 2005, increasing its audience and advertising revenue. The channel's idents are strange but comedic, featuring a purple robot mascot. They reference youth culture through references and varying tones from calm to crazy.
This document discusses various aspects of television channel idents, including their design, purpose, and how they are used. It examines examples from channels like BBC, MTV, Channel 4 and E4 to illustrate concepts like branding, interaction with viewers, information vs entertainment, and how idents are scheduled between programs. The document analyzes how idents represent a channel's identity, values and target audience while also entertaining and engaging viewers.
The document provides an analysis of television idents from various channels including the BBC and ITV. It discusses the purpose of idents in establishing a channel's identity and branding. Three BBC idents are analyzed in detail focusing on themes, visuals, music and how they relate to the channel. A comparison is made to an ident from Channel 5, noting similarities and differences in approach. The evolution of BBC idents over time and use of idents for marketing specific shows is also summarized.
The document discusses several aspects of television channel idents, including:
- Channel idents vary in screen tempo, with some having fast-paced animations (E4) and others slower to focus on details (Channel 4).
- Idents are typically 10-15 seconds to avoid boring viewers but still convey their message and remind viewers of the channel.
- Channels use different ident styles, colors, logos, and voices tailored to their target audiences.
- Idents are played between and during breaks in programming to identify the channel.
Reality television shows like The X Factor use various techniques to appear authentic and create a sense of intimacy between audiences and contestants, while still exercising control over the narrative. Producers shape contestant stories and personalities to increase drama and competition. Though audiences feel involved through voting, their role is still passive as they consume a pre-packaged product. The quest to find new music stars engages audiences but also raises questions about the authenticity of reality television genres.
This document discusses and analyzes television idents for different channels. It begins by outlining the core purposes of idents such as branding, identity, and informing viewers. Developments in broadcasting that led to modern channel branding are explained.
The document then analyzes specific channel idents in depth. It describes the current design of BBC1 idents and how it reflects the channel's brand identity. BBC2, ITV, Channel 4, and Channel 5 idents are also described and analyzed in terms of design, style, and how they reflect the respective channel's identity.
Opportunities and limitations of onscreen graphic representations are discussed. Two channels aimed at different audiences, CBeebies and BBC3, have
Shift work allows workers to do the same job at different times, such as early mornings, days, nights, weekends or holidays. Radio producers may work shifting schedules depending on the location. Actors and actresses sign fixed term contracts that specify the length of their work on a TV or film production. Production coordinators, who manage production offices, work regular office hours set by production managers. Freelance makeup and hair artists are hired by companies for individual productions. Gaffers, who work in the film industry, may have irregular work patterns with unpredictable hours due to zero hour contracts. Runners assisting with TV and film productions are typically paid hourly rates ranging from £6.50 to £10 per hour, though some work
Mia Bittar works as an editor in post-production, making final cuts to films by working closely with directors. Her work is time-consuming but rewarding as she feels like she helps create the final movie. Mia started her career as a runner and assistant runner before working her way up over the years. Looking at Mia's career highlights the importance of starting from the bottom and gaining experience to advance in the industry.
This ident is intended to be shown in the evenings to target more viewers at home. It promotes The Voice by informing viewers that the show is returning and will air soon. The ident conveys the messages that viewers should expect more exciting performances from contestants this year and that the BBC One channel continues to advance its mission each year.
Understanding the limitations of the television identaliyahryan4
This document discusses several limitations that must be considered when creating television idents. Some key limitations mentioned include typography issues if fonts are difficult to read, too much moving text or color that could cause visual problems for viewers. Color selection is also limited, as certain colors could cause confusion if they match another channel's branding, or cause health issues for some viewers. Aspect ratios must also fit various screen sizes, and ident tone and duration are limited to effectively convey information within broadcast standards. Both negative and positive limitations are discussed regarding design elements of idents and how they impact audience understanding.
Television idents are shown between programs to identify the channel and provide information to viewers. They reflect the channel's mission statement and values through visuals and tone. For example, Channel 4's idents showcase cultural diversity and creativity as part of their remit. Idents are also used to promote upcoming programs, advertise the channel's brand, and create consistency in tone and messaging across a network.
The document provides a log of shots taken for a film scene. It describes 6 scenes with multiple shots in each scene showing the protagonist waiting in different locations like the photocopy room, school foyer, corridor, and in front of a display board. The shots include establishing shots, close-ups, and shots showing the passage of time through the protagonist looking at their watch or looking frustrated after a long wait.
The Genesis of BriansClub.cm Famous Dark WEb PlatformSabaaSudozai
BriansClub.cm, a famous platform on the dark web, has become one of the most infamous carding marketplaces, specializing in the sale of stolen credit card data.
The Steadfast and Reliable Bull: Taurus Zodiac Signmy Pandit
Explore the steadfast and reliable nature of the Taurus Zodiac Sign. Discover the personality traits, key dates, and horoscope insights that define the determined and practical Taurus, and learn how their grounded nature makes them the anchor of the zodiac.
Discover timeless style with the 2022 Vintage Roman Numerals Men's Ring. Crafted from premium stainless steel, this 6mm wide ring embodies elegance and durability. Perfect as a gift, it seamlessly blends classic Roman numeral detailing with modern sophistication, making it an ideal accessory for any occasion.
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Anny Serafina Love - Letter of Recommendation by Kellen Harkins, MS.AnnySerafinaLove
This letter, written by Kellen Harkins, Course Director at Full Sail University, commends Anny Love's exemplary performance in the Video Sharing Platforms class. It highlights her dedication, willingness to challenge herself, and exceptional skills in production, editing, and marketing across various video platforms like YouTube, TikTok, and Instagram.
[To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
This presentation is a curated compilation of PowerPoint diagrams and templates designed to illustrate 20 different digital transformation frameworks and models. These frameworks are based on recent industry trends and best practices, ensuring that the content remains relevant and up-to-date.
Key highlights include Microsoft's Digital Transformation Framework, which focuses on driving innovation and efficiency, and McKinsey's Ten Guiding Principles, which provide strategic insights for successful digital transformation. Additionally, Forrester's framework emphasizes enhancing customer experiences and modernizing IT infrastructure, while IDC's MaturityScape helps assess and develop organizational digital maturity. MIT's framework explores cutting-edge strategies for achieving digital success.
These materials are perfect for enhancing your business or classroom presentations, offering visual aids to supplement your insights. Please note that while comprehensive, these slides are intended as supplementary resources and may not be complete for standalone instructional purposes.
Frameworks/Models included:
Microsoft’s Digital Transformation Framework
McKinsey’s Ten Guiding Principles of Digital Transformation
Forrester’s Digital Transformation Framework
IDC’s Digital Transformation MaturityScape
MIT’s Digital Transformation Framework
Gartner’s Digital Transformation Framework
Accenture’s Digital Strategy & Enterprise Frameworks
Deloitte’s Digital Industrial Transformation Framework
Capgemini’s Digital Transformation Framework
PwC’s Digital Transformation Framework
Cisco’s Digital Transformation Framework
Cognizant’s Digital Transformation Framework
DXC Technology’s Digital Transformation Framework
The BCG Strategy Palette
McKinsey’s Digital Transformation Framework
Digital Transformation Compass
Four Levels of Digital Maturity
Design Thinking Framework
Business Model Canvas
Customer Journey Map
4 Benefits of Partnering with an OnlyFans Agency for Content Creators.pdfonlyfansmanagedau
In the competitive world of content creation, standing out and maximising revenue on platforms like OnlyFans can be challenging. This is where partnering with an OnlyFans agency can make a significant difference. Here are five key benefits for content creators considering this option:
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Part 2 Deep Dive: Navigating the 2024 Slowdownjeffkluth1
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The global retail industry has weathered numerous storms, with the financial crisis of 2008 serving as a poignant reminder of the sector's resilience and adaptability. However, as we navigate the complex landscape of 2024, retailers face a unique set of challenges that demand innovative strategies and a fundamental shift in mindset. This white paper contrasts the impact of the 2008 recession on the retail sector with the current headwinds retailers are grappling with, while offering a comprehensive roadmap for success in this new paradigm.
Discover innovative uses of Revit in urban planning and design, enhancing city landscapes with advanced architectural solutions. Understand how architectural firms are using Revit to transform how processes and outcomes within urban planning and design fields look. They are supplementing work and putting in value through speed and imagination that the architects and planners are placing into composing progressive urban areas that are not only colorful but also pragmatic.
Best practices for project execution and deliveryCLIVE MINCHIN
A select set of project management best practices to keep your project on-track, on-cost and aligned to scope. Many firms have don't have the necessary skills, diligence, methods and oversight of their projects; this leads to slippage, higher costs and longer timeframes. Often firms have a history of projects that simply failed to move the needle. These best practices will help your firm avoid these pitfalls but they require fortitude to apply.
Zodiac Signs and Food Preferences_ What Your Sign Says About Your Tastemy Pandit
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1. Aliyah Ryan
Understanding the design of idents:
This is aneon-animatedidentfrom the BBC, in the ident there is as
aneon-animated girl who jumps off the top of a pet shop building
onto a Ferris wheel, the Ferris wheel then symbolizes BBC Ones
iconic logo. The cinerary of the ident is a fun fair on surreal planet,
there are images of flying parrots and spaceships also snakes and
a skull animated man who is hanging of the Ferris wheel, which
gives it a surreal affect.
The music that is playing in the background goes really well with
the ident and its neon-animated theme, the music goes really
well with the tempo of the ident, which is at a slow speed. The
main part of the ident is quite fast and last 4 seconds; the rest of
the ident has a voice narrator informing the audience what will
be on and that BBC is now in HD. This particular ident appeals to
BBC Ones target audience as it is a family orientated channel
and a family orientated ident that appeals to both adults and
children. This is an information-led ident, as it informs the viewers
about program that are coming on the channel and that the
channel is developing with its technology (HD channel).
The impression you get from this ident about the channel is that it
is family orientated as you can tell form the shows that would eb
coming up next, this ident also shows that this channel is fun as
you can see from the animation.
You can watch this ident on:
http://www.theidentgallery.com/player.php?id=BBC1HD-2010-IDNEON-1
2. Aliyah Ryan
ITV have a very memorable logo, they also blend in with the
cinerary or background in the ident, as you ca see from the visual
the logo is blending in with the boys back.
This is a summer ident for ITV about sun cream, the images use live
action, as there are real people throughout the ident; in the ident
is a mother rubbing sun cream on her sons back to protect him
from getting burnt. This shows who ITV’s target audience is as this
ident is appealing to families and shows that ITV is a caring,
neutering, family orientated channel. the music being played in
the background is very up beat and goes very well with this ident
as it has a summer feel to it although the motion of the women
creaming her suns back is slower then the music being played.
The identlasts 24 seconds and the voiceover comes in at 00.09
seconds, the narrator then informs the audience what is coming
on next and what will be coming on later in the day. The tone of
the narrator’s voice is very soft, soothing and enthusiastic;
appealing more to ITV’s family audience
This ident is information-led as it informs the viewers of what will be
coming on next. The impression this ident gives is that it is caring
and a family based channel as the ident shows a mother caring
for her child by protecting him from the sun.
You can watch this ident on:
http://www.theidentgallery.com/player.php?id=ITV-2013-IDSUNCREAM-1
3. Aliyah Ryan
This is a urban ident produced by channel4, in this identChannel 4
use their memorable 4 logo though formations of buildings. This
ident is based in a council estate with inner-city theme to it, the
ident starts with walking through the estate, turning the corner
then stops when its sees the 4 logo. In the background of the
ident there are pigeons flying about, rubbish on the floor and
peoples washing being hanged out from building to building. The
music and the tempo of the music being played is calm at the
beginning, the beat sound like a heart beating; the more the
ident goes into the estate the faster the beat of the music goes is
as if the ident is scared to being this environment. The design
indicates that Channel 4 is a multicultural channel that has a
wide target audience, and by making it in this area it appeals to
people who are in similar conditions like ‘workingclass’ people
who like to watch certain programmes; this ident maybe shown
before programs such as shameless and skins. This ident last 00:25
seconds and the voice over/narrator comes in at 00:13 seconds
to tell he viewers of what show will be on later in the day, this
causes the ident to be information led as he is informing the
viewers about that channel and what’s to be expected to be on
throughout the day. The impression this ident gives is that Channel
four is multicultural and appeal to all types of people in different
social grades and classes in society.
You can watch this ident on:
http://www.theidentgallery.com/player.php?id=C4-2007-IDFLATS-HD-1
4. Aliyah Ryan
This aident produced by channel Five which uses the use of
motion graphics. The ident uses a fast tempo up beat song, the
equalizer moves with the beat of songs as the song goes on it the
equalizer transforms into a number five and burst into graphic
boxed with a number five on. The information included in the
design shows the viewers that the Channel is the latest
technology as they are being more creative with their ident
design and have stuck with their iconic use of motion graphic
themes throughout their idents. The ident last 18 seconds which is
a decent amount of times as there is information being given to
the viewers in the ident cause the t hi dent to be information-led.
The narrator informs the viewers that CSI will be coming on next
and that there will be flashing lights making the audience aware
in case they suffer from epilepsy they can change the channel.
This ident appeals to the viewers through their design and the
music; this is because channel fives is diverse and appealing to
theri targetaudience, which is older people. The impression this
ident gives is that it is fun but mature at the same times; you can
tell this by the design of the ident and what channels are to be
coming up next.
You can watch this ident on:
http://www.theidentgallery.com/player.php?id=FIVE-2011-IDEQUALIZER-1
5. Aliyah Ryan
This ident is from the TV channel Watch, and the ident consists of
coloured smoke. This ident focuses on the channel rather than
having other thing in the background allowing the audience to
focuses directly on the Watch logo. This ident continues the use of
their memorable theme which they use with their logo; this is
when there is half a circle on the left hand side and on the right
hand side there is something coming out of it. The music in the
background is very suttle and goes well with the smoke allowing
the audience to focus on the visuals and not anything else. There
is not a lot of information include in the ident, the narrator just
informs the viewers that they would have a great day watching
the channel and says good morning to them. The ident last 23
second, within the first 15 second there is just visuals shown of
bright vibrant coloured smoke dancing around the screen; the
narrator then comes in at 16 seconds; although the narrator does
not give a lot of detailed
Information he still inform the viewers that by watching this
channel they would have a great day. The on screen tempo is
quite slow and simple as it is to be shown it in morning which goes
great with the transition of the smoke, the tone of the narrator’s
voice is also soft and soothing. This ident appeals to the viewers
because it shows what the channels about; they do this through
the choice of colours. By using this these colours it shows that the
shows is upbeat and fun.The impression it gives is that this channel
is caring as it says good morning to the viewers and its is also a fun
channel as the narrator implied that by watching this channel for
the whole day you would have a great day.
You can watch this ident on:
http://www.theidentgallery.com/player.php?id=WATCH-2012-ID1-1
6. Aliyah Ryan
Summary:
After investigating these idents I realised they had some certain
sects that were in common. Each of these five different channels
all had a theme when it came to their idents, which their
audiences would be able to recognise the channel because of it.
I have noticed while looking at these idents is that they have
stuck to their themes no matter what the ident is about. They
have also used narrators in each on of these ident to inform their
viewers about what programs would be coming on next. From
these idents I have seen key elements, which I would need to
include when It comes to making my own ident; I would have to
include a theme as well as have my logo in the ident. I could also
use a narrator to make the audience aware of what is to come
on next or I could show a menu/schedule of what programs
would be coming on next and later on in the day with a narrator
reading them out to the viewers/ audience.
Suite of idents:
7. Aliyah Ryan
As you can see from the image above it shows a screen shot of
my previous work in task three where I spoke about suites of idents
using the television channel BBC One.