Lazarus Opening Sequence - Shot List
•Download as DOCX, PDF•
0 likes•172 views
This shot list contains 5 shots for the opening sequence of a film called "Lazarus". Shot 1 is a medium close up of the protagonist's feet that tracks right and tilts up to her face. Shot 2 shows her stopping abruptly in a medium long shot. Shot 3 is a point of view shot panning across a warehouse containing circus equipment and tracking to a mask. Shot 4 shows her grabbing the mask from a high angle. Shot 5 zooms into a dutch tilted close up of her wearing the mask on a stage.
Report
Share
Report
Share
Recommended
Shot list
The document outlines different camera shots that will be used in the opening of a thriller film. It includes an aerial shot of the house from the roof, a close-up of the victim's face showing confusion, and close-up shots of the weapon and victim's face. It also details handheld shots of the killer walking and different angles like low angles to make the killer seem powerful and high angles to portray the woman as weaker.
Shot sizes
This document defines and provides examples of different shot sizes, angles, and camera movements used in filmmaking. It discusses extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, big close ups, and extreme close ups. It also covers low angles, eye-level angles, high angles, worm's eye angles, canted angles, and bird's eye angles. Finally, it discusses panning shots, crab shots, tracking shots, zoom shots, ped shots, and tilt shots. Examples are provided for each type from various movies and TV shows.
Camera angles
This document defines and describes various camera shots and angles used in filmmaking. A master shot shows an entire scene with all characters in view. Close ups show a subject in large scale while extreme close ups show the subject in a very large scale tightly framed. Mid shots show some part of a subject in detail while still showing enough context. Long shots, wide shots, and two shots depict characters or relationships from a distance in the frame. Aerial shots are taken from high angles while point of view and over the shoulder shots frame the subject from a character's perspective.
Different camera angles
The document discusses different camera angles used in filmmaking. A low angle shot is used to show characters as superior, such as in The Avengers. An extreme long shot shows scenes or objects from a long distance, like when Nicholas Angel enters the police station in Hot Fuzz. A high angle shot depicts characters as lesser or subordinate, for example when Nicholas Angel talks to kids from above in Hot Fuzz. The document also lists other common camera angles like over the shoulder shot, long shot, medium long shot, medium shot, medium close up, close up, extreme close up, point of view shot, and two shot.
Shot types (done)
The document describes the different shot types used in 5 scenes of a music video. Scene 1 uses an establishing shot to set the mood and location. Scene 2 uses mid shots and close ups to show the characters interacting inside the house, and an extreme long shot as they exit. Scene 3 uses an extreme long shot of a hill with close ups of the characters helping each other. Scene 4 again uses an extreme long shot with a close up of one character's face. Scene 5 primarily uses a wide shot with one cut to a worm's eye view of a seed being planted.
Offside
Offside is a short film directed by Guy Nattiv and Erez Tadmor that takes place at the security zone separating Israel and Palestine. It follows soldiers playing a game of football across the dividing fence. The film uses camera techniques like panning shots, close-ups, and shot reverse shot to build tension and show different perspectives. Silence and a radio commentary drive the narrative without dialogue. The deserted location, soldiers with guns, and authentic uniforms make the violence and conflict feel realistic.
Narrative and Plot part 1.
The document discusses the definition and elements of plot. It defines plot as a sequence of causally related events that make up the story. Early theorists like Aristotle and Forster analyzed plot, with Forster defining it as a cause-and-effect relationship between story events. Later, Russian Formalism divided a narrative into the elements of fabula (story) and syuzhet (plot). Freytag further analyzed plot structure, proposing a five-act model of exposition, rising action, climax, falling action, and resolution.
Camera shots and angles
Long shots and wide shots show a large subject and their surroundings to establish context. Point of view shots enable the audience to see from a character's perspective. Two shots show two characters in dialogue. Close ups focus attention on a person's expression or actions. High and low camera angles influence how powerful or important a character seems. Over the shoulder shots look from behind one person at another subject. Medium close shots still show the setting while focusing on actors. Overhead shots are made from directly above the action. Tilted shots disorient the viewer by slanting vertical lines.
Recommended
Shot list
The document outlines different camera shots that will be used in the opening of a thriller film. It includes an aerial shot of the house from the roof, a close-up of the victim's face showing confusion, and close-up shots of the weapon and victim's face. It also details handheld shots of the killer walking and different angles like low angles to make the killer seem powerful and high angles to portray the woman as weaker.
Shot sizes
This document defines and provides examples of different shot sizes, angles, and camera movements used in filmmaking. It discusses extreme long shots, long shots, medium long shots, medium shots, medium close ups, close ups, big close ups, and extreme close ups. It also covers low angles, eye-level angles, high angles, worm's eye angles, canted angles, and bird's eye angles. Finally, it discusses panning shots, crab shots, tracking shots, zoom shots, ped shots, and tilt shots. Examples are provided for each type from various movies and TV shows.
Camera angles
This document defines and describes various camera shots and angles used in filmmaking. A master shot shows an entire scene with all characters in view. Close ups show a subject in large scale while extreme close ups show the subject in a very large scale tightly framed. Mid shots show some part of a subject in detail while still showing enough context. Long shots, wide shots, and two shots depict characters or relationships from a distance in the frame. Aerial shots are taken from high angles while point of view and over the shoulder shots frame the subject from a character's perspective.
Different camera angles
The document discusses different camera angles used in filmmaking. A low angle shot is used to show characters as superior, such as in The Avengers. An extreme long shot shows scenes or objects from a long distance, like when Nicholas Angel enters the police station in Hot Fuzz. A high angle shot depicts characters as lesser or subordinate, for example when Nicholas Angel talks to kids from above in Hot Fuzz. The document also lists other common camera angles like over the shoulder shot, long shot, medium long shot, medium shot, medium close up, close up, extreme close up, point of view shot, and two shot.
Shot types (done)
The document describes the different shot types used in 5 scenes of a music video. Scene 1 uses an establishing shot to set the mood and location. Scene 2 uses mid shots and close ups to show the characters interacting inside the house, and an extreme long shot as they exit. Scene 3 uses an extreme long shot of a hill with close ups of the characters helping each other. Scene 4 again uses an extreme long shot with a close up of one character's face. Scene 5 primarily uses a wide shot with one cut to a worm's eye view of a seed being planted.
Offside
Offside is a short film directed by Guy Nattiv and Erez Tadmor that takes place at the security zone separating Israel and Palestine. It follows soldiers playing a game of football across the dividing fence. The film uses camera techniques like panning shots, close-ups, and shot reverse shot to build tension and show different perspectives. Silence and a radio commentary drive the narrative without dialogue. The deserted location, soldiers with guns, and authentic uniforms make the violence and conflict feel realistic.
Narrative and Plot part 1.
The document discusses the definition and elements of plot. It defines plot as a sequence of causally related events that make up the story. Early theorists like Aristotle and Forster analyzed plot, with Forster defining it as a cause-and-effect relationship between story events. Later, Russian Formalism divided a narrative into the elements of fabula (story) and syuzhet (plot). Freytag further analyzed plot structure, proposing a five-act model of exposition, rising action, climax, falling action, and resolution.
Camera shots and angles
Long shots and wide shots show a large subject and their surroundings to establish context. Point of view shots enable the audience to see from a character's perspective. Two shots show two characters in dialogue. Close ups focus attention on a person's expression or actions. High and low camera angles influence how powerful or important a character seems. Over the shoulder shots look from behind one person at another subject. Medium close shots still show the setting while focusing on actors. Overhead shots are made from directly above the action. Tilted shots disorient the viewer by slanting vertical lines.
Sanctus script
The document provides a summary of the opening scenes of a horror film titled "Sanctus". It describes shots of a family photo being burned, a protagonist walking through a graveyard at night while being watched by an unseen presence, and returning home to find the burned photo intact with a cryptic message. The summary establishes the creepy, mysterious atmosphere and hints that the protagonist may have awakened something supernatural in the graveyard.
Freytags pyramid
Freytag's Pyramid is a model for plotting a story structure. It consists of seven stages: exposition introduces characters and setting, the inciting moment sets the rising action in motion, rising action builds conflict, the climax is the turning point, falling action follows the climax, resolution solves the conflict, and denouement ties up loose ends. Freytag's Pyramid is widely used to analyze story structure in drama and other forms of fiction.
Media Storyboard
The document provides a shot-by-shot description of a chase and fight scene between two characters. It describes various camera angles, shots of the characters' feet, body language and facial expressions during the pursuit. The chase culminates with one character stabbing the other, who then stumbles and drops to the floor in pain as the assailant escapes.
Sanctus script
- The document is an excerpt from the script of a 4Brothers Productions horror film titled "Sanctus" starring Liam Monks and directed by Zack Moore and Aaron Randall.
- The protagonist walks through an overgrown graveyard and is chased by a mysterious camera. He returns home out of breath only to discover a cryptic message left on a burnt family photo, implying that he cannot kill what is already dead.
- The excerpt builds tension as the protagonist is followed in the graveyard and ends on a frightening note with the discovery of the message.
Cinematography
Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
Shot no
The document outlines 21 shots for a film sequence, beginning with establishing shots to set the atmosphere and introduce the protagonist and antagonist. Shot 7 shows the antagonist spying on the protagonist from over her shoulder. Subsequent shots alternate between the antagonist watching the protagonist and close-ups of the protagonist's anxious face and distraught gaze at a picture. Shot 18 cuts to the protagonist hearing a knife sound and scream. The sequence ends with a 360-degree pan around the protagonist and a title card appearing.
Camera angle shots within tv drama
This document discusses different camera angle shots used in TV drama, including establishing shots to set the context, close-ups to show facial expressions and emotions, mid shots from the waist up to show characters and their surroundings, point-of-view shots through the eyes of characters, long shots showing people from head to toe to understand locations, and wide shots showing actions over a large space or multiple people. These shots are used to convey information about characters, settings, and the progression of scenes.
Camera Shots, Angles and Movements
The document defines different types of shots, angles, and camera movements that can be used when filming. It provides descriptions of common shots like wide shots, close-ups, and point-of-view shots. It also explains different camera angles like high angles and low angles and how they can influence the audience's perspective. Additionally, it covers various camera movements like panning, tilting, tracking, and abrupt cuts and how they are used to transition between scenes or reveal new information.
Animated storyboard
The animated storyboard describes 12 shots for a horror film. Shot 1 shows the killer under a lamp flashing in and out of frame to an unsettling prayer. Shot 2 is a mid-shot of a girl being dragged from bed, misleading viewers to think the kidnapper is the killer. Shot 3 shows cult leaders in masks by a bonfire to another prayer. Shots 4-7 continue developing the cult plot and include characters sending a note to join and one being dragged through mud. Shots 8-10 are inter-titles introducing the director, film title, and release date with ominous fonts and music. Shot 11 shows a surviving character hanging upside down and opening her eyes suddenly.
Cinematography shot types
This document defines and describes various cinematography shot types including high-angle shots, low-angle shots, two shots, point-of-view shots, medium close-ups, establishing shots, close-ups, extreme close-ups, long shots, and over the shoulder shots. Each shot type is used to convey different meanings through the perspective and framing such as using high-angle shots to show vulnerability and low-angle shots to emphasize power or importance.
Plot diagram assignment
The document provides instructions for creating a plot diagram from a story. It defines the key elements of a plot diagram: exposition, rising action, climax, falling action, and resolution. An example plot diagram is given for the story "The Three Little Pigs" that includes these elements and depicts the major story events in words and pictures.
Camera Shots
The document defines and describes various camera shots used in filmmaking including close-up shots that focus on a character's face, medium shots that show a character from the waist up, and long shots that show a character from head to toe. It also discusses aerial shots that establish a location from above, deep focus shots that keep the foreground, middle ground, and background in focus, and over-the-shoulder shots that imply a connection between conversing characters. Finally, it briefly outlines other shots like low angle shots that make a subject appear dominant, high angle shots that isolate a subject, and dolly and crane shots that move the camera.
Elements of Plot
These are some basic elements of plot. We will be taking notes from this presentation in class and will be tested during this week and next.
Treatment
The document describes a series of shots for a film opening scene involving a detective at a crime scene. It begins with an establishing shot of a suburban street, then cuts to extreme close-ups of the detective's hand clicking a pen and the exposed hand of a body under a sheet. A series of slow zooms and pans show additional details of objects in the room and the body. The shots are meant to feel random, building an overall effect. The sequence ends with the detective noticing footsteps and turning toward his sidekick entering the room.
Elements of a plot diagram]
The document outlines the key elements of a plot diagram, including: exposition to introduce characters and the main conflict, rising action where the conflict develops, climax as the turning point where the character faces the conflict, falling action to tie up loose ends, and resolution providing a reasonable ending to the story. These elements - exposition, rising action, climax, falling action, and resolution - make up the organized sequence of events in a story's plot from beginning to end.
Narrative Theorists
The document discusses two narrative theorists - Vladimir Propp and Gustav Freytag. Propp identified seven character archetypes that commonly appear in narratives, including villains, helpers, and heroes. Freytag analyzed narrative structure and identified five parts of a dramatic storyline: exposition, rising action, climax, falling action, and resolution. The author explains how they applied Propp's character types but not Freytag's structural model to their film project in order to keep viewers constantly surprised.
Elements of a plot diagram]
This document outlines the key elements of a plot diagram, including exposition, rising action, climax, falling action, and resolution. It introduces the characters and main conflict in the exposition. The rising action then develops this conflict and builds suspense. The climax is the turning point where the main character faces the conflict. Any loose ends are tied up in the falling action after the climax. Finally, the resolution provides a reasonable ending to the story.
Story board
The document outlines scenes 1-8 of a storyboard for a film titled "THE DAY OF RECKONING". Scene 1 introduces the main character with a tracking shot and voiceover. Scene 2 uses an extreme close-up of the character's eyes and a gunshot sound effect. Scene 3 cuts to an establishing shot of a library with soundtrack. Scene 4 shows a blurred note being read with continued soundtrack. Scene 5 uses a split screen of 3 characters walking with weapons from a low angle with voiceover and faint soundtrack. Scene 6 circles the characters in conversation until a gun is aimed at the viewer and the scene ends. Scene 7 zooms out to show the characters holding weapons with fire and dialogue. Scene 8 shows the
Touch of gold
The micro short film begins with an over-the-shoulder mirror shot introducing the main female character talking to herself, placing the viewer in the position of the mirror. A close-up shot then focuses on her removing an earring, which may symbolize prestige. After this, a mid-shot in the mirror shows her expressing her emotions. The film ends unexpectedly as a man enters and comforts the woman with his arms around her neck, subverting the notion that she had privacy to sort through her feelings.
Shot:angle research2
This document discusses various shot types and camera angles used in filmmaking. It describes techniques such as jump cuts, cross-cutting, cutaways, shot/reverse shot, panning shots, tracking shots, graphic matches, and eyeline matches. It also discusses different camera angles including low angles, high angles, close-ups, long shots, medium long shots, and extreme close-ups. Each technique or angle is used to convey meaning, enhance tension or the narrative, or focus on a character's emotions or body language.
Power para ntic. nadia.
El documento discute los desafíos y oportunidades que presentan las nuevas tecnologías de la información en la educación. Explica que las escuelas ya no pueden elegir si usar estas tecnologías o no, sino que deben abordarlas como una necesidad y oportunidad a pesar de los problemas que plantean, como la accesibilidad, credibilidad, hipertexto y confidencialidad. También señala que el término "tecnologías de la información" es inadecuado porque la información está sesgada y construida selectivamente,
More Related Content
What's hot
Sanctus script
The document provides a summary of the opening scenes of a horror film titled "Sanctus". It describes shots of a family photo being burned, a protagonist walking through a graveyard at night while being watched by an unseen presence, and returning home to find the burned photo intact with a cryptic message. The summary establishes the creepy, mysterious atmosphere and hints that the protagonist may have awakened something supernatural in the graveyard.
Freytags pyramid
Freytag's Pyramid is a model for plotting a story structure. It consists of seven stages: exposition introduces characters and setting, the inciting moment sets the rising action in motion, rising action builds conflict, the climax is the turning point, falling action follows the climax, resolution solves the conflict, and denouement ties up loose ends. Freytag's Pyramid is widely used to analyze story structure in drama and other forms of fiction.
Media Storyboard
The document provides a shot-by-shot description of a chase and fight scene between two characters. It describes various camera angles, shots of the characters' feet, body language and facial expressions during the pursuit. The chase culminates with one character stabbing the other, who then stumbles and drops to the floor in pain as the assailant escapes.
Sanctus script
- The document is an excerpt from the script of a 4Brothers Productions horror film titled "Sanctus" starring Liam Monks and directed by Zack Moore and Aaron Randall.
- The protagonist walks through an overgrown graveyard and is chased by a mysterious camera. He returns home out of breath only to discover a cryptic message left on a burnt family photo, implying that he cannot kill what is already dead.
- The excerpt builds tension as the protagonist is followed in the graveyard and ends on a frightening note with the discovery of the message.
Cinematography
Extreme long shots and establishing shots provide context by showing the landscape and setting the scene. Wide shots zoom out to show more of the setting and landscape. Crane shots are from a high vantage point but remain on the ground, while aerial shots use helicopters or drones to show groups from very high up. Long shots capture a large area or view while showing a person from head to toe. Medium shots focus on a person from the waist up to show details of what they are doing. Close ups concentrate on a small area or person with little background. Extreme close ups are usually of eyes or mouths. Point of view shots show what a character sees, while over-the-shoulder shots film conversations to include the characters.
Shot no
The document outlines 21 shots for a film sequence, beginning with establishing shots to set the atmosphere and introduce the protagonist and antagonist. Shot 7 shows the antagonist spying on the protagonist from over her shoulder. Subsequent shots alternate between the antagonist watching the protagonist and close-ups of the protagonist's anxious face and distraught gaze at a picture. Shot 18 cuts to the protagonist hearing a knife sound and scream. The sequence ends with a 360-degree pan around the protagonist and a title card appearing.
Camera angle shots within tv drama
This document discusses different camera angle shots used in TV drama, including establishing shots to set the context, close-ups to show facial expressions and emotions, mid shots from the waist up to show characters and their surroundings, point-of-view shots through the eyes of characters, long shots showing people from head to toe to understand locations, and wide shots showing actions over a large space or multiple people. These shots are used to convey information about characters, settings, and the progression of scenes.
Camera Shots, Angles and Movements
The document defines different types of shots, angles, and camera movements that can be used when filming. It provides descriptions of common shots like wide shots, close-ups, and point-of-view shots. It also explains different camera angles like high angles and low angles and how they can influence the audience's perspective. Additionally, it covers various camera movements like panning, tilting, tracking, and abrupt cuts and how they are used to transition between scenes or reveal new information.
Animated storyboard
The animated storyboard describes 12 shots for a horror film. Shot 1 shows the killer under a lamp flashing in and out of frame to an unsettling prayer. Shot 2 is a mid-shot of a girl being dragged from bed, misleading viewers to think the kidnapper is the killer. Shot 3 shows cult leaders in masks by a bonfire to another prayer. Shots 4-7 continue developing the cult plot and include characters sending a note to join and one being dragged through mud. Shots 8-10 are inter-titles introducing the director, film title, and release date with ominous fonts and music. Shot 11 shows a surviving character hanging upside down and opening her eyes suddenly.
Cinematography shot types
This document defines and describes various cinematography shot types including high-angle shots, low-angle shots, two shots, point-of-view shots, medium close-ups, establishing shots, close-ups, extreme close-ups, long shots, and over the shoulder shots. Each shot type is used to convey different meanings through the perspective and framing such as using high-angle shots to show vulnerability and low-angle shots to emphasize power or importance.
Plot diagram assignment
The document provides instructions for creating a plot diagram from a story. It defines the key elements of a plot diagram: exposition, rising action, climax, falling action, and resolution. An example plot diagram is given for the story "The Three Little Pigs" that includes these elements and depicts the major story events in words and pictures.
Camera Shots
The document defines and describes various camera shots used in filmmaking including close-up shots that focus on a character's face, medium shots that show a character from the waist up, and long shots that show a character from head to toe. It also discusses aerial shots that establish a location from above, deep focus shots that keep the foreground, middle ground, and background in focus, and over-the-shoulder shots that imply a connection between conversing characters. Finally, it briefly outlines other shots like low angle shots that make a subject appear dominant, high angle shots that isolate a subject, and dolly and crane shots that move the camera.
Elements of Plot
These are some basic elements of plot. We will be taking notes from this presentation in class and will be tested during this week and next.
Treatment
The document describes a series of shots for a film opening scene involving a detective at a crime scene. It begins with an establishing shot of a suburban street, then cuts to extreme close-ups of the detective's hand clicking a pen and the exposed hand of a body under a sheet. A series of slow zooms and pans show additional details of objects in the room and the body. The shots are meant to feel random, building an overall effect. The sequence ends with the detective noticing footsteps and turning toward his sidekick entering the room.
Elements of a plot diagram]
The document outlines the key elements of a plot diagram, including: exposition to introduce characters and the main conflict, rising action where the conflict develops, climax as the turning point where the character faces the conflict, falling action to tie up loose ends, and resolution providing a reasonable ending to the story. These elements - exposition, rising action, climax, falling action, and resolution - make up the organized sequence of events in a story's plot from beginning to end.
Narrative Theorists
The document discusses two narrative theorists - Vladimir Propp and Gustav Freytag. Propp identified seven character archetypes that commonly appear in narratives, including villains, helpers, and heroes. Freytag analyzed narrative structure and identified five parts of a dramatic storyline: exposition, rising action, climax, falling action, and resolution. The author explains how they applied Propp's character types but not Freytag's structural model to their film project in order to keep viewers constantly surprised.
Elements of a plot diagram]
This document outlines the key elements of a plot diagram, including exposition, rising action, climax, falling action, and resolution. It introduces the characters and main conflict in the exposition. The rising action then develops this conflict and builds suspense. The climax is the turning point where the main character faces the conflict. Any loose ends are tied up in the falling action after the climax. Finally, the resolution provides a reasonable ending to the story.
Story board
The document outlines scenes 1-8 of a storyboard for a film titled "THE DAY OF RECKONING". Scene 1 introduces the main character with a tracking shot and voiceover. Scene 2 uses an extreme close-up of the character's eyes and a gunshot sound effect. Scene 3 cuts to an establishing shot of a library with soundtrack. Scene 4 shows a blurred note being read with continued soundtrack. Scene 5 uses a split screen of 3 characters walking with weapons from a low angle with voiceover and faint soundtrack. Scene 6 circles the characters in conversation until a gun is aimed at the viewer and the scene ends. Scene 7 zooms out to show the characters holding weapons with fire and dialogue. Scene 8 shows the
Touch of gold
The micro short film begins with an over-the-shoulder mirror shot introducing the main female character talking to herself, placing the viewer in the position of the mirror. A close-up shot then focuses on her removing an earring, which may symbolize prestige. After this, a mid-shot in the mirror shows her expressing her emotions. The film ends unexpectedly as a man enters and comforts the woman with his arms around her neck, subverting the notion that she had privacy to sort through her feelings.
Shot:angle research2
This document discusses various shot types and camera angles used in filmmaking. It describes techniques such as jump cuts, cross-cutting, cutaways, shot/reverse shot, panning shots, tracking shots, graphic matches, and eyeline matches. It also discusses different camera angles including low angles, high angles, close-ups, long shots, medium long shots, and extreme close-ups. Each technique or angle is used to convey meaning, enhance tension or the narrative, or focus on a character's emotions or body language.
What's hot (20)
Viewers also liked
Power para ntic. nadia.
El documento discute los desafíos y oportunidades que presentan las nuevas tecnologías de la información en la educación. Explica que las escuelas ya no pueden elegir si usar estas tecnologías o no, sino que deben abordarlas como una necesidad y oportunidad a pesar de los problemas que plantean, como la accesibilidad, credibilidad, hipertexto y confidencialidad. También señala que el término "tecnologías de la información" es inadecuado porque la información está sesgada y construida selectivamente,
08 rural works programme
The Rural Works Programmes (RWP) was launched in 1963 in West and East Pakistan to involve rural communities in development projects that created infrastructure and jobs. The objectives of RWP were to: increase employment by funding local projects requiring little capital; build rural infrastructure like roads, bridges, and irrigation; and raise additional resources through taxes or voluntary labor. Originally conceived by the Pakistan Academy for Rural Development in Comilla, RWP's goals were to build link roads, irrigation channels, and provide jobs, stimulating the rural economy. Local governments were responsible for planning and implementing development projects at the regional and local levels. The government adopted RWP because it enabled community participation in development and social/economic improvement.
Influence of Row Covers on Soil Loss & Plant Growth in White Cabbage Cultivat...
Influence of Row Covers on Soil Loss & Plant Growth in White Cabbage Cultivat...School Vegetable Gardening - Victory Gardens
Influence of Row Covers on Soil Loss & Plant Growth in White Cabbage Cultivation; Gardening Guidebook for Stuttgart, Germany ~ University of Hohenheim~ For more information, Please see websites below:
`
Organic Edible Schoolyards & Gardening with Children =
http://scribd.com/doc/239851214 ~
`
Double Food Production from your School Garden with Organic Tech =
http://scribd.com/doc/239851079 ~
`
Free School Gardening Art Posters =
http://scribd.com/doc/239851159 ~
`
Increase Food Production with Companion Planting in your School Garden =
http://scribd.com/doc/239851159 ~
`
Healthy Foods Dramatically Improves Student Academic Success =
http://scribd.com/doc/239851348 ~
`
City Chickens for your Organic School Garden =
http://scribd.com/doc/239850440 ~
`
Huerto Ecológico, Tecnologías Sostenibles, Agricultura Organica
http://scribd.com/doc/239850233
`
Simple Square Foot Gardening for Schools - Teacher Guide =
http://scribd.com/doc/239851110Conclusiones (informe de practicas)
El autor cree que su desempeño en la práctica fue mejor que la anterior debido a un mayor factor de seguridad y conocimientos adquiridos en otras asignaturas. Reconoce que cometer errores es parte del proceso de aprendizaje. También enfatiza que las enseñanzas de otros profesores son útiles en educación física y que los niños salen al patio motivados por la necesidad de movimiento, seguridad y descubrimiento.
SENA. Estación 2
El SENA es un establecimiento público colombiano que ofrece formación profesional. Los aprendices son ahora responsables de gestionar su propio aprendizaje de forma activa, mientras que los tutores guían y asesoran a los aprendices en el proceso de aprendizaje. El SENA también ofrece varios servicios de bienestar a los aprendices como salud, deporte y orientación.
resume
Daiki Suzuki is a software engineer from Fukushima, Japan with skills in Java, C++, Oracle SQL, TCP/IP, and Eclipse. He has a bachelor's degree in computer science and engineering from the University of Aizu and is looking for a challenging technical career in application development. He has strong customer focus, analytical abilities, and problem solving skills in design and integration.
MNI India Business Overview 2013-11
London, 27 November 2013 MNI INDIA BUSINESS SENTIMENT EMBARGOED UNTIL 9.45 A.M. NEW DELHI TIME. MNI India Business Indicator Increased to 64.6 in November from 59.8 in October. Production and New Orders Recover. Thirteen out of the 15 current conditions indicators included in the report increased in November. Employment was the only indicator to decline and Inventories remained unchanged compared with October.
BÀI TIẾNG ANH UNIT 5
The document summarizes information about new apartment units located along Atlanta's Belt Line railway. The apartments offer 1-3 bedrooms and amenities like a fitness center, car wash, business center, internet lounge, and DVD screening room. For the summer, referrals for new tenants receive $500 cash. An open house this Saturday after the Belt Line's opening day celebration invites people to check out sample units.
Fe de erratas ccido
El resumen corrige tres errores en las fechas de un concurso internacional de dirección orquestal, cambiando el "Jueves 14-3" al "Jueves 13-3" en los párrafos 2.4 y 3.1, y cambiando "el día 15 de MARZO" a "EL DÍA 14 DE MARZO" en el párrafo 4.1.
EJERCICIOS
El documento presenta dos ejercicios. El primero muestra el número de trabajadores por nombre y mes, con un total de 3278 trabajadores. El segundo ejercicio presenta los ingresos y gastos mensuales de una empresa, con ingresos totales de 73300 y gastos totales también de 73300, resultando en beneficios nulos.
Derivational Error of Albert Einstein
This document summarizes a paper that points out a major error in Albert Einstein's 1905 paper on special relativity. Specifically, it shows that Einstein's assumption that the time coordinate of a moving clock (τ2) can be expressed as a function of the time (t) and spatial (x) coordinates of a stationary system is incorrect. An alternative derivation is presented that expresses τ2 in terms of t, x, the velocity (v) of the moving system, and other variables. This challenges one of the foundational assumptions of Einstein's original formulation of special relativity.
Client Presentation
Theaters are using innovative marketing techniques to attract new customers such as providing blankets, outdoor movie previews, and bold advertising campaigns. They are also promoting environmentally friendly practices with a new "Go Green" initiative and logo to appeal to health and eco-conscious consumers. The marketing pushes a message of appreciation for customers who support their business.
Viewers also liked (20)
Influence of Row Covers on Soil Loss & Plant Growth in White Cabbage Cultivat...
Influence of Row Covers on Soil Loss & Plant Growth in White Cabbage Cultivat...
Similar to Lazarus Opening Sequence - Shot List
Lazarus Opening Sequence - Shot List
1. The shot list describes scenes for a short film called "Lazarus Opening Sequence".
2. Scene 1 takes place in a storage room at night and consists of a tracking shot through abandoned circus equipment, ending with a close-up of a hand that turns into a jump scare.
3. Scene 2 is set on a theatre stage at night and includes a close-up of the protagonist wearing a mask under a spotlight, then a 360-degree tracking shot around the protagonist which reveals the mask and spotlight have disappeared when complete.
Lazarus Opening Sequence - Storyboard
The document describes the opening sequence of the production "Lazarus" with 3 shots. Shot 1 is a tracking shot of circus equipment on a table that ends with a close-up of a jumping hand. Shot 2 shows a close-up of the protagonist in a mask under a spotlight, with the camera circling before the mask is removed. Shot 3 simply displays the title "Lazarus" in the center of the screen in a circus font color.
Planning edit
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
URB: THE TIME BENDER Screenplay
The document provides a summary of the opening scenes of a screenplay. It describes establishing shots of a canal and abandoned railway bridge. The main character, Urb, is seen walking along the bridge and witnessing a girl being attacked by a gang in the distance. Urb runs to help the girl and uses time manipulation powers to rewind time and prevent the attack. The opening credits roll as Urb gives a slight grin to the now confused but safe girl.
Shot list and schedule
The document provides a shot list and shooting schedule for a film. The shot list consists of 12 shots, including establishing shots, medium shots, close-ups, and over the shoulder shots showing characters in various locations and situations. The shooting schedule notes that filming can only occur on Thursdays due to actor availability, so the project will take longer to complete but is still possible.
Photography planning.docx
The document outlines plans for six photography shots to create three posters for a project. Photo 1 of Poster One will show the protagonist curled up in bed with light coming from a nightstand. Photo 2 will show shadowy hands reaching out. Poster Two includes shots of the protagonist running from monsters and close-ups of the monsters. Photo 1 of Poster Three will suspend the protagonist in mid-air with strings attached to the ceiling, while Photo 2 will show the puppeteer cross placing strings on the protagonist.
Similar to Lazarus Opening Sequence - Shot List (6)
More from Anna Denise
Presentation 1
The document discusses three products - a short film called "Echoes", a magazine review of the film, and a film poster. It notes that all three products feature the main protagonist Alex Matthews through his image. They also reference the antagonist Alice and elements of the narrative like a knife. The review and poster are both deemed effective at advertising the short film. The review provides enough information without spoilers and interactive elements. The poster relates all visual elements to the film's narrative to intrigue viewers.
Untitled Presentation
This short document promotes the creation of Haiku Deck presentations on SlideShare and encourages the reader to get started making their own. It features three stock photos of people taking pictures with cameras to illustrate photography and visual content creation. The document aims to inspire the reader to try Haiku Deck for presentations.
Lazarus Risk Assessment
This risk assessment evaluates risks associated with filming activities at The Netherhall School. The filming will take place in the Atrium Hall, where a storage room will be created using tables. Ladders and heights present risks of falling. Props and equipment on the floor pose tripping hazards. Other students in the school are unaware of the filming activities, creating additional risks. The assessment identifies falling, tripping, and equipment damage as key hazards. Control measures like restricting access near edges, designating equipment monitors, and signage are outlined to reduce risks.
Lazarus Production Schedule
The document provides a production schedule and contact information for the short film "Lazarus" being filmed over two days at The Netherhall School & Sixth Form College in Cambridge. It includes a cast and crew call sheet, scene and location details, technical requirements, and emergency contact information. Shooting will take place in the school's atrium hall and involve a scene depicting a circus performer portrayed by actress Sophie Butler.
Focus Group Planning
The document provides guidance for conducting an effective focus group to determine audience preferences for a story idea. It recommends starting with an introductory activity to quickly gather important information from participants in an engaging way. Examples given include playing different soundtracks to determine favorites, showing costume options to choose from, and learning names and movie preferences. The document also suggests techniques for facilitating a discussion to understand what story elements, such as settings, props, and expectations, would most appeal to the target audience. It emphasizes making notes of the focus group feedback to inform development of the story scrapbook.
Lazarus production schedule
The document is a production schedule for the film "Lazarus" being filmed over three days at The Netherhall School and Sixth Form College in Cambridge. It includes contact details for the cast and crew, shooting locations and schedules, technical requirements, and scene and costume breakdowns. The film tells the story of Elizabeth, played by Maddy Taylor, and will be shot over three nights on the school's stage and in its atrium hall.
More from Anna Denise (10)
Recently uploaded
clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdSouth African Journal of Science: Writing with integrity workshop (2024)
South African Journal of Science: Writing with integrity workshop (2024)Academy of Science of South Africa
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar KanvariaThe History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
How to Add Chatter in the odoo 17 ERP Module
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
Advanced Java[Extra Concepts, Not Difficult].docx
This is part 2 of my Java Learning Journey. This contains Hashing, ArrayList, LinkedList, Date and Time Classes, Calendar Class and more.
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
Discover the Simplified Electron and Muon Model: A New Wave-Based Approach to Understanding Particles delves into a groundbreaking theory that presents electrons and muons as rotating soliton waves within oscillating spacetime. Geared towards students, researchers, and science buffs, this book breaks down complex ideas into simple explanations. It covers topics such as electron waves, temporal dynamics, and the implications of this model on particle physics. With clear illustrations and easy-to-follow explanations, readers will gain a new outlook on the universe's fundamental nature.
A Survey of Techniques for Maximizing LLM Performance.pptx
A Survey of Techniques for Maximizing LLM Performance
Hindi varnamala | hindi alphabet PPT.pdf
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
DRUGS AND ITS classification slide share
Any substance (other than food) that is used to prevent, diagnose, treat, or relieve symptoms of a
disease or abnormal condition
Recently uploaded (20)
Digital Artefact 1 - Tiny Home Environmental Design
Digital Artefact 1 - Tiny Home Environmental Design
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
South African Journal of Science: Writing with integrity workshop (2024)
South African Journal of Science: Writing with integrity workshop (2024)
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
A Survey of Techniques for Maximizing LLM Performance.pptx
A Survey of Techniques for Maximizing LLM Performance.pptx
Lazarus Opening Sequence - Shot List
- 1. Shot List SHOT LIST “Lazarus Opening Sequence” Production’s Name Here By Anne and Reece Draft “1” Date: “04/11/14” Scene 1 – INT. ABANDONED WAREHOUSE - NIGHT Shot Number Shot Description 1 Medium close up of protagonists feet. Camera follows her feet and tracks right before gradually tilting up to a close up of the side of her face in an eye level angle. Camera continues to follow her movement and tracks right. 2 Medium long shot of protagonist looking down at the floor as she abruptly stops moving. 3 Point of view shot – panning across the warehouse (tables with circus equipment laid out.) The point of view shot tracks forwards closer to a medium shot of the table with a mask. 4 High angle of the protagonist as she grabs the mask and gradually pulls it closer to her face Scene 2 – INT. STAGE - NIGHT Shot Number Shot Description 5 Long shot of protagonist and then zooms in with a dutch tilt which turns to a close up of the protagonist wearing the mask