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After immersing yourself in the blue book and its red counterpart, attending DDD-focused conferences, and applying tactical patterns, you're left with a crucial question: How do I ensure my design is effective? Tactical patterns within Domain-Driven Design (DDD) serve as guiding principles for creating clear and manageable domain models. However, achieving success with these patterns requires additional guidance. Interestingly, we've observed that a set of constraints initially designed for training purposes remarkably aligns with effective pattern implementation, offering a more ‘mechanical’ approach. Let's explore together how Object Calisthenics can elevate the design of your tactical DDD patterns, offering concrete help for those venturing into DDD for the first time!
Essentials of Automations: Optimizing FME Workflows with ParametersSafe Software
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Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part “Essentials of Automation” series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Here’s what you’ll gain:
- Essentials of FME Parameters: Understand the pivotal role of parameters, including Reader/Writer, Transformer, User, and FME Flow categories. Discover how they are the key to unlocking automation and optimization within your workflows.
- Practical Applications in FME Form: Delve into key user parameter types including choice, connections, and file URLs. Allow users to control how a workflow runs, making your workflows more reusable. Learn to import values and deliver the best user experience for your workflows while enhancing accuracy.
- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
- Pro Tips for Success: Gain insights on parameterizing connections and leveraging new features like Conditional Visibility for clarity and simplicity.
We’ll wrap up with a glimpse into future webinars, followed by a Q&A session to address your specific questions surrounding this topic.
Don’t miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
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Topics covered:
UI automation Introduction,
UI automation Sample
Desktop automation flow
Pradeep Chinnala, Senior Consultant Automation Developer @WonderBotz and UiPath MVP
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on the notifications, alerts, and approval requests using Slack for Bonterra Impact Management. The solutions covered in this webinar can also be deployed for Microsoft Teams.
Interested in deploying notification automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Ramesh Iyer
In today's fast-changing business world, Companies that adapt and embrace new ideas often need help to keep up with the competition. However, fostering a culture of innovation takes much work. It takes vision, leadership and willingness to take risks in the right proportion. Sachin Dev Duggal, co-founder of Builder.ai, has perfected the art of this balance, creating a company culture where creativity and growth are nurtured at each stage.
Generating a custom Ruby SDK for your web service or Rails API using Smithyg2nightmarescribd
Have you ever wanted a Ruby client API to communicate with your web service? Smithy is a protocol-agnostic language for defining services and SDKs. Smithy Ruby is an implementation of Smithy that generates a Ruby SDK using a Smithy model. In this talk, we will explore Smithy and Smithy Ruby to learn how to generate custom feature-rich SDKs that can communicate with any web service, such as a Rails JSON API.
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
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Transcript: Selling digital books in 2024: Insights from industry leaders - T...BookNet Canada
The publishing industry has been selling digital audiobooks and ebooks for over a decade and has found its groove. What’s changed? What has stayed the same? Where do we go from here? Join a group of leading sales peers from across the industry for a conversation about the lessons learned since the popularization of digital books, best practices, digital book supply chain management, and more.
Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
JMeter webinar - integration with InfluxDB and GrafanaRTTS
Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overview
-------------------------------------------
During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
JMeter webinar - integration with InfluxDB and Grafana
Evaluation question 2
1. EVALUATION QUESTION 2EVALUATION QUESTION 2
How effective is the combination of your main product and
ancillary texts?
How effective is the combination of your main product and
ancillary texts?
2. I believe that my Digipak, poster and music video all work together well and I
didn’t find any problems in creating them. I used similar themes and
images within all my products t create a distinct band identity. For
example, I used images of the three band members in all my products to
highlight that the music was made by them and promoted by them.
I believe that my Digipak, poster and music video all work together well and I
didn’t find any problems in creating them. I used similar themes and
images within all my products t create a distinct band identity. For
example, I used images of the three band members in all my products to
highlight that the music was made by them and promoted by them.
3.
4.
5.
6.
7. The digipak and poster are almost identical in style as I used the same images
for both of my products. Simply, transferring them over on my digital drawing
software. While manipulating them to fit better on an A4 poster rather then a
square template. This means that they use the same imagery and have the
same dark theme. As well as linking to my music video as the artwork is
based off of screen shots from the video itself, I just drew round the opening
close-ups of the band members. This meant that audiences can easily
recognise that these products were linked together as they all have the
same atheistic.
I also used the same font throughout my poster and Digipak, as well as having
the most similar one I could find on Adobe Premier pro for my opening pull
focus. This creates a sense of cohesion as they are not all different but
The digipak and poster are almost identical in style as I used the same images
for both of my products. Simply, transferring them over on my digital drawing
software. While manipulating them to fit better on an A4 poster rather then a
square template. This means that they use the same imagery and have the
same dark theme. As well as linking to my music video as the artwork is
based off of screen shots from the video itself, I just drew round the opening
close-ups of the band members. This meant that audiences can easily
recognise that these products were linked together as they all have the
same atheistic.
I also used the same font throughout my poster and Digipak, as well as having
the most similar one I could find on Adobe Premier pro for my opening pull
focus. This creates a sense of cohesion as they are not all different but
8. The album names and songs also reflect that of the music video. As the main theme
of the video is getting over a bad break-up. This is evident through the tracks
“heartbreak”, “lets talk” and “unhappy in this mess”. Which creates an all round
theme for the band as the main focus for the video and album is the same.
The title of the album is “into the darkness” which links to the dark editing and
narrative in the music video.
The body language in my video and on the static images is the same. At al points the
band members look unhappy and sad, this is a reflection of the images found in
research about indie music. Reflecting the depressing song, video and additional
products. This worked well across all of my products as it is evident that they are all
from the same genre.
There is a niche authentic style to many indie products which I believed I have
captured by doing the drawings myself. Most indie pieces look intentionally self-
produced by the band to create a genuineness that audiences like to see. It looks
self-created and low tech, something often used in indie. As well as in my music
video through the “thrown together” costumes and the small garage location.
The album names and songs also reflect that of the music video. As the main theme
of the video is getting over a bad break-up. This is evident through the tracks
“heartbreak”, “lets talk” and “unhappy in this mess”. Which creates an all round
theme for the band as the main focus for the video and album is the same.
The title of the album is “into the darkness” which links to the dark editing and
narrative in the music video.
The body language in my video and on the static images is the same. At al points the
band members look unhappy and sad, this is a reflection of the images found in
research about indie music. Reflecting the depressing song, video and additional
products. This worked well across all of my products as it is evident that they are all
from the same genre.
There is a niche authentic style to many indie products which I believed I have
captured by doing the drawings myself. Most indie pieces look intentionally self-
produced by the band to create a genuineness that audiences like to see. It looks
self-created and low tech, something often used in indie. As well as in my music
video through the “thrown together” costumes and the small garage location.
9. All three of my products are very dark which is a reflection of the genre. The
performance element of my music video is evidently in a dark location with an
adjustment layer to tone down the saturation. While, both of my poster and
Digipak have a black background as a reflection of this.
Although, I could edit it now, I would add Glitch effects on my digipak and poster
also in order to have the main edit throughout my video placed on the ancillary
texts. Arguably, however this may not have worked with the style of a Digipak
and Poser as I attempted to do that when I was using screenshots from the
video. This made it merely look like a single rather then a full album with lots of
songs other then the one featuring in my music video.
In both my music video and ancillary products I played with the idea of innocence
as symbolised in my video through the use of a park location. Used to represent
the naivety of their young love, this is seen through the illustrated poser and
digipak. It looks like something people would draw in their youth and thus, also
plays with the theme of vulnerability and innocence.
All three of my products are very dark which is a reflection of the genre. The
performance element of my music video is evidently in a dark location with an
adjustment layer to tone down the saturation. While, both of my poster and
Digipak have a black background as a reflection of this.
Although, I could edit it now, I would add Glitch effects on my digipak and poster
also in order to have the main edit throughout my video placed on the ancillary
texts. Arguably, however this may not have worked with the style of a Digipak
and Poser as I attempted to do that when I was using screenshots from the
video. This made it merely look like a single rather then a full album with lots of
songs other then the one featuring in my music video.
In both my music video and ancillary products I played with the idea of innocence
as symbolised in my video through the use of a park location. Used to represent
the naivety of their young love, this is seen through the illustrated poser and
digipak. It looks like something people would draw in their youth and thus, also
plays with the theme of vulnerability and innocence.
10. The colours that I used on my main product were transferred over to my ancillary products as
the main link between the products. As the neon colours used for the band members
close ups of them singing the song matched the linework of the art. This created a
collective identity in the band as they all had a corresponding colour throughout all the
products. For example, the singer was blue, the bass guitarist was yellow and lead was
pink. Audiences would thus be able to recognise each band member to their colour, as
well as the mise-en-scene matching for all my products.
The imagery for all my products is the same as they all contain band members and themes
of romance. For example, the artwork on my inside panel is a heart, keeping with a similar
use of symbolism in my music video. In the video I used roses but for the digipak it was a
heart. Both are used to have connotations of love and romance, intertwined with the
darkness to hint at a breakup or lost love.
The colours that I used on my main product were transferred over to my ancillary products as
the main link between the products. As the neon colours used for the band members
close ups of them singing the song matched the linework of the art. This created a
collective identity in the band as they all had a corresponding colour throughout all the
products. For example, the singer was blue, the bass guitarist was yellow and lead was
pink. Audiences would thus be able to recognise each band member to their colour, as
well as the mise-en-scene matching for all my products.
The imagery for all my products is the same as they all contain band members and themes
of romance. For example, the artwork on my inside panel is a heart, keeping with a similar
use of symbolism in my music video. In the video I used roses but for the digipak it was a
heart. Both are used to have connotations of love and romance, intertwined with the
darkness to hint at a breakup or lost love.
11.
12. I did not include any of the images from my narrative parts of my music video as
they would only solely relate to that song rather then the album as a whole. I
also didn’t want to spoil the song to audiences who may have only seen those
products. However, I did implement drawing of screenshots from the song as
they are of the band members.
I didn’t want to over complicate the Digipak and poster and kept it simplistic as a
reflection of other indie rock texts seen in my research and planning. However,
this can be argued to have restricted me as even though there is a clear link it
could have been furthered if I added more detail.
On the poster I put that it featured the song “rise” which is used to promote my
music video. This was also placed at the top of the digipak to show its
importance.
I did not include any of the images from my narrative parts of my music video as
they would only solely relate to that song rather then the album as a whole. I
also didn’t want to spoil the song to audiences who may have only seen those
products. However, I did implement drawing of screenshots from the song as
they are of the band members.
I didn’t want to over complicate the Digipak and poster and kept it simplistic as a
reflection of other indie rock texts seen in my research and planning. However,
this can be argued to have restricted me as even though there is a clear link it
could have been furthered if I added more detail.
On the poster I put that it featured the song “rise” which is used to promote my
music video. This was also placed at the top of the digipak to show its
importance.
13.
14. To create a subtle link between my poster and digipak I used the same website address
and record label in order to create consistency between the products:
To create a subtle link between my poster and digipak I used the same website address
and record label in order to create consistency between the products:
15. Overall, I think that my media products work well and
efficiently together to promote the band as they all
follow the same theme. As well as, clearly illustrating the
idea that they are all from the same genre due to the
dark colouring used throughout.
Overall, I think that my media products work well and
efficiently together to promote the band as they all
follow the same theme. As well as, clearly illustrating the
idea that they are all from the same genre due to the
dark colouring used throughout.