The magazine represents a middle-aged audience through its sophisticated articles but uses a bright cover image from the popular musical Wicked to also appeal to younger audiences. The simplicity of the bright colorful cover aims to attract both younger and more sophisticated readers. Technologies like Photoshop, Blogger and SlideShare were used and taught the author new skills, while making the production process easier. Bauer Media would be a suitable company to distribute the magazine globally due to their wide range of brands. The intended audience is middle-aged to elderly musical theatre fans seeking acceptance, though the magazine aims to promote musical theatre as an art form for all genders and identities. The author learned about pre-production materials like style sheets and interviews through progressing
UiPath Test Automation using UiPath Test Suite series, part 4DianaGray10
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Welcome to UiPath Test Automation using UiPath Test Suite series part 4. In this session, we will cover Test Manager overview along with SAP heatmap.
The UiPath Test Manager overview with SAP heatmap webinar offers a concise yet comprehensive exploration of the role of a Test Manager within SAP environments, coupled with the utilization of heatmaps for effective testing strategies.
Participants will gain insights into the responsibilities, challenges, and best practices associated with test management in SAP projects. Additionally, the webinar delves into the significance of heatmaps as a visual aid for identifying testing priorities, areas of risk, and resource allocation within SAP landscapes. Through this session, attendees can expect to enhance their understanding of test management principles while learning practical approaches to optimize testing processes in SAP environments using heatmap visualization techniques
What will you get from this session?
1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
Topics covered:
Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Dev Dives: Train smarter, not harder â active learning and UiPath LLMs for do...UiPathCommunity
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đĽ Speed, accuracy, and scaling â discover the superpowers of GenAI in action with UiPath Document Understanding and Communications Miningâ˘:
See how to accelerate model training and optimize model performance with active learning
Learn about the latest enhancements to out-of-the-box document processing â with little to no training required
Get an exclusive demo of the new family of UiPath LLMs â GenAI models specialized for processing different types of documents and messages
This is a hands-on session specifically designed for automation developers and AI enthusiasts seeking to enhance their knowledge in leveraging the latest intelligent document processing capabilities offered by UiPath.
Speakers:
đ¨âđŤ Andras Palfi, Senior Product Manager, UiPath
đŠâđŤ Lenka Dulovicova, Product Program Manager, UiPath
Elevating Tactical DDD Patterns Through Object CalisthenicsDorra BARTAGUIZ
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After immersing yourself in the blue book and its red counterpart, attending DDD-focused conferences, and applying tactical patterns, you're left with a crucial question: How do I ensure my design is effective? Tactical patterns within Domain-Driven Design (DDD) serve as guiding principles for creating clear and manageable domain models. However, achieving success with these patterns requires additional guidance. Interestingly, we've observed that a set of constraints initially designed for training purposes remarkably aligns with effective pattern implementation, offering a more âmechanicalâ approach. Let's explore together how Object Calisthenics can elevate the design of your tactical DDD patterns, offering concrete help for those venturing into DDD for the first time!
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
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Guy Korland, CEO and Co-founder of FalkorDB, will review two articles on the integration of language models with knowledge graphs.
1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
Encryption in Microsoft 365 - ExpertsLive Netherlands 2024Albert Hoitingh
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In this session I delve into the encryption technology used in Microsoft 365 and Microsoft Purview. Including the concepts of Customer Key and Double Key Encryption.
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdfPeter Spielvogel
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Building better applications for business users with SAP Fiori.
⢠What is SAP Fiori and why it matters to you
⢠How a better user experience drives measurable business benefits
⢠How to get started with SAP Fiori today
⢠How SAP Fiori elements accelerates application development
⢠How SAP Build Code includes SAP Fiori tools and other generative artificial intelligence capabilities
⢠How SAP Fiori paves the way for using AI in SAP apps
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Generative AI Deep Dive: Advancing from Proof of Concept to ProductionAggregage
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Join Maher Hanafi, VP of Engineering at Betterworks, in this new session where he'll share a practical framework to transform Gen AI prototypes into impactful products! He'll delve into the complexities of data collection and management, model selection and optimization, and ensuring security, scalability, and responsible use.
Accelerate your Kubernetes clusters with Varnish CachingThijs Feryn
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A presentation about the usage and availability of Varnish on Kubernetes. This talk explores the capabilities of Varnish caching and shows how to use the Varnish Helm chart to deploy it to Kubernetes.
This presentation was delivered at K8SUG Singapore. See https://feryn.eu/presentations/accelerate-your-kubernetes-clusters-with-varnish-caching-k8sug-singapore-28-2024 for more details.
Le nuove frontiere dell'AI nell'RPA con UiPath Autopilotâ˘UiPathCommunity
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In questo evento online gratuito, organizzato dalla Community Italiana di UiPath, potrai esplorare le nuove funzionalitĂ di Autopilot, il tool che integra l'Intelligenza Artificiale nei processi di sviluppo e utilizzo delle Automazioni.
đ Vedremo insieme alcuni esempi dell'utilizzo di Autopilot in diversi tool della Suite UiPath:
Autopilot per Studio Web
Autopilot per Studio
Autopilot per Apps
Clipboard AI
GenAI applicata alla Document Understanding
đ¨âđŤđ¨âđť Speakers:
Stefano Negro, UiPath MVPx3, RPA Tech Lead @ BSP Consultant
Flavio Martinelli, UiPath MVP 2023, Technical Account Manager @UiPath
Andrei Tasca, RPA Solutions Team Lead @NTT Data
Essentials of Automations: The Art of Triggers and Actions in FMESafe Software
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In this second installment of our Essentials of Automations webinar series, weâll explore the landscape of triggers and actions, guiding you through the nuances of authoring and adapting workspaces for seamless automations. Gain an understanding of the full spectrum of triggers and actions available in FME, empowering you to enhance your workspaces for efficient automation.
Weâll kick things off by showcasing the most commonly used event-based triggers, introducing you to various automation workflows like manual triggers, schedules, directory watchers, and more. Plus, see how these elements play out in real scenarios.
Whether youâre tweaking your current setup or building from the ground up, this session will arm you with the tools and insights needed to transform your FME usage into a powerhouse of productivity. Join us to discover effective strategies that simplify complex processes, enhancing your productivity and transforming your data management practices with FME. Letâs turn complexity into clarity and make your workspaces work wonders!
Securing your Kubernetes cluster_ a step-by-step guide to success !KatiaHIMEUR1
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Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
Securing your Kubernetes cluster_ a step-by-step guide to success !
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Evaluation powerpoint
1. In what ways does your media product use, develop or challenge forms and
conventions of real media products?
The magazine I made wasnât too typical of music magazines for a number of reasons,
however, there are many ways in which it does follow the general conventions of a
music magazine. For instance, the text is written in columns rather than a page of text,
this is a very typical convention of magazines, alongside the big, outstanding,
masthead that appears on the page. Another way that it uses the conventions of a
music magazine is that it has a recurring theme throughout, the colour scheme is
persistent on every page, be it the background colour or even the colour of the text. A
convention of a non-gender specific magazine is the ideals of both sexâs are put into
the magazine, whereas the magazine I have produced only contains images of females
which seems to make the magazine appear to be a more feminine one; whilst also
portraying the idea that musical theatre is a feminine art and asserting the popular
thought that it isnât masculine to take a liking to musical theatre, thus potentially
narrowing target audience greatly.
2. How does your media product represent particular social groups?
My product represents a middle aged social group, this is due in part to the higher level of
sophistication within the product, this is mainly seen in the articles. In spite of the
sophistication I chose the cover image, a bright alluring shot of Elphaba, from Broadwayâs
Wicked, to appeal and attract a younger social group; as the show is a more modern and
well known show in comparison to a lot of the classics, such as Les Miserables.
The simplicity of the cover was done to
appeal to the younger end of the
audience, with bright luminous colours
and bright outstanding text. However,
the simplistic look was also to give the
cover a sophisticated aura which would
appeal to the typical reader of this
magazine.
3. How did you attract/address your audience?
How you attract and address the audience is a vital point of creating any form of
media. Due to the nature of my product being a very specified area, I had to think
carefully about how I would attract and address them. A key point to my magazine is
the Broadway show that is written about, it is for this reason that I chose
Wicked, because it is a very popular show and I thought it would attract an audience
more considering itâs the first issue. After this is was a matter of capturing the right
image that had all the mystery, the magic, and the beauty of the show contained within
it. After attracting the audience with the cover image it was time to think about
addressing them through use of articles, an interview with a Broadway star being the
main one. The interview was all about giving the audience what they are after. People
who want or like musical theatre often seek acceptance and courage, and the interview
gives them this by allowing them to read inspiring words that will influence them to
pursue their dreams and become what they want to be. After all that is what music is
all about, personal identity and acceptance.
4. What have you learnt about technologies from the process of constructing this
product?
Throughout the process of making the media product I have used numerous
technologies, blogger, Photoshop, slide share etc. I have learnt many things about each
of these; I had never used slide share prior to the production of this product so that
was something completely new that I learnt how to use. With blogger it was not the
first time I have used a blogging site before so this wasnât completely new to me,
however, I found it was more complex and difficult to use in comparison to any other
blogging site Iâve used, so I had to learn a few new things which wasnât too easy.
Although I have previously used Photoshop before but I learnt a few new features
such as I was taught about how to change the levels on pictures to alter the look of it.
Without the use of Using technology, such
photoshop and the as Blogger, to store
tools that it has to and organise my work
offer the product the production of the
would have been a magazine was made
much more difficult easier and quicker,
to create and look through itâs use of
highly commentary feedback.
unprofessional.
5. What kind of media institution might
distribute your media product and why?
I believe Bauer Media would be a suitable
institution to distribute my media product,
this is due in part to the varied range of
magazines and other media outlets that
theyâve branded. They also have a lot of
brands under their name so I think they
would be happy to add another one to their
vast list of brands. Because of this varied
and wide number of brands they would be
able to distribute my product globally and on
a huge scale so it has more chance of selling.
6. Who would be the audience for your media product?
The audience for my media product would be mainly middle aged to elderly people,
probably of a middle class that take an interest in musical theatre. There is no specified
gender for this magazine as I believe, and want to promote the reality that musical
theatre, that it is not set to a specific gender or sexual identity as it is often perceived to
be. The audience will also be people who seek acceptance and a sense of belonging,
which is often the case.
The typical audience
wouldnât have any
distinguishing features, they
would be a very average,
middle aged man or woman,
from a middle class
background, who neither
looks overly upper class nor
too lower.
7. Looking back at your college magazine task, what do you feel you learnt in
the progression from it to the full product?
For the college magazine task there wasnât any pre production involved it was straight
into making it, however, in order to make the full product there was plenty of
preparation work required. Flat plans, style sheets, questionnaires, interviews etc.
Through doing all this I feel I learnt a lot, as I previously had no idea what most of
these things were, or how I would go about designing them. Whereas I now know
what they are and how to design them.
I feel the designs and ideas behind the
two products were improved between
the preliminary task and the final
product. The final product allowed me
to experiment more with technologies
and other effects to make it more
exciting for the audience to look at and
read.