Evaluation Part 1
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The document discusses how the author's film opening used and challenged conventions of real action films. The author stuck to conventions like using fast-paced, intense music typical of the genre. A chase scene was included as they commonly occur in action films. Simple cutting was used to make shots look quick, as seen in films like Fast Five and Star Trek Into Darkness. The main character being a woman challenged conventions that heroes are usually men. The forest setting diverged from the typical urban environments of action films. Links to inspiration films like Casino Royale, The Hunger Games and Mission Impossible are provided.
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Evaluation Part 1
The document discusses how the author's film opening used and challenged conventions of real action film products. The author stuck to conventions like using fast-paced, intense action music. They included a chase scene, as is common in action films. However, the author challenged conventions by having a female main character rather than a male one, and by setting the film in a forest rather than an urban setting. The author aimed to both follow and push boundaries of typical action film conventions.
Evaluation Part 1
The document discusses how Emma Waite's film opening used and challenged conventions of action movie genres. It used conventions like fast-paced action music, a chase scene between the hero and villain, and simple cuts in editing. However, it challenged conventions by having a female hero, a forest setting instead of an urban one, and different title sequencing than typical action films. The document also provides links to films that inspired Waite's opening.
1
1) The document discusses how the media product uses and challenges conventions of horror films through elements like sound, characters, and scenes. Tension is built through chilling sounds and voices. Flashbacks are indicated through crows calling. The "last girl" character follows conventions but is also unique. Chases and obstacles create suspense. The villain appears normal rather than distinctive. Mise-en-scene is made more modern by everyday clothing rather than dark costumes typically worn by villains. Overall, conventions are both followed and put a unique spin on to surprise the audience.
Final Question 1
The document summarizes how the media product of a trailer, magazine cover, and film poster for a horror/thriller genre film challenge and develop conventions of real media. For the trailer, conventions like camera shots, editing, sound, characters, and locations were followed, but some elements like character outcomes were challenged. The magazine cover followed conventions like layout, masthead, and image placement, but challenged elements like text placement. The poster followed conventions like a close-up image and capital title, but challenged conventions like title placement. Overall, the media product used research of real examples to both develop and challenge typical genre conventions.
Audience - Harry
This document analyzes the target audiences for the film "The Descent" across several categories:
- Young women are the primary target for the horror and drama elements of the film. Additional audiences include fans of extreme sports and action films due to the adventurous cave scenes.
- Secondary audiences include fans of the film's cast, director, and graphic gore/violence.
- The film also targets women in general as the main characters are all female.
Lo1 edited
This document discusses various methods of film analysis, including genre analysis and auteur theory. Genre analysis examines seven key areas - codes/conventions, setting, characters, themes, narrative, iconography, and ideological message. It also looks at technical elements. Auteur theory focuses on directors, actors, or editors who break conventions and establish an individual style across multiple films and genres. The document analyzes several films using these methods, such as Cowboys vs. Aliens and Quantum of Solace. It also debates whether Jon Favreau can be considered an auteur director. In conclusion, genre analysis and auteur theory provide contrasting but complementary approaches to understanding film.
Evaluation question 1
The film fits some conventions of film noir such as the main character wearing a suit and picking up a gun from a drawer. However, it also challenges conventions by being filmed in color rather than black and white, and having a male femme fatale character rather than a female one. Overall, the film is considered a borderline hybrid that combines elements of modern film noir with horror. The conventions used were influenced by other classic films noir like Sunset Boulevard and Se7en.
Genre Research - Conclusion
The document discusses genre research conclusions about music, characters, and camerawork in action/adventure films. For music, it notes fast-paced music is often used for action scenes but the author wants to use less conventional music like classical. For characters, it finds most are male and masculine who appeal to male audiences. For camerawork, it states chase scenes often use shaky cameras to immerse viewers in the action.
Recommended
Evaluation Part 1
The document discusses how the author's film opening used and challenged conventions of real action film products. The author stuck to conventions like using fast-paced, intense action music. They included a chase scene, as is common in action films. However, the author challenged conventions by having a female main character rather than a male one, and by setting the film in a forest rather than an urban setting. The author aimed to both follow and push boundaries of typical action film conventions.
Evaluation Part 1
The document discusses how Emma Waite's film opening used and challenged conventions of action movie genres. It used conventions like fast-paced action music, a chase scene between the hero and villain, and simple cuts in editing. However, it challenged conventions by having a female hero, a forest setting instead of an urban one, and different title sequencing than typical action films. The document also provides links to films that inspired Waite's opening.
1
1) The document discusses how the media product uses and challenges conventions of horror films through elements like sound, characters, and scenes. Tension is built through chilling sounds and voices. Flashbacks are indicated through crows calling. The "last girl" character follows conventions but is also unique. Chases and obstacles create suspense. The villain appears normal rather than distinctive. Mise-en-scene is made more modern by everyday clothing rather than dark costumes typically worn by villains. Overall, conventions are both followed and put a unique spin on to surprise the audience.
Final Question 1
The document summarizes how the media product of a trailer, magazine cover, and film poster for a horror/thriller genre film challenge and develop conventions of real media. For the trailer, conventions like camera shots, editing, sound, characters, and locations were followed, but some elements like character outcomes were challenged. The magazine cover followed conventions like layout, masthead, and image placement, but challenged elements like text placement. The poster followed conventions like a close-up image and capital title, but challenged conventions like title placement. Overall, the media product used research of real examples to both develop and challenge typical genre conventions.
Audience - Harry
This document analyzes the target audiences for the film "The Descent" across several categories:
- Young women are the primary target for the horror and drama elements of the film. Additional audiences include fans of extreme sports and action films due to the adventurous cave scenes.
- Secondary audiences include fans of the film's cast, director, and graphic gore/violence.
- The film also targets women in general as the main characters are all female.
Lo1 edited
This document discusses various methods of film analysis, including genre analysis and auteur theory. Genre analysis examines seven key areas - codes/conventions, setting, characters, themes, narrative, iconography, and ideological message. It also looks at technical elements. Auteur theory focuses on directors, actors, or editors who break conventions and establish an individual style across multiple films and genres. The document analyzes several films using these methods, such as Cowboys vs. Aliens and Quantum of Solace. It also debates whether Jon Favreau can be considered an auteur director. In conclusion, genre analysis and auteur theory provide contrasting but complementary approaches to understanding film.
Evaluation question 1
The film fits some conventions of film noir such as the main character wearing a suit and picking up a gun from a drawer. However, it also challenges conventions by being filmed in color rather than black and white, and having a male femme fatale character rather than a female one. Overall, the film is considered a borderline hybrid that combines elements of modern film noir with horror. The conventions used were influenced by other classic films noir like Sunset Boulevard and Se7en.
Genre Research - Conclusion
The document discusses genre research conclusions about music, characters, and camerawork in action/adventure films. For music, it notes fast-paced music is often used for action scenes but the author wants to use less conventional music like classical. For characters, it finds most are male and masculine who appeal to male audiences. For camerawork, it states chase scenes often use shaky cameras to immerse viewers in the action.
Film Opening Analysis
The document provides an analysis of the opening scene of the film Django Unchained. It discusses how the opening establishes the genre, tone, and themes of the film through its use of mise-en-scene, costumes, props, lighting, camera shots, editing, music and other cinematic techniques. Specific examples are given of how these elements are used to characterize the slave traders as powerful and evil and introduce Django as the underdog protagonist. The opening introduces the main actors and leaves the viewer with questions to engage them in wanting to watch more.
Horror trailers for preparation
The document analyzes and summarizes several horror movie trailers. It discusses the costumes, gestures, and narratives conveyed in each trailer. Key details include everyday clothing torn by violence, frightened running and screaming, dangerous games with life-threatening consequences, and tension built through quick cuts and loud noises without resolution. The purpose is to understand how the trailers entice audiences to watch the full films and experience fear.
Welcome To The Masquerade
The document provides details about the planned teaser trailer for a film called "Welcome To The Masquerade". The film follows a character named Chris Bell who meets a girl named Jessica at a masquerade ball but they get separated when fights break out. Chris then tries to find Jessica again which causes conflicts with his friends. The target audience for the film is ages 16-25. Both male and female genres are considered. Research has been done on similar trailers and posters. The teaser plan involves shots of characters getting ready and wearing masks followed by scenes from the film with the question "What would you do if one dance could change your life?". Locations and costumes/props are also discussed.
Trailer Analysis.
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of action and pacing is shown, how music and voiceovers provide clues to the genre, and whether the trailer or movie poster is more effective at attracting viewers. Key details like release dates, actors, and production companies are often presented at the end. The document suggests trailers give audiences a better sense of what a movie will be like compared to just a poster.
Transformers
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of information is provided about the cast and crew, how the music and pacing are used, and whether the trailer or movie poster is more effective at attracting viewers. Key details like genre cues, voiceover styles, and end frames are evaluated for each trailer.
evaluation question 1
This document discusses how the media product of a film trailer for "Retribution" challenges and uses conventions of real horror film trailers and movies. It analyzes trailers for films like The Purge and Annabelle to understand typical conventions like fast pacing, action shots, and revealing plot details. The Retribution trailer incorporates conventions like mysterious masked killers instead of a single murderer. It also shoots in conventional horror locations like woods and dark rooms. While following conventions like flashbacks and disturbing shots, the trailer challenges conventions by showing someone being taken and held at gunpoint. The film poster and magazine cover also emulate conventions of typical horror marketing materials.
Production Diary
This production diary details the filming of various scenes for a horror film trailer over several days in October and November 2014. Various props, camera shots, and actors are listed for each scene filmed, with notes on individual contributions such as operating the camera, acting, directing, or suggesting shots. The goal was to film conventional horror genre scenes showing paranormal activity, characters in distress or danger, and a possessed antagonist threatening the protagonists.
Production management stage 2 2015
The document outlines Ben Clayton's proposal and pitch for a short film about a dream that his friend Jamie has where he is chased through a forest by a mysterious man in black and engages in a stick fight battle with him, with details on characters, locations, budget, schedule, and crew and casting requirements.
Idea mood boards
This mood board relates to the action genre for the creator's short film by including common action movie scenes and settings. It includes scenes like fights, gun fights, car chases, explosions, romance, and death. These scenes are typical of action movies and would make the story more interesting. The mood board also includes settings like a bank, virtual reality, large buildings, forests, and Chinatown that could be locations for action in the film. Different shots like bird's eye views, wide shots, close ups, and low angles are chosen for inspiration because they could be used to film specific scenes like openings, conversations, kidnappings, and characters falling.
Question 1
This document discusses how the author's media product uses and challenges conventions of action film openings. It analyzes conventions around editing, sound, camera shots, lighting, actors, makeup, props, setting, costumes, and how the author's opening challenges some conventions but meets others. For example, it uses slow pacing and music where action openings typically use fast pacing and sounds of guns/explosions. It aims to be unique while still evoking feelings of the action genre.
Finnaaaaaaallllllllllll presentation
The document discusses how the media product (a horror movie trailer and magazine cover) develops or challenges conventions of existing media forms.
For the trailer, conventions such as production logos/credits, props/weapons, settings, characters and sound are analyzed. Paradigms and theories around these elements are discussed in relation to how they were implemented in the trailer.
For the magazine cover, conventions such as the masthead design/color, issue details, images, article previews and film title placement are analyzed. Existing Fangoria magazine covers are referenced to show how conventions were followed or developed upon.
In both cases, research was conducted into existing examples to understand conventions and ensure the media products adhered to
Question 1 evaluation
The document discusses how the student's media product opening sequence for their thriller film "Find Me" uses and develops conventions of real thriller films. It analyzes elements of mise-en-scene, narrative, characters, music, and more, comparing choices to films like Se7en, Inglorious Bastards, Scream, and Taken. Key influences included the use of natural lighting from Zodiac, a baseball bat weapon from Inglorious Bastards, and the unsettling music and tone of Se7en. The student aimed to represent typical thriller conventions and stereotypes to relate their work to established examples of the genre.
Trailer record sheet
The document provides a shot list and production notes for the film "Faster" categorizing it as a fictional action film. It details various shooting locations and scenes involving car chases, fights, shootouts, and a hospital setting. The shot list examines camera angles, edits, and visual elements used to build tension and engage viewers through the protagonist's first-person perspective.
AS Media Studies: Evaluation Question 1
The film uses conventions of action thriller genres like a linear narrative and mystery. It opens with shots that don't reveal the location, characters' identities, or situation to create intrigue. Fast-paced editing with jump cuts maintains intensity. Music choices establish a tense tone and signal a shift when the antagonist is revealed. While limited equipment prevented high quality sound recording, sound effects add realism. Dark lighting, the antagonist's black clothing, and the protagonist's bright clothes and red lipstick visually set the tones of danger and youth. Props like a memory stick and gun advance the plot and create shock. The isolated woods setting heightens the tension of something bad happening.
Final what is used
This document discusses the costumes, actors, props, and equipment to be used in a teenage drama film about bullying. Costumes for the popular girls will be bright and expensive-looking to enhance their high status, while the victim's costume will be plain and dull. Five experienced actresses have been cast in the roles of the mean girls and victim. Props including meat, a butcher knife, and fake blood will be used to emphasize the horror genre in the climactic scenes. A Canon 700D camera, tripod, microphone adapter, SD card, and Premier Pro will be used to film and edit interview scenes and ensure high-quality production.
Actors
This document summarizes the casting choices for a film. Matthew Crane was chosen because the director knew him well and he was happy to participate. Ellie Lambert was selected as the main girl as she fit the profile of being a teenager who owns a dog. Molly Gilpin was chosen because she gets along with the other girl character and fits the profile of a typical teenage girl needed for the film.
planning
This document provides planning details for a documentary about film director Tim Burton and his unique gothic fantasy style. It includes mood boards showing color schemes and characters from Burton's films for inspiration. There are also sketches of the documentary's timeline graphic, interview questions, and production schedule. The documentary will begin with an introduction and timeline of Burton's films, followed by an interview with a Burton fan discussing his style and shared universe theory. Scenes from Burton's movies will accompany the interview. The outro will feature memorable clips from films like Nightmare Before Christmas and Edward Scissorhands.
Question 1
Our short film Vanity challenges conventions of real media in several ways:
1) It uses Claude Levi-Strauss's theory of binary opposites to structure the contrast between the male and female protagonists.
2) It follows but also challenges Todorov's narrative theory by showing the stages of equilibrium, disruption, and attempted repair of disruption.
3) It uses camera techniques like the 180 degree rule, close-ups, and medium shots effectively while also relying heavily on non-diegetic sound like music to tell the story with little dialogue.
It
This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film including using a clown as the villain and hiding it in sheets to increase tension and uncertainty.
Question 1-In what ways does your media products use, develop or challenge fo...
Question One of Evaluation: In what ways does your media products use, develop or challenge forms and conventions of real media products?
Question 5
The document discusses different elements used in a film opening to attract the target audience. A chase scene was included to create fast-paced action appealing to 18-44 year olds with busy lives. The main character is a young, attractive woman to attract both male and female viewers by challenging stereotypes. Enigma codes were left unsolved to intrigue audiences into watching more. Credits were designed to flow with movement like the chase scene to maintain interest and link to the fast-paced setting. The title "The Pursuit" was chosen for its brevity and implication of action.
Question 5
The document discusses different techniques used in a film opening to attract the target audience. It describes using tension-building action music to match the adrenaline of action film fans. A chase scene creates excitement and appeals to the busy lifestyles of 18-44 year olds. Featuring a young, attractive female protagonist challenges gender stereotypes and interests both male and female viewers. Leaving the audience with unsolved codes and mysteries encourages them to watch more to find the answers. Moving credits flowing from the chase scene keep viewers engaged and interested in learning the title, "The Pursuit", which implies an action-focused film.
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Film Opening Analysis
The document provides an analysis of the opening scene of the film Django Unchained. It discusses how the opening establishes the genre, tone, and themes of the film through its use of mise-en-scene, costumes, props, lighting, camera shots, editing, music and other cinematic techniques. Specific examples are given of how these elements are used to characterize the slave traders as powerful and evil and introduce Django as the underdog protagonist. The opening introduces the main actors and leaves the viewer with questions to engage them in wanting to watch more.
Horror trailers for preparation
The document analyzes and summarizes several horror movie trailers. It discusses the costumes, gestures, and narratives conveyed in each trailer. Key details include everyday clothing torn by violence, frightened running and screaming, dangerous games with life-threatening consequences, and tension built through quick cuts and loud noises without resolution. The purpose is to understand how the trailers entice audiences to watch the full films and experience fear.
Welcome To The Masquerade
The document provides details about the planned teaser trailer for a film called "Welcome To The Masquerade". The film follows a character named Chris Bell who meets a girl named Jessica at a masquerade ball but they get separated when fights break out. Chris then tries to find Jessica again which causes conflicts with his friends. The target audience for the film is ages 16-25. Both male and female genres are considered. Research has been done on similar trailers and posters. The teaser plan involves shots of characters getting ready and wearing masks followed by scenes from the film with the question "What would you do if one dance could change your life?". Locations and costumes/props are also discussed.
Trailer Analysis.
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of action and pacing is shown, how music and voiceovers provide clues to the genre, and whether the trailer or movie poster is more effective at attracting viewers. Key details like release dates, actors, and production companies are often presented at the end. The document suggests trailers give audiences a better sense of what a movie will be like compared to just a poster.
Transformers
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of information is provided about the cast and crew, how the music and pacing are used, and whether the trailer or movie poster is more effective at attracting viewers. Key details like genre cues, voiceover styles, and end frames are evaluated for each trailer.
evaluation question 1
This document discusses how the media product of a film trailer for "Retribution" challenges and uses conventions of real horror film trailers and movies. It analyzes trailers for films like The Purge and Annabelle to understand typical conventions like fast pacing, action shots, and revealing plot details. The Retribution trailer incorporates conventions like mysterious masked killers instead of a single murderer. It also shoots in conventional horror locations like woods and dark rooms. While following conventions like flashbacks and disturbing shots, the trailer challenges conventions by showing someone being taken and held at gunpoint. The film poster and magazine cover also emulate conventions of typical horror marketing materials.
Production Diary
This production diary details the filming of various scenes for a horror film trailer over several days in October and November 2014. Various props, camera shots, and actors are listed for each scene filmed, with notes on individual contributions such as operating the camera, acting, directing, or suggesting shots. The goal was to film conventional horror genre scenes showing paranormal activity, characters in distress or danger, and a possessed antagonist threatening the protagonists.
Production management stage 2 2015
The document outlines Ben Clayton's proposal and pitch for a short film about a dream that his friend Jamie has where he is chased through a forest by a mysterious man in black and engages in a stick fight battle with him, with details on characters, locations, budget, schedule, and crew and casting requirements.
Idea mood boards
This mood board relates to the action genre for the creator's short film by including common action movie scenes and settings. It includes scenes like fights, gun fights, car chases, explosions, romance, and death. These scenes are typical of action movies and would make the story more interesting. The mood board also includes settings like a bank, virtual reality, large buildings, forests, and Chinatown that could be locations for action in the film. Different shots like bird's eye views, wide shots, close ups, and low angles are chosen for inspiration because they could be used to film specific scenes like openings, conversations, kidnappings, and characters falling.
Question 1
This document discusses how the author's media product uses and challenges conventions of action film openings. It analyzes conventions around editing, sound, camera shots, lighting, actors, makeup, props, setting, costumes, and how the author's opening challenges some conventions but meets others. For example, it uses slow pacing and music where action openings typically use fast pacing and sounds of guns/explosions. It aims to be unique while still evoking feelings of the action genre.
Finnaaaaaaallllllllllll presentation
The document discusses how the media product (a horror movie trailer and magazine cover) develops or challenges conventions of existing media forms.
For the trailer, conventions such as production logos/credits, props/weapons, settings, characters and sound are analyzed. Paradigms and theories around these elements are discussed in relation to how they were implemented in the trailer.
For the magazine cover, conventions such as the masthead design/color, issue details, images, article previews and film title placement are analyzed. Existing Fangoria magazine covers are referenced to show how conventions were followed or developed upon.
In both cases, research was conducted into existing examples to understand conventions and ensure the media products adhered to
Question 1 evaluation
The document discusses how the student's media product opening sequence for their thriller film "Find Me" uses and develops conventions of real thriller films. It analyzes elements of mise-en-scene, narrative, characters, music, and more, comparing choices to films like Se7en, Inglorious Bastards, Scream, and Taken. Key influences included the use of natural lighting from Zodiac, a baseball bat weapon from Inglorious Bastards, and the unsettling music and tone of Se7en. The student aimed to represent typical thriller conventions and stereotypes to relate their work to established examples of the genre.
Trailer record sheet
The document provides a shot list and production notes for the film "Faster" categorizing it as a fictional action film. It details various shooting locations and scenes involving car chases, fights, shootouts, and a hospital setting. The shot list examines camera angles, edits, and visual elements used to build tension and engage viewers through the protagonist's first-person perspective.
AS Media Studies: Evaluation Question 1
The film uses conventions of action thriller genres like a linear narrative and mystery. It opens with shots that don't reveal the location, characters' identities, or situation to create intrigue. Fast-paced editing with jump cuts maintains intensity. Music choices establish a tense tone and signal a shift when the antagonist is revealed. While limited equipment prevented high quality sound recording, sound effects add realism. Dark lighting, the antagonist's black clothing, and the protagonist's bright clothes and red lipstick visually set the tones of danger and youth. Props like a memory stick and gun advance the plot and create shock. The isolated woods setting heightens the tension of something bad happening.
Final what is used
This document discusses the costumes, actors, props, and equipment to be used in a teenage drama film about bullying. Costumes for the popular girls will be bright and expensive-looking to enhance their high status, while the victim's costume will be plain and dull. Five experienced actresses have been cast in the roles of the mean girls and victim. Props including meat, a butcher knife, and fake blood will be used to emphasize the horror genre in the climactic scenes. A Canon 700D camera, tripod, microphone adapter, SD card, and Premier Pro will be used to film and edit interview scenes and ensure high-quality production.
Actors
This document summarizes the casting choices for a film. Matthew Crane was chosen because the director knew him well and he was happy to participate. Ellie Lambert was selected as the main girl as she fit the profile of being a teenager who owns a dog. Molly Gilpin was chosen because she gets along with the other girl character and fits the profile of a typical teenage girl needed for the film.
planning
This document provides planning details for a documentary about film director Tim Burton and his unique gothic fantasy style. It includes mood boards showing color schemes and characters from Burton's films for inspiration. There are also sketches of the documentary's timeline graphic, interview questions, and production schedule. The documentary will begin with an introduction and timeline of Burton's films, followed by an interview with a Burton fan discussing his style and shared universe theory. Scenes from Burton's movies will accompany the interview. The outro will feature memorable clips from films like Nightmare Before Christmas and Edward Scissorhands.
Question 1
Our short film Vanity challenges conventions of real media in several ways:
1) It uses Claude Levi-Strauss's theory of binary opposites to structure the contrast between the male and female protagonists.
2) It follows but also challenges Todorov's narrative theory by showing the stages of equilibrium, disruption, and attempted repair of disruption.
3) It uses camera techniques like the 180 degree rule, close-ups, and medium shots effectively while also relying heavily on non-diegetic sound like music to tell the story with little dialogue.
It
This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film including using a clown as the villain and hiding it in sheets to increase tension and uncertainty.
Question 1-In what ways does your media products use, develop or challenge fo...
Question One of Evaluation: In what ways does your media products use, develop or challenge forms and conventions of real media products?
What's hot (20)
Question 1-In what ways does your media products use, develop or challenge fo...
Question 1-In what ways does your media products use, develop or challenge fo...
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Question 5
The document discusses different elements used in a film opening to attract the target audience. A chase scene was included to create fast-paced action appealing to 18-44 year olds with busy lives. The main character is a young, attractive woman to attract both male and female viewers by challenging stereotypes. Enigma codes were left unsolved to intrigue audiences into watching more. Credits were designed to flow with movement like the chase scene to maintain interest and link to the fast-paced setting. The title "The Pursuit" was chosen for its brevity and implication of action.
Question 5
The document discusses different techniques used in a film opening to attract the target audience. It describes using tension-building action music to match the adrenaline of action film fans. A chase scene creates excitement and appeals to the busy lifestyles of 18-44 year olds. Featuring a young, attractive female protagonist challenges gender stereotypes and interests both male and female viewers. Leaving the audience with unsolved codes and mysteries encourages them to watch more to find the answers. Moving credits flowing from the chase scene keep viewers engaged and interested in learning the title, "The Pursuit", which implies an action-focused film.
Question 5
The document discusses different techniques used in a film opening to attract the target audience of action film fans aged 18-44. A chase scene was included to create fast-paced tension. The main character is a young, attractive woman, intended to appeal to both male and female viewers by challenging stereotypes. Enigma codes were left unsolved to intrigue audiences into watching more. Credits were designed to flow with movement like the chase scene to maintain interest and link the title "The Pursuit" to action.
Location Scouting Sheet Loughton High-street
This location scouting sheet documents a potential filming location on High Street in Loughton, England for the production titled "The Pursuit". The location scout Emma Waite visited High Street on January 14th, 2014 to film all scenes requiring that script location. High Street is a public place with no contact details required, it is available all days and times without any special arrangements needed, and has parking and a 5 minute travel time from home base.
Question 5
The document discusses how the film opening addressed and attracted the intended audience through various elements:
1) Tension-building action music was used to match the target audience of action film fans and build suspense.
2) A fast-paced chase scene was included to relate to the busy lifestyles of the 18-44 year old target demographic.
3) The main character is a young, attractive woman to appeal to both male and female viewers, while also challenging stereotypes.
4) Enigma codes were left unsolved to trigger viewers' desire to find the answers by continuing to watch.
5) Moving credits were used to maintain the fast pace and interest level throughout the credits
Questuoin 5 +
The document discusses different techniques used in a film opening to attract the target audience of action film fans aged 18-44. A chase scene was included to create fast-paced tension, while the main character being an attractive young woman was meant to appeal to both male and female viewers. Enigma codes were also left unresolved to trigger the audience's curiosity and desire to learn the answers by continuing to watch. Moving credits were used to maintain the fast pace and interest level established by the chase scene.
Question 5
The document discusses different techniques used in a film opening to attract the target audience of action film fans aged 18-44. Tension-building music was chosen to match the action genre. A fast-paced chase scene was included to relate to the busy lives of the target demographic. The main character is a young, attractive woman, intended to appeal to both male and female viewers by challenging stereotypes. Enigma codes were left unresolved to trigger the audience's curiosity and desire to learn the answers by continuing to watch. Moving credits were used to maintain the fast pace from the chase scene and prevent boredom. The short, action-oriented title "The Pursuit" was meant to attract fans of the genre.
Synergy and Cross media convergence inbetweeners
The document discusses cross-media convergence and synergy using the TV show and film The Inbetweeners as an example. It defines synergy as the simultaneous release of different products that benefit each other, and cross-media convergence as combining mediums during production, distribution, or exhibition. Specifically, it notes that a yearbook was released at the same time as the Inbetweeners film to boost both the film and yearbook sales, and a competition also took place alongside the film and TV show to mutually benefit both events through synergy.
Analysis of Action Film Openings
The document analyzes the openings of two action films, James Bond Quantum of Solace and Fast Five. For James Bond, the opening establishes shots moving closer to a mountain tunnel where cars are driving, with increasing music building tension. Close-ups show bullets and people in cars. The main character is revealed escaping the tunnel in a chase. For Fast Five, a prisoner on a bus is highlighted, then cars race and pursue the bus on a quiet countryside road, shown through shots of the drivers and vehicles. The bus rolls over during the high-speed chase before the title appears, with tension-building music throughout.
Case Study
This document provides a case study and information about the 2009 British drama film Fish Tank directed by Andrea Arnold. It summarizes the plot, which follows 15-year-old Mia who lives with her mother and sister in poverty. Mia becomes attracted to her mother's new boyfriend Connor and attempts to seduce him. When she succeeds, it causes tension between Mia and her angry mother. The document also lists information about the director, cast, production companies, distributors, box office performance, and awards for the film.
Question 2
The document summarizes how a media product represents different social groups through its characters. It has a female protagonist as the hero of an action film to counter stereotypes, while keeping a male villain to follow conventions. The protagonist is middle class to represent her well-paid job as a spy. The villain dresses in dark hoodies and clothes to indicate his criminal status. Both main characters are young, in their early 20s, as action films generally feature physically active young people.
Final Prints
This one sentence document appears to be the title "ELECTRONIC PORTFOLIO UNIT 4 BY EMMA WAITE" followed by an ambiguous statement "That's my top 20". The document provides very little context and essential information to summarize in 3 sentences or less.
Production Schedule
The document outlines the schedule and details for a film shoot on February 17th, 2014 in Epping Forest. The crew, including Emma and Debra Waite, planned to film footage from the top of a hill looking down to a stream, using a ladder, tripod, and camera. They also filmed Lisa Waite and Ellen Gillespie acting as a girl in a tree and being chased by a villain down to a stream, with pickup shots later to redo any mistakes or get extras.
Question 5
The document discusses different techniques used in a film opening to attract the target audience of action film fans aged 18-44. A chase scene was included to create tension and excitement through fast-paced action. The main character is a young, attractive woman, intended to appeal to both male and female viewers by challenging stereotypes. Enigma codes were also left in the opening to trigger the audience's curiosity and desire to learn the answers by continuing to watch. Credits were designed to flow with the chase scene to maintain interest and link the title "The Pursuit" to action.
Question 3 Evaluation
Liongate, 20th Century Fox, and Paramount Pictures were identified as potential film distributors because they have a history of distributing successful action films and franchises similar to the genre of the film being pitched. The Works and Reliance Entertainment were also mentioned as options, with The Works distributing a wide range of films and Reliance Entertainment known for distributing action-based films like Need for Speed.
Media Ownership
The document discusses issues related to media ownership and concentration. It notes that a small number of large conglomerate companies, through mergers and acquisitions, now dominate markets like film production and distribution in the U.S. These conglomerates have advantages like financial resources and the ability to leverage synergies across business units. However, they also face disadvantages like pressure to appeal to mass markets. In contrast, independent studios have challenges in areas like financing and distribution but can take more creative risks. The document uses examples like Skyfall and Ill Manors to illustrate these points.
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Q1 Media
The document discusses how the media product challenges and develops conventions of real media. It analyzed typical romantic film conventions like gentle sounds and fast cuts during action scenes. However, the creator could not get the desired actors, so made an action film with romantic and comedy elements. The trailer challenged conventions by having blurred footage, calm music for tension, and switching the typical male driver and female passenger roles. Low lighting, secretive props, and a variety of shots were used to follow conventions but keep the trailer uncertain and secretive. Uncopyrighted sound effects and music were used to represent police and tension. The creator felt successful in challenging conventions while relating the trailer and additional marketing materials like the poster and magazine cover to the action genre.
Evaluation
This document discusses how the media product Entrada uses and challenges conventions of existing horror films and media. It summarizes that Entrada uses found footage conventions seen in films like Paranormal Activity and Blair Witch Project. It also switches between cameras like in Blair Witch Project. For sound, it uses subtle violins in scenes as seen in the short film Scrambled. Entrada challenges conventions by switching cameras more frequently and adding sounds to visual effects to make them seem diegetic. The poster relates to The Haunting but only uses two colors instead of multiple. The review follows the film's color scheme instead of magazine conventions and includes the film poster.
Evaluation 1
The document discusses how the creator of a short horror film used and challenged conventions of the genre in their film. They began by researching conventions like starting with equilibrium that is disrupted, using isolated woodland settings, portraying sympathetic protagonists and mysterious antagonists. While most horror films use low lighting, the creator challenged this by basing the film more in daylight. Screenshots compare scenes and characters to established horror films. The creator also compared their film poster and review to real examples, finding similarities in conventions like taglines, lighting and inclusion of key information. Further, they placed their mock magazine cover and review in real-world contexts to test if they seemed authentic.
Evaluation 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Question 1)
This document discusses how the media product uses and challenges conventions of thriller films. It uses conventions like flashbacks, gloomy music, and a darkly dressed villain. However, it challenges conventions by using natural bright lighting to make the audience feel unsafe during daylight, dressing the protagonist in both light and dark colors to make her ambiguous, and having a strong female lead rather than the typical male protagonist. The document also discusses how it uses editing, sound, camera work, characters, color, lighting, and themes found in thriller films while putting its own spin on some elements.
Evaluation Question 1
The document discusses how the media product follows conventions of the horror genre in its opening. It establishes genre through using classical music that builds suspense, adding sound effects during chase scenes. It includes a common chase scene to introduce the killer. The opening also uses dark lighting, masks for villains, and weapons to create fear. It dresses the victim innocently and keeps the title discrete to not distract from footage. While acknowledging conventions, it challenges them slightly by including a death in the first two minutes to fully establish genre through suspense.
Evaluation 1
The document discusses how the creator of a short horror film used and challenged conventions of the genre in their film. They started by researching conventions like using an initially happy setting that deteriorates ("equilibrium") and common character and location tropes. Their film adhered to some conventions like using a wooded setting and innocently dressed protagonist but challenged conventions like using more daylight lighting. Screenshots compare scenes and characters in their film to those in established horror films. The creator also compared their film marketing materials like the poster and title sequence to real horror films to show how they used genre conventions while developing their own style.
In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and conventions of real media products?
Evaluation – forms and conventions of media texts
The document discusses how the opening sequence of a horror/thriller film uses conventions from the genre in its camera work, angles, sound, mise-en-scene, and narrative. It compares shots and techniques to well-known films like Scream, I Know What You Did Last Summer, and Psycho. While following conventions like close-ups, music, and lighting for tension, it challenges the genre by killing off the male character first rather than the female, subverting the typical vulnerable woman trope. This twist leaves viewers unsure of what will happen next to the now-empowered female protagonist.
Evaluation Question 1: In what ways does your media product use, develop or c...
The document discusses how the media product challenges conventions of real horror films through its use of costumes, characters, narrative, sound, and shot types. Specifically, it uses a hoodie for the antagonist rather than an iconic mask. It also starts with the disruption of equilibrium rather than establishing it. Non-diegetic sounds are included to build fear. Binary opposition through light and dark is used between the protagonist and antagonist. A range of shot types beyond just close-ups and handheld shots are employed.
Evaluation
The document provides an evaluation of a student film titled "The Man with a Thousand Faces" and how it uses, develops, and challenges conventions of real horror media. The film title takes a mysterious approach seen in other horror films. Settings and costumes reference conventions from films like "Scream" but develop them uniquely. Camerawork and editing replicate techniques from horror films to build suspense and shock audiences. Overall, the film draws from common horror conventions while developing its own original elements to create an unpredictable story and leave audiences wanting more.
Evaluation
The document provides an evaluation of a student film titled "The Man with a Thousand Faces" and how it uses, develops, and challenges conventions of real horror media. The film title takes a mysterious approach seen in other horror films. Settings and costumes reference conventions from films like "Scream" but develop them further. Camerawork and editing replicate techniques from horror films to build suspense and shock audiences. Overall, the film draws from common horror conventions while adding new elements to challenge expectations.
Evaluation question 1
1. The costume, characters, narrative, sound, and shot types in the film trailer challenge some conventions of horror films while developing or maintaining others.
2. Specifically, the film trailer challenges conventions by using a hoodie for the antagonist rather than an iconic mask, starting with the disruption of equilibrium rather than establishing it, and incorporating non-diegetic sounds.
3. However, the film trailer also develops or maintains some conventions through using lighting techniques to represent changing characters, including a female scream, and employing binary oppositions between the protagonist and antagonist.
Production diary year 13
A production diary documenting the processes when creating my film trailer and ancillary tasks , Media A level.
In what ways does your media product use, develop or challenge forms and conv...
This document discusses the filmmaker's approach to creating a trailer, poster, and magazine cover for a horror film. For the trailer, they aimed to balance conventional and unconventional elements. They used found footage and jump cuts, but stuck to typical editing techniques. For the poster, they challenged conventions by using a long shot but included standard horror elements. The magazine cover followed conventions for layout but took inspiration from another cover by including a two-shot image. Overall, the filmmaker considered conventions from their research but also experimented with some unconventional elements.
Film Trailer Evaluation Q1
1) The document analyzes how the film trailer uses conventions of real film trailers and whether it challenges any conventions.
2) Key conventions used include showing the title at a dramatic moment with music, using realistic settings, appropriate costumes and props to portray characters, and varying camera angles.
3) The trailer also follows conventions of using different music to break up sections, steady pacing of edits to match the narrative, and mainly straight cuts for transitions.
4) One way the trailer challenges conventions is by using both black and white and color imaging to represent two different eras in the narrative.
Evaluation question 1
This document provides an evaluation of the opening sequence of a student film titled "An Epic High School Love Story". It summarizes the ways the opening sequence establishes conventions like the film's name and credits while also challenging conventions through stylistic choices. It describes the location/setting, costumes, props, camera work, editing, and title font used. It explains how the opening sequence sets up the romantic comedy story and introduces the main characters without explicitly revealing their identities at first. The sequence suggests the film's genre of romantic comedy through the meet-cute moment between the nerdy boy and popular girl and use of comedic elements.
Joe b eval 1
The media product uses and develops several conventions of real films through the use of various camera shots, angles, edits, and film scoring techniques. It uses establishing shots, point-of-view shots, fades, and shots influenced by director Terrence Malick to develop characters and portray emotion. It challenges some conventions by not including a comical character, skipping the narrative's equilibrium stage, and using a single piano for scoring rather than an ensemble. Overall, it adheres to many standard film conventions but also challenges some expected conventions around narrative structure and comic relief.
Question 1
While the filmmaker's thriller opening challenged some thriller conventions through its unique location, narrative, and camera shots, it also drew upon common thriller elements. The use of a notebook as a prop aligned with representations in popular thrillers like Death Note and Se7en. Costumes resembled the casual yet dangerous style of Bourne Supremacy. Close-up shots were used to convey emotion, as in many thrillers including The Hunger Games. The film's title sequence and music/soundtrack also followed conventions through their ominous tones and tension-building contrasts. Overall, the opening both developed new approaches but was also influenced by mainstream thriller codes and conventions.
Evalutation 1
This document discusses the production and creative choices made for Julian Hatfield's media project. It describes filming a chase scene on location in quiet conditions with black and white to overcome rainy weather. Editing removed some scenes that did not match the quality of the chase scene. The project took inspiration from films and shows like James Bond, Rush Hour, X-Men, and Medium to include elements like chase scenes, dreams/visions, and portraying genuine fear. The goal was to challenge professional media by including these aspects and styles.
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In what ways does your media products use, develop or challenge forms and con...
In what ways does your media products use, develop or challenge forms and con...
Evaluation Question 1: In what ways does your media product use, develop or c...
Evaluation Question 1: In what ways does your media product use, develop or c...
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
More from emmawaite95
Final Major Project
Emma Waite will produce a body of abstract nature photography for her final project. She will conduct experimental photo shoots in Epping Forest exploring techniques like different shutter speeds, filters, and lenses. Waite aims to find unseen and abstract parts of nature. She will be influenced by photographers who explored abstraction like Byron Jorjorian. Waite plans to visit galleries for inspiration and will evaluate her work by reviewing each shoot, getting peer feedback, and comparing to other artists. She will spend weeks researching techniques, experimenting with ideas, developing select shoots, re-shooting effectively, and presenting her exhibition.
2nd term 2 project statement of intent
The student plans to produce a body of time lapse and night photography experiments exploring time and light. They will select their most effective photos for a presentation of 12 A3 prints and a computer presentation of their time lapse work. They will research photographers who have explored these themes and techniques for night and time lapse photography. The student will experiment with different equipment, techniques, and locations over several shoots and develop their skills through practice, review, and feedback from peers and professionals. They will evaluate their work by comparing it to inspirational practitioners and assessing how well it fulfills their goals.
2nd term 2 project statement of intent
This statement of intent outlines a final major project exploring time lapse and night photography. The student aims to produce a body of 12 A3 photographs and a computer presentation showing time lapse work. Influences will include photographers who have explored time and night themes. Research will cover techniques for night photography, time lapse production and editing software. A timeline outlines plans for trial shoots and techniques over 5 weeks to develop skills and ideas before a final evaluation. Progress will be documented in a blog reviewing each shoot and gathering peer feedback.
3 d
The document provides cutting measurements and instructions for wood pieces used to construct a cross, frame, doors, and hinges. Key pieces include a cross cut from plywood with a width slightly larger than the thickness, frames of (28x28) and (24x51) also with cut widths larger than thickness, thin and double thickness plywood, thin wood rods, small wooden cylinder hinges with centered holes larger than the rods and sanded edges, and small wooden cylinder door handles.
Media Exam Plan
This document outlines the structure and requirements for Sections A and B of a media studies exam. Section A involves watching a TV drama clip four times, taking notes on the third and fourth viewings. Students must then discuss how the clip represents one aspect of identity using camerawork, editing, sound, and mise-en-scene in their answer. Section B requires students to discuss issues related to media institutions, ownership, convergence, technologies, audience targeting, and consumption based on their own experiences.
Synergy and Cross Media Convergence inbetweeners
The document discusses cross-media convergence and synergy using the TV show and film The Inbetweeners as an example. It defines synergy as the simultaneous release of different products that benefit each other, and cross-media convergence as combining mediums during production, distribution, or exhibition. Specifically, it notes that a yearbook was released at the same time as the Inbetweeners film to boost both the film and yearbook sales, and a competition also took place alongside the film and TV show to mutually benefit both events.
Synergy and Cross Media Convergence
Synergy involves simultaneously releasing related products across different media to promote each other. This has a larger promotional effect than releasing a single product alone. Conglomerate companies like Sony can effectively use synergy by owning various smaller companies and mediums. Cross media convergence combines two or more mediums, such as TV, film, websites, during the production, distribution or exhibition of content, like when Adele's song promoted the film Skyfall across different industries and platforms. Old and new media also converge as magazines produce websites and TV incorporates interactive elements.
Section B
The document discusses several key topics related to the film industry, including media ownership, synergy, convergence, new technologies, and their impacts. It notes that major Hollywood studios dominate the international film industry through vast resources that allow widespread release and marketing of titles. New technologies have impacted film production, distribution, and exhibition, including through digital filmmaking, social media marketing, and viewing options like video on demand. Both opportunities and challenges are presented by these new technologies for audiences and media institutions.
Case Study
The film Fish Tank follows 15-year old Mia Williams who lives with her mother and sister in a run-down apartment. Mia is rebellious and gets into trouble at school. When her mother starts dating a new man, Connor, Mia is immediately attracted to him as well. She attempts to seduce Connor, who reciprocates her feelings, straining her relationship with her mother. The film was critically acclaimed at the 2009 Cannes Film Festival.
Case Study Media
This document provides information on the 2013 film The Selfish Giant and the 2012 James Bond film Skyfall. It includes plot summaries, production details, technical specifications, distribution information, and box office results for both films. Eon Productions is identified as the production company behind the long-running James Bond franchise and the major studios involved in distributing Skyfall. Independent production companies such as BFI Film Fund and Moonspun Films are credited for The Selfish Giant.
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Anasuya Sengupta Cannes 2024 Award Winner
Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
Tom Cruise Daughter: An Insight into the Life of Suri Cruise
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
University of Western Sydney degree offer diploma Transcript
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Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
From country star to global phenomenon, delve into Taylor Swift's incredible journey. Explore chart-topping hits, feuds, & her rise to billionaire status!
HD Video Player All Format - 4k & live stream
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legacies
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
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Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
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国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
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6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
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留信网认证的作用:
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
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校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
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综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
一比一原版(mcmaste毕业证书)加拿大麦克马斯特大学毕业证如何办理
原版一模一样【微信：741003700 】【(mcmaste毕业证书)加拿大麦克马斯特大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(mcmaste毕业证书)加拿大麦克马斯特大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
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Evaluation Part 1
- 1. Evaluation Part 1 By Emma Waite
- 2. Question 1 • In what ways does your media product use, develop or challenge forms and conventions of real media products?
- 3. My film opening was under the genre action and there were many conventions that I stuck with. The first thing that comes to mind is the sound, I used very traditional action film music which was fast pace and very energetic. The music I used was from Kevin MacLeod and it was royalty-free. The categories that this music is described are: action, dark, driving, epic, intense and suspenseful, all these words I associate with an action film and the music of an action film. The first option on the next slide shows the music that I used and another example of an action music from the film….. and both I believe have very similar themes involved and sounds. The narrative of my film is that the main character has been hiding out in the forest from the villain in my opening. The villain turns up at the forest and the main character jumps from a tree and the sound makes the villain react and the chase scene begins. In nearly all the action films that I have seen there is a chase scene present, if it’s a running, car, motorbike or plane there seems to be at least one. To stay with the conventions I wanted to have a chase scene in my opening. The safest chase scene and the most realistic that I could achieve was a on foot chase scene so I but this at about 35 seconds into my opening. In all action films are is a villain and a hero and this is one convention that I was defiantly going to stick with. With the editing I mainly used a simply cut because I wanted the shots to look quick and jumpy to link to the action. Looking at the action films that I have watch such as: Fast Five, Star Trek Into Darkness, Salt and Casino Royale, all use a simple cut and this is a convention that I stuck to as-well. The shots in my chase scene have moving and non moving and I stayed with conventions because I have both. In the films I have watch the camera work is mainly moving I mainly used a stationary camera, this I did because I found moving the camera smoothly was very difficult but I do regret not have a couple more shots that are moving, such as: pan, track or tilt. Because I didn’t use a lot of moving shoots, I didn’t stay with the conventions of the shots in a chase scene.
- 4. In all but one film I looked at the main character is a man and this is where I challenged conventions. I changed the main character to a woman because I wanted to show that women can be the hero and can safe the world as well as men. The setting of my opening, Epping Forest, went against conventions because most action films are set in urban places because of the use of gadgets and the a busy city suits the action more. Looking at the film The Hunger Games the setting was in a forest and this I thought would go well with my storyline. I challenged conventions with the setting of my opening. The clothing I used for the villain I think stayed with the conventions of a villain because the actor is wearing a hood and I have seen films such as Harry Brown, were the villains wear hoods. The hero’s clothing I took inspiration from the film The Hunger Games because the clothing, I thought, suited the setting. When looking at title sequences from action films, like, Quantum of Solace, Star Trek Into Darkness and Mission Impossible Ghost Protocol, they all seemed to have a separate title sequence to the actual footage and this I used with the convention. I produced a separate title sequence to the action and placed at the end of the chase sense. The titles I used stayed with conventions to make it look as much like an action film as possible. For the wording of the titles I looked at other film openings and used what I thought would suit best for my opining.
- 5. Music Links • Music I used: • Music from the film Casino Royal: http://www.youtube.com/watch?v=iZxNbAwY_rk
- 6. Links Films Links to films I took inspiration from: • James Bond Casino Royal: http://www.youtube.com/watch?v=iZxNbAwY_rk • Mission Impossible Ghost Protocol: http://www.youtube.com/watch?v=1_CiueLzMMY • Fast Five: http://www.youtube.com/watch?v=vf6nfEZgorY • Star Trek Into Darkness: http://www.youtube.com/watch?v=qwGVSNv_H1U • The Hunger Games: http://www.youtube.com/watch?v=FovFG3N_RSU • Harry Brown: http://www.youtube.com/watch?v=AaO2mtw9KRw • Hitman: http://www.youtube.com/watch?v=E-LeR7VZ-g4