Evaluation media 2
•Download as PPTX, PDF•
0 likes•153 views
Jake Black is presented as the central focus of all products to reflect his personality and style. His casual clothing of jeans, jumpers and t-shirts with his unique smooth style was featured to appeal to the target audience. Consistent dull colors of black and white were used throughout the digital packaging, website and music video to reinforce the melancholic genre and create a cohesive product.
Report
Share
Report
Share
Recommended
Question 2
When creating media for a music single, it is important to establish a consistent house style across all elements. This document discusses the house style developed for the single, which included matching colors, designs, photos and backgrounds on the digipak and poster. Key aspects of the house style were the image of two people holding hands, a soft cloud background effect, and a simple font suited for the pop rock genre. These visual elements were meant to be memorable and relate to the themes and story portrayed in the music video.
Making back cover
The document summarizes the process of designing the back cover of an album. Key details include testing different images of the band to feature their lead singer looking at the camera, addressing spacing issues when including song titles, and experimenting with textures and colors to achieve a painted canvas effect to match the album title of "Canvas". The final design incorporated a craquelure texture overlay and customized record label logo to distinguish it from other elements.
Evaluation
The band created a performance-based music video for their upbeat song. They designed animated digipacks to be identifiable as theirs. Originally using bright colors, they dulled them to match the black-and-white sections of the video. They believe their main video and ancillary materials are successful because they researched the genre, got audience feedback, and created tasks that would attract their target audience using conventions but also trying new ideas.
Presentation8
This document summarizes the analysis and development of Inlay Card 2. It describes choosing an image of the artist giving a direct gaze to provide personal appeal, changing the background color to a darker green to focus on the artist, and inserting lyrics from the song's music video to create a link between the video and image forms. The inlay card was kept simple to relate to the jazz/soul genre of the music.
U2 (RED)
This music video for U2's "Invisible" uses black and white filming and harsh lighting effects typical of rock music videos. The band members are dressed in all black against a strikingly bright background. The main vocalist Bono sings into an illuminated microphone that casts shadows, hiding him in mystery which is a common technique used in rock genre music videos to create depth and intrigue.
Making back cover
The document summarizes the design choices made for the back cover of a CD by the band "The Colours". Key details include:
- The track list is in bright yellow to stand out against the background image.
- Institutional information was added to indicate the songs cannot be illegally copied.
- The band members are posed similarly to an Arctic Monkeys album cover, with the lead singer looking at the camera.
- Multiple background images were blended together and the background was blurred to look more professional.
Question 2
The document discusses the effectiveness of combining a music video, album, and magazine advertisement to promote an unsigned artist. It states that music videos are primarily used to promote music sales by allowing viewers to connect with a song. A magazine advertisement promotes the artist and informs people when and where to purchase the song. Producing an album gives the artist a chance to gain more popularity if people enjoy the promoted song. The combination of these promotional materials provides exposure through different mediums, with the potential to help an unknown artist become more well known and successful.
Evaluation question 2
The document discusses the development of a house style across a music artist's music video, digital packaging, and print advertising. Key elements of the house style included an outdoor, woodland theme to reflect the emotional lyrics; consistent clothing, lighting, and location shots; simple fonts and layouts; and incorporation of the artist's guitar to help craft their identity. The goal was to create continuity and a sense of professionalism across all promotional materials through a coherent visual style that aligned with the indie music genre.
Recommended
Question 2
When creating media for a music single, it is important to establish a consistent house style across all elements. This document discusses the house style developed for the single, which included matching colors, designs, photos and backgrounds on the digipak and poster. Key aspects of the house style were the image of two people holding hands, a soft cloud background effect, and a simple font suited for the pop rock genre. These visual elements were meant to be memorable and relate to the themes and story portrayed in the music video.
Making back cover
The document summarizes the process of designing the back cover of an album. Key details include testing different images of the band to feature their lead singer looking at the camera, addressing spacing issues when including song titles, and experimenting with textures and colors to achieve a painted canvas effect to match the album title of "Canvas". The final design incorporated a craquelure texture overlay and customized record label logo to distinguish it from other elements.
Evaluation
The band created a performance-based music video for their upbeat song. They designed animated digipacks to be identifiable as theirs. Originally using bright colors, they dulled them to match the black-and-white sections of the video. They believe their main video and ancillary materials are successful because they researched the genre, got audience feedback, and created tasks that would attract their target audience using conventions but also trying new ideas.
Presentation8
This document summarizes the analysis and development of Inlay Card 2. It describes choosing an image of the artist giving a direct gaze to provide personal appeal, changing the background color to a darker green to focus on the artist, and inserting lyrics from the song's music video to create a link between the video and image forms. The inlay card was kept simple to relate to the jazz/soul genre of the music.
U2 (RED)
This music video for U2's "Invisible" uses black and white filming and harsh lighting effects typical of rock music videos. The band members are dressed in all black against a strikingly bright background. The main vocalist Bono sings into an illuminated microphone that casts shadows, hiding him in mystery which is a common technique used in rock genre music videos to create depth and intrigue.
Making back cover
The document summarizes the design choices made for the back cover of a CD by the band "The Colours". Key details include:
- The track list is in bright yellow to stand out against the background image.
- Institutional information was added to indicate the songs cannot be illegally copied.
- The band members are posed similarly to an Arctic Monkeys album cover, with the lead singer looking at the camera.
- Multiple background images were blended together and the background was blurred to look more professional.
Question 2
The document discusses the effectiveness of combining a music video, album, and magazine advertisement to promote an unsigned artist. It states that music videos are primarily used to promote music sales by allowing viewers to connect with a song. A magazine advertisement promotes the artist and informs people when and where to purchase the song. Producing an album gives the artist a chance to gain more popularity if people enjoy the promoted song. The combination of these promotional materials provides exposure through different mediums, with the potential to help an unknown artist become more well known and successful.
Evaluation question 2
The document discusses the development of a house style across a music artist's music video, digital packaging, and print advertising. Key elements of the house style included an outdoor, woodland theme to reflect the emotional lyrics; consistent clothing, lighting, and location shots; simple fonts and layouts; and incorporation of the artist's guitar to help craft their identity. The goal was to create continuity and a sense of professionalism across all promotional materials through a coherent visual style that aligned with the indie music genre.
Development of front album cover
The image was chosen for the album cover to relate to the song and music video by showing the subject's body language and surroundings rather than directly addressing the audience. The original image was lightened by adjusting brightness, hue and saturation. The balloons were left colored by selecting and copying them to a new layer while making the background black and white using a gradient map, symbolizing being free as in the video. The band name and album title were placed at the top in big capital black font and sophisticated fonts respectively to be readable and recognize the band and relate to the sophisticated portrayal of the actress in the video and fonts that look both simple yet sophisticated.
Presentation1
The document summarizes the development of a CD cover featuring a photo of a singer holding balloons in a park. The photo was edited to black and white except for the balloons to symbolize the song's lyrics. The band's name was placed in bold capital letters at the top in a simple font for recognition. The song title was placed below in a more sophisticated font to suit the singer's image expressed in the music video.
Evaluation question 2 New Version
The document discusses the effectiveness of combining a main music product with ancillary tasks like a music video, digital album, and magazine advertisement. It analyzes the use of similar visual codes like facial expressions, poses, colors, shots, fonts, lighting, props, and camera angles across the three products to maintain a coherent identity. Representing the artist in a way that fans can relate to through appearance, lifestyle and narrative is also highlighted as important for commercial success in the music industry, especially among youth audiences.
Digipak analysis
This document analyzes the digipak for Katy Perry's album and provides suggestions for designing a digipak. It notes that the font, layout, and color scheme of Katy Perry's digipak are simple. It suggests including clouds or close-ups of the artist's jewelry, lips, or eyes. It also notes that the cover photo of Katy Perry surrounded by cakes matches the candy theme while keeping the design simple overall to represent the artist's personality.
Ancillary 1 boys noize
The album cover features a black and white color scheme to give it a polished, sophisticated look, conveying that the artist is serious and classy. It centers an image of a skull, typically symbolic of death, but redesigned to resemble a disco ball, alluding to music in an unconventional way. The cover design reflects Boys Noize's alternative style as DJs with an underground following, playing for niche audiences.
Final digipak
The final digipak contains a magazine advertisement and CD. Synergy between the elements was an important consideration, seen through matching colors and fonts between the ad and CD cover. The back of the booklet, inside of the booklet, and spine were also designed to relate to the music video's story and genre of pop music through continued use of pinks, blues, grays, and bright colors, as well as images of the main character Ashleigh.
.
The document discusses the design choices for a band's poster and digipak cover. The font, imagery of hands, and creamy/grey cloud background are consistent across both to create recognition and a cohesive "house style." Black and white imagery, cross-dissolves, and a sepia-toned aesthetic link the ancillary tasks to the band's music video. The designs were inspired by the simple but effective styles of albums from The Script and The Verve.
Digipack Planning
The digipack would have a plain black and white front cover to reflect the artist's meaningful music. It would prominently display the artist's name and image to help promote her. The inside would include lyric pages for each song, images of the artist and her style, and a CD labeled with just the artist's initials. The back cover would feature another image of the artist along with the song list so listeners know what they are purchasing.
EVALUATION QUESTION 1- DIGI-PAK
The digi-pack used conventions of music video layout and design through eye-catching colors and a 'comic book' style to portray the artist and promote their hit single from the album. White font was used for the artist name to draw attention and not contrast with the colored image. The artist was placed off-center to leave space around his image, representing the focus on the star image with nothing drawing attention away. The lack of other elements around the artist focuses attention on them and develops conventions of synthetic album covers with the artist as the main focus.
Analysis of cd covers
The document discusses considerations for designing a CD cover, including layout conventions, genre of music, font design, use of stars/icons, and mock-up ideas. It provides examples from album covers of Jessie J, Cher Lloyd, and The Black Eyed Peas. For their own cover, they took inspiration from Jessie J and The Black Eyed Peas by using an edited close-up image of their character in black and white to represent their electro pop genre.
How effective is the combination of your main product and ancillary texts?
The document discusses the synergy between a band's music video and ancillary texts, including a digipak and website. The music video for the song "like dogs" shows the band members acting like dogs. The digipak front cover features a similar mid-close up shot of the band to connect it to the video. Cigarettes on the cover also link to an early scene in the video. Color tones and imagery used in the digipak relate back to elements in the video to reinforce the band's identity across formats. Black and white is used elsewhere on the digipak for nostalgic effect, coordinating with the band's website. Individual panels on the digipak further reference locations and shots
Evaluation 2
The combination of the DVD digipak and magazine advert for the artist and song aim to create a calm and romantic mood. This is achieved through the colors and imagery used - the sepia tones in the advert and black and white in the digipak convey a relaxed feeling, while images of the artist dancing and smiling with his partner represent a flowing, loving atmosphere. The digipak captures stills from the music video to showcase raw emotion and help audiences engage with the characters and message of the song. Elements from other successful digipaks, like close-up facial images and minimal text, were incorporated into the design.
Mediaevaluation12 130106184938-phpapp01
The document discusses the conventions used in creating media products for an indie band. It summarizes the conventions used in a music video, including using narratives, band scenes, close-ups of band members and instruments, urban and outdoor locations, and casual costumes. It also discusses conventions followed for the digipak design, such as using color contrast, photos of band members and nature, and specific fonts. Finally, it outlines conventions for a poster, like including the band name, album name and songs, release date, tour dates, record label, color themes, and a small album cover photo. The document analyzed real media products to incorporate standard conventions for each format.
Evaluation 1
The document discusses different genres in the music industry and how they influence conventions in music videos. It focuses on the genre of indie/folk music exemplified by Ben Howard. Key conventions of indie music videos mentioned include a mixture of narrative and performance, simplistic style and locations, visuals relating to the music, use of instruments, and dance emphasizing the soundtrack. The author created a music video for Ben Howard's song "Diamonds" attempting to portray these conventions through locations in a forest, artistic performance with a guitar, and use of dance.
Question 2
The main task was creating a music video in the metal/rock genre based on the Slipknot song "Snuff" without including scenes of the band playing. Ancillary tasks included designing a digipack and poster to advertise the digipack. Both the digipack and poster featured the same black, white, and red color scheme and logo to tie the pieces together. The poster included pictures linking it to the digipack. The digipack design drew from style models, including a blacked out band picture and background effects.
Music video andrew goodwins theories
Andrew Goodwin proposed theories about how music videos use motifs, camera angles, and the relationship between music and visuals to convey meaning. The document examines several music videos to show how they apply Goodwin's theories about enhancing lyrics through close-ups, using motifs, and having the visuals contradict or illustrate the music. It also discusses how Goodwin's theories can help in creating music videos and how his analysis applies broadly across music genres.
Evaluation - Question 2
The document discusses how the creator effectively combined the main music video product with ancillary texts (album digipak and magazine advert) to promote the fictional artist Darcy Jones. Specifically, it maintained Darcy's character traits of being strong and independent across all products by having her look directly at the camera. It also showed her softer side by having her look away, and portrayed happy memories in black and white. Unifying stylistic elements like a vintage effect and similar location in the video and photos helped combine the pieces into a cohesive promotion of Darcy Jones' image.
Conventions powerpoint pp
Our media product uses and develops conventions of real music videos and other media forms in the following ways:
1) In the music video, we use conventions like natural lighting, casual costumes, and street performances to present the artist as an up-and-coming musician and make the narrative relatable.
2) For the digipak and website, we portray the artist as authentic and organic by using conventions like natural lighting, casual clothing, and an informal personal style reminiscent of other independent artists.
3) Across all forms, we employ conventions commonly used in indie and pop genres like simplicity, neutral colors, and an emphasis on personality to connect with audiences and represent the style of music.
Evaluation question 2 media
The document discusses various design elements of a music video and accompanying materials for an artist named Alex Jones. It describes focusing on Alex Jones as the central figure on promotional materials like the digipak to make him recognizable. Colors, costumes, props, lighting, camera shots, and fonts were all chosen to be consistent with the retro, funky theme of the 1980s song and establish Alex Jones as an urban artist. While the lighting created a dull, retrospective mood, contrasting with the intended carefree summer vibe. The goal was to present a cohesive creative work around Alex Jones and his style.
Combination Of Ancillary Task and Main Product
The document discusses how a group created ancillary materials including a poster and music video to accompany an album. They aimed to show continuity between the pieces by using similar styles, backgrounds, and themes. Specifically, they used the same house background throughout. They believe their poster matches the music video by using a facial expression from the video. Their goal was to connect the ancillary materials to effectively support the music video and allow the story to flow across all pieces.
Combination of ancillary task and music videoo
1. The group believes their ancillary tasks of a poster and digipak go well with their music video by using consistent styles and backgrounds, notably a house, throughout the pieces.
2. They aimed to show continuity between the pieces by featuring the same costumes, settings, and facial expressions of the artist portraying mystery and secrecy.
3. Comparing the pieces, the group used similar shot types, themes of heartbreak, and representations of the artist to allow the narrative and storytelling to flow between the ancillary tasks and music video.
Evaluation q2
The document analyzes the effectiveness of combining a main music video product with ancillary texts like CD covers and magazine ads. It examines examples from artists like Amy Winehouse, Adele, and Duffy to see how they establish clear product identities through consistent branding across related materials. The document concludes that the combination of its own music video and ancillary texts is effective because it maintains a clear product identity, shows relationships between the products, and stays consistent in colors, themes and fonts.
More Related Content
What's hot
Development of front album cover
The image was chosen for the album cover to relate to the song and music video by showing the subject's body language and surroundings rather than directly addressing the audience. The original image was lightened by adjusting brightness, hue and saturation. The balloons were left colored by selecting and copying them to a new layer while making the background black and white using a gradient map, symbolizing being free as in the video. The band name and album title were placed at the top in big capital black font and sophisticated fonts respectively to be readable and recognize the band and relate to the sophisticated portrayal of the actress in the video and fonts that look both simple yet sophisticated.
Presentation1
The document summarizes the development of a CD cover featuring a photo of a singer holding balloons in a park. The photo was edited to black and white except for the balloons to symbolize the song's lyrics. The band's name was placed in bold capital letters at the top in a simple font for recognition. The song title was placed below in a more sophisticated font to suit the singer's image expressed in the music video.
Evaluation question 2 New Version
The document discusses the effectiveness of combining a main music product with ancillary tasks like a music video, digital album, and magazine advertisement. It analyzes the use of similar visual codes like facial expressions, poses, colors, shots, fonts, lighting, props, and camera angles across the three products to maintain a coherent identity. Representing the artist in a way that fans can relate to through appearance, lifestyle and narrative is also highlighted as important for commercial success in the music industry, especially among youth audiences.
Digipak analysis
This document analyzes the digipak for Katy Perry's album and provides suggestions for designing a digipak. It notes that the font, layout, and color scheme of Katy Perry's digipak are simple. It suggests including clouds or close-ups of the artist's jewelry, lips, or eyes. It also notes that the cover photo of Katy Perry surrounded by cakes matches the candy theme while keeping the design simple overall to represent the artist's personality.
Ancillary 1 boys noize
The album cover features a black and white color scheme to give it a polished, sophisticated look, conveying that the artist is serious and classy. It centers an image of a skull, typically symbolic of death, but redesigned to resemble a disco ball, alluding to music in an unconventional way. The cover design reflects Boys Noize's alternative style as DJs with an underground following, playing for niche audiences.
Final digipak
The final digipak contains a magazine advertisement and CD. Synergy between the elements was an important consideration, seen through matching colors and fonts between the ad and CD cover. The back of the booklet, inside of the booklet, and spine were also designed to relate to the music video's story and genre of pop music through continued use of pinks, blues, grays, and bright colors, as well as images of the main character Ashleigh.
.
The document discusses the design choices for a band's poster and digipak cover. The font, imagery of hands, and creamy/grey cloud background are consistent across both to create recognition and a cohesive "house style." Black and white imagery, cross-dissolves, and a sepia-toned aesthetic link the ancillary tasks to the band's music video. The designs were inspired by the simple but effective styles of albums from The Script and The Verve.
Digipack Planning
The digipack would have a plain black and white front cover to reflect the artist's meaningful music. It would prominently display the artist's name and image to help promote her. The inside would include lyric pages for each song, images of the artist and her style, and a CD labeled with just the artist's initials. The back cover would feature another image of the artist along with the song list so listeners know what they are purchasing.
EVALUATION QUESTION 1- DIGI-PAK
The digi-pack used conventions of music video layout and design through eye-catching colors and a 'comic book' style to portray the artist and promote their hit single from the album. White font was used for the artist name to draw attention and not contrast with the colored image. The artist was placed off-center to leave space around his image, representing the focus on the star image with nothing drawing attention away. The lack of other elements around the artist focuses attention on them and develops conventions of synthetic album covers with the artist as the main focus.
Analysis of cd covers
The document discusses considerations for designing a CD cover, including layout conventions, genre of music, font design, use of stars/icons, and mock-up ideas. It provides examples from album covers of Jessie J, Cher Lloyd, and The Black Eyed Peas. For their own cover, they took inspiration from Jessie J and The Black Eyed Peas by using an edited close-up image of their character in black and white to represent their electro pop genre.
How effective is the combination of your main product and ancillary texts?
The document discusses the synergy between a band's music video and ancillary texts, including a digipak and website. The music video for the song "like dogs" shows the band members acting like dogs. The digipak front cover features a similar mid-close up shot of the band to connect it to the video. Cigarettes on the cover also link to an early scene in the video. Color tones and imagery used in the digipak relate back to elements in the video to reinforce the band's identity across formats. Black and white is used elsewhere on the digipak for nostalgic effect, coordinating with the band's website. Individual panels on the digipak further reference locations and shots
Evaluation 2
The combination of the DVD digipak and magazine advert for the artist and song aim to create a calm and romantic mood. This is achieved through the colors and imagery used - the sepia tones in the advert and black and white in the digipak convey a relaxed feeling, while images of the artist dancing and smiling with his partner represent a flowing, loving atmosphere. The digipak captures stills from the music video to showcase raw emotion and help audiences engage with the characters and message of the song. Elements from other successful digipaks, like close-up facial images and minimal text, were incorporated into the design.
Mediaevaluation12 130106184938-phpapp01
The document discusses the conventions used in creating media products for an indie band. It summarizes the conventions used in a music video, including using narratives, band scenes, close-ups of band members and instruments, urban and outdoor locations, and casual costumes. It also discusses conventions followed for the digipak design, such as using color contrast, photos of band members and nature, and specific fonts. Finally, it outlines conventions for a poster, like including the band name, album name and songs, release date, tour dates, record label, color themes, and a small album cover photo. The document analyzed real media products to incorporate standard conventions for each format.
Evaluation 1
The document discusses different genres in the music industry and how they influence conventions in music videos. It focuses on the genre of indie/folk music exemplified by Ben Howard. Key conventions of indie music videos mentioned include a mixture of narrative and performance, simplistic style and locations, visuals relating to the music, use of instruments, and dance emphasizing the soundtrack. The author created a music video for Ben Howard's song "Diamonds" attempting to portray these conventions through locations in a forest, artistic performance with a guitar, and use of dance.
Question 2
The main task was creating a music video in the metal/rock genre based on the Slipknot song "Snuff" without including scenes of the band playing. Ancillary tasks included designing a digipack and poster to advertise the digipack. Both the digipack and poster featured the same black, white, and red color scheme and logo to tie the pieces together. The poster included pictures linking it to the digipack. The digipack design drew from style models, including a blacked out band picture and background effects.
Music video andrew goodwins theories
Andrew Goodwin proposed theories about how music videos use motifs, camera angles, and the relationship between music and visuals to convey meaning. The document examines several music videos to show how they apply Goodwin's theories about enhancing lyrics through close-ups, using motifs, and having the visuals contradict or illustrate the music. It also discusses how Goodwin's theories can help in creating music videos and how his analysis applies broadly across music genres.
What's hot (16)
How effective is the combination of your main product and ancillary texts?
How effective is the combination of your main product and ancillary texts?
Similar to Evaluation media 2
Evaluation - Question 2
The document discusses how the creator effectively combined the main music video product with ancillary texts (album digipak and magazine advert) to promote the fictional artist Darcy Jones. Specifically, it maintained Darcy's character traits of being strong and independent across all products by having her look directly at the camera. It also showed her softer side by having her look away, and portrayed happy memories in black and white. Unifying stylistic elements like a vintage effect and similar location in the video and photos helped combine the pieces into a cohesive promotion of Darcy Jones' image.
Conventions powerpoint pp
Our media product uses and develops conventions of real music videos and other media forms in the following ways:
1) In the music video, we use conventions like natural lighting, casual costumes, and street performances to present the artist as an up-and-coming musician and make the narrative relatable.
2) For the digipak and website, we portray the artist as authentic and organic by using conventions like natural lighting, casual clothing, and an informal personal style reminiscent of other independent artists.
3) Across all forms, we employ conventions commonly used in indie and pop genres like simplicity, neutral colors, and an emphasis on personality to connect with audiences and represent the style of music.
Evaluation question 2 media
The document discusses various design elements of a music video and accompanying materials for an artist named Alex Jones. It describes focusing on Alex Jones as the central figure on promotional materials like the digipak to make him recognizable. Colors, costumes, props, lighting, camera shots, and fonts were all chosen to be consistent with the retro, funky theme of the 1980s song and establish Alex Jones as an urban artist. While the lighting created a dull, retrospective mood, contrasting with the intended carefree summer vibe. The goal was to present a cohesive creative work around Alex Jones and his style.
Combination Of Ancillary Task and Main Product
The document discusses how a group created ancillary materials including a poster and music video to accompany an album. They aimed to show continuity between the pieces by using similar styles, backgrounds, and themes. Specifically, they used the same house background throughout. They believe their poster matches the music video by using a facial expression from the video. Their goal was to connect the ancillary materials to effectively support the music video and allow the story to flow across all pieces.
Combination of ancillary task and music videoo
1. The group believes their ancillary tasks of a poster and digipak go well with their music video by using consistent styles and backgrounds, notably a house, throughout the pieces.
2. They aimed to show continuity between the pieces by featuring the same costumes, settings, and facial expressions of the artist portraying mystery and secrecy.
3. Comparing the pieces, the group used similar shot types, themes of heartbreak, and representations of the artist to allow the narrative and storytelling to flow between the ancillary tasks and music video.
Evaluation q2
The document analyzes the effectiveness of combining a main music video product with ancillary texts like CD covers and magazine ads. It examines examples from artists like Amy Winehouse, Adele, and Duffy to see how they establish clear product identities through consistent branding across related materials. The document concludes that the combination of its own music video and ancillary texts is effective because it maintains a clear product identity, shows relationships between the products, and stays consistent in colors, themes and fonts.
Combination of ancillary task and our music video
The document discusses how a group created ancillary materials including a poster, album cover, and music video that work together to tell a cohesive story. They aimed to use consistent styles, settings, and facial expressions across the materials to show continuity. Specifically, they featured a house background and the artist wearing a prom dress in both the music video and ancillary materials. While some images changed between pieces, the overall themes of relationships, secrets, and mystery were maintained to effectively tie the materials together.
Question2
The document discusses how effectively the main music video product and accompanying ancillary texts of a poster and CD cover were designed to promote an artist. Key points made include:
- Costume, props, and locations were kept consistent between the products to clearly link them and position the artist as a mainstream city musician.
- Font, logo, and color scheme choices were made to represent the artist as their own recognizable brand across all products.
- Locations in and around London were used to portray the artist as both emotionally deep but also modern and urban.
- Color, especially red, was used consistently to imply themes of passion and strength within the artist's relationship and music.
Evaluation q2
The document discusses how effective the combination of a main product and ancillary texts can be through establishing a clear product identity. It analyzes examples from artists like Amy Winehouse, Adele, and Duffy to see how their music videos, CD covers, and magazine ads work cohesively through consistent branding elements like simplicity, similar imagery and colors. The document also evaluates how the combination of products created for this evaluation project establish relationships with the music video through narrative and performance imagery, color schemes, and clear connections to the song's message and themes.
Evaluation question 2
The document evaluates the effectiveness of combining a main music product with ancillary texts like a digi-pak and poster advertisement. It discusses using consistent iconography and a black and white color scheme across the music video, digi-pak, and poster to reinforce the brand. While the character in the music video looks drained, the digi-pak version is glamorized slightly to appeal more to consumers. Continuity is created through the color scheme and character, but some elements seen in the music video like chipped nail polish are avoided for the digi-pak. The poster and digi-pak are also effectively combined through the shared use of colors, pictures, and icons.
Question2 powerpoint
The document discusses consistency and synergy between a music video and CD cover for a project. It notes that the music video uses a black and white color scheme while the CD cover features a color image to provide a striking finish. It also describes how there is a single character throughout the video to add narrative enigma consistent with the genre. The only difficulty in synergy between the products was ensuring consistency, which was achieved by using suitable testing footage that implied the theme and genre.
Evaluation Q2 - How effective is the combination of your main product and anc...
The document discusses how ancillary products were designed to create synergy with the band's music video and promote brand recognition. A digipak was created using stills from the video and the same color filters to match the video's look. Individual photos from the video were used on the inside covers along with lyrics. Advertisements also featured merged stills from the video in black and white to maintain synergy with the video and digipak branding.
Evaluation
The document discusses how the author used media technologies in creating their music video. They used Final Cut Pro for editing, which allowed them to add effects like fast cuts and montages to set the mood. Feedback sessions helped them learn what their target audience expected and improve their work. Researching other music videos helped them understand conventions for their dubstep genre video.
Question 1 Media
This document discusses how the media producer's music video, album packaging, and magazine advertisement utilize and develop conventions of those media forms within the R&B genre. The music video incorporates conventions such as a romantic narrative, costume changes, location variations, and lip syncing. The digipak features the artist image, tracklist, and social media links. The magazine ad focuses on promoting the artist image, album details, and release date using stylistic conventions.
Eval question 2
The combination of the main product and ancillary texts like the music video, digi-pak, and website is effective because they maintain consistency through similar fonts, color schemes, and images of the artist Jake Black. This helps construct his image and brand recognition. Specifically, the black and white color scheme is used throughout, the same font is featured on the digi-pak and website, and pictures of the artist promote him across all materials. Together, these various products and texts effectively promote the artist and his new album to audiences.
Evaluation
The document discusses various aspects of creating and evaluating a music video for a dubstep song. It begins by summarizing Andrew Goodwin's theory on key features of music videos. It then analyzes conventions commonly found in dubstep music videos. Audience feedback was gathered through interviews and used to annotate and improve the created music video. Final Cut Pro was used to construct and edit the music video, applying techniques like fast cuts and montage.
Media Evaluation Question 2
The document discusses the creation of a music brand identity across three promotional pieces - a music video, digital album packaging, and magazine advertisement. The group established a consistent brand identity using the motif of a red handprint, which featured prominently in all three pieces. House colors of red, black, and white were also used consistently to create a simple yet effective visual style. While the font changed slightly between pieces for variety, the red handprint image motif remained the same central identifying element. Still images from the music video were also utilized in creating the ancillary promotional materials.
Q2 evaluation!!!
The document discusses the effectiveness of combining a music video with ancillary texts like a magazine advertisement and CD digipak. Key elements like color, costumes, fonts, and themes were carried over between the texts to create continuity. In the music video and print materials, the artist is portrayed as fun, bubbly and youthful through elements like balloons. Facial expressions, makeup, and lighting are also used consistently to keep the focus on the artist's image and personality across all the materials. Overall, the document argues that the combination of the music video and ancillary texts is very effective in promoting the artist's image through linked creative and design choices.
Q2 evaluation
The document discusses the effectiveness of combining a music video with ancillary texts like a magazine advertisement and CD digipak. Key elements like color, costumes, fonts, and themes were carried over between the texts to create continuity. In the music video and print materials, the artist is portrayed as fun, bubbly and youthful through elements like balloons. Facial expressions, makeup, and lighting are also used consistently to keep the focus on the artist's image and personality across all the materials. Overall, the document argues that the combination of the music video and ancillary texts is very effective in promoting the artist's image through linked creative and design choices.
Evaluation Question 2 Joe
This document discusses the branding elements used across a music artist's main products and ancillary texts. Key elements of the branding included using a black hoodie costume, dark and neutral colors, locations like alleys and nightclubs that fit the social realism genre, and visual effects like solarization and black and white to create mystery and establish the narrative. The branding remained consistent throughout the music video, magazine ad, album cover, and back cover to effectively portray the artist's identity and genre.
Similar to Evaluation media 2 (20)
Evaluation Q2 - How effective is the combination of your main product and anc...
Evaluation Q2 - How effective is the combination of your main product and anc...
More from mediamonz
Digipack analysis
This document summarizes a 2001 Top of the Tops digi-pack album. The digi-pack features various pop artists aimed at audiences aged 5-20, as indicated by its bright fluorescent colors on the cover. The front cover depicts the various artists in mid-shots to showcase the genres of boy bands and solo pop artists. Additionally, marketing for the Top of the Pops magazine is included to promote related merchandise and maximize profits. The inside layout lists artist details and tracks while maintaining the consistent Top of the Pops branding. The album complies with generic pop music expectations and serves as an escapist mood lifter for listeners.
Should music videos be regulated?
The document discusses whether music videos should be regulated due to their influence on youth. It analyzes several music videos like Tempa T's "Next Hype" which depicts violence and may influence youth to mimic such behavior. Youth identity is increasingly "mediated" by explicit music videos that normalize violence. While some videos glorify crime, wealth, drugs and misogyny, others like Tinie Tempah's "Pass Out" promote education as a path to success and provide a balanced perspective. The document examines the representation of gender, criminality and identity in music videos over time.
Top trump cards
Henri Tajfel's work showed that individuals derive self-esteem from their group memberships. This helps explain the formation of subcultures and gangs among youth as means of finding identity and peer acceptance. Films like Kidulthood and Rebel Without a Cause depict different youth subcultures and how symbolic elements like clothing and hand signals are used to signify gang affiliations. Social media allows youth to collectively express their identities and views, as seen during the 2011 London riots when police tried unsuccessfully to shut down Blackberry and Twitter services youth were using.
Wbapagesss bamsmedia
This document analyzes existing artist websites and identifies effective design elements that could be incorporated into a new website. Key elements noted include clear branding suited to the target audience, use of latest videos to engage visitors, automatic music playback to attract attention, simple yet sophisticated branding styles, focus on the artist over images, and interactive social media and news links to keep audiences informed and connected. Elements that could be improved include reducing overly complex pages that may confuse users.
Roles chart
Sachin is skilled with cameras and technologies and has a creative vision for shots, making him suitable as director and camera operator. Monique is organized, works well under pressure, and enjoys solving problems, suiting her for the producer role. Anika is a team player with a great imagination who can help the director create new ideas, making her suitable as assistant director. Bethenay is patient, organized, and likes pre-production tasks, suiting her for the production assistant role.
Target audience
This product targets anyone aged 16+ who has experienced loss of a loved one or someone important in their life. The subject matter will be sensitive and emotionally touching for many viewers. Previous similar products that targeted this audience of those experiencing loss have been successful.
Treatment
The document discusses a song called "Never Again" by Meaning In Masterpiece that will be used for a music video. The song has unhappy and pessimistic lyrics. The music video will portray a young man who cannot function properly at work or socially after losing his love. Scenes will show him zoning out and unable to concentrate at work due to constantly thinking about his lost love. The video will end with the man repeatedly choosing the same path, illustrating that he will never let his love go, reflecting the song's lyrics.
Half term media a2 homework
The document discusses several magazine covers and advertisements that represent different aspects of identity in youth culture. Rhianna's pink lipstick and smile symbolize her femininity and contentment. Gucci Maine is presented as the dominant male in the center of the page, with tattoos and sunglasses showing his unique fashion identity. A teenage girl walking with a mobile phone references her use of technology and social media to construct her collective identity with others. The representations demonstrate that while everyone has their own identity, youth identities are also influenced by trends, stereotypes, and collective experiences.
Identity is complicated
The document discusses several magazine covers and advertisements that represent different aspects of identity in youth culture. Rhianna's pink lipstick and smile symbolize her femininity and contentment. Gucci Maine is presented as the dominant male in the center of the page, with tattoos and sunglasses showing his unique fashion identity. A teenage girl walking with a mobile phone references her use of technology and social media to construct her collective identity with others. The representations demonstrate that while everyone has their own identity, youth identities are also shaped by societal influences.
More from mediamonz (10)
Recently uploaded
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
原版纸张【微信：741003700 】【(osu毕业证书)美国俄勒冈州立大学毕业证，双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
定制(uow毕业证书)卧龙岗大学毕业证文凭学位证书原版一模一样
原版一模一样【微信：741003700 】【(uow毕业证书)卧龙岗大学毕业证文凭学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Eternal IPTV distinguishes itself from other IPTV services through its extensive library of content and superior streaming quality.
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
高仿(nyu毕业证书)美国纽约大学毕业证文凭毕业证原版一模一样
原版纸张【微信：741003700 】【(nyu毕业证书)美国纽约大学毕业证、文凭毕业证】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
原版制作(Mercer毕业证书)摩斯大学毕业证在读证明一模一样
学校原件一模一样【微信：741003700 】《(Mercer毕业证书)摩斯大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
Follow us on: Pinterest
The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
Follow us on: Pinterest
Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Recently uploaded (20)
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdf
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
240529_Teleprotection Global Market Report 2024.pdf
240529_Teleprotection Global Market Report 2024.pdf
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
_7 OTT App Builders to Support the Development of Your Video Applications_.pdf
I Know Dino Trivia: Part 3. Test your dino knowledge
I Know Dino Trivia: Part 3. Test your dino knowledge
Evaluation media 2
- 2. ARTIST PRESENTATION Jake Black is incorporates many of James Blunts branding a James Blunt representation techniques in terms album - of having the artist as the centre of influence attention throughout all products. In relation to the Album cover he is featured on the front cover to reflect his personality and unique style that is illustrated through his music. The colours used throughout our digi-pack is consistent with dull colours of Black and White which is significant as it reinforces the genre Our of our video and the on-going product melancholic theme.
- 3. COSTUMES AND PROPS When choosing costumes we wanted to appeal to our target audience so we decided to have Jake Black dressed casual in Jeans , jumpers, t-shirts and a jacket throughout with his own unique smooth style intertwined. From feedback we gained from our media studies classmates we gathered that this image was preferred as they claimed Jake Blacks image reminded them of James Blunt. We used a guitar throughout our music video to represent the musical element of our video and also to show music as a source of escapism for our artist. We didn’t use many props in order to keep our artist as the main focus and our genre consistent.
- 4. COLOURS AND EFFECTS The low key distorted lighting played a huge role in our production as it gave our overall product a significant dull and emotional look. We had a common theme with the digi-pack, website and our music video which were consistent to make our product viable and appealing to the target audience
- 5. IMAGES USED We have used a variety of close up shots of our artist and also enigmatic images that represent our artist as an emotional masculine figure. We made this distinctive presentation of our to make our artist recognisable by audiences.
- 6. FONTS AND TEXTS • We made sure that our fonts used were consistent throughout the digi-pack and our official product in order to give Jake Black his own unique label that can be recognised by audiences. We kept the colours as black and white which corresponds with the low key lighting in our music video.