Eliot's theory
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T.S. Eliot was an American-British poet, playwright, and literary critic born in 1888 who died in 1965. He is considered one of the major 20th century poets and is best known for his poems "The Love Song of J. Alfred Prufrock" and "The Waste Land." Eliot proposed a theory of "depersonalization" in art, where the emotions and experiences expressed in a work of art are different from those of the artist. According to Eliot, it is not the intensity of the emotions themselves that make great poetry, but rather the intensity of the artistic process and fusion that takes place under creative pressure.
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Paper : 7 : Literary Criticism
T.S. Eliot's 1919 essay "Tradition and Individual Talent" discusses his views on literary tradition and the role of the individual artist. Eliot believes that tradition is not just imitating the past, but requires deep understanding gained through diligent labor. A poet must have historical sense, appreciating both how their work relates to and differs from historical precursors. Further, Eliot argues that true criticism focuses on the art itself rather than the poet's personality or emotions. A poet's talent appears not through expression of personal feelings, but through an impersonal, scientific escape from emotion and self into the work.
Tradition and the individual talent
T.S. Eliot's essay argues that a poet's ability to relate their emotions to those expressed in previous works of literature is as important as their direct self-expression. The essay compares tradition, represented by references to other works, with an individual poet's talent or ability. Eliot supports his argument by providing examples from works like Othello and Ulysses that show similar emotions expressed across different works. He disagrees with the trend of his era that valued works primarily for their direct expression of the poet's ideas over references to literary tradition.
Paper 7
This document provides biographical information about T.S. Eliot and summarizes his influential 1919 essay "Tradition and Individual Talent". It discusses Eliot's views that a poet must be aware of literary tradition but also modify it. A poet surrenders to tradition but also alters it through their creative work. Eliot believed the poet's personality should be depersonalized and their emotions detached so the poem becomes an objective artistic creation rather than an expression of personal feelings.
Traditional and individual talent theory
T.S. Eliot's essay argues that individual talent and creativity are shaped by tradition. He rejects the Romantic view that poetry expresses the poet's personality or emotions. Instead, Eliot believes the poet must develop a sense of literary history to understand how their work relates to the past. The essay also introduces Eliot's theory of "impersonal" poetry - that successful works escape the poet's personality and emotions and instead channel ordinary feelings into an artistic combination.
Analogy of Chemical Reaction and Poetic Process
Eliot draws an analogy between the chemical process of a platinum catalyst enabling the formation of sulfuric acid from oxygen and sulfur dioxide, and the poetic process. In poetry, the poet serves as the catalyst or "platinum", facilitating an organization and complexification of ordinary emotions into the finished poetic work, which contains no trace of the poet's individual personality. Eliot argues poetry should be impersonal and separate from the poet's own emotions, which may be simple, while the emotions in a good poem will be far more complex. A poet uses ordinary emotions and experiences them through the work of poetry in a way that expresses feelings not actually present in their own emotional experiences.
Tradition and individual telant
T.S. Eliot's 1919 essay "Tradition and the Individual Talent" lays out his critical creed in three parts. Eliot argues that a poet must be aware of tradition but not prejudiced by it, as the most individual parts of their work come from their unique talent interacting with historical influences in a way that feels new at the time of creation. The essay distinguishes between the poet's relationship to tradition over time and helped establish modernist ideas that later transitioned to postmodernism.
T s eliot and the concept of literary tradition and the importance of allusions
T s eliot and the concept of literary tradition and the importance of allusionsInternational Journal of Science and Research (IJSR)
This document discusses T.S. Eliot's concept of literary tradition and the importance of allusions. Eliot believed that tradition is not just inheriting the past, but achieving a historical sense that perceives the past as both past and present. An artist must have a strong background in their cultural and literary history. Eliot argued that when a new work is allusive to past works, it positively affects the whole literature of a country. The use of allusions is an important way for authors to maintain literary tradition by referencing ideas from previous works. The document provides details on Eliot's views and analyzes how later critics interpreted and applied his concept of the historical sense.Tradition and individual talent.ppt
Tradition refers to the English literary canon from ancient Greek and Roman works through Chaucer, Shakespeare, Milton and others. Individual talent refers to new poems and poets. Eliot argues that for a new poem to be successful, it must conform to literary tradition by demonstrating a historical understanding of poetic forms and a poetic sensibility shaped by great works, yet still reflect the contemporary era. The new poet must act as a catalyst, combining tradition and individual experiences into a new work without changing themselves. In this way, great poetry is created by both conforming to tradition and expressing individual talent.
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Paper : 7 : Literary Criticism
T.S. Eliot's 1919 essay "Tradition and Individual Talent" discusses his views on literary tradition and the role of the individual artist. Eliot believes that tradition is not just imitating the past, but requires deep understanding gained through diligent labor. A poet must have historical sense, appreciating both how their work relates to and differs from historical precursors. Further, Eliot argues that true criticism focuses on the art itself rather than the poet's personality or emotions. A poet's talent appears not through expression of personal feelings, but through an impersonal, scientific escape from emotion and self into the work.
Tradition and the individual talent
T.S. Eliot's essay argues that a poet's ability to relate their emotions to those expressed in previous works of literature is as important as their direct self-expression. The essay compares tradition, represented by references to other works, with an individual poet's talent or ability. Eliot supports his argument by providing examples from works like Othello and Ulysses that show similar emotions expressed across different works. He disagrees with the trend of his era that valued works primarily for their direct expression of the poet's ideas over references to literary tradition.
Paper 7
This document provides biographical information about T.S. Eliot and summarizes his influential 1919 essay "Tradition and Individual Talent". It discusses Eliot's views that a poet must be aware of literary tradition but also modify it. A poet surrenders to tradition but also alters it through their creative work. Eliot believed the poet's personality should be depersonalized and their emotions detached so the poem becomes an objective artistic creation rather than an expression of personal feelings.
Traditional and individual talent theory
T.S. Eliot's essay argues that individual talent and creativity are shaped by tradition. He rejects the Romantic view that poetry expresses the poet's personality or emotions. Instead, Eliot believes the poet must develop a sense of literary history to understand how their work relates to the past. The essay also introduces Eliot's theory of "impersonal" poetry - that successful works escape the poet's personality and emotions and instead channel ordinary feelings into an artistic combination.
Analogy of Chemical Reaction and Poetic Process
Eliot draws an analogy between the chemical process of a platinum catalyst enabling the formation of sulfuric acid from oxygen and sulfur dioxide, and the poetic process. In poetry, the poet serves as the catalyst or "platinum", facilitating an organization and complexification of ordinary emotions into the finished poetic work, which contains no trace of the poet's individual personality. Eliot argues poetry should be impersonal and separate from the poet's own emotions, which may be simple, while the emotions in a good poem will be far more complex. A poet uses ordinary emotions and experiences them through the work of poetry in a way that expresses feelings not actually present in their own emotional experiences.
Tradition and individual telant
T.S. Eliot's 1919 essay "Tradition and the Individual Talent" lays out his critical creed in three parts. Eliot argues that a poet must be aware of tradition but not prejudiced by it, as the most individual parts of their work come from their unique talent interacting with historical influences in a way that feels new at the time of creation. The essay distinguishes between the poet's relationship to tradition over time and helped establish modernist ideas that later transitioned to postmodernism.
T s eliot and the concept of literary tradition and the importance of allusions
T s eliot and the concept of literary tradition and the importance of allusionsInternational Journal of Science and Research (IJSR)
This document discusses T.S. Eliot's concept of literary tradition and the importance of allusions. Eliot believed that tradition is not just inheriting the past, but achieving a historical sense that perceives the past as both past and present. An artist must have a strong background in their cultural and literary history. Eliot argued that when a new work is allusive to past works, it positively affects the whole literature of a country. The use of allusions is an important way for authors to maintain literary tradition by referencing ideas from previous works. The document provides details on Eliot's views and analyzes how later critics interpreted and applied his concept of the historical sense.Tradition and individual talent.ppt
Tradition refers to the English literary canon from ancient Greek and Roman works through Chaucer, Shakespeare, Milton and others. Individual talent refers to new poems and poets. Eliot argues that for a new poem to be successful, it must conform to literary tradition by demonstrating a historical understanding of poetic forms and a poetic sensibility shaped by great works, yet still reflect the contemporary era. The new poet must act as a catalyst, combining tradition and individual experiences into a new work without changing themselves. In this way, great poetry is created by both conforming to tradition and expressing individual talent.
T 1. s. eliot
T.S. Eliot was an American-born English poet, playwright and critic considered one of the most important English poets of the 20th century. He is known for poems like The Love Song of J. Alfred Prufrock, The Waste Land, and Four Quartets. Eliot also wrote literary criticism where he argued that a poet's work is not solely a product of their individual talents and emotions, but is shaped by their understanding of literary tradition and the dead poets who came before them. He believed the role of the poet was not self-expression but as a vessel for tradition. Eliot received the Nobel Prize in Literature in 1948.
Tradition and the individual talent-Jameel Al-Ghaberi
This document summarizes T.S. Eliot's essay "Tradition and the Individual Talent". The essay is divided into three parts: Eliot's concept of tradition, his theory of the impersonality of poetry, and a conclusion. Eliot argues that a poet must be steeped in tradition through painstaking study in order to create new works of art. A poet surrenders their personality and emotions to tradition, acting as a medium for their fusion. Their work is then judged based on how it compares and contributes to the ongoing tradition, rather than as an expression of personal feelings or experiences.
Tradition and the individual talent by deepti Gupta
T.S. Eliot was an American-born British essayist, publisher, playwright, literary and social critic who lived from 1888 to 1965. One of his most well-known works is the essay "Tradition and the Individual Talent" published in 1919, which discusses the relationship between tradition and an artist's individual talents. The essay argues that tradition is not just blindly following previous generations, but is obtained through hard work and an understanding of history. It also introduces Eliot's concept of "depersonalization," where a poet distances themselves from raw emotion and personality. The presentation provides context and analysis of key parts of Eliot's influential essay.
Literary theory and criticism
T.S. Eliot's essay "Tradition and Individual Talent" was published in 1919. The essay discusses Eliot's view of tradition, depersonalization in art, and how a poet's sense of tradition and impersonality are complementary. Eliot believes that every writer is part of a tradition spanning other dead poets and artists. A knowledge of this tradition plays a vital role in developing one's own talent, while also allowing one to write with a sense of the whole of literature.
I.A Richards's views on the language of poetry
This document provides information about T.S. Eliot's essay "Tradition and Individual Talent". It discusses that the essay was first published in 1919 and later included in Eliot's 1920 collection The Sacred Wood. The essay is divided into three parts that discuss Eliot's concepts of tradition, the theory of depersonalization in poetry, and his conclusion that true poetry results from an escape of personality and emotion through acquiring an understanding of tradition.
Tradition and individual talent
1) T.S. Eliot's 1919 essay "Tradition and the Individual Talent" discusses his view of the relationship between poets and the literary tradition that preceded them.
2) Eliot argues that a poet's mind acts as a catalyst that synthesizes feelings and emotions into an artistic creation, emerging from the process unaffected. For Eliot, successful poetry achieves an impersonal form of expression that exists independently of its poet.
3) According to Eliot, a poet must be conscious of both the present and past literary traditions in order to create new works that alter how the past is understood, representing a fusion of different time periods. The progress of the artist involves a continual self-sacrif
Tradition and the individual talent neo
The document discusses T.S. Eliot's essay "Tradition and the Individual Talent". It provides an overview of the essay's publication history and analyzes its key ideas in three parts: [1] Eliot's concept of tradition, [2] his theory of the impersonality of poetry, and [3] a conclusion summing up the discussion. The document examines Eliot's views on acquiring and utilizing tradition through a historical sense and a dynamic conception of the relationship between past and present works. It also addresses criticisms of Eliot's theory and defends the value of tradition for poets.
Eliot Concept of tradition
This document summarizes T.S. Eliot's influential 1919 essay "Tradition and the Individual Talent". It discusses Eliot's views that tradition is not just imitation of the past, but requires hard work to understand the historical context of previous works. Eliot believed that poets must be impersonal and separate their emotions from the creative process, organizing their work in a way that escapes from personality rather than expressing it. The essay examines Eliot's conceptions of tradition, depersonalization of the poet, and how new works interact with and modify past traditions in literature.
Literary criticism 2
This document summarizes T.S. Eliot's essay "Tradition and Individual Talent". It discusses Eliot's views on tradition in literature, the concept of impersonal poetry, and how a poet's sense of tradition and impersonality are complementary. Eliot believed that a poet must have a historical sense of their work in relation to all of literature, and that the talent and personality of the poet should not be the focus of criticism but rather the poetry itself. The document provides context and overview of Eliot's influential ideas about tradition, criticism, and the poet's role.
Eliot's theory of Depersonalization
This document contains information about a student submitting an essay on T.S. Eliot's theory of depersonalization. It includes the student's name, course details, and contact information. The body discusses how Eliot's 1919 essay argued that poetry should be evaluated based on the work itself, not the poet's personality. Eliot likened the creative process to a chemical reaction, where the poet's experiences and emotions combine in their mind and emerge as depersonalized poetry. The student's essay will examine Eliot's concept of the poet surrendering their personality and individual experiences to create impersonal works of art.
Criticism nimesh -tradition and individual talent
I have prepare my presentation about " theory of Depersonalization or Impersonality" from the very influential essay in the field of New Criticism by T.S. Eliot.
paper no-7 literary theory and criticism "chemical reaction denationalization...
This document summarizes T.S. Eliot's essay "Tradition and Individual Talent". It discusses:
1) The essay has three parts - the concept of tradition, the theory of depersonalization, and a concluding summation.
2) Depersonalization means things that are not personal or impersonal. Eliot argues that criticism should be directed at the poetry, not the poet, through a process of depersonalization where the poet surrenders their personality.
3) Eliot uses the analogy of a chemical reaction involving platinum to define the creative process, where the poet's mind acts as a catalyst, combining impressions without being changed itself in the final work.
Theory of Depersonalisation
T.S. Eliot's theory of depersonalization argues that the poet should be like platinum in the creative process, totally surrendering themselves to produce the work but leaving no trace of their own personality. The poem and poet are separate entities, with the feelings and emotions of the poem being different from the poet themselves. According to Eliot, the poet's mind acts as a receptacle for a vast array of feelings, emotions, and images that remain unorganized, and the poetry is an organization of these elements rather than an expression of inspiration from within the poet. The emotion of art is therefore impersonal and exists through the evocative power of the poem itself rather than through the poet's own life experiences or personality
T.s eliot(final)
This document summarizes T.S. Eliot's essay "Tradition and the Individual Talent". It discusses Eliot's views on the importance of tradition for artists. Eliot believes the best parts of an artist's work are those most influenced by past writers and works. He also discusses his theory of impersonality in art, where the artist acts as a catalyst for experiences and impressions. The document provides an overview of Eliot's views on tradition, the individual, and depersonalization in creative works.
Tradition and the individual talent
1) The document discusses T.S. Eliot's concept of "tradition" in poetry, which holds that a poet's work is influenced by all preceding poets and should be understood in that historical context through comparison.
2) Eliot also proposes a theory of "impersonal" poetry, where a poet filters their emotions and experiences through their poetic talents to create something objective, like a scientist, rather than expressive of their personality.
3) He uses the analogy of a poet being like a catalyst in a chemical reaction, facilitating a reaction between emotions and artistic talents to produce poetry in an organized, rather than inspired, way.
Tradition and Individual Talent - T.S.Eliot
This document is a paper submitted by Solanki Pratiksha M. about T.S. Eliot's essay "Tradition and Individual Talent". It discusses key points from Eliot's essay such as his concept of tradition, the historical sense, and his theory of depersonalization. The document also examines Eliot's views on modernism, postmodernism, plurality, and the relationship between the past and present in literary works.
T.S Eliot as a critic & his objective correlative
T.S. Eliot was one of the greatest literary critics of the 20th century in England. He devised several influential critical concepts, including the "objective correlative." The objective correlative refers to a set of objects, events, or situations that allow a poet to evoke a particular emotion in the reader, rather than stating the emotion directly. Eliot believed poets should "show" their emotions through an objective correlative, not just say them. His criticism argued that a work of art must be understood in the context of previous works. As a critic, Eliot had influence but was also faulted for personal biases and inconsistent standards.
Tradition and individual talent
This document summarizes T.S. Eliot's 1919 essay "Tradition and Individual Talent". It discusses Eliot's conception of literary tradition as a simultaneous order of past and present. Eliot argues that a poet's work both draws from and alters tradition. The essay also describes Eliot's theory of impersonal poetry, where the poet acts as a catalyst for emotions that are synthesized into the work, which emerges independently of the poet's personality. According to Eliot, successful poetry escapes from both emotion and personality through this process.
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T 1. s. eliot
T.S. Eliot was an American-born English poet, playwright and critic considered one of the most important English poets of the 20th century. He is known for poems like The Love Song of J. Alfred Prufrock, The Waste Land, and Four Quartets. Eliot also wrote literary criticism where he argued that a poet's work is not solely a product of their individual talents and emotions, but is shaped by their understanding of literary tradition and the dead poets who came before them. He believed the role of the poet was not self-expression but as a vessel for tradition. Eliot received the Nobel Prize in Literature in 1948.
Tradition and the individual talent-Jameel Al-Ghaberi
This document summarizes T.S. Eliot's essay "Tradition and the Individual Talent". The essay is divided into three parts: Eliot's concept of tradition, his theory of the impersonality of poetry, and a conclusion. Eliot argues that a poet must be steeped in tradition through painstaking study in order to create new works of art. A poet surrenders their personality and emotions to tradition, acting as a medium for their fusion. Their work is then judged based on how it compares and contributes to the ongoing tradition, rather than as an expression of personal feelings or experiences.
Tradition and the individual talent by deepti Gupta
T.S. Eliot was an American-born British essayist, publisher, playwright, literary and social critic who lived from 1888 to 1965. One of his most well-known works is the essay "Tradition and the Individual Talent" published in 1919, which discusses the relationship between tradition and an artist's individual talents. The essay argues that tradition is not just blindly following previous generations, but is obtained through hard work and an understanding of history. It also introduces Eliot's concept of "depersonalization," where a poet distances themselves from raw emotion and personality. The presentation provides context and analysis of key parts of Eliot's influential essay.
Literary theory and criticism
T.S. Eliot's essay "Tradition and Individual Talent" was published in 1919. The essay discusses Eliot's view of tradition, depersonalization in art, and how a poet's sense of tradition and impersonality are complementary. Eliot believes that every writer is part of a tradition spanning other dead poets and artists. A knowledge of this tradition plays a vital role in developing one's own talent, while also allowing one to write with a sense of the whole of literature.
I.A Richards's views on the language of poetry
This document provides information about T.S. Eliot's essay "Tradition and Individual Talent". It discusses that the essay was first published in 1919 and later included in Eliot's 1920 collection The Sacred Wood. The essay is divided into three parts that discuss Eliot's concepts of tradition, the theory of depersonalization in poetry, and his conclusion that true poetry results from an escape of personality and emotion through acquiring an understanding of tradition.
Tradition and individual talent
1) T.S. Eliot's 1919 essay "Tradition and the Individual Talent" discusses his view of the relationship between poets and the literary tradition that preceded them.
2) Eliot argues that a poet's mind acts as a catalyst that synthesizes feelings and emotions into an artistic creation, emerging from the process unaffected. For Eliot, successful poetry achieves an impersonal form of expression that exists independently of its poet.
3) According to Eliot, a poet must be conscious of both the present and past literary traditions in order to create new works that alter how the past is understood, representing a fusion of different time periods. The progress of the artist involves a continual self-sacrif
Tradition and the individual talent neo
The document discusses T.S. Eliot's essay "Tradition and the Individual Talent". It provides an overview of the essay's publication history and analyzes its key ideas in three parts: [1] Eliot's concept of tradition, [2] his theory of the impersonality of poetry, and [3] a conclusion summing up the discussion. The document examines Eliot's views on acquiring and utilizing tradition through a historical sense and a dynamic conception of the relationship between past and present works. It also addresses criticisms of Eliot's theory and defends the value of tradition for poets.
Eliot Concept of tradition
This document summarizes T.S. Eliot's influential 1919 essay "Tradition and the Individual Talent". It discusses Eliot's views that tradition is not just imitation of the past, but requires hard work to understand the historical context of previous works. Eliot believed that poets must be impersonal and separate their emotions from the creative process, organizing their work in a way that escapes from personality rather than expressing it. The essay examines Eliot's conceptions of tradition, depersonalization of the poet, and how new works interact with and modify past traditions in literature.
Literary criticism 2
This document summarizes T.S. Eliot's essay "Tradition and Individual Talent". It discusses Eliot's views on tradition in literature, the concept of impersonal poetry, and how a poet's sense of tradition and impersonality are complementary. Eliot believed that a poet must have a historical sense of their work in relation to all of literature, and that the talent and personality of the poet should not be the focus of criticism but rather the poetry itself. The document provides context and overview of Eliot's influential ideas about tradition, criticism, and the poet's role.
Eliot's theory of Depersonalization
This document contains information about a student submitting an essay on T.S. Eliot's theory of depersonalization. It includes the student's name, course details, and contact information. The body discusses how Eliot's 1919 essay argued that poetry should be evaluated based on the work itself, not the poet's personality. Eliot likened the creative process to a chemical reaction, where the poet's experiences and emotions combine in their mind and emerge as depersonalized poetry. The student's essay will examine Eliot's concept of the poet surrendering their personality and individual experiences to create impersonal works of art.
Criticism nimesh -tradition and individual talent
I have prepare my presentation about " theory of Depersonalization or Impersonality" from the very influential essay in the field of New Criticism by T.S. Eliot.
paper no-7 literary theory and criticism "chemical reaction denationalization...
This document summarizes T.S. Eliot's essay "Tradition and Individual Talent". It discusses:
1) The essay has three parts - the concept of tradition, the theory of depersonalization, and a concluding summation.
2) Depersonalization means things that are not personal or impersonal. Eliot argues that criticism should be directed at the poetry, not the poet, through a process of depersonalization where the poet surrenders their personality.
3) Eliot uses the analogy of a chemical reaction involving platinum to define the creative process, where the poet's mind acts as a catalyst, combining impressions without being changed itself in the final work.
Theory of Depersonalisation
T.S. Eliot's theory of depersonalization argues that the poet should be like platinum in the creative process, totally surrendering themselves to produce the work but leaving no trace of their own personality. The poem and poet are separate entities, with the feelings and emotions of the poem being different from the poet themselves. According to Eliot, the poet's mind acts as a receptacle for a vast array of feelings, emotions, and images that remain unorganized, and the poetry is an organization of these elements rather than an expression of inspiration from within the poet. The emotion of art is therefore impersonal and exists through the evocative power of the poem itself rather than through the poet's own life experiences or personality
T.s eliot(final)
This document summarizes T.S. Eliot's essay "Tradition and the Individual Talent". It discusses Eliot's views on the importance of tradition for artists. Eliot believes the best parts of an artist's work are those most influenced by past writers and works. He also discusses his theory of impersonality in art, where the artist acts as a catalyst for experiences and impressions. The document provides an overview of Eliot's views on tradition, the individual, and depersonalization in creative works.
Tradition and the individual talent
1) The document discusses T.S. Eliot's concept of "tradition" in poetry, which holds that a poet's work is influenced by all preceding poets and should be understood in that historical context through comparison.
2) Eliot also proposes a theory of "impersonal" poetry, where a poet filters their emotions and experiences through their poetic talents to create something objective, like a scientist, rather than expressive of their personality.
3) He uses the analogy of a poet being like a catalyst in a chemical reaction, facilitating a reaction between emotions and artistic talents to produce poetry in an organized, rather than inspired, way.
Tradition and Individual Talent - T.S.Eliot
This document is a paper submitted by Solanki Pratiksha M. about T.S. Eliot's essay "Tradition and Individual Talent". It discusses key points from Eliot's essay such as his concept of tradition, the historical sense, and his theory of depersonalization. The document also examines Eliot's views on modernism, postmodernism, plurality, and the relationship between the past and present in literary works.
T.S Eliot as a critic & his objective correlative
T.S. Eliot was one of the greatest literary critics of the 20th century in England. He devised several influential critical concepts, including the "objective correlative." The objective correlative refers to a set of objects, events, or situations that allow a poet to evoke a particular emotion in the reader, rather than stating the emotion directly. Eliot believed poets should "show" their emotions through an objective correlative, not just say them. His criticism argued that a work of art must be understood in the context of previous works. As a critic, Eliot had influence but was also faulted for personal biases and inconsistent standards.
Tradition and individual talent
This document summarizes T.S. Eliot's 1919 essay "Tradition and Individual Talent". It discusses Eliot's conception of literary tradition as a simultaneous order of past and present. Eliot argues that a poet's work both draws from and alters tradition. The essay also describes Eliot's theory of impersonal poetry, where the poet acts as a catalyst for emotions that are synthesized into the work, which emerges independently of the poet's personality. According to Eliot, successful poetry escapes from both emotion and personality through this process.
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Tradition and the individual talent-Jameel Al-Ghaberi
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paper no-7 literary theory and criticism "chemical reaction denationalization...
paper no-7 literary theory and criticism "chemical reaction denationalization...
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Literary Terms
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Difference between Literary Theory and Criticism
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Similar to Eliot's theory
The Wasteland, By T.S. Eliot
T.S. Eliot's poem "The Wasteland" explores themes of aridity, sexuality, and death in modern society. Published in 1922, the poem combines allusions from various historical, literary, and religious texts to portray a post-WWI world as dry and fragmented. Through abrupt transitions between scenes and speakers, Eliot depicts civilization as spiritually empty while seeking ways to regenerate meaning and connection between people.
T.S Eliot theory of Poetry.pptx
Introduction of Writer, his works, essay tradition and individual talent, theory of poetry( impersonality of poetry, historical sense, poetic emotion, comparison of Wordsworth and T.S eliot theory of poetry, objective correlative, dissociation of Sensibility, unification of sensibility, meta-physical poetry, conceit , use of Conceit in John Donne’s poetry.
T. S. Eliot Prufrock Research Paper
The document provides biographical information about T.S. Eliot and analyzes his poem "The Love Song of J. Alfred Prufrock." It discusses how the poem reflects Eliot's own personality and experiences as a young man from Harvard, despite Eliot calling for impersonality in poetry. The poem is said to spring from Eliot's own perspective as a detached and cultivated young man. Eliot's use of figures of speech like personification and metaphors are also analyzed in relation to themes of death and isolation in the poem.
Eliot ok
T.S. Eliot's poem The Waste Land explores the spiritual and moral confusion of the modern world. It uses fragments from various sources without narrative to portray a "waste land" society fragmented by war. Some key aspects include its use of the Grail legend as a framework to discuss themes of fertility and rebirth. It also employs the "objective correlative" technique of using imagery to represent emotions. The poem had a profound influence on modernist literature through its revolutionary structure and style.
Theory of Depersonalization
Depersonalization is the action of detaching the personal self from something. In the context of “Tradition and the Individual Talent,” depersonalization is the process the traditional poet goes through to make their poetry less personal and more in keeping with Eliot’s Impersonal Theory instead. The poet depersonalizes their poetry by working up complex arrangements of common emotions instead of their personal emotions. The poet further depersonalizes their work by not using it to express their own feelings and by remaining neutral in the entire writing process. In depersonalizing their poetry, they become more traditional, because they are conscious not of themselves but of the whole history of poetry.
The theory of Impersonality by T.S. Eliot
This document discusses T.S. Eliot's theory of impersonality in poetry. It provides context around Eliot's views as expressed in some of his early essays. While Eliot advocated for impersonality and focusing on the poetry rather than the poet, the document notes that critics have argued Eliot often smuggled his own personality back into his works. It also examines Eliot's use of first-person pronouns in some of his poems like "The Waste Land" and "Ash Wednesday" to show how exploring impersonality through pronouns is not entirely reliable given Eliot's use of persona.
Poetry By Marianne Moore
Wilfred Owen's poetry presents a negative view of society during World War I. In poems like "Dulce et Decorum est" and "Anthem for Doomed Youth," Owen depicts the horrors of war and discredits the patriotic notions promoted by some that leading men to war was an honor. He aimed to expose the human costs of war in an effort to discourage glorification and recruitment of further soldiers to the trenches.
The Waste Land as a Pandemic Poem..
The document summarizes T.S. Eliot's poem "The Waste Land" and analyzes how it can be seen as a pandemic poem. It provides background on Eliot and his work. It explores themes in "The Waste Land" like isolation, despair, and the human spirit overcoming adversity. Specific lines from the poem are examined in the context of the COVID-19 pandemic. The document argues that the poem reflects the feelings of crisis and hope for renewal that people experience during a pandemic.
Eliot’s Treatment of the Chorus: A Steady Logical Structure (3) The Confident...
This study is a scrutiny investigative approach on T. S. Eliot’s complex dramaturgical development and progress in the implementation of a very olden dramatic practice. It is the operational of the chorus in Eliot’s verse dramas. This analysis is the third continuous effort to track the treatment that he employs in dealing with the chorus from antiquity to a modern approach. The study tries to pursue the procedure of Eliot in using the chorus in his dramas, tracing the progress Eliot reached with particular reference to his two final plays The Confidential Clerk and The Elder Statesman as Case in Point. The study uses descriptive-analytical and critical methodology. It begins with a brief outline of Eliot and his theoretical views on the merits and demerits of the chorus in drama. Then the task moves ahead to examine and analyze Eliot's usage of the chorus in The Confidential Clerk. Later, the work moves to the next part that explores the play The Elder Statesman. The study ends with discussion, conclusion, and recommendations if there is any.
Thomas Stearns Eliot.pptx
Thomas Stearns Eliot was born in 1888 in St. Louis, Missouri to a wealthy family descended from Puritan settlers. He studied at Harvard, Paris, and Oxford, gaining a cosmopolitan education. In 1925 he married Vivien Haigh-Wood, though she had mental health issues. Eliot is considered one of the most influential modernist poets in English literature, using stream-of-consciousness and other techniques to depict the chaos of modern life. His most famous work, The Waste Land, published in 1922, portrays London as a sterile wasteland expressing postwar depression through symbols of drought and flood. Throughout his life and works, Eliot explored spiritual and societal crisis in the modern world.
DISCUSSION POETS HARDY & ELIOT BRIEFLY RESPOND scholarly to FOU.docx
DISCUSSION POETS HARDY & ELIOT BRIEFLY RESPOND scholarly to FOUR POSTS
Top of Form
· POST ONE-Hardy - DW16
T.S. Eliot and Thomas Hardy have similar writing styles. However, Hardy is straight forward, very imaginative, and to the point in his writing. Hardy's cynicism shows human struggles as useless against universal forces, which is a common theme in his literary works. Eliot wanted his poetry to capture the fragile physiological state of humanity disintegrating the twentieth century. Both writers had a vision of post religion society and dealt with mortality.The failure of the works can be seen as a metaphor of cultural pessimism and desolation that can be accredited to literary criticism. Both Eliot and Hardy's admiration for mythological works are filled with references of critical interpretations of text. To enlighten readers, the poet must beware of using excessive academic language and only extract the most important historical pieces of the past into a poem.
· POST TWO- T.S. Eliot & Hardy CJ - 16
In the years following World War One, society was reeling from a dehumanizing realization of the lack of sanctity found in everything previously held dear. The poets of the time analyzed this truth, sought to internalize the feelings of society as a whole, and then reproduce them in works painted with honesty. T.S. Eliot's The Wasteland is perhaps the most heavy-handed in this sense. Eliot goes to great lengths to describe the world around him. He states,
“A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.”
By encapsulating the feelings of hopelessness, fear, and despair, Eliot was able to successfully conjure an emotional response from his peers within a universal situation and worldview.
In a similar sense, Thomas Hardy also addresses the hopelessness that accompanies collapse. In Hap, Hardy analyzes the suffering that follows a loss of faith. Hardy blames "casualty" and "time" for unhappiness and attributes suffering not to God, but mere acts of chance. This collapse of faith mirrors the literal historical and emotional collapse mentioned by Eliot.
· POST THREE - T.S. Elliot & Thomas HardyVT -15
Thomas Hardy and T.S. Elliot are Victorian style poetry writers whose works were greatly influenced by past conflicts and the state of society in their time periods. These influences gave both these writers consistently similar themes of collapse throughout many of their works. I will discuss works by these authors that are blatantly about collapse and in Thomas hardy’s works that basically state his mission as a writer to expose the ugly things. Both were troubled by how poorl.
Ts Eliot
T.S. Eliot was an American-born poet, playwright, and literary critic. He was born in 1888 in St. Louis, Missouri. He attended Harvard University where he received both undergraduate and graduate degrees. After college, he spent time touring Europe before moving to London in 1915. Some of his most famous works include The Waste Land and The Love Song of J. Alfred Prufrock. Eliot was heavily influenced by myths and used fragmentation in his works to reflect the modern experience. The Waste Land addresses themes of cultural fragmentation in the post-WWI period through its use of allusion and symbols.
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Eliot’s Treatment of the Chorus: A Steady Logical Structure (3) The Confident...
Eliot’s Treatment of the Chorus: A Steady Logical Structure (3) The Confident...
DISCUSSION POETS HARDY & ELIOT BRIEFLY RESPOND scholarly to FOU.docx
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Eliot's theory
- 1. Department Of EnglishDepartment Of English M.K.B.U.M.K.B.U. Dave Mayuri P.Dave Mayuri P. Roll no. 13 sem-2Roll no. 13 sem-2 Paper no. 7Paper no. 7 -: Topic :--: Topic :- Critical Reception Of Eliot’sCritical Reception Of Eliot’s TheoryTheory Submitted :- Dr. Dilip BaradSubmitted :- Dr. Dilip Barad
- 2. Introduction of T.S. EliotIntroduction of T.S. Eliot Thomas Stearns Eliot wasThomas Stearns Eliot was born in 26 Sept. 1888 and diedborn in 26 Sept. 1888 and died at 4 Jan. 1965.at 4 Jan. 1965. T. S. Eliot was an essayist,T. S. Eliot was an essayist, Publisher, Playwright, LiteraryPublisher, Playwright, Literary and Social Critic. And one ofand Social Critic. And one of the 20the 20thth century major poetscentury major poets was written by him.was written by him. Eliot attracted widespreadEliot attracted widespread attention for his poem “Theattention for his poem “The Love Song Of J. AlfredLove Song Of J. Alfred Prufrock 1915.”Prufrock 1915.” Which seen has masterpieceWhich seen has masterpiece of the modernist momentof the modernist moment It was followed by some of theIt was followed by some of the best-known poems in thebest-known poems in the English Language.English Language.
- 4. Theory Of DepersonalizationTheory Of Depersonalization Eliot explains his theory of Depersonalization more elaborately.Eliot explains his theory of Depersonalization more elaborately. He elaborates his idea by saying that the emotions and experienceHe elaborates his idea by saying that the emotions and experience in the art are different then the emotions and experience of thein the art are different then the emotions and experience of the artistartist.. If you compare severalIf you compare several representive passage of the greatest poetryrepresentive passage of the greatest poetry you see how great is the variety of types of combination, And alsoyou see how great is the variety of types of combination, And also how Completely any semi- ethical criterion ofhow Completely any semi- ethical criterion of “Sublimity”“Sublimity” misses themisses the mark.mark. For is it is not the greatness the intensity, of the emotion, theFor is it is not the greatness the intensity, of the emotion, the components but the intensity of the artistic process, the pressure socomponents but the intensity of the artistic process, the pressure so to speak under which the fusion takes place, that counts.to speak under which the fusion takes place, that counts.