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English for Academic and Professional Purposes
Senior High School Applied - Academic
Unit 7: The Critique Paper
Lesson 3
Writing a Critique Paper
ENGAG EXPLOR
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EVALUAT
We are now ready
to start writing a
critique. We will
also learn how to
critique works of art
and events. How do
we critique artwork
or events? What
makes a critique
effective?
2
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1. How should we approach
another person’s work?
2. What aspects of artwork and
events do we pay attention to in
a critique?
Essential
Questions
3
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Writing an Effective Critique
Approaching a Work
● Your goal should be to help improve a person’s writing or
to guide others in choosing which articles to read or avoid.
● There are some things you must keep in mind as you
begin to read the work.
4
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● First, be genuine in your critique.
● Keep in mind your goal to help improve the
person’s writing or to properly assess a work
for the benefit of others.
● A balanced, unbiased critique is more helpful
than an overly nice or harsh one.
Writing an Effective Critique
5
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● In relation to harshness, you should also avoid being
brutal in your critiques.
● It is important that you can express hard truths without
being rude or malicious about them.
● Your criticism will be taken more seriously by readers and
other authors if it is clear that the goal of your critique is to
help them and not to be mean.
Writing an Effective Critique
6
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● Do not be too timid either.
● It is often necessary to give your honest
comments about another person’s work as this
will help him or her improve on his or her work.
● Be sure not to hold out on your criticisms.
Writing an Effective Critique
7
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● Readers should know what the strengths of work are so
that they know what good they can expect from it.
● Authors also need encouragement when they are able to
do something right.
● It keeps them motivated to improve their craft.
● It serves as a guide on what they should repeat in their
next work, as they have already done it successfully
before.
Writing an Effective Critique
8
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Dos and Don’ts in Writing a Critique
Do:
● Read the piece several times.
● Try to understand the author's goals.
● Be specific in your feedback and provide
relevant examples.
Writing an Effective Critique
9
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EVALUAT
Don’t:
● Impose your own aesthetics, tastes, or
worldview.
● Rewrite the story the way you would have
written it.
● Discourage the author.
● Offer criticisms that are too general to help the
author make specific improvements.
Writing an Effective Critique
10
Tips
11
Don’t be afraid to give genuine praise
where it is due. Genuine praise
shows that you still have the
creator’s best interest in mind,
especially if you had a lot of hard
truths to say.
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Genre and Intended Audience
● It is important to be aware of the original work’s
genre and intended audience.
● The genre and intended audience determine
which techniques work and which ones do not.
Writing an Effective Critique
12
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Example 1
The author used casual language in his or her
work. If the work is a personal essay or modern
short story, then you could praise the author’s
diction. However, if the author used casual
language in a formal academic paper, then
perhaps you should point out that it is ineffective
for the work.
Writing an Effective Critique
13
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Example 2
If the work contains a lot of technical jargon, then
it should be praiseworthy if it relates well to the
intended audience. If complex technical jargon is
used in a textbook intended for children, then
perhaps this should be pointed out in your
critique.
Writing an Effective Critique
14
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Example 3
The use of the first-person point of view in a short
story or essay can be praised for bringing the
readers closer to the events in the work. However,
in an academic essay, it is more commendable to
use an objective third-person point of view.
Writing an Effective Critique
15
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Critiquing Works of Art
● Critiquing pictures, paintings, and other works
of art can be tricky.
● It is not exactly the same as critiquing written
works.
● However, it can follow the same format and
features as any other critique.
16
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Description
● First, you have to describe the work of art in
question.
● This is similar to summarizing a written work
before critiquing it.
Critiquing Works of Art
17
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EVALUAT
Here are some questions you can answer in order
to describe a work of art:
● What is the name of the artwork, when was it
made, and who is its creator?
● What medium did the artist use for the artwork?
● What colors, shapes, textures, etc. did the artist
use?
Critiquing Works of Art
18
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Example 1
Critiquing Works of Art
19
ENGAG EXPLOR
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EVALUAT
Sample Description
This painting is titled “The Knight of the Moon” by Yuri B., and
it was painted on March 28, 2020. It was made using oil-based
paints, and consists mostly of black, white, gray, and shades
of blue. It depicts the mountains using rougher lines and edges
and uses softer lines and smoother edges to show the clouds
and the mist. The moon is portrayed clearly in the sky, and the
focal point of the painting is the silhouette of a knight holding a
banner high and standing on the edge of a cliff.
Critiquing Works of Art
20
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EVALUAT
Explanation
The sample description is straightforward and answers the
questions listed above. It gives the name of the painter and the
artwork as well as the date it was made. Do not worry if you
cannot find the date the work of art was made as this is not
always readily available. It then provides a short description of
the techniques, colors, shapes, and others that can be seen in
the painting.
Critiquing Works of Art
21
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Analysis
● The next step in writing a critique is to evaluate
the elements of the painting mentioned in the
description and how they connect to one
another.
Critiquing Works of Art
22
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EVALUAT
Here are some sample questions you can answer
in order to form your analysis:
● Do the points complement one another?
● Do they create harmony or distress?
● How are the principles of art applied in the
painting?
Critiquing Works of Art
23
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EVALUAT
● Balance: Is the artwork symmetrical, in that
elements found on one side are also found on
the other, or is it asymmetrical, in which the
work is balanced by contrasting elements on
either side? Or does it make use of radial
symmetry, where elements are spaced equally
around a central point?
Critiquing Works of Art
24
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EVALUAT
● Contrast: How does the artwork make use of
positive and negative space? Are the colors
used complementary to each other?
● Emphasis: Did the artist create any area that
commands the viewers’ attention? How? Is it
effective?
Critiquing Works of Art
25
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● Movement: How does the artwork simulate
movement? Is it effective?
● Unity/Variety: Are the elements of the painting
too unified, which creates monotony, or are
they too varied, which creates chaos? How
does the painting strike a balance between the
two, if it does?
Critiquing Works of Art
26
Tips
27
You need not answer every question
or address every principle of art in
your analysis. What is important is
that you are able to address the most
striking ones in the artwork in
question, whether positive or
negative.
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Example 2
Critiquing Works of Art
28
ENGAG EXPLOR
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EVALUAT
Sample Analysis
The painting is able to achieve asymmetrical balance with
its separation of the mountains. There are more mountains
and cliffsides on the part of the painting that does not
contain the moon. The painter is also careful in spacing out
the use of dark colors and white, so that none become too
repetitive or too big. The use of mostly black and white also
creates enough variety in the landscape of the mountains.
Critiquing Works of Art
29
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EVALUAT
There is enough emphasis on the knight by
heavily contrasting his black silhouette with the
white mist. However, the emphasis on the knight
dwindles because the same contrasts can be
seen in other parts of the painting.
Critiquing Works of Art
30
ENGAG EXPLOR
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EVALUAT
Explanation
The short sample is able to address the primary elements
used in the painting, particularly the mountains and the knight
at the center. Always remember that when giving a critique, it
is best to give both positive and negative comments. Ideally,
give the positives first before moving on to the negatives, or
sandwich the negatives between the positives.
Critiquing Works of Art
31
ENGAG EXPLOR
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EVALUAT
Interpretation
● Now, think about what the message or goal of
the artwork is through its elements and use of
the principles of art.
Critiquing Works of Art
32
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EVALUAT
Some questions you can answer are the following:
● What comes to mind when you look at the
artwork?
● What emotions do you think the artist wants to
evoke?
● In your opinion, what does the creator want to
say through the artwork?
Critiquing Works of Art
33
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Judgment
● Finally, express your overall opinions on the artwork.
● Here are some questions you can use to formulate your opinion:
○ How does the artwork make you feel?
○ Is the work successful or not?
○ Does the artwork seem original or not?
○ Would you recommend this artwork for viewing to your
target audience?
Critiquing Works of Art
34
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EVALUAT
Example 3
Critiquing Works of Art
35
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EVALUAT
Sample Interpretation and Judgment
Overall, the work evokes a sense of mystery and adventure in me. It
draws me toward the knight because the composition of the artwork
shows that he is important, perhaps on a quest of some sort, and I
am curious to know what it is. It seems the artist wants to evoke a
sense of depth and gravitas in the painting, and I think he is
successful in doing so through his use of white and dark colors to
show contrast and variety.
Critiquing Works of Art
36
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EVALUAT
Sample Interpretation and Judgment
The artwork is the type that could fit the cover of any
fantasy novel. Similar types of paintings have been
done before, yet it is aesthetically pleasing and
effective in achieving its purpose.
Critiquing Works of Art
37
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EVALUAT
Explanation
The short sample combines both the interpretation
and the judgment in one paragraph. It describes
the feeling evoked by the painting and gives
opinions and a final evaluation of the painting.
Critiquing Works of Art
38
Remember
39
These same techniques can be
applied even to other forms of visual
art, like photographs, drawings, and
videos.
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Critiquing an Event or Program
● Organizations hold events or programs for many reasons.
● Some organizations even hold annual events.
● These organizations are often reliant on a critique or critiques of
their events.
● Feedback can help them make improvements on when they
hold the event again next year.
● Critiquing an event requires you to look at different aspects
compared to written works or visual works, but the structure can
be quite simple.
40
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Brainstorming
● Before the event, brainstorm and prepare a list
of things you wish to evaluate from the event.
● Determine what aspects of the event are
important and would most likely need feedback.
Critiquing an Event or Program
41
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EVALUAT
For example, if the event’s highlight is a speaker, was he or she
effective in delivering the intended message while keeping the
audience interested? Was the audience comfortable with the
seating arrangements? Was the venue conducive to the event?
There are many other factors that can be considered, but these
are examples of what are usually taken into consideration when
critiquing an event or program.
Critiquing an Event or Program
42
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Description
● Much like the summary for written texts or the
description for visual artwork, you must also
describe the event first so that readers who are
not familiar with the event or the organization
are more informed.
Critiquing an Event or Program
43
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Here are a few questions that should be answered
in the description of the event:
● What is the title of the event? Who are its
organizers? When and where was it held?
● What is the purpose of the event?
● What is going to happen in the event?
Critiquing an Event or Program
44
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EVALUAT
Example 1
For the purpose of the examples, we will use a
fictional event.
Critiquing an Event or Program
45
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EVALUAT
Sample Description
The event we attended last Monday, April 27, 2020, at the
events room of Fully Booked High Street, was called “Writing
Yesterday’s Myths Today.” It was organized by the Scholastic
Association, in collaboration with Fully Booked. The event
began with a talk by Edgar Tan, a famous novelist and comic
book writer in the Philippines, followed by a Q&A session, and
then a workshop for the attendees.
Critiquing an Event or Program
46
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EVALUAT
Explanation
The sample description is able to introduce the
title and date of the event, along with the
organizers and the itinerary. It is simple and does
not go into detail yet.
Critiquing an Event or Program
47
Tips
48
Feel free to discuss other aspects of
the event; you are not limited to the
listed questions. For example, you
can also discuss your reason for
attending the event.
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Evaluation
● After the description, you can begin your
evaluation of the event.
● This is where your brainstorming earlier
becomes useful.
● You can organize this section in two ways.
Critiquing an Event or Program
49
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EVALUAT
● One way is to continue the description section by first
describing the aspects you plan to critique.
● For example, you can summarize the speaker’s talk, then
discuss what happened at the Q&A, and finally talk about
the workshop after.
● The description can then be followed by your assessments
of these parts of the event.
Critiquing an Event or Program
50
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EVALUAT
● Another way is to alternate the descriptions and
the assessments.
● Start with the speaker’s talk, both its
description and its assessment, and then move
on to the Q&A session, and so on.
Critiquing an Event or Program
51
ENGAG EXPLOR
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EVALUAT
In your evaluations, answer the questions you came up with in
the brainstorming session. Some samples are the following:
● Was the speaker effective in delivering his or her intended
message? How was he or she effective?
● Was the Q&A session fruitful? How well was the speaker able
to answer the audience’s questions?
● Was the workshop helpful? Were the participants able to learn
a lot from the speaker and the organizers?
Critiquing an Event or Program
52
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Sample Evaluation
In the event, the speaker, Edgar Tan, began with his personal
story of how he became the famous author he is today. He then
followed this with the talk proper. The intention was to be able to
give the participants advice on how to use Philippine mythology
when writing, as this was his specialty and how he rose to
prominence. He then ended his talk with encouragement, that if
someone like him could become a skilled writer, then we could
too.
Critiquing an Event or Program
53
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EVALUAT
The speaker was able to captivate the audience with his retelling
of his personal experiences. The way he related it to the goal of
the talk helped make his speech resonate even more with the
participants. The advice he gave was also detailed and helpful,
especially in looking for more myths to be used in stories.
Critiquing an Event or Program
54
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EVALUAT
I also appreciated how he reminded everyone in the end to be
respectful of our myths and legends as we use them in our
stories. If I were to complain about something, it would be that he
returned to his personal anecdotes a little too often at times,
which led to him being derailed during certain points of the talk.
Critiquing an Event or Program
55
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Explanation
The sample provided further description on the talk before providing
an evaluation of the speaker and his talk. Again, it is important to
mention both the strengths and weaknesses of the event. Also, feel
free to be more descriptive and specific of the individual parts of the
event. When you really get into detail of the parts you liked and
disliked, you are able to help out the organizers even more when
they plan a similar event in the future.
Critiquing an Event or Program
56
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Judgment
● Finally, express your overall opinions on the event you attended. Here
are a few questions you can use to better organize your final judgment:
○ Was the event successful as a whole?
○ Did you enjoy attending the event?
○ What should the organization continue to do in the future?
○ How can the organization do a better job next time?
○ Would you recommend this event to others if it is repeated in the
future?
Critiquing an Event or Program
57
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Sample Judgment
Overall, I am glad that I was able to attend this event. The talk was
insightful and inspiring. The speaker was able to answer a lot of
questions from the audience, and it was clear that he was patient in
his responses. The workshop was also helpful in honing our writing.
It would have been better, however, if more time could be allotted to
the workshop. I noticed that a number of participants were a little
frustrated that they could not get feedback about their work because
they ran out of time.
Critiquing an Event or Program
58
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The ending was also a little rushed, so there wasn’t much of
a feeling of satisfaction in being able to complete a short
story by the end of the workshop. I would still recommend
this event or a similar one to other participants in the future,
because the talk and the Q&A session were very helpful
despite the lackluster workshop session.
Critiquing an Event or Program
59
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Explanation
The judgment details the feelings of the author of the critique
and is once more able to address the overall strengths and
weaknesses of the event, concluding with a final evaluation. It
is important to include a recommendation to the organizers, if
you can, on how you think their event can be improved. Keep
in mind that this is the typical goal of an event critique.
Critiquing an Event or Program
60
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EVALUAT
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EVALUAT
Questions
1. What could the consequences of being too
harsh in your critique be?
2. Why is being too nice or too timid in your
critique also not advised?
61
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What are the similarities and differences of critiquing works of
art and critiquing events?
Question
62
Wrap Up
To write effective critiques, we must
remember to be genuine, avoid being
too timid or too harsh, and to keep in
mind the genre and intended
audience of the work.
63
Wrap Up
Critiquing works of art involves an
analysis of its elements and the
principles of art.
Critiquing an event or program is an
evaluation of its parts and of the
organizers.
64

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EAP 11_12_UNIT 7_LESSON 3. Quarter 1pptx

  • 1. English for Academic and Professional Purposes Senior High School Applied - Academic Unit 7: The Critique Paper Lesson 3 Writing a Critique Paper
  • 2. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT We are now ready to start writing a critique. We will also learn how to critique works of art and events. How do we critique artwork or events? What makes a critique effective? 2
  • 3. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT 1. How should we approach another person’s work? 2. What aspects of artwork and events do we pay attention to in a critique? Essential Questions 3
  • 4. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Writing an Effective Critique Approaching a Work ● Your goal should be to help improve a person’s writing or to guide others in choosing which articles to read or avoid. ● There are some things you must keep in mind as you begin to read the work. 4
  • 5. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● First, be genuine in your critique. ● Keep in mind your goal to help improve the person’s writing or to properly assess a work for the benefit of others. ● A balanced, unbiased critique is more helpful than an overly nice or harsh one. Writing an Effective Critique 5
  • 6. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● In relation to harshness, you should also avoid being brutal in your critiques. ● It is important that you can express hard truths without being rude or malicious about them. ● Your criticism will be taken more seriously by readers and other authors if it is clear that the goal of your critique is to help them and not to be mean. Writing an Effective Critique 6
  • 7. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Do not be too timid either. ● It is often necessary to give your honest comments about another person’s work as this will help him or her improve on his or her work. ● Be sure not to hold out on your criticisms. Writing an Effective Critique 7
  • 8. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Readers should know what the strengths of work are so that they know what good they can expect from it. ● Authors also need encouragement when they are able to do something right. ● It keeps them motivated to improve their craft. ● It serves as a guide on what they should repeat in their next work, as they have already done it successfully before. Writing an Effective Critique 8
  • 9. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Dos and Don’ts in Writing a Critique Do: ● Read the piece several times. ● Try to understand the author's goals. ● Be specific in your feedback and provide relevant examples. Writing an Effective Critique 9
  • 10. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Don’t: ● Impose your own aesthetics, tastes, or worldview. ● Rewrite the story the way you would have written it. ● Discourage the author. ● Offer criticisms that are too general to help the author make specific improvements. Writing an Effective Critique 10
  • 11. Tips 11 Don’t be afraid to give genuine praise where it is due. Genuine praise shows that you still have the creator’s best interest in mind, especially if you had a lot of hard truths to say.
  • 12. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Genre and Intended Audience ● It is important to be aware of the original work’s genre and intended audience. ● The genre and intended audience determine which techniques work and which ones do not. Writing an Effective Critique 12
  • 13. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 1 The author used casual language in his or her work. If the work is a personal essay or modern short story, then you could praise the author’s diction. However, if the author used casual language in a formal academic paper, then perhaps you should point out that it is ineffective for the work. Writing an Effective Critique 13
  • 14. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 2 If the work contains a lot of technical jargon, then it should be praiseworthy if it relates well to the intended audience. If complex technical jargon is used in a textbook intended for children, then perhaps this should be pointed out in your critique. Writing an Effective Critique 14
  • 15. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 3 The use of the first-person point of view in a short story or essay can be praised for bringing the readers closer to the events in the work. However, in an academic essay, it is more commendable to use an objective third-person point of view. Writing an Effective Critique 15
  • 16. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Critiquing Works of Art ● Critiquing pictures, paintings, and other works of art can be tricky. ● It is not exactly the same as critiquing written works. ● However, it can follow the same format and features as any other critique. 16
  • 17. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Description ● First, you have to describe the work of art in question. ● This is similar to summarizing a written work before critiquing it. Critiquing Works of Art 17
  • 18. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Here are some questions you can answer in order to describe a work of art: ● What is the name of the artwork, when was it made, and who is its creator? ● What medium did the artist use for the artwork? ● What colors, shapes, textures, etc. did the artist use? Critiquing Works of Art 18
  • 19. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 1 Critiquing Works of Art 19
  • 20. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Description This painting is titled “The Knight of the Moon” by Yuri B., and it was painted on March 28, 2020. It was made using oil-based paints, and consists mostly of black, white, gray, and shades of blue. It depicts the mountains using rougher lines and edges and uses softer lines and smoother edges to show the clouds and the mist. The moon is portrayed clearly in the sky, and the focal point of the painting is the silhouette of a knight holding a banner high and standing on the edge of a cliff. Critiquing Works of Art 20
  • 21. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The sample description is straightforward and answers the questions listed above. It gives the name of the painter and the artwork as well as the date it was made. Do not worry if you cannot find the date the work of art was made as this is not always readily available. It then provides a short description of the techniques, colors, shapes, and others that can be seen in the painting. Critiquing Works of Art 21
  • 22. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Analysis ● The next step in writing a critique is to evaluate the elements of the painting mentioned in the description and how they connect to one another. Critiquing Works of Art 22
  • 23. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Here are some sample questions you can answer in order to form your analysis: ● Do the points complement one another? ● Do they create harmony or distress? ● How are the principles of art applied in the painting? Critiquing Works of Art 23
  • 24. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Balance: Is the artwork symmetrical, in that elements found on one side are also found on the other, or is it asymmetrical, in which the work is balanced by contrasting elements on either side? Or does it make use of radial symmetry, where elements are spaced equally around a central point? Critiquing Works of Art 24
  • 25. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Contrast: How does the artwork make use of positive and negative space? Are the colors used complementary to each other? ● Emphasis: Did the artist create any area that commands the viewers’ attention? How? Is it effective? Critiquing Works of Art 25
  • 26. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Movement: How does the artwork simulate movement? Is it effective? ● Unity/Variety: Are the elements of the painting too unified, which creates monotony, or are they too varied, which creates chaos? How does the painting strike a balance between the two, if it does? Critiquing Works of Art 26
  • 27. Tips 27 You need not answer every question or address every principle of art in your analysis. What is important is that you are able to address the most striking ones in the artwork in question, whether positive or negative.
  • 28. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 2 Critiquing Works of Art 28
  • 29. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Analysis The painting is able to achieve asymmetrical balance with its separation of the mountains. There are more mountains and cliffsides on the part of the painting that does not contain the moon. The painter is also careful in spacing out the use of dark colors and white, so that none become too repetitive or too big. The use of mostly black and white also creates enough variety in the landscape of the mountains. Critiquing Works of Art 29
  • 30. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT There is enough emphasis on the knight by heavily contrasting his black silhouette with the white mist. However, the emphasis on the knight dwindles because the same contrasts can be seen in other parts of the painting. Critiquing Works of Art 30
  • 31. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The short sample is able to address the primary elements used in the painting, particularly the mountains and the knight at the center. Always remember that when giving a critique, it is best to give both positive and negative comments. Ideally, give the positives first before moving on to the negatives, or sandwich the negatives between the positives. Critiquing Works of Art 31
  • 32. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Interpretation ● Now, think about what the message or goal of the artwork is through its elements and use of the principles of art. Critiquing Works of Art 32
  • 33. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Some questions you can answer are the following: ● What comes to mind when you look at the artwork? ● What emotions do you think the artist wants to evoke? ● In your opinion, what does the creator want to say through the artwork? Critiquing Works of Art 33
  • 34. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Judgment ● Finally, express your overall opinions on the artwork. ● Here are some questions you can use to formulate your opinion: ○ How does the artwork make you feel? ○ Is the work successful or not? ○ Does the artwork seem original or not? ○ Would you recommend this artwork for viewing to your target audience? Critiquing Works of Art 34
  • 35. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 3 Critiquing Works of Art 35
  • 36. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Interpretation and Judgment Overall, the work evokes a sense of mystery and adventure in me. It draws me toward the knight because the composition of the artwork shows that he is important, perhaps on a quest of some sort, and I am curious to know what it is. It seems the artist wants to evoke a sense of depth and gravitas in the painting, and I think he is successful in doing so through his use of white and dark colors to show contrast and variety. Critiquing Works of Art 36
  • 37. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Interpretation and Judgment The artwork is the type that could fit the cover of any fantasy novel. Similar types of paintings have been done before, yet it is aesthetically pleasing and effective in achieving its purpose. Critiquing Works of Art 37
  • 38. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The short sample combines both the interpretation and the judgment in one paragraph. It describes the feeling evoked by the painting and gives opinions and a final evaluation of the painting. Critiquing Works of Art 38
  • 39. Remember 39 These same techniques can be applied even to other forms of visual art, like photographs, drawings, and videos.
  • 40. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Critiquing an Event or Program ● Organizations hold events or programs for many reasons. ● Some organizations even hold annual events. ● These organizations are often reliant on a critique or critiques of their events. ● Feedback can help them make improvements on when they hold the event again next year. ● Critiquing an event requires you to look at different aspects compared to written works or visual works, but the structure can be quite simple. 40
  • 41. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Brainstorming ● Before the event, brainstorm and prepare a list of things you wish to evaluate from the event. ● Determine what aspects of the event are important and would most likely need feedback. Critiquing an Event or Program 41
  • 42. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT For example, if the event’s highlight is a speaker, was he or she effective in delivering the intended message while keeping the audience interested? Was the audience comfortable with the seating arrangements? Was the venue conducive to the event? There are many other factors that can be considered, but these are examples of what are usually taken into consideration when critiquing an event or program. Critiquing an Event or Program 42
  • 43. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Description ● Much like the summary for written texts or the description for visual artwork, you must also describe the event first so that readers who are not familiar with the event or the organization are more informed. Critiquing an Event or Program 43
  • 44. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Here are a few questions that should be answered in the description of the event: ● What is the title of the event? Who are its organizers? When and where was it held? ● What is the purpose of the event? ● What is going to happen in the event? Critiquing an Event or Program 44
  • 45. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Example 1 For the purpose of the examples, we will use a fictional event. Critiquing an Event or Program 45
  • 46. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Description The event we attended last Monday, April 27, 2020, at the events room of Fully Booked High Street, was called “Writing Yesterday’s Myths Today.” It was organized by the Scholastic Association, in collaboration with Fully Booked. The event began with a talk by Edgar Tan, a famous novelist and comic book writer in the Philippines, followed by a Q&A session, and then a workshop for the attendees. Critiquing an Event or Program 46
  • 47. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The sample description is able to introduce the title and date of the event, along with the organizers and the itinerary. It is simple and does not go into detail yet. Critiquing an Event or Program 47
  • 48. Tips 48 Feel free to discuss other aspects of the event; you are not limited to the listed questions. For example, you can also discuss your reason for attending the event.
  • 49. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Evaluation ● After the description, you can begin your evaluation of the event. ● This is where your brainstorming earlier becomes useful. ● You can organize this section in two ways. Critiquing an Event or Program 49
  • 50. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● One way is to continue the description section by first describing the aspects you plan to critique. ● For example, you can summarize the speaker’s talk, then discuss what happened at the Q&A, and finally talk about the workshop after. ● The description can then be followed by your assessments of these parts of the event. Critiquing an Event or Program 50
  • 51. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ● Another way is to alternate the descriptions and the assessments. ● Start with the speaker’s talk, both its description and its assessment, and then move on to the Q&A session, and so on. Critiquing an Event or Program 51
  • 52. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT In your evaluations, answer the questions you came up with in the brainstorming session. Some samples are the following: ● Was the speaker effective in delivering his or her intended message? How was he or she effective? ● Was the Q&A session fruitful? How well was the speaker able to answer the audience’s questions? ● Was the workshop helpful? Were the participants able to learn a lot from the speaker and the organizers? Critiquing an Event or Program 52
  • 53. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Evaluation In the event, the speaker, Edgar Tan, began with his personal story of how he became the famous author he is today. He then followed this with the talk proper. The intention was to be able to give the participants advice on how to use Philippine mythology when writing, as this was his specialty and how he rose to prominence. He then ended his talk with encouragement, that if someone like him could become a skilled writer, then we could too. Critiquing an Event or Program 53
  • 54. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT The speaker was able to captivate the audience with his retelling of his personal experiences. The way he related it to the goal of the talk helped make his speech resonate even more with the participants. The advice he gave was also detailed and helpful, especially in looking for more myths to be used in stories. Critiquing an Event or Program 54
  • 55. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT I also appreciated how he reminded everyone in the end to be respectful of our myths and legends as we use them in our stories. If I were to complain about something, it would be that he returned to his personal anecdotes a little too often at times, which led to him being derailed during certain points of the talk. Critiquing an Event or Program 55
  • 56. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The sample provided further description on the talk before providing an evaluation of the speaker and his talk. Again, it is important to mention both the strengths and weaknesses of the event. Also, feel free to be more descriptive and specific of the individual parts of the event. When you really get into detail of the parts you liked and disliked, you are able to help out the organizers even more when they plan a similar event in the future. Critiquing an Event or Program 56
  • 57. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Judgment ● Finally, express your overall opinions on the event you attended. Here are a few questions you can use to better organize your final judgment: ○ Was the event successful as a whole? ○ Did you enjoy attending the event? ○ What should the organization continue to do in the future? ○ How can the organization do a better job next time? ○ Would you recommend this event to others if it is repeated in the future? Critiquing an Event or Program 57
  • 58. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Sample Judgment Overall, I am glad that I was able to attend this event. The talk was insightful and inspiring. The speaker was able to answer a lot of questions from the audience, and it was clear that he was patient in his responses. The workshop was also helpful in honing our writing. It would have been better, however, if more time could be allotted to the workshop. I noticed that a number of participants were a little frustrated that they could not get feedback about their work because they ran out of time. Critiquing an Event or Program 58
  • 59. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT The ending was also a little rushed, so there wasn’t much of a feeling of satisfaction in being able to complete a short story by the end of the workshop. I would still recommend this event or a similar one to other participants in the future, because the talk and the Q&A session were very helpful despite the lackluster workshop session. Critiquing an Event or Program 59
  • 60. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Explanation The judgment details the feelings of the author of the critique and is once more able to address the overall strengths and weaknesses of the event, concluding with a final evaluation. It is important to include a recommendation to the organizers, if you can, on how you think their event can be improved. Keep in mind that this is the typical goal of an event critique. Critiquing an Event or Program 60
  • 61. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ENGAG EXPLOR EXPLAIN EXTEND EVALUAT Questions 1. What could the consequences of being too harsh in your critique be? 2. Why is being too nice or too timid in your critique also not advised? 61
  • 62. ENGAG EXPLOR EXPLAIN EXTEND EVALUAT ENGAG EXPLOR EXPLAIN EXTEND EVALUAT What are the similarities and differences of critiquing works of art and critiquing events? Question 62
  • 63. Wrap Up To write effective critiques, we must remember to be genuine, avoid being too timid or too harsh, and to keep in mind the genre and intended audience of the work. 63
  • 64. Wrap Up Critiquing works of art involves an analysis of its elements and the principles of art. Critiquing an event or program is an evaluation of its parts and of the organizers. 64

Editor's Notes

  1. Answers: Being too harsh in our critique could either show too obvious a bias in our judgment or could discourage the author of the work. Being too nice or too timid might hide the truth from the author, and so their work does not improve.
  2. Model Answer: Both require a basic description of what is being critiqued instead of a summary. Both could also be seen as more visual rather than written. However, artworks require interpretation, much like written works, while critiquing events require an assessment of the experience.