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Academy of Pop Culture, Here We Are Everywhere




Here We Are Everywhere

   To infinity… and beyond
Academy of Pop Culture, Here We Are Everywhere

         The World Is Changing

•   Glocalisation
•   Act localthinkglobal
•   Socialnetworks
•   New networksbasedoncommoninterests
•   Development of China and India is the
    fear of oureconomists
Academy of Pop Culture, Here We Are Everywhere

      Technology is changing

• Fasttechnologicaldevelopment
• Internet
• Knowledgebaseddevelopment
• Innovation and complex matters
  (environment, foodproblem, energy, …)
• More knowledgethan we ever canlearn
Academy of Pop Culture, Here We Are Everywhere

       The Society Is Changing

• How can arts contribute to society and
  business in a social economic way?
• Artists are not supposed to act in de side
  line
• Intercultural thinking and acting
Academy of Pop Culture, Here We Are Everywhere

       Education Is Changing

• Interdisciplinarity as
  newstandardforsolvingproblems
• Student centerededucation
• Prepared to solveproblems of tomorrow
• Entrepreneurship
• Internationalisation
Academy of Pop Culture, Here We Are Everywhere

    Education should change/has changed

• Peopleprepared to solveproblems of
  tomorrow
• Thismeans:
     •   Interdisciplinar programs
     •   Practicebased
     •   Personal and artisticdevelopment
     •   Entrepreneurship
     •   Networking
     •   Knowledge and skillsalways in their context
Academy of Pop Culture, Here We Are Everywhere

      Changing role of lecturer

• Organiser of education
• Bringing in actuality
• Coaching students
• The students as organiser of their own
  study
• Always working in the real world
Academy of Pop Culture, Here We Are Everywhere

           Mission and Vision
 Basics
• Frontline/Niche
• Social/Economical
• Regional/International (glocalisation)
UnderlyingValues
• Sustainability
• Trust and respect
• Authenticity
• Grassroots
Academy of Pop Culture, Here We Are Everywhere

                    In practice…

• Students are responsible for their
  own education
• Organising their own education
• The school brings in its network
• Students themselves
  build their own network
  based on common interest
Academy of Pop Culture, Here We Are Everywhere

                  Island CQ
• Island Creative Quarantine is an international,
  interactive meeting place between students,
  teachers, scientists and artists from the various
  partner universities from Finland, Latvia, Hungary
  and the Netherlands.
• IslandCQ researches the rapidly changing world,
  from the perspectives of art, technology, ecology,
  humanity, and society. The island of Ameland as
  micro cosmos and playground for experiment,
  exchange, and encounter. The goal is to formulate
  new definitions and strategies for a sustainable
  future.
Academy of Pop Culture, Here We Are Everywhere

                 Island CQ


• 2005 Demands of the Isle of Ameland
  (Wadden sea) and the local government
  – New ways of sustainable tourism
  – Profiling Ameland as Isle of culture and
    innovation
Academy of Pop Culture, Here We Are Everywhere

            Our Solution
– Build a semi permanent village that fits in
  the landscape
– Bring together scientists, artists, young
  talent and entrepreneurs
– Let them develop new innovative products
– Connect the activities and products to the
  local environment
– Central themes: PLAY, Sustainability
Academy of Pop Culture, Here We Are Everywhere




After
• 3 presentations, try outs
• 3 workshops in Tampere
• 1 in Liepaja

We decided to keep it small
Academy of Pop Culture, Here We Are Everywhere

               The Results

• 50 Studentsworkedfor 6 days in
  workshops
  oninteractiveinstallations, documentarys,
  movies, websites
• 4 nationalitiesexchanged and
  encountered
• And connectedtheirwork to Ameland
• …the landscape and the people
Academy of Pop Culture, Here We Are Everywhere

                    The Results
• Workshop Finland: Ameland 2000 Let’s take a look into the
  future, year 2020. How will the local residents see Ameland in
  ten years time?
• Workshop Flipbook Animation: the future of Ameland
• Workshop Hungary: Covering Island CQ - Covering IslandCQ’s
  project is designed for the presentation of the five most
  important stories taking place in Ameland.
• IslandCQ on Facebook:
• Shiin: Performance on Island
• Next edition
Challenges


•   The Digital Revolution
•   Media Convergence
•   Glocalisation
•   Act local think global
•   Social networks
•   SUSTAINABILITY of Journalism
Sustainable NEWS/Journalism
• „The challenge of sustaining, in an era of
  uncommon customization, a common
  presentation of news to the diverse
  constituents who populare our civic lives.
• How do we make good decisions about the
  commonweal, in other words, if we have our
  noses buried in the Daily Me?”
• Mitchell, 2010, 5.
Media and Journalism Education
• The radical changes in technology, and
  society necessarily rewrite media
  education.
• This not only means that we have to
  teach the use of digital technology
  instead of analog technology
• but we necessarily have to change our
  way of thinking about teaching media
  and journalism as collaboration with the
  audience.
The NEWS HUB of IslandCQ
How?
• Networked, Linked, Partnered, Sustained

• „No, I mean, what relationship will news have
  to its community?
• How can it open up to become
  collaborative, networked, efficient, and
  sustainable?
• That is our challenge and opportunity.”
• Jarvis, 2010, 11.
New Media Education
• Like the new media system involves
  – active and participative audience
  – via multiple way flow of information,
• the new possibilities in our educational
  system involve
  – active and participative student.
New Media Education
• Partnership, sharing knowledge with
  students becomes interactive content
  development activity in the age of
  information society.
• Students are partners in developing the
  content of the new media lessons.
As Shaping 21st Century
     Journalism suggests:
• „Journalism programs must be thought
  of and begin to think of themselves as
  more than simply just the teachers and
  trainers of journalists, but rather as the
  anchor-institutions involved in the
  production of community-relevant news
  that will benefit the entire local news
  ecosystem.” (
  Anderson, Glaisver, Smith, 2011.)
Covering IslandCQ
Ameland Island, The Netherlands
• First, it focuses on news and other genres of
  journalism as a service to be sustained rather
  than a product to be sold, as Jeff Jarvis
  suggests. (2010.)
• Second, while covering the events and
  preparing stories students tried out and
  played with several free online applications to
  discover them as new tools for journalism.
Covering IslandCQ
Ameland Island, The Netherlands

Students tried to discover the other participants
  of the IslandCQ and the habitants of Ameland
  as information sources and also audience to
  inform, and become partners in content
  providing process.
Problems
• Language
• Interdisciplinarity caused a problem too,
  because the other students came for
  participate in art projects.
Results of the project
• understanding how the interactive story-
  making process works
• understanding the nature of new media
  products;
• highlighting the importance of a
  common content providing method
• the final project linked the Amelanders
  to the Island CQ community
Bibliography
• MITCHELL, John, 2010. Introduction: Discovering New Value
  Along New Routes for NewsIPI Report, Brave News
  World, Poynter-IPI, Vienna, 4-6.
• JARVIS, Jeff, 2010. News as a Service to be Sustained Rather
  than a Product to be Sold, IPI Report, Brave News
  World, Poynter-IPI, Vienna, 8-11.
• HERBERT, John, 2000. Journalism in the digital Age Theory
  and Practice for Broadcast, Print and On-line Media. New York:
  Focal Press.
• MCADAMS, Mindy., 2005. Flash Journalism. New York: Focal
  Press.
• QUINN, Stephen, FILAK Vincent F. eds., 2005. Convergent
  Journalism: An Introduction, New York: Focal Press.
• ANDERSON, GLAISVER, SMITH, 2011 Shaping 21st Century
  Journalism.

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Eadim graz 2011 here we are everywher

  • 1. Academy of Pop Culture, Here We Are Everywhere Here We Are Everywhere To infinity… and beyond
  • 2. Academy of Pop Culture, Here We Are Everywhere The World Is Changing • Glocalisation • Act localthinkglobal • Socialnetworks • New networksbasedoncommoninterests • Development of China and India is the fear of oureconomists
  • 3. Academy of Pop Culture, Here We Are Everywhere Technology is changing • Fasttechnologicaldevelopment • Internet • Knowledgebaseddevelopment • Innovation and complex matters (environment, foodproblem, energy, …) • More knowledgethan we ever canlearn
  • 4. Academy of Pop Culture, Here We Are Everywhere The Society Is Changing • How can arts contribute to society and business in a social economic way? • Artists are not supposed to act in de side line • Intercultural thinking and acting
  • 5. Academy of Pop Culture, Here We Are Everywhere Education Is Changing • Interdisciplinarity as newstandardforsolvingproblems • Student centerededucation • Prepared to solveproblems of tomorrow • Entrepreneurship • Internationalisation
  • 6. Academy of Pop Culture, Here We Are Everywhere Education should change/has changed • Peopleprepared to solveproblems of tomorrow • Thismeans: • Interdisciplinar programs • Practicebased • Personal and artisticdevelopment • Entrepreneurship • Networking • Knowledge and skillsalways in their context
  • 7. Academy of Pop Culture, Here We Are Everywhere Changing role of lecturer • Organiser of education • Bringing in actuality • Coaching students • The students as organiser of their own study • Always working in the real world
  • 8. Academy of Pop Culture, Here We Are Everywhere Mission and Vision Basics • Frontline/Niche • Social/Economical • Regional/International (glocalisation) UnderlyingValues • Sustainability • Trust and respect • Authenticity • Grassroots
  • 9. Academy of Pop Culture, Here We Are Everywhere In practice… • Students are responsible for their own education • Organising their own education • The school brings in its network • Students themselves build their own network based on common interest
  • 10. Academy of Pop Culture, Here We Are Everywhere Island CQ • Island Creative Quarantine is an international, interactive meeting place between students, teachers, scientists and artists from the various partner universities from Finland, Latvia, Hungary and the Netherlands. • IslandCQ researches the rapidly changing world, from the perspectives of art, technology, ecology, humanity, and society. The island of Ameland as micro cosmos and playground for experiment, exchange, and encounter. The goal is to formulate new definitions and strategies for a sustainable future.
  • 11. Academy of Pop Culture, Here We Are Everywhere Island CQ • 2005 Demands of the Isle of Ameland (Wadden sea) and the local government – New ways of sustainable tourism – Profiling Ameland as Isle of culture and innovation
  • 12. Academy of Pop Culture, Here We Are Everywhere Our Solution – Build a semi permanent village that fits in the landscape – Bring together scientists, artists, young talent and entrepreneurs – Let them develop new innovative products – Connect the activities and products to the local environment – Central themes: PLAY, Sustainability
  • 13. Academy of Pop Culture, Here We Are Everywhere After • 3 presentations, try outs • 3 workshops in Tampere • 1 in Liepaja We decided to keep it small
  • 14. Academy of Pop Culture, Here We Are Everywhere The Results • 50 Studentsworkedfor 6 days in workshops oninteractiveinstallations, documentarys, movies, websites • 4 nationalitiesexchanged and encountered • And connectedtheirwork to Ameland • …the landscape and the people
  • 15. Academy of Pop Culture, Here We Are Everywhere The Results • Workshop Finland: Ameland 2000 Let’s take a look into the future, year 2020. How will the local residents see Ameland in ten years time? • Workshop Flipbook Animation: the future of Ameland • Workshop Hungary: Covering Island CQ - Covering IslandCQ’s project is designed for the presentation of the five most important stories taking place in Ameland. • IslandCQ on Facebook: • Shiin: Performance on Island • Next edition
  • 16. Challenges • The Digital Revolution • Media Convergence • Glocalisation • Act local think global • Social networks • SUSTAINABILITY of Journalism
  • 17. Sustainable NEWS/Journalism • „The challenge of sustaining, in an era of uncommon customization, a common presentation of news to the diverse constituents who populare our civic lives. • How do we make good decisions about the commonweal, in other words, if we have our noses buried in the Daily Me?” • Mitchell, 2010, 5.
  • 18. Media and Journalism Education • The radical changes in technology, and society necessarily rewrite media education. • This not only means that we have to teach the use of digital technology instead of analog technology • but we necessarily have to change our way of thinking about teaching media and journalism as collaboration with the audience.
  • 19. The NEWS HUB of IslandCQ
  • 20. How? • Networked, Linked, Partnered, Sustained • „No, I mean, what relationship will news have to its community? • How can it open up to become collaborative, networked, efficient, and sustainable? • That is our challenge and opportunity.” • Jarvis, 2010, 11.
  • 21. New Media Education • Like the new media system involves – active and participative audience – via multiple way flow of information, • the new possibilities in our educational system involve – active and participative student.
  • 22. New Media Education • Partnership, sharing knowledge with students becomes interactive content development activity in the age of information society. • Students are partners in developing the content of the new media lessons.
  • 23. As Shaping 21st Century Journalism suggests: • „Journalism programs must be thought of and begin to think of themselves as more than simply just the teachers and trainers of journalists, but rather as the anchor-institutions involved in the production of community-relevant news that will benefit the entire local news ecosystem.” ( Anderson, Glaisver, Smith, 2011.)
  • 24. Covering IslandCQ Ameland Island, The Netherlands • First, it focuses on news and other genres of journalism as a service to be sustained rather than a product to be sold, as Jeff Jarvis suggests. (2010.) • Second, while covering the events and preparing stories students tried out and played with several free online applications to discover them as new tools for journalism.
  • 25. Covering IslandCQ Ameland Island, The Netherlands Students tried to discover the other participants of the IslandCQ and the habitants of Ameland as information sources and also audience to inform, and become partners in content providing process.
  • 26. Problems • Language • Interdisciplinarity caused a problem too, because the other students came for participate in art projects.
  • 27. Results of the project • understanding how the interactive story- making process works • understanding the nature of new media products; • highlighting the importance of a common content providing method • the final project linked the Amelanders to the Island CQ community
  • 28. Bibliography • MITCHELL, John, 2010. Introduction: Discovering New Value Along New Routes for NewsIPI Report, Brave News World, Poynter-IPI, Vienna, 4-6. • JARVIS, Jeff, 2010. News as a Service to be Sustained Rather than a Product to be Sold, IPI Report, Brave News World, Poynter-IPI, Vienna, 8-11. • HERBERT, John, 2000. Journalism in the digital Age Theory and Practice for Broadcast, Print and On-line Media. New York: Focal Press. • MCADAMS, Mindy., 2005. Flash Journalism. New York: Focal Press. • QUINN, Stephen, FILAK Vincent F. eds., 2005. Convergent Journalism: An Introduction, New York: Focal Press. • ANDERSON, GLAISVER, SMITH, 2011 Shaping 21st Century Journalism.