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“On the Edge of a Digital Society”
– Using digital storytelling for
empowering digitally excluded groups”
The Polytechnic Institute of Leiria
26th-27th Mai 2015
CDS & DUSTY Project
+
DUSTY -
A University-community
collaborative that
organizes students to
work, play, and create
with children and youth at
a community center in
Oakland
- Berkeley University
DUSTY & StoryCenter.org
- Train The Trainer Workshops
- International & local projects
- Projects: Youth, Community building,
Self-development,History & Cultural Preservation,
Innovation
Copenhagen Center for Digital Storytelling
Our Story
What we do?
2007…Oakland, USA
2008…Denmark
2009...Iceland
2010…Sweden
2011...Greenland
2012...The Faroe Islands
2013...UK, Romania, Finland, Slovenia,
Portugal, Spain
2014-15...Palestine, Jordan
2016...Marocco & Libanon
…
Areas
Teaching and facilitation in new media & storytelling
Documentation & research
Culture and history of preservation
Video production & methods
Participation and observation
Self Development
Local memory & civic planning
Social Innovation
User research
Human Rights
Community building projects
Creativity & Innovation
Ways to tell stories
Lambert, Joe. (2014).
”Identity negotiation allows participants
to explore ways in which they are tied
to one another and a larger group,
which furthers deliberation by giving
participants a shared identification and
sense of belonging to a community.
Even when participants are engaged in
disagreement, the identity negotiation
that they engage in during dialogue can
help build their commitment to the
public good by identifying the ways in
which they are connected in addition to
recognizing their identity differences.”
(Black, 2008: 96)
”SHOUT OUT”
- Campaign – Amnesty International
- To raise awareness of human rights
- Give a voice to refugees
- Learning to use the social media
for communication
- To connect and become part of
the danish society
Junior & Senior
- Intergenerational workshop
- Life stories and memories
- Communication and
mutual learning through IT
Silver Stories
What have we learned?
- Expertise in digital storytelling,
community engagement and
education to train professionals
working with community groups
and elderly people
Next step?
- Future development of project
within IT & the older people in
the refugee camps in DK
Join Us!
Visit us at www.digitalstorylab.com
Or join the
Silver Stories website:
http://arts.brighton.ac.uk/projects/silver-stories
Facebook/Silver Stories
Facebook/digitalstorylab
@digitalstorylab
workshop@digitalstorylab.com
”Citizen” ”Refugee” ”A number” Citizen
Process
1. My Home
2. My Fight
3. My Journey
4. My Future
?
A Role Model
Asylum Festival
- Involvement of asylum seekers
- Local Community Building
- Bridging the Digital Divide
- Dialouge through Creativity,
Storytelling & IT
Place & Identity
.
“Places are important for young people, because these
contexts play a large part in constructing and constraining
identity, dreams and practices”
- Geographies of Hope: A Study of Urban Landscapes, Digital Media, and
Children’s Representations of Place – Glynda Hull
”SHOUT OUT”
- Campaign – Amnesty International
- To raise awareness of human rights
- Give a voice to refugees
- Learning to use the social media
for communication
- To connect and become part of
the danish society
Junior & Senior
- Intergenerational workshop
- Life stories and memories
- Communication and
mutual learning through IT
Silver Stories
What have we learned?
- Expertise in digital storytelling,
community engagement and
education to train professionals
working with community groups
and elderly people
Next step?
- Future development of project
within IT & the older people in
the refugee camps in DK
Join Us!
Visit us at www.digitalstorylab.com
Or join the
Silver Stories website:
http://arts.brighton.ac.uk/projects/silver-stories
Facebook/Silver Stories
Facebook/digitalstorylab
@digitalstorylab
workshop@digitalstorylab.com
Join Us!
”What difference can a voice make? Local action
makes a difference only locally if it stays in the
local context. The promise of digital media is,
however, that it reaches beyond the local
community to a world of potential listeners and
viewers.” (Bratteteig, 2008).

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Digital storytelling leiria 26_27th_mai_2015

  • 1. “On the Edge of a Digital Society” – Using digital storytelling for empowering digitally excluded groups” The Polytechnic Institute of Leiria 26th-27th Mai 2015
  • 2. CDS & DUSTY Project + DUSTY - A University-community collaborative that organizes students to work, play, and create with children and youth at a community center in Oakland
  • 3. - Berkeley University DUSTY & StoryCenter.org - Train The Trainer Workshops - International & local projects - Projects: Youth, Community building, Self-development,History & Cultural Preservation, Innovation Copenhagen Center for Digital Storytelling Our Story
  • 4. What we do? 2007…Oakland, USA 2008…Denmark 2009...Iceland 2010…Sweden 2011...Greenland 2012...The Faroe Islands 2013...UK, Romania, Finland, Slovenia, Portugal, Spain 2014-15...Palestine, Jordan 2016...Marocco & Libanon …
  • 5. Areas Teaching and facilitation in new media & storytelling Documentation & research Culture and history of preservation Video production & methods Participation and observation Self Development Local memory & civic planning Social Innovation User research Human Rights Community building projects Creativity & Innovation
  • 6. Ways to tell stories Lambert, Joe. (2014). ”Identity negotiation allows participants to explore ways in which they are tied to one another and a larger group, which furthers deliberation by giving participants a shared identification and sense of belonging to a community. Even when participants are engaged in disagreement, the identity negotiation that they engage in during dialogue can help build their commitment to the public good by identifying the ways in which they are connected in addition to recognizing their identity differences.” (Black, 2008: 96)
  • 7. ”SHOUT OUT” - Campaign – Amnesty International - To raise awareness of human rights - Give a voice to refugees - Learning to use the social media for communication - To connect and become part of the danish society
  • 8. Junior & Senior - Intergenerational workshop - Life stories and memories - Communication and mutual learning through IT
  • 9. Silver Stories What have we learned? - Expertise in digital storytelling, community engagement and education to train professionals working with community groups and elderly people Next step? - Future development of project within IT & the older people in the refugee camps in DK
  • 10. Join Us! Visit us at www.digitalstorylab.com Or join the Silver Stories website: http://arts.brighton.ac.uk/projects/silver-stories Facebook/Silver Stories Facebook/digitalstorylab @digitalstorylab workshop@digitalstorylab.com
  • 11. ”Citizen” ”Refugee” ”A number” Citizen Process 1. My Home 2. My Fight 3. My Journey 4. My Future ? A Role Model
  • 12. Asylum Festival - Involvement of asylum seekers - Local Community Building - Bridging the Digital Divide - Dialouge through Creativity, Storytelling & IT
  • 13. Place & Identity . “Places are important for young people, because these contexts play a large part in constructing and constraining identity, dreams and practices” - Geographies of Hope: A Study of Urban Landscapes, Digital Media, and Children’s Representations of Place – Glynda Hull
  • 14. ”SHOUT OUT” - Campaign – Amnesty International - To raise awareness of human rights - Give a voice to refugees - Learning to use the social media for communication - To connect and become part of the danish society
  • 15. Junior & Senior - Intergenerational workshop - Life stories and memories - Communication and mutual learning through IT
  • 16. Silver Stories What have we learned? - Expertise in digital storytelling, community engagement and education to train professionals working with community groups and elderly people Next step? - Future development of project within IT & the older people in the refugee camps in DK
  • 17. Join Us! Visit us at www.digitalstorylab.com Or join the Silver Stories website: http://arts.brighton.ac.uk/projects/silver-stories Facebook/Silver Stories Facebook/digitalstorylab @digitalstorylab workshop@digitalstorylab.com
  • 18. Join Us! ”What difference can a voice make? Local action makes a difference only locally if it stays in the local context. The promise of digital media is, however, that it reaches beyond the local community to a world of potential listeners and viewers.” (Bratteteig, 2008).

Editor's Notes

  1. Successen får Joe og Dana til at udvikle deres metode, digital storytelling, og åbner i samme åndedrag en café i San Francisco, som de kalder Joe’s Digital Diner. The Diner bliver for mange kunstnere det første sted, hvor de lærer om den senest udvikling indenfor New Media, fx. interaktive spil, software og teknologi. Året efter - i 1994, starter de The San Francisco Digital Media Center, det første offentlige medie center i USA. Her tilbyder de workshops i digital storytelling, og undervisning i diverse programmer, fx. det første offentlige kursus i web design i San Francisco. Formål Baggrunden for at lave et digital media center er for Joe og Dana et ønske om at demokratisere de nye medier og bidrage til social retfærdighed i en tid, hvor digitale medier udbredtes og digitale kompetencer blev vigtigere at besidde - men hovedsagligt tilkommer dem som arbejder som professionelle i medie/TV produktion. Med deres metode, digital storytelling, ønsker Joe og Dana at give almindelige mennesker muligheden for at bruge digitale medier til at fortælle deres personlige historie. Derfor inviterer de den jævne mand ind i deres Digital Media Center, og lærer ham at fortælle sin historie ved at bruge computernes redskaber som billedredigering, stemmeoptagelse, videosammensætning, tekstning etc. FOLKEMUSIK og GRÆSRODSBEVÆGELSE Det startede som en græsrodsbevægelse, og derved adskilte/adskiller digital storytelling sig markant fra den main-stream kultur, der eksisterede først i 90’erne. I main-stream kulturen som vi ser den i magasinerne, ugeblade, tv-serier osv. Mødte man - også I 90’erne - glamourse og idealiserede liv. Det var perfekte mennesker, som levede et dramatisk og eksotisk liv. Den amerikanske folkemusik derimod udtrykte meningsmands jævne liv og forsøgte at forstå meningen med de ekstra-ordinære ting, som skete i et helt almindeligt liv. (Lambert, 2002:2) Ideologisk set er Digital Storytelling bevægelsen en demokratiserende proces. Det er i al fald missionen at give alle mennesker en mulighed og et middel til at fortælle sin personlige historie ved at bruge de nye medier – og lære dem samtidig.
  2. Min baggrund for at tale om digital storytelling6 måneder i Oakland: Udsatte børn/unge, digital udfordrede børn. Manglen på digitale kompetencer. Røde kors AD/HD - deprimeret Internatinal skole og Nørrebro Skole Silkeborg Ungdomsskole - flygtninge i alderen 15-25 år - International Day of sharing ligestories
  3. digital storyteller Anyone who has a desire to document life experience, ideas, or feelings through the use of story and digital media. Uusually someone who has little to no prior abilities experience in the realm of video production but can spend a few days participating in a workshop, to exploring explore and sharing share a story with creative, and technical assistance from compassionate, and talented technically skilled CDS staff.Center for Digital Storytelling (cen·ter for dig·i·tal sto·ry·tell·ing) The Center for Digital Storytelling (CDS) is an international non-profit training, project development, and research organization dedicated to assisting people in using digital media to tell meaningful stories from their lives. Our focus is on building partnering with partnerships community, educational, and business institutions to develop large-scale initiatives in health, social services, education, historic and cultural preservation, community development, human rights, and environmental justice arenas, using methods and principles adapted from our original Digital Storytelling Workshop.
  4. Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  5. Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  6. http://www.acmi.net.au/video_showcase.htm Bygger på erfaringer inden for pædagogik, psykologi, mundtlige fortælletraditioner og hvad der i dag betegnes citizen journalism De digitale kompetencer er og bliver kun vigtigere i fremtiden, eftersom evnen til at formidle, netværke og nytænke i højere grad sker via nye medier. Derfor vægter vi de digitale medier i vores workshops. Tal fra EU's statistiske kontor Eurostat viser, at den digitale kløft i Europa vokser sig stadig større. I EU-gennemsnit er 85 procent af de studerende på nettet, men kun 13 procent af pensionisterne. For de højtuddannede er det 77 procent, mens det kun er 25 pct. af de lavtuddannede. (slide) De digitale kompetencer, den personlige historie og produktet - en 2-3 minutters film er grundessensen af metoden: digital storytelling. Samarbejdspartnere og programmer Til sidst vil jeg kort opridse hvilke programmer som vi arbejder med: Udover de traditionelle software filmediteringsprogrammer såsom premiere og finat cut pro så ønsker vi også at anvende mere tilgnægelige open source programmer såsom Jaycut etc. Vi har fået et samarbejde igang med Bjarke som er iværksætter I NeW York og har udviklet StoryPlanet som vil give muligheder for mere interactive historier men stadig med fokus på den almene computerbruger. (slide med et screendump af jaycut, og storyplanet) Afrunding Hvorfor interaktion igennem digital storytelling. Vend tilbage til starten om at alle har en historie at fortælle. - Nævn kommende projekter vi skal lave og evt hvordan lytterne kan bruge StoryLab – (promovering)
  7. Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  8. Historie fortælling er en vigtig del af alle samfund. Islandske sagaer, sagn, myter, religion. Fordi det binder folk sammen at dele historier
  9. http://www.acmi.net.au/video_showcase.htm Bygger på erfaringer inden for pædagogik, psykologi, mundtlige fortælletraditioner og hvad der i dag betegnes citizen journalism De digitale kompetencer er og bliver kun vigtigere i fremtiden, eftersom evnen til at formidle, netværke og nytænke i højere grad sker via nye medier. Derfor vægter vi de digitale medier i vores workshops. Tal fra EU's statistiske kontor Eurostat viser, at den digitale kløft i Europa vokser sig stadig større. I EU-gennemsnit er 85 procent af de studerende på nettet, men kun 13 procent af pensionisterne. For de højtuddannede er det 77 procent, mens det kun er 25 pct. af de lavtuddannede. (slide) De digitale kompetencer, den personlige historie og produktet - en 2-3 minutters film er grundessensen af metoden: digital storytelling. Samarbejdspartnere og programmer Til sidst vil jeg kort opridse hvilke programmer som vi arbejder med: Udover de traditionelle software filmediteringsprogrammer såsom premiere og finat cut pro så ønsker vi også at anvende mere tilgnægelige open source programmer såsom Jaycut etc. Vi har fået et samarbejde igang med Bjarke som er iværksætter I NeW York og har udviklet StoryPlanet som vil give muligheder for mere interactive historier men stadig med fokus på den almene computerbruger. (slide med et screendump af jaycut, og storyplanet) Afrunding Hvorfor interaktion igennem digital storytelling. Vend tilbage til starten om at alle har en historie at fortælle. - Nævn kommende projekter vi skal lave og evt hvordan lytterne kan bruge StoryLab – (promovering)
  10. http://www.acmi.net.au/video_showcase.htm Bygger på erfaringer inden for pædagogik, psykologi, mundtlige fortælletraditioner og hvad der i dag betegnes citizen journalism De digitale kompetencer er og bliver kun vigtigere i fremtiden, eftersom evnen til at formidle, netværke og nytænke i højere grad sker via nye medier. Derfor vægter vi de digitale medier i vores workshops. Tal fra EU's statistiske kontor Eurostat viser, at den digitale kløft i Europa vokser sig stadig større. I EU-gennemsnit er 85 procent af de studerende på nettet, men kun 13 procent af pensionisterne. For de højtuddannede er det 77 procent, mens det kun er 25 pct. af de lavtuddannede. (slide) De digitale kompetencer, den personlige historie og produktet - en 2-3 minutters film er grundessensen af metoden: digital storytelling. Samarbejdspartnere og programmer Til sidst vil jeg kort opridse hvilke programmer som vi arbejder med: Udover de traditionelle software filmediteringsprogrammer såsom premiere og finat cut pro så ønsker vi også at anvende mere tilgnægelige open source programmer såsom Jaycut etc. Vi har fået et samarbejde igang med Bjarke som er iværksætter I NeW York og har udviklet StoryPlanet som vil give muligheder for mere interactive historier men stadig med fokus på den almene computerbruger. (slide med et screendump af jaycut, og storyplanet) Afrunding Hvorfor interaktion igennem digital storytelling. Vend tilbage til starten om at alle har en historie at fortælle. - Nævn kommende projekter vi skal lave og evt hvordan lytterne kan bruge StoryLab – (promovering)