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1
24%
76%
32%
39%
24%
5%
6%
22%
14%
15%
25%
17%
Nabucco
Who attends Opera on the Mall?
Opera on the Mall attendees are more heavily female, are less likely to share a household with
just one other person, and are on average younger than general Opera Philadelphia patrons.
Male
Female
1 in HH
2 in HH
3-4 in HH
5+ in HH
18-24
25-34
35-44
45-54
55-64
65+
Demographics – Opera on the Mall Survey vs. Retention Survey Segments
*may not total to 100% due to respondents
who answered “prefer not to identify”
41%
59%
26%
52%
15%
2%
0%
9%
7%
11%
39%
33%
Lapsed Sub
47%
51%
31%
47%
14%
4%
1%
5%
5%
9%
27%
52%
Active Sub
37%
62%
26%
48%
17%
5%
5%
27%
14%
14%
20%
20%
Active STB
42%
56%
28%
46%
17%
3%
3%
22%
12%
19%
25%
19%
Lapsed STB
2
Why do they come to Opera on the Mall?
Unsurprisingly, the fact that the tickets are free is by far the biggest driver of attendance. Many
other factors influence a person’s decision to attend Opera on the Mall, including the opportunity
to enjoy Opera Philadelphia in an outdoor setting and the basic logistics of date/time/location.
44%
9%
9%
8%
6%
6%
4%
3%
3%
2%
2%
4%
Free tickets
Previously attended OOTM
Attended with friend / family member
Outdoor setting
Reputation of Opera Philadelphia
Title of the opera
Location
Composer of the opera
Date and time
Weather
Particular performer in the opera
Other
Primary factor in decision to attend
Single Select
84%
66%
63%
56%
53%
50%
43%
32%
28%
25%
6%
7%
Free tickets
Outdoor setting
Location
Attended with friend / family member
Date and time
Reputation of Opera Philadelphia
Weather
Composer of the opera
Previously attended OOTM
Title of the opera
Particular performer in the opera
Other
Influenced decision to attend
Multi-Select
Civic footprint
and
brand strength
4
Opera Philadelphia:
Brand Strengths
• Innovative, young, fresh, exciting, on the move
• Educational/community outreach
• Professional reputation, part of how Philly is preserving culture in its city
and making a mark as a credible arts city
• High production value/artistry most of the time
o Everything from talent to sets
• We are credited with actively working to bring in new, younger audiences
• Direct mailers are well-liked, marketing is accessible
• Among Subscribers
o Progressive, modern, risk-taking
o Not all the way to “edgy” (that’s good)
o Smaller series, partnerships (Aurora, Svadba)
5
Opera Philadelphia:
Community Outreach
• Several mentions of OOTM; all glowingly positive
• Random Acts of Culture were also well-regarded; a sign of vibrancy and an
indicator that we’re part of the fabric of Philadelphia
• School programs were described as successful and generous
o People really appreciate OP’s efforts to expose kids to opera in accessible ways
o People expressed desire for even more community outreach from OP,
particularly in high-need communities
o This indicates a
• These programs are not just add-ons to our brand
• They contribute directly to OP’s core brand equity:
o Innovation, passion, quality
o We are seen as catalysts for growth, not just
producers of product
6
Overall Satisfaction
Opera Philadelphia patrons in all segments report a very high Net Promoter Score (NPS), which
is an indication that satisfaction levels are very high.
1%
1%
1%
1%
1%
4%
5%
9%
19%
16%
44%
0 - Not At All
Likely
1
2
3
4
5
6
7
8
9
10 - Extremely
Likely
Active STB
n = 386
NPS = 48
0%
0%
1%
1%
1%
7%
5%
13%
21%
17%
36%
0 - Not At All
Likely
1
2
3
4
5
6
7
8
9
10 - Extremely
Likely
Lapsed STB
n = 160
NPS = 38
2%
2%
0%
0%
0%
7%
10%
15%
21%
10%
34%
0 - Not At All
Likely
1
2
3
4
5
6
7
8
9
10 - Extremely
Likely
Lapsed Subscriber
n = 61
NPS = 25
0%
0%
0%
0%
0%
2%
2%
8%
19%
22%
47%
0 - Not At All
Likely
1
2
3
4
5
6
7
8
9
10 - Extremely
Likely
Active Subscriber
n = 247
NPS = 64
Likelihood to recommend
DetractorsPassivesPromoters

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Internal Metrics for Civic Impact | David Devan

  • 1. 1 24% 76% 32% 39% 24% 5% 6% 22% 14% 15% 25% 17% Nabucco Who attends Opera on the Mall? Opera on the Mall attendees are more heavily female, are less likely to share a household with just one other person, and are on average younger than general Opera Philadelphia patrons. Male Female 1 in HH 2 in HH 3-4 in HH 5+ in HH 18-24 25-34 35-44 45-54 55-64 65+ Demographics – Opera on the Mall Survey vs. Retention Survey Segments *may not total to 100% due to respondents who answered “prefer not to identify” 41% 59% 26% 52% 15% 2% 0% 9% 7% 11% 39% 33% Lapsed Sub 47% 51% 31% 47% 14% 4% 1% 5% 5% 9% 27% 52% Active Sub 37% 62% 26% 48% 17% 5% 5% 27% 14% 14% 20% 20% Active STB 42% 56% 28% 46% 17% 3% 3% 22% 12% 19% 25% 19% Lapsed STB
  • 2. 2 Why do they come to Opera on the Mall? Unsurprisingly, the fact that the tickets are free is by far the biggest driver of attendance. Many other factors influence a person’s decision to attend Opera on the Mall, including the opportunity to enjoy Opera Philadelphia in an outdoor setting and the basic logistics of date/time/location. 44% 9% 9% 8% 6% 6% 4% 3% 3% 2% 2% 4% Free tickets Previously attended OOTM Attended with friend / family member Outdoor setting Reputation of Opera Philadelphia Title of the opera Location Composer of the opera Date and time Weather Particular performer in the opera Other Primary factor in decision to attend Single Select 84% 66% 63% 56% 53% 50% 43% 32% 28% 25% 6% 7% Free tickets Outdoor setting Location Attended with friend / family member Date and time Reputation of Opera Philadelphia Weather Composer of the opera Previously attended OOTM Title of the opera Particular performer in the opera Other Influenced decision to attend Multi-Select
  • 4. 4 Opera Philadelphia: Brand Strengths • Innovative, young, fresh, exciting, on the move • Educational/community outreach • Professional reputation, part of how Philly is preserving culture in its city and making a mark as a credible arts city • High production value/artistry most of the time o Everything from talent to sets • We are credited with actively working to bring in new, younger audiences • Direct mailers are well-liked, marketing is accessible • Among Subscribers o Progressive, modern, risk-taking o Not all the way to “edgy” (that’s good) o Smaller series, partnerships (Aurora, Svadba)
  • 5. 5 Opera Philadelphia: Community Outreach • Several mentions of OOTM; all glowingly positive • Random Acts of Culture were also well-regarded; a sign of vibrancy and an indicator that we’re part of the fabric of Philadelphia • School programs were described as successful and generous o People really appreciate OP’s efforts to expose kids to opera in accessible ways o People expressed desire for even more community outreach from OP, particularly in high-need communities o This indicates a • These programs are not just add-ons to our brand • They contribute directly to OP’s core brand equity: o Innovation, passion, quality o We are seen as catalysts for growth, not just producers of product
  • 6. 6 Overall Satisfaction Opera Philadelphia patrons in all segments report a very high Net Promoter Score (NPS), which is an indication that satisfaction levels are very high. 1% 1% 1% 1% 1% 4% 5% 9% 19% 16% 44% 0 - Not At All Likely 1 2 3 4 5 6 7 8 9 10 - Extremely Likely Active STB n = 386 NPS = 48 0% 0% 1% 1% 1% 7% 5% 13% 21% 17% 36% 0 - Not At All Likely 1 2 3 4 5 6 7 8 9 10 - Extremely Likely Lapsed STB n = 160 NPS = 38 2% 2% 0% 0% 0% 7% 10% 15% 21% 10% 34% 0 - Not At All Likely 1 2 3 4 5 6 7 8 9 10 - Extremely Likely Lapsed Subscriber n = 61 NPS = 25 0% 0% 0% 0% 0% 2% 2% 8% 19% 22% 47% 0 - Not At All Likely 1 2 3 4 5 6 7 8 9 10 - Extremely Likely Active Subscriber n = 247 NPS = 64 Likelihood to recommend DetractorsPassivesPromoters