Da fonts
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Freya Bruce looked at different fonts on the website 'dafont' to use for the opening title sequence of a film project. She considered graffiti, gothic, modern and sans serif fonts. One graffiti-style font fit the rustic shots of Brighton but did not clearly convey the thriller genre. A sans serif font was chosen as the main title font because it created a psychological and disjointed feeling appropriate for the antagonist. Another font caught their eye but was in lowercase, so a bolder sans serif capitalized font was selected for clarity and to emphasize the thriller genre.
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The document discusses font choices for an opening title sequence for a film project. It examines fonts in the categories of graffiti, gothic, modern and sans serif from the website dafont.com. One graffiti-style font is considered but deemed not clear enough and not a strong fit for the thriller genre. A sans serif font is selected for its disjointed, "eddy" feel that portrays the desired psychological tone and main antagonist. Another font is passed over for being entirely lowercase instead of bold capital letters fitting for the thriller genre. A sans serif "stamp"-like font is chosen for the title "released" to imply an official stamp and because sans serif fonts are seen as more
Masthead Font Styles
The candidate evaluated 6 different font styles for the masthead of their magazine, comparing each to their inspiration of Kerrang magazine. They found that the fonts "Haze", "aBite", "Babalusa Cut", and "LA Street Kids" were all similar to Kerrang in style and well suited to their underground genre. However, "I the hero" was difficult to read and not similar to Kerrang. They selected "Brush Grunge" as the best option as its scratches and fading effect suited the genre of their magazine "UNKNWN" and had an edgy aesthetic.
Planning titles
Joel Griffiths plans to experiment with titles for his crime drama similar to the BBC show "By any means". He will integrate dramatic titles into the setting, such as on a wall next to a railway. The titles will take inspiration from urban stills with edgy, dramatic fonts in contrasting black and white colors to portray the genre and intense mood. Main titles will be on screen longer while distributor logos and episode titles will display for around 3 to 5 seconds each to set the atmosphere.
Fonts
This font is bold but not too childish, which would attract the document author's target audience. While plain, it is not too bold or too plain and would suit a pop magazine. It is fun, quirky, and unusual, making the magazine cover stand out. However, some fonts may be too girly or childish for the mature target audience. While feminine and bold, some fonts would not look as good in different colors as the black version.
Inspiration For Creating A Brand
The document discusses inspiration for creating a band logo and analyzes logos of various pop/rock bands such as One Republic, Paramore, and Fall Out Boy. It notes design elements like the use of simple black and white colors and typography, as well as shapes and basic graphic elements that make the logos eye-catching. Specific logos are praised for their artistic, unique, or handwritten qualities. The document also explores possible design concepts like using fingerprints, graphics to form letters, or ice packs with melted letters.
Typography
The document discusses several fonts under consideration for the title of a film project centered around children and psychological horror. It analyzes how each font choice could potentially match or not match the film's themes. The fonts range from one resembling scratched metal to denote indelible marks, to ones resembling childlike or adult handwriting, to one that looks like writing on a whiteboard. Ultimately, a font is chosen that matches both the film's theme of ambiguity and its psychological horror subgenre through an uneven, messy effect.
Font presentation
This document evaluates several fonts for use in an indie rock music magazine. For the masthead, the author likes one font for being bold and edgy, but notes it may be too scratchy and sinister for indie rock. Another font stands out but may not be readable or suit indie as well as others. A third font is unique and clear but possibly not bold enough. For body copy, one font is ideal as representing indie well and being clear about the music genre. Another informal font would work well for contents pages and spreads. In the end, the author chooses a masthead font that is clear, bold and powerful while still representing indie rock over straight rock.
Fonts and Book Cover Research and Designs
This document discusses different font classifications:
- Serif fonts have short lines at the end of each stroke and are easily readable. They are commonly used in books, newspapers, and magazines.
- Sans serif fonts do not have the short lines and go back to 5 BC in Greek and Latin inscriptions. They are commonly used for computer screens and newspaper headlines.
- Decorative fonts have an ornamental style and became popular in the Victorian Era and Art Nouveau movement. They are used for decorative purposes like advertisements.
- Script fonts are based on handwriting styles from the 17th-18th century and were used for invitations and diplomas to give an elegant look.
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The document discusses font choices for an opening title sequence for a film project. It examines fonts in the categories of graffiti, gothic, modern and sans serif from the website dafont.com. One graffiti-style font is considered but deemed not clear enough and not a strong fit for the thriller genre. A sans serif font is selected for its disjointed, "eddy" feel that portrays the desired psychological tone and main antagonist. Another font is passed over for being entirely lowercase instead of bold capital letters fitting for the thriller genre. A sans serif "stamp"-like font is chosen for the title "released" to imply an official stamp and because sans serif fonts are seen as more
Masthead Font Styles
The candidate evaluated 6 different font styles for the masthead of their magazine, comparing each to their inspiration of Kerrang magazine. They found that the fonts "Haze", "aBite", "Babalusa Cut", and "LA Street Kids" were all similar to Kerrang in style and well suited to their underground genre. However, "I the hero" was difficult to read and not similar to Kerrang. They selected "Brush Grunge" as the best option as its scratches and fading effect suited the genre of their magazine "UNKNWN" and had an edgy aesthetic.
Planning titles
Joel Griffiths plans to experiment with titles for his crime drama similar to the BBC show "By any means". He will integrate dramatic titles into the setting, such as on a wall next to a railway. The titles will take inspiration from urban stills with edgy, dramatic fonts in contrasting black and white colors to portray the genre and intense mood. Main titles will be on screen longer while distributor logos and episode titles will display for around 3 to 5 seconds each to set the atmosphere.
Fonts
This font is bold but not too childish, which would attract the document author's target audience. While plain, it is not too bold or too plain and would suit a pop magazine. It is fun, quirky, and unusual, making the magazine cover stand out. However, some fonts may be too girly or childish for the mature target audience. While feminine and bold, some fonts would not look as good in different colors as the black version.
Inspiration For Creating A Brand
The document discusses inspiration for creating a band logo and analyzes logos of various pop/rock bands such as One Republic, Paramore, and Fall Out Boy. It notes design elements like the use of simple black and white colors and typography, as well as shapes and basic graphic elements that make the logos eye-catching. Specific logos are praised for their artistic, unique, or handwritten qualities. The document also explores possible design concepts like using fingerprints, graphics to form letters, or ice packs with melted letters.
Typography
The document discusses several fonts under consideration for the title of a film project centered around children and psychological horror. It analyzes how each font choice could potentially match or not match the film's themes. The fonts range from one resembling scratched metal to denote indelible marks, to ones resembling childlike or adult handwriting, to one that looks like writing on a whiteboard. Ultimately, a font is chosen that matches both the film's theme of ambiguity and its psychological horror subgenre through an uneven, messy effect.
Font presentation
This document evaluates several fonts for use in an indie rock music magazine. For the masthead, the author likes one font for being bold and edgy, but notes it may be too scratchy and sinister for indie rock. Another font stands out but may not be readable or suit indie as well as others. A third font is unique and clear but possibly not bold enough. For body copy, one font is ideal as representing indie well and being clear about the music genre. Another informal font would work well for contents pages and spreads. In the end, the author chooses a masthead font that is clear, bold and powerful while still representing indie rock over straight rock.
Fonts and Book Cover Research and Designs
This document discusses different font classifications:
- Serif fonts have short lines at the end of each stroke and are easily readable. They are commonly used in books, newspapers, and magazines.
- Sans serif fonts do not have the short lines and go back to 5 BC in Greek and Latin inscriptions. They are commonly used for computer screens and newspaper headlines.
- Decorative fonts have an ornamental style and became popular in the Victorian Era and Art Nouveau movement. They are used for decorative purposes like advertisements.
- Script fonts are based on handwriting styles from the 17th-18th century and were used for invitations and diplomas to give an elegant look.
Tinkertailiorsoldierspy
The document analyzes various elements of a movie poster that convey the film's genre as a mystery/action film. The main protagonist's costume implies power and intelligence, positioning him as the central figure. Additional characters look in different directions, searching for clues. Foggy, dimly lit settings and props like suitcases and guns establish the mystery/crime genre. Codes and symbols overlaid on background images undermine trust in the characters, heightening the sense of mystery. Overall, the poster design creates demand for viewers to watch the film in order to understand its mysteries.
Font analysis
This document discusses the connotations of various fonts. Comic Sans MS is described as very curvy, immature, informal and childish making it unsuitable for professional or serious contexts. Walt Disney script has a magical and childish feel due to its curls, appealing to children. Edwardian Script has an elegant, formal and sophisticated look due to its italics and curves, suitable for invitations. Stencil looks bold with straight edges, official and like a statement, fitting for wanted posters. Magneto appears on cars and cafes, looking slick, cool, and conveying wealth and vintage vibes.
creating my masthead
Theresa Kuhn describes the process of designing a masthead for her new indie music magazine called TONIC. She wanted the masthead to have an edgy, original typography that represented the indie genre. After brainstorming trends like Aztec patterns, she researched Aztec fonts for inspiration. She tested designs using fonts like "Parqa" and "Nomed" and received feedback that her initial designs were unclear. She adjusted letters like the "t" and "c" to improve readability. Her final design uses an Aztec-inspired font in a bold, pastel color with a black outline to clearly convey the magazine title while matching her aesthetic vision.
Lady gaga
Q magazine uses a large red pull quote in the form of the letter "L" to emphasize Lady Gaga's name across a double page spread. They utilize significant white space around the spread to make the black and grey photograph and text stand out. Drop capitals are also used to liven up the dense copy and keep readers engaged. The magazine targets young males through revealing photographs and avoids taboo language.
Film noir typography
The document discusses typography choices for the title of a neo-noir film called "Freeze." [1] It examines fonts used in classic film noir titles such as serif fonts with decorative edges and titles with backdrops or shadows. [2] It also looks at newer neo-noir titles experimenting more with colors. [3] The summary discusses choosing an uppercase bold font with varying letter sizes and placing the title over an image of the London skyline to reflect the film's setting.
Digital graphics evaluation pro forma
The student received positive feedback on constructing images in a comic book style that blended detail with simplicity. Peers praised the use of textures to make clouds and sun pop out. However, peers noted some images looked messy and plane colors were inconsistent. The student agreed the images could be cleaner but liked the chosen colors to make parts stand out. Overall peers felt the content was suitable for the target audience of children, praising the lack of graphic violence. The student incorporated peer feedback to improve visual consistency while keeping the style and tone appropriate for young readers.
Analysis of my new front cover
This document discusses changes made to images and design elements for a magazine cover and layout. The original cover image was deemed too small so an alternative was chosen. A starburst graphic was moved from the bottom of the page since the text was hard to read against the white background. The background color was changed from pastel blue to a black gradient for a more professional look pleasing to the intended audience. A font downloaded from an online source was selected to suit the indie music genre by resembling a death threat and giving an edgy look. Multiple fonts were used to reflect the spontaneity of indie music.
Fonts media copy 2
This document evaluates several fonts for their suitability in a pop magazine. It discusses the pros and cons of each font, and whether they would be appropriate for the genre and target audience. Some of the fonts are described as fun, funky, bold, and eye-catching, making them suitable for a pop magazine aimed at teenagers. However, other fonts may be too busy or not have enough character. The document considers whether each font would stand out while allowing the content to remain the focus.
Typefaces for poster
This document discusses typeface choices for a horror movie poster. It examines several typefaces that could be used for the main title ("Rosie Black"), text, and credits. For the main title, distorted, dark typefaces are considered to represent the horror genre and mysterious main character. The chosen typeface portrays a sketchy effect to link to the character. Text typefaces are meant to be bold, sharp, and easy to read. The chosen text typeface stands out with bold capital letters. Thin, narrow typefaces are discussed for credits as they are not the primary focus.
Identifying genre
The document discusses how titles and graphics can convey a film's genre. It provides examples of how the font choice for "New Town Killers" seems formal and dramatic, suiting a drama genre. It also analyzes how the bubble writing title and notebook-style cover of another film targets teenagers and indicates a romance genre through the use of red and heart/swirl images.
Question1
The document discusses various ways the author challenged conventions in their media products:
- Their trailer used dubstep music rather than typical trailer music, which isn't commonly used due to difficulty editing to the inconsistent bassline. The dubstep song fit the intensity of the trailer and anchored the regional identity of Manchester, which has a big dubstep scene.
- On the trailer front cover, the author dedicated the whole cover to promoting their trailer rather than multiple characters or stories. It also used a cleaner design with only two enemies pictured rather than many characters.
- The author ended their trailer with a more threatening line ("I'll kill you") rather than a typical cliffhanger to make it more intense and exciting for
Posters of different genre
The document provides an analysis and critique of several different movie posters from various genres. Some key points made include:
- Poster backgrounds, images, font styles, color schemes, and placement of text/images can provide cues to the genre and give context about the film's story.
- Effective posters attract attention, clearly communicate the genre, and intrigue viewers about the film's plot.
- Common conventions like listing actors/directors and including critic quotes can help market films, but designs still need to be clear and visually appealing.
- Elements like character costumes, props, and compositional techniques can subtly reveal aspects of the genre and narrative without being overt.
GG Films-Updated Storyboard
The document summarizes the origins and evolution of the term "hashtag". It begins by introducing the setting of the "Word Facts Tower" where the Word Facts Investigator declares they will research the word "hashtag". It then discusses how the symbol now known as a hashtag originated from the Latin sign for "pound by weight" and was previously called the "pound sign" or "number sign". It also mentions how in the early 1900s, the term "hash mark" was used by military officers to refer to service stripes on uniforms. Finally, it notes how the term "hash" became widely used in the 1960s to refer to the symbol, and how computer programmers adopted it in the 1980s, leading to hashtags becoming
Evaluation – Question Two
The promotional products for the film effectively establish the same genre across different platforms by creating a consistent brand identity. The brand identity uses the color red, a serif font, and the main character's red scarf. This identity is featured in the teaser trailer, promotional poster, and magazine cover, allowing each product to clearly suggest the thriller/romance genre. Specifically, the poster uses lighting and blood to convey the thriller element, while proxemics show the romance. The magazine cover focuses more on romance through its lighter tone and exclusive character interview.
Development Pro Forma
The student has proposed creating a children's story book using digital graphic techniques like rotoscoping in Photoshop. The story involves a princess named Florine who is to marry a charming prince, but an evil queen wants her own daughter to marry him instead. The queen locks Florine in a tower and turns the prince into a blue bird. Eventually, a good fairy helps Florine and the prince, and the evil queen faces justice. The student has created mood boards and character designs to develop the story. The proposal provides a detailed story overview, production methods, target audience, and deadline. The evaluator notes the proposal is well laid out but recommends further detailing the export format advantages and disadvantages.
Ideas for the poster's image
The document discusses the process of designing a film poster. The author experiments with different historical photography styles to convey that the story's events are recurring from the past. They settle on using a daguerreotype style from 1839-1855 that has a unique image with no negative. The final poster features a scratched-out photograph from this era overlaid with the title and a QR code linking to the trailer.
Development pro forma
- The document discusses developing a digital graphic narrative retelling the Greek myth of Perseus.
- It proposes a 12-15 page children's book in A5 size featuring images and text on each page telling the story. The images will be in a cartoon style.
- Feedback is provided on the proposal, noting the fonts chosen are suitable for a Greek mythology story but the story may be too complex for children under 10. More detail on character design and production methods is suggested.
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Discover the newest Time-Waster for design fans on Facebook: BitStrips! A review from CartoonDesign.us
Font research
Samantha Jones is researching fonts to use for different elements of her new music magazine, Rebel Records. She looks at fonts on dafont.com and Microsoft PowerPoint to find fonts that are eye-catching for the masthead and sell lines but also simplistic. For the masthead, she likes fonts that are unusual and stand out such as "Rebel Records". For the main sell line, her top choice is a font that says "Bringing Back Girl Power" in a bold, stylized way. For smaller sell lines, she selects fonts like one saying "Concert of the Year!" that fit the music genre.
Final research
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Fonts & titles
The document discusses font choices for different titles in an indie film project. It describes searching on "da font" for fonts that fit the overall project and film trailer. A font called "top secret" was chosen for the strap line to relate to the film's secret recipe and stand out from the main title "Synthacaine." A "comic" font called "badaboom" was selected for character introductions to fit the film's Tarantino influence. The font "cubic" was chosen for the main title "Synthacaine" as it looks like a science structure relating to the film's storyline about a new cocaine recipe.
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Tinkertailiorsoldierspy
The document analyzes various elements of a movie poster that convey the film's genre as a mystery/action film. The main protagonist's costume implies power and intelligence, positioning him as the central figure. Additional characters look in different directions, searching for clues. Foggy, dimly lit settings and props like suitcases and guns establish the mystery/crime genre. Codes and symbols overlaid on background images undermine trust in the characters, heightening the sense of mystery. Overall, the poster design creates demand for viewers to watch the film in order to understand its mysteries.
Font analysis
This document discusses the connotations of various fonts. Comic Sans MS is described as very curvy, immature, informal and childish making it unsuitable for professional or serious contexts. Walt Disney script has a magical and childish feel due to its curls, appealing to children. Edwardian Script has an elegant, formal and sophisticated look due to its italics and curves, suitable for invitations. Stencil looks bold with straight edges, official and like a statement, fitting for wanted posters. Magneto appears on cars and cafes, looking slick, cool, and conveying wealth and vintage vibes.
creating my masthead
Theresa Kuhn describes the process of designing a masthead for her new indie music magazine called TONIC. She wanted the masthead to have an edgy, original typography that represented the indie genre. After brainstorming trends like Aztec patterns, she researched Aztec fonts for inspiration. She tested designs using fonts like "Parqa" and "Nomed" and received feedback that her initial designs were unclear. She adjusted letters like the "t" and "c" to improve readability. Her final design uses an Aztec-inspired font in a bold, pastel color with a black outline to clearly convey the magazine title while matching her aesthetic vision.
Lady gaga
Q magazine uses a large red pull quote in the form of the letter "L" to emphasize Lady Gaga's name across a double page spread. They utilize significant white space around the spread to make the black and grey photograph and text stand out. Drop capitals are also used to liven up the dense copy and keep readers engaged. The magazine targets young males through revealing photographs and avoids taboo language.
Film noir typography
The document discusses typography choices for the title of a neo-noir film called "Freeze." [1] It examines fonts used in classic film noir titles such as serif fonts with decorative edges and titles with backdrops or shadows. [2] It also looks at newer neo-noir titles experimenting more with colors. [3] The summary discusses choosing an uppercase bold font with varying letter sizes and placing the title over an image of the London skyline to reflect the film's setting.
Digital graphics evaluation pro forma
The student received positive feedback on constructing images in a comic book style that blended detail with simplicity. Peers praised the use of textures to make clouds and sun pop out. However, peers noted some images looked messy and plane colors were inconsistent. The student agreed the images could be cleaner but liked the chosen colors to make parts stand out. Overall peers felt the content was suitable for the target audience of children, praising the lack of graphic violence. The student incorporated peer feedback to improve visual consistency while keeping the style and tone appropriate for young readers.
Analysis of my new front cover
This document discusses changes made to images and design elements for a magazine cover and layout. The original cover image was deemed too small so an alternative was chosen. A starburst graphic was moved from the bottom of the page since the text was hard to read against the white background. The background color was changed from pastel blue to a black gradient for a more professional look pleasing to the intended audience. A font downloaded from an online source was selected to suit the indie music genre by resembling a death threat and giving an edgy look. Multiple fonts were used to reflect the spontaneity of indie music.
Fonts media copy 2
This document evaluates several fonts for their suitability in a pop magazine. It discusses the pros and cons of each font, and whether they would be appropriate for the genre and target audience. Some of the fonts are described as fun, funky, bold, and eye-catching, making them suitable for a pop magazine aimed at teenagers. However, other fonts may be too busy or not have enough character. The document considers whether each font would stand out while allowing the content to remain the focus.
Typefaces for poster
This document discusses typeface choices for a horror movie poster. It examines several typefaces that could be used for the main title ("Rosie Black"), text, and credits. For the main title, distorted, dark typefaces are considered to represent the horror genre and mysterious main character. The chosen typeface portrays a sketchy effect to link to the character. Text typefaces are meant to be bold, sharp, and easy to read. The chosen text typeface stands out with bold capital letters. Thin, narrow typefaces are discussed for credits as they are not the primary focus.
Identifying genre
The document discusses how titles and graphics can convey a film's genre. It provides examples of how the font choice for "New Town Killers" seems formal and dramatic, suiting a drama genre. It also analyzes how the bubble writing title and notebook-style cover of another film targets teenagers and indicates a romance genre through the use of red and heart/swirl images.
Question1
The document discusses various ways the author challenged conventions in their media products:
- Their trailer used dubstep music rather than typical trailer music, which isn't commonly used due to difficulty editing to the inconsistent bassline. The dubstep song fit the intensity of the trailer and anchored the regional identity of Manchester, which has a big dubstep scene.
- On the trailer front cover, the author dedicated the whole cover to promoting their trailer rather than multiple characters or stories. It also used a cleaner design with only two enemies pictured rather than many characters.
- The author ended their trailer with a more threatening line ("I'll kill you") rather than a typical cliffhanger to make it more intense and exciting for
Posters of different genre
The document provides an analysis and critique of several different movie posters from various genres. Some key points made include:
- Poster backgrounds, images, font styles, color schemes, and placement of text/images can provide cues to the genre and give context about the film's story.
- Effective posters attract attention, clearly communicate the genre, and intrigue viewers about the film's plot.
- Common conventions like listing actors/directors and including critic quotes can help market films, but designs still need to be clear and visually appealing.
- Elements like character costumes, props, and compositional techniques can subtly reveal aspects of the genre and narrative without being overt.
GG Films-Updated Storyboard
The document summarizes the origins and evolution of the term "hashtag". It begins by introducing the setting of the "Word Facts Tower" where the Word Facts Investigator declares they will research the word "hashtag". It then discusses how the symbol now known as a hashtag originated from the Latin sign for "pound by weight" and was previously called the "pound sign" or "number sign". It also mentions how in the early 1900s, the term "hash mark" was used by military officers to refer to service stripes on uniforms. Finally, it notes how the term "hash" became widely used in the 1960s to refer to the symbol, and how computer programmers adopted it in the 1980s, leading to hashtags becoming
Evaluation – Question Two
The promotional products for the film effectively establish the same genre across different platforms by creating a consistent brand identity. The brand identity uses the color red, a serif font, and the main character's red scarf. This identity is featured in the teaser trailer, promotional poster, and magazine cover, allowing each product to clearly suggest the thriller/romance genre. Specifically, the poster uses lighting and blood to convey the thriller element, while proxemics show the romance. The magazine cover focuses more on romance through its lighter tone and exclusive character interview.
Development Pro Forma
The student has proposed creating a children's story book using digital graphic techniques like rotoscoping in Photoshop. The story involves a princess named Florine who is to marry a charming prince, but an evil queen wants her own daughter to marry him instead. The queen locks Florine in a tower and turns the prince into a blue bird. Eventually, a good fairy helps Florine and the prince, and the evil queen faces justice. The student has created mood boards and character designs to develop the story. The proposal provides a detailed story overview, production methods, target audience, and deadline. The evaluator notes the proposal is well laid out but recommends further detailing the export format advantages and disadvantages.
Ideas for the poster's image
The document discusses the process of designing a film poster. The author experiments with different historical photography styles to convey that the story's events are recurring from the past. They settle on using a daguerreotype style from 1839-1855 that has a unique image with no negative. The final poster features a scratched-out photograph from this era overlaid with the title and a QR code linking to the trailer.
Development pro forma
- The document discusses developing a digital graphic narrative retelling the Greek myth of Perseus.
- It proposes a 12-15 page children's book in A5 size featuring images and text on each page telling the story. The images will be in a cartoon style.
- Feedback is provided on the proposal, noting the fonts chosen are suitable for a Greek mythology story but the story may be too complex for children under 10. More detail on character design and production methods is suggested.
BitStripts
Discover the newest Time-Waster for design fans on Facebook: BitStrips! A review from CartoonDesign.us
Font research
Samantha Jones is researching fonts to use for different elements of her new music magazine, Rebel Records. She looks at fonts on dafont.com and Microsoft PowerPoint to find fonts that are eye-catching for the masthead and sell lines but also simplistic. For the masthead, she likes fonts that are unusual and stand out such as "Rebel Records". For the main sell line, her top choice is a font that says "Bringing Back Girl Power" in a bold, stylized way. For smaller sell lines, she selects fonts like one saying "Concert of the Year!" that fit the music genre.
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Final research
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
Font research
The document discusses font research for a horror film opening. It examines several fonts including "Some Lines", "Zombified", "Face Your Fears", and "Scratch Kit" but ultimately selects "Trajan Pro" for the title and credits. "Trajan Pro" was chosen because it had a horror feel, was bold and clear to read, and could transition from red to white to represent the film's mysterious main character.
Fonts & titles
The document discusses font choices for different titles in an indie film project. It describes searching on "da font" for fonts that fit the overall project and film trailer. A font called "top secret" was chosen for the strap line to relate to the film's secret recipe and stand out from the main title "Synthacaine." A "comic" font called "badaboom" was selected for character introductions to fit the film's Tarantino influence. The font "cubic" was chosen for the main title "Synthacaine" as it looks like a science structure relating to the film's storyline about a new cocaine recipe.
Final research
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts like "Scary.TTF" that use bold letters that attract attention and connote drama. It also examines title sequences like in "Panic Room" that suggest realism through dull colors and big font on buildings, giving a sense of invasion of personal space. Overall, the document considers fonts and placements of credits that set an unsettling tone through simplicity, confusion, or relating to themes in the narrative like insanity or invasion in order to engage the target audience.
Typeface
This document discusses font ideas for the title of a thriller film called "Framed". It previews 3 fonts - "Lost Lubbock Motels", "Face Your Fears", and "Anarchy" - and analyzes how each font could establish themes for the film. The author selects "Anarchy" as their favorite font because it has a thin and imperceptible style that gives a sense of being enigmatic and written with a sharp object, fitting the film's themes of violence and uncertainty.
Font ideas - Horror Trailer
The document discusses font choices for a film project. It notes that fonts should appeal to the film's genre and catch audience attention. Horror film magazines often use bold masthead fonts. The document selects the "Feast of Flesh" font from dafont.com for its bold yet dark and urban style. It also chooses the "October Crow" font for the movie logo because it looks sinister and eye-catching in representing the horror genre. The document plans to use these fonts and start layout designs.
Typography research
The document discusses typography research for an opening credits sequence. It summarizes how two mystery films used different fonts to hook audiences. Options under consideration include a dotted font, one with sharp letters, and one with gaps in letters. Inspired by Psycho, sliding credits that slowly reveal the text are discussed. The final decision is to use the Didot font for its simplicity and sophistication to match the direct, plot-driven nature of the opening sequence about a murder.
Typography research
The document discusses typography research for a film opening sequence. It summarizes how two mystery films used different fonts in their opening credits to hook viewers. It then considers various font options for the typography in their own opening sequence for a crime film. These include fonts with dotted, sharp, or missing lines that could reflect plot points like the murder that occurs. It decides sliding credits like in Psycho could intrigue viewers. After researching fonts' meanings, it chooses Didot font for its simplicity, sophistication, and ability to get straight to the plot point of the murder.
Typography Research
The document discusses typography research for an opening credits sequence. It summarizes how two mystery films used different fonts in their opening sequences to hook the audience. It then considers various font options for the typography in its own opening credits and how they could reflect elements of the plot, such as a font with sharp letters matching a sharp murder plot. It decides on the Didot font as it finds it sophisticated, simple and straight to the point like the film's central murder plot.
Font Decisions
This document discusses choosing a font for a horror film trailer. The author looked through Dafont.com and considered 4 fonts in the horror category. The first font was dismissed as too childlike and unprofessional. The second font was deemed too outdated. The third font was seen as too bold and difficult to match with other fonts. Ultimately, the author selected "Bloody Cre" as the most appropriate font because it looked like it had been written in blood, portraying the horror genre while remaining easy to read.
Fonts
This document discusses choosing a font for a horror film trailer. The author looked at fonts in the horror category on Dafont.com but felt they were too childlike. Four fonts were considered: one resembling bloody drips but seemed outdated; another with scratches representing terror but was too bold; and a third called "Bloody Cre" that could look like writing in blood. The author ultimately selected "Bloody Cre" as it was easy to read but still represented the horror genre.
Fonts
This document discusses choosing a font for a horror film trailer. The author looked through Dafont.com and considered 4 fonts in the horror category. The first font was dismissed as too childlike and unprofessional. The second font was deemed too outdated. The third font was seen as too bold and difficult to match with other fonts. Ultimately, the author selected "Bloody Cre" as the most appropriate font because it looked like it had been written in blood, portraying the horror genre while remaining easy to read.
Font Decisions
This document discusses choosing a font for a horror film trailer. The author looked through Dafont.com and considered 4 fonts in the horror category. The first font was dismissed as too childlike and unprofessional. The second font was deemed too outdated. The third font was seen as too bold and difficult to match with other fonts. Ultimately, the author selected "Bloody Cre" as the most appropriate font because it looked like it had been written in blood, portraying the horror genre while remaining easy to read.
Media powerpoint film
The document discusses the choices made for the titles and opening credits of a film. It describes selecting a dark background in red and black to convey danger and mystery and fit the scary genre. Different fonts were tested to find one that was chilling and matched the film's tone, ultimately choosing a scripted/handwritten style. Various title positions were also tested to suggest things changing and relate to the film's contents. Feedback from friends was gathered on the font's intended effect.
Walk through of our film poster
The photograph was taken to make the actors look like they were peering into a grave, as in the film's storyline the characters accidentally hit and killed their friend's boyfriend with a car and kept it a secret. The blue sky created empty space but worked for including the film title. The lighting was dark to suit a horror film. A box was used and the camera placed in a hole to create the grave effect. In post-production, the faces were lightened in Photoshop to make them more visible.
Font
The document discusses different fonts that could be used for the title and credits of a thriller film. It analyzes several fonts in terms of how well they relate to and represent the storyline and tone of the film. While some fonts were deemed too simplistic, 3D-looking, or associated with a certain gender, the group overall agreed that planning font choices early would aid their later film production work.
Media fonts
The document discusses fonts chosen for different elements of a film project. Three fonts are considered for introducing actors, with "Eight days a week" selected as the favorite due to its bold, loud look aligning with the characters and film tone. Two fonts are discussed for the company name, with "White Elephant" chosen for its cleaner look providing some continuity while still differentiating its message. Three additional fonts are reviewed for the film title, with "Urban Jungle" and "Slave only dreams to be a king" favored for conveying grittiness and discomfort respectively, in line with the film's style.
Fmp pre production 1
This document provides planning details for a stop motion animation called "Desktop Diaries". It includes character descriptions, style guides for colors, fonts and images, storyboards, scripts, and a production schedule. The characters are everyday office supplies that will be brought to life through stop motion. Color palettes and shapes are analyzed to reflect each character's personality. Equipment, locations, health and safety are also addressed to prepare for a week-long production.
Fmp pre production
This document provides planning details for a stop-motion animation called "Desktop Diaries". It includes character descriptions, style guides for colors, fonts and imagery, storyboards, scripts, and a production schedule. The main characters are stationary items that come to life, including a stapler, pencil, scissors, hole punch, and ruler. Color schemes and shapes are analyzed to reflect each character's personality. Equipment, locations, health and safety are also addressed to prepare for a week-long production.
Final research pp
The document discusses font choices for the title of a film project called "Ava". It considers several simplistic font options from the website Dafont that connote oldness or danger without revealing the horror genre. The favorite option is "October Crow" as it looks oldest and best suits the narrative. While custom fonts were designed, the filmmakers likely will use a font from Dafont. The title will use a controversial color like white to link to themes of innocence and danger. A doll will also be subtly featured in shots to attract audiences and relate to the successful film Annabelle.
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Analysing post modern film trailers.
The trailer introduces the main protagonist of Kill Bill, known as The Bride, showing her in a black outfit representing mystery and danger. Through a fast-paced montage of shots, the trailer introduces the various scenes and antagonists The Bride faces, using fire patterns between shots to represent the fast-paced action. Symbolism of the color yellow is used to identify The Bride as she is shown fighting opponents wearing white. Director Quentin Tarantino aims to attract an active audience through fast editing, diegetic sound effects, and time remapping to create tension.
Photoshop editing
The document summarizes how the author created a magazine cover in Photoshop for the first time to promote their film project. They began by opening a magazine cover template from their college drive and deleting unnecessary layers. Photos were softened and colors adjusted. Text fonts and colors were changed to match the film's style. Layers like the title, date, and price were modified. The author added graphic elements like stars and a circle shape to make the cover resemble a movie poster.
Question 2.
1) The document discusses a film promotion package for the film "Synthacaine" consisting of a trailer, magazine cover, and poster.
2) It aims to promote the film to its target audience of 15-25 year olds through social media marketing like a dedicated Twitter account and hashtag.
3) The key elements of the promotion package are designed to attract the target audience through their focus on fashionable elements like makeup, fur coats, and boots shown in the poster and magazine cover.
Question 2
1) The document discusses the promotion package for the film "Synthacaine", which includes a trailer, magazine cover, and poster.
2) The promotion package aims to attract its target audience of 15-25 year olds through techniques like using hashtags on social media and releasing the film on Valentine's Day.
3) Elements like the female protagonist, bright colors, and fashionable clothing and accessories are used across the different promotional materials to psychologically attract the target audience.
Snatch trailer analysis
The document provides a detailed analysis of the 2000 film Snatch. It discusses the main characters, including antagonists Brick Top and Cousin Avi and protagonist/helper Mickey. The analysis then covers the film's narrative structure in three acts. It examines the film's use of stereotypes, settings, lighting, editing, titles, and sound design to set an atmosphere of crime and disruption through postmodern techniques. Overall, the document analyzes how the film establishes its crime genre identity through these technical and stylistic elements.
Poster and mag shoot
The document summarizes a photo shoot for posters and magazines promoting a film. Photos were taken of the main protagonist against a yellow brick wall and in a bathroom mirror to highlight the character and film's tagline. While bathroom shots couldn't be used, the photos of the protagonist in a fur coat and red lipstick against the yellow wall best portrayed the atmosphere desired to market the female-led British crime film.
sound 2
The document discusses music and sound effects chosen for a film trailer. It describes selecting upbeat, fast-paced music to represent the trailer's tone, and a slow song called "Drowning" to metaphorically represent female characters. Sound effects like "broken air tank" and "heavy stomp" were chosen to fit with scenes showing cocaine, a nightclub setting, and character introductions. Care was taken to ensure music and visuals like strobes were synchronized during editing.
sound 2
The document discusses music and sound effects chosen for a film trailer. It describes selecting upbeat, fast-paced music to represent the trailer's tone, and a slow song called "Drowning" to metaphorically represent female characters. Sound effects like "broken air tank" and "heavy stomp" were chosen to fit scenes showing cocaine, a nightclub setting, and character introductions. Care was taken to ensure music and visuals like strobes were synchronized during editing.
Editing
While filming scenes for a crime thriller, the film crew used a workman's lamp as their primary lighting source. They first used it in the cellar scene to create shadows and set an ominous atmosphere. During filming of the cellar scene, the director wanted to portray the thrilling consequences of the crime world and add a sense of suspense by showing a woman being aggressively handled in the dark, run-down room. The lamp also provided lighting for the car scene, where it was mounted above the camera despite the difficulty of lighting outside at night with no surfaces for light reflection.
planning
This document discusses potential themes and color schemes for magazine covers and film posters promoting a crime genre film. It presents two options: 1) A black, white, red, and silver scheme conveying the conventions of a British crime genre, with black and white representing sophistication and the crime scene, and red representing danger and passion. 2) A pink-dominated scheme challenging character conventions by making the femme fatale the protagonist, with pink representing feminine power and black representing the crime genre. This theme would focus on the glamorous side of crime.
Magazine research
The document discusses choosing EMPIRE magazine to promote a film called Synthacaine. EMPIRE was chosen because it would appeal to the film's target audience and fit with its genre. Although the film is independent, it is associated with FILM4 which has connections to EMPIRE magazine. The document also notes that EMPIRE magazine does a good job of capturing the theme and style of the films it features.
Risk assessment
This risk assessment form is for a media studies advanced portfolio group project. It requires identifying hazards, who is at risk of injury from those hazards, the chance and severity of injury, and control measures to mitigate risks.
poster analysis
This document provides an analysis of two film posters:
1) The Snatch poster depicts the main characters in dark costumes against a dark, urban backdrop. It emphasizes the characters as the most important element and selling point of the film.
2) The Shutter Island poster uses a split-screen effect to show Leonardo DiCaprio's character and the film's setting. It draws attention to the two main attractions - the actor and mysterious location. Dark, ominous tones and DiCaprio's concerned expression set the psychological thriller tone.
Synthacaine
The film Synthacaine follows an all-female gang called Empire that secretly works for a male gang called Prince Albert in Brighton, England. Over several years, Empire gains insider information from Prince Albert. They eventually steal Prince Albert's supply of a new cocaine variant called Synthacaine. Empire uses their feminine charm to deceive Prince Albert. In the end, Empire outsmarts Prince Albert and makes off with a valuable new drug and a lot of money.
Influences 2
This document discusses influences for a film project called Synthacaine. It notes that Kill Bill influenced the inclusion of a female mobster gang that leads drug trafficking operations in Brighton, showing strong female characters overcoming typical male gangsters. Scenes will feature feminine characteristics like red lipstick and big earrings. Trailers for Snatch and Lock, Stock and Two Smoking Barrels influenced the use of fast editing and freeze frames to introduce characters in a trailer for Synthacaine that will have a voiceover and feel like being spoken to directly.
Snatch
The Snatch movie poster uses simple yet impactful design elements to convey the film's tone. Brad Pitt's character is positioned in the center of the layered characters, suggesting his significance. The characters all stare sternly forward with strong body language and clustered positioning, creating a sense of tension and danger directed at the viewer. Bright red text for the website URL stands out against the otherwise minimalist white background, encouraging viewers to learn more about the compelling crime film.
Age Rating.
This document discusses the criteria for a film receiving a 15 rating from the British board of film classification, including strong violence, frequent strong language, portrayals of sexual activity, references to sex and nudity, and scenes involving drugs or discrimination. The filmmakers felt their film contained much of this content and therefore deserved a 15 rating, as did the films that influenced theirs.
Influences 2
This document discusses influences for a film project called Synthacaine. It cites Kill Bill as an influence for having a female protagonist who leads a female mobster gang, showing strong female characters in positions of power. It also discusses using feminine characteristics like red lipstick and gold earrings to present the female characters. Another key influence is from the trailers of Snatch and Lock, Stock and Two Smoking Barrels, which use fast editing and freeze frames to introduce characters and showcase the fast-paced nature of the films in a engaging way for audiences.
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Da fonts
- 1. Fonts and titles. Freya Bruce
- 2. For my opening title sequence I was looking at fonts, for this I went onto the website ‘dafont’ and tried to find some ones that were appropriate for our opening title sequence. The main categories I looked in for fonts was graffiti, gothic, modern and sans serif.
- 3. This was one of the first fonts we looked at, we liked the graffiti style as it fits in with our rustic shots of Brighton, giving off an almost dirty feel. This would fit into to our genre as it would make the audience link the dirty shots of Brighton and the messy titles and therefore it would create the pyschological sub genre we wanted. However we felt that it wasn’t very clear and although it gave off a psychological feel, it was clear that urban decay didn’t fit the thriller genre massively.
- 4. We also think this will work well as a contrast to our colours we have as its quite dull and dark so having the black fits in well. We chose this as one of the main fonts to be used in our opening title sequence. We liked this one because it was a clear sans serif which is what we wanted as we felt it created more of a psychological thriller atmosphere as it is disjointed and eddy, which is how we want our main antagonist to be portrayed.
- 5. This font caught our eye as we liked the messy look, and the way its presented on the page. We felt like this would go nicely with our shots of under the pier. However we chose not to use this as we didn’t like the fact it was In lower case and wanted a more bold font in capitals to really present the thriller genre.
- 6. we think that the way the font looks dirty relates to our shots around Brighton and again fits in with the thriller genre. Also, we think it will contrast nicely with our establishing shots. We chose this to be our main font for the title of ‘released’. We feel like it is very bold and like a stamp, relating to if someone was really released then it would be stamped on to their records. We like this because it is sans serif and we wanted that as it is more powerful.