This document summarizes a presentation about strategies for discussing copyright with students in library instruction sessions. The presenters, Stephanie Davis-Kahl and Molly Keener, are instruction librarians who discuss three main strategies - interweaving copyright concepts into existing lessons, using multiple sessions to build students' copyright knowledge over time, and dedicating an entire session to copyright. They provide examples of how these strategies have been implemented and suggest additional ways to discuss copyright through campus partnerships and by highlighting its relevance in different academic disciplines.

1. Cultivating Creators:
Copyright in the Classroom
Stephanie Davis-Kahl & Molly Keener

2. Your Presenters
Stephanie Davis-Kahl, Illinois
Wesleyan University
Molly Keener,
Wake Forest University

3. Who are you?
a. Instruction librarians
b. Scholarly Communications librarians
c. Administrators
d. Liaison librarians
e. Other? Please describe in the chat box.

4. Session Outcomes
 Share strategies for discussing copyright with students in
order to build instructional literacy for librarians.
 Contextualize copyright and Creative Commons licenses
within information literacy instruction in order to increase
professional knowledge about scholarly communication.
 Raise awareness of different options for sharing
scholarship and creative activity among librarians in order
to close the loop in information literacy instruction.

5. In Your Teaching…

6. Who is currently talking about copyright
with students?
a. I am!
b. I am, sometimes.
c. I am not.

7. If you ARE talking about copyright, how
confident are you?
a. Extremely
b. Solidly
c. Somewhat
d. Not
e. Ack! Get me out of here!

8. If you AREN’T talking about copyright,
why not?
a. Too little time in instruction sessions
b. Not in faculty member’s requested outline
c. Lack of own knowledge
d. Lack of own skills in teaching copyright
e. Other

9. Hold for Whiteboard

10. Instruction Strategies

11. Strategy: Interweave
(a.k.a. “The Stealth Approach”)
 Works well with one-shot sessions
 Goal is to integrate major points about copyright
 Framing within context of students’ experience, or
within course content/discipline

12. Strategy in Action
Stephanie
 Gateway (First Year
Seminar)
• Personal experiences with
copyright
• Ask students what © is on
journal article, book, etc
• Brief primer on purpose of
copyright
• Goal: Define
Molly
 Gateway (Honors support
group)
 Situating copyright in context
of article availability
 Explaining open access and
public access
 Comparing and contrasting
copyright and plagiarism
 Goal: Accessibility

13. Who has tried this strategy?
a. I have!
b. I haven’t, but now I’m strategizing.
c. This doesn’t fit my library’s instructional model.

14. Strategy: Building Blocks
 Use time in multiple sessions to introduce,
expound, experience and discuss copyright
 Moderate depth when discussing grey areas of
copyright
 Can include or lead to our next strategy

15. Strategy in Action
 “Horror Cinema” Gateway
 3 sessions, 75 minutes each
• Session 1: General introduction, focus on articles
• Interweave Strategy
• Session 2: Focus on books + workshop topics
• Building Blocks
• Session 3: Focus on the web
• Building Blocks Plus (Open Access, Creative Commons,
other varieties of Open)

16. Who has tried this strategy?
a. I have!
b. I haven’t, but now I’m strategizing.
c. This doesn’t fit my library’s instructional model.

17. Strategy: The Dedicated Lecture
(a.k.a. “All Copyright All The Time”)
 In-depth introduction to copyright and author rights
 Emphasize role of students as creators and
copyright owners
 Highlight academic and non-academic implications
of owning and using copyrights
 Opportunities to tie-in other areas of intellectual
property

18. Strategy in Action
 Undergraduate Gateway
 LIB 100: Real-world scenarios
• Students work in groups to answer copyright and IP scenarios
• Interweave: Share and discuss answers with class
 LIB 200: Discipline-specific instruction
• Discuss copyright and author rights within framework of disciplinary
scholarship practices
• Building Blocks Plus: Introduce students to OA, CC
 Graduate Gateway
 Seminar course
• Principles of copyright, author rights, authorship ethics, publishing,
scholarship cycle

19. Who has tried this strategy?
a. I have!
b. I haven’t, but now I’m strategizing.
c. This doesn’t fit my library’s instructional model.

20. Strategy: Beyond the Classroom
(a.k.a. “Copyright in Context”)
 Opportunities to consult and instruct on copyright
with various campus groups
 Timely, practical advice
 Framed within experiential context
 Expectation that work will be shared

21. Strategy in Action
Molly
 ETD Gateway
 Preparation workshops
 Individual consultations
 Incorporating others’
copyrighted content
 To embargo, or not to
embargo
 Goal: Author = © Owner
Stephanie
 Student Publishing
 Undergraduate Economic
Review
 Undergraduate Research
Conference
 Honors Students
 Goal: Author = © Owner

22. Who has tried this strategy?
a. I have!
b. I haven’t, but now I’m strategizing.
c. This doesn’t fit my library’s instructional model.

23. All Roads Lead to
Copyright

25. External Requirements
 Excellent way to bring in policy and advocacy into
discussions of copyright
 Connect with open movement, public access

26. Disciplinary Approaches
 Examples:
 Physics
 History
 Anthropology
 Humanities (writ large)
 Experiments in publishing:
 Open Humanities Press
 Library Publishing Coalition
 Library Publishers – Amherst, Purdue, Michigan…
 Open Textbooks – Temple, UMass-Amherst, Oregon
State

27. Let’s Discuss!

28. Hold for Whiteboard

29. Resources/Further Reading
 Intersections of Scholarly Communication and Information Literacy:
Creating Strategic Collaborations for a Changing Academic
Environment, ACRL, 2013. Online at http://acrl.ala.org/intersections/
 Chapters from Common Ground at the Nexus of Information Literacy &
Scholarly Communication. Online at
http://digitalcommons.iwu.edu/bookshelf/36/:
 Gail Clement and Stephanie Brenenson, “Theft of the Mind: An Innovative
Approach to Plagiarism and Copyright Education”
 Isaac Gilman, “Scholarly Communication for Credit: Integrating Publishing
Education into Undergraduate Curriculum”
 Margeaux Johnson, Amy G. Buhler, and Sara Russell Gonzalez, “Communicating
with Future Scholars: Lesson Plans to Engage Undergraduate Science Students
with Open Access Issues in a Semester-Long Course”
 Jennifer Duncan, Susanne K. Clement, and Betty Rozum, “Teaching Our Faculty:
Developing Copyright and Scholarly Communication Outreach Programs”
 Copyright Basics: http://www.copyright.gov/circs/circ01.pdf
 Composition & Copyright: Perspectives on Teaching, Text-making, and
Fair Use, edited by Steve Westbrook, SUNY: 2010.

30. Thank You!
 Stephanie Davis-Kahl
 sdaviska@iwu.edu
 @StephDK
 Molly Keener
 keenerm@wfu.edu
Thanks to Margot Conahan of ACRL and Hope Kandel of
LearningTimes for their time and help!