Criticism
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Mehta Drashti earned a B.A. from S.N.D.T Women’s University in Mumbai and studied classical to 19th century criticism including works by Plato, Aristotle, Dr. Johnson, Wordsworth, and Matthew Arnold. Her studies also analyzed contemporary literary theory and criticism exploring works by Rabindranath Tagore, Sigmund Freud, T.S. Eliot, Terry Eagleton, Elaine Showalter, and Ganesh Devi.
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Background
This document provides an outline for a literature course covering major topics such as forms of literature like poetry, drama, novels, and folk forms. It discusses literary concepts, critical approaches, language skills, and eras of literature from late 20th century to contemporary works. Specific genres like novels, drama, poetry, and feminist literature are examined across various historical periods. The course also focuses on Indian writing in English with sections on pre-independence to contemporary works. Short stories from various Indian authors are also included.
Lit mov booklet part-1
This document provides an overview of the study of literary movements. It begins by defining what a literary movement is, noting that it refers to a group of writers or critics who share similar views, styles, or approaches. It then discusses definitions of literature and its genres. The document distinguishes between literary criticism and literary theory. It provides a brief history of the discipline and its main concerns. It describes some of the key differences between literary schools and theories. Finally, it outlines the main categories of literary theories, including imitative, expressive, and affective theories.
Feminist criticism
Feminist criticism began in the 1960s as a product of second-wave feminism and focused on exposing the patriarchal ideology and stereotypical representations of women in literature written by men. It aimed to show how these works emphasized masculine dominance and inferior portrayals of women characters. In later decades, feminist criticism shifted to discovering neglected works written by women and evaluating literary representations of women against social realities. There are differences between Anglo-American feminist criticism, which emphasizes close reading of texts, and French feminism, which incorporates more post-structuralist and psychoanalytic approaches.
'Commonwealth literature’ does not exist
Commonwealth literature does not truly exist as a unified category, as it attempts to group together writers from various post-colonial nations with distinct cultures and traditions. While colonial influence provides a shared context, Indian writers should not be confined to the restrictive label of Commonwealth literature, which overlooks their unique cultural backgrounds and contributions beyond political associations.
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This document summarizes feminist literary criticism. It discusses the history of feminism including the suffragette movement and second wave feminism advocating for equal pay. It also references Karl Marx's theory, the concept of the self-governing individual, and binary oppositions. The conclusion quotes that the whole history of women has been made by men.
Lit mov booklet part-3
The document summarizes several major literary periods in English literature, including the Old English period from 600-1066 CE featuring Beowulf, the Middle English period from 1100-1470 CE influenced by the Renaissance and featuring Geoffrey Chaucer, the Elizabethan era from 1558-1603 CE being a flourishing period for drama including the works of Shakespeare, and the Victorian era from 1832-1901 CE known for social conservatism and the works of authors like the Brontë sisters and Dickens. It also outlines the Modernist period from the 1890s-1940s CE known for experimentation and authors like T.S. Eliot and James Joyce, the Postmodernist period from 1945 to present featuring
Paper 9 The modernist Literature
Modernist literature emerged between 1890-1950 as a break from traditional styles. It used techniques like stream of consciousness and interior monologue to provide greater psychological realism. T.S. Eliot said modernism brings order and significance to the anarchy of history. Major characteristics include experimental uses of language, reworked forms, and addressing inner thoughts. Notable modernist authors include Virginia Woolf, William Faulkner, Ezra Pound, and T.S. Eliot.
Russian Formalism
This document provides an overview of Russian Formalism, a school of literary criticism that originated in Russia during World War I. It emphasizes studying the form of literary works rather than their content. Key aspects discussed include the belief that literary language is different from everyday speech, the importance of devices like defamiliarization, and notable Russian formalist thinkers like Victor Shklovsky and Boris Eichenbaum. The document also discusses the later Bakhtin School that attempted to reconcile formalism with Marxism, and the impact and influence of Russian Formalism on literary analysis and linguistic circles in both Europe and America.
Recommended
Background
This document provides an outline for a literature course covering major topics such as forms of literature like poetry, drama, novels, and folk forms. It discusses literary concepts, critical approaches, language skills, and eras of literature from late 20th century to contemporary works. Specific genres like novels, drama, poetry, and feminist literature are examined across various historical periods. The course also focuses on Indian writing in English with sections on pre-independence to contemporary works. Short stories from various Indian authors are also included.
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This document provides an overview of the study of literary movements. It begins by defining what a literary movement is, noting that it refers to a group of writers or critics who share similar views, styles, or approaches. It then discusses definitions of literature and its genres. The document distinguishes between literary criticism and literary theory. It provides a brief history of the discipline and its main concerns. It describes some of the key differences between literary schools and theories. Finally, it outlines the main categories of literary theories, including imitative, expressive, and affective theories.
Feminist criticism
Feminist criticism began in the 1960s as a product of second-wave feminism and focused on exposing the patriarchal ideology and stereotypical representations of women in literature written by men. It aimed to show how these works emphasized masculine dominance and inferior portrayals of women characters. In later decades, feminist criticism shifted to discovering neglected works written by women and evaluating literary representations of women against social realities. There are differences between Anglo-American feminist criticism, which emphasizes close reading of texts, and French feminism, which incorporates more post-structuralist and psychoanalytic approaches.
'Commonwealth literature’ does not exist
Commonwealth literature does not truly exist as a unified category, as it attempts to group together writers from various post-colonial nations with distinct cultures and traditions. While colonial influence provides a shared context, Indian writers should not be confined to the restrictive label of Commonwealth literature, which overlooks their unique cultural backgrounds and contributions beyond political associations.
Feminist Criticism
This document summarizes feminist literary criticism. It discusses the history of feminism including the suffragette movement and second wave feminism advocating for equal pay. It also references Karl Marx's theory, the concept of the self-governing individual, and binary oppositions. The conclusion quotes that the whole history of women has been made by men.
Lit mov booklet part-3
The document summarizes several major literary periods in English literature, including the Old English period from 600-1066 CE featuring Beowulf, the Middle English period from 1100-1470 CE influenced by the Renaissance and featuring Geoffrey Chaucer, the Elizabethan era from 1558-1603 CE being a flourishing period for drama including the works of Shakespeare, and the Victorian era from 1832-1901 CE known for social conservatism and the works of authors like the Brontë sisters and Dickens. It also outlines the Modernist period from the 1890s-1940s CE known for experimentation and authors like T.S. Eliot and James Joyce, the Postmodernist period from 1945 to present featuring
Paper 9 The modernist Literature
Modernist literature emerged between 1890-1950 as a break from traditional styles. It used techniques like stream of consciousness and interior monologue to provide greater psychological realism. T.S. Eliot said modernism brings order and significance to the anarchy of history. Major characteristics include experimental uses of language, reworked forms, and addressing inner thoughts. Notable modernist authors include Virginia Woolf, William Faulkner, Ezra Pound, and T.S. Eliot.
Russian Formalism
This document provides an overview of Russian Formalism, a school of literary criticism that originated in Russia during World War I. It emphasizes studying the form of literary works rather than their content. Key aspects discussed include the belief that literary language is different from everyday speech, the importance of devices like defamiliarization, and notable Russian formalist thinkers like Victor Shklovsky and Boris Eichenbaum. The document also discusses the later Bakhtin School that attempted to reconcile formalism with Marxism, and the impact and influence of Russian Formalism on literary analysis and linguistic circles in both Europe and America.
Formalism and biographical criticism
Formalism focuses on analyzing essential elements within a literary work, such as genre, structure, literary devices, and meaning derived from the text. Biographical criticism analyzes the relationship between an author's life experiences and their work. Key questions for biographical criticism include understanding how the author's life, beliefs, and worldview are reflected in their themes, characters, and story elements. Tim O'Brien's experiences as a soldier in the Vietnam War directly influenced the devastating portrayal of war in his book The Things They Carried.
Biographical criticism
Biographical criticism examines how an author's life experiences are reflected in and can help explain their creative works. It asserts that an author's personal history unintentionally affects their writing. To perform a biographical criticism, one must first gather biographical facts about the author, then analyze how autobiographical elements are portrayed accurately or changed in the work, and determine if insights into the author's life are revealed and how their life experiences deepen understanding of the text. Key questions focus on identifying biographical details used or altered in the work and how the author viewed their own life as typical or extraordinary.
Marxism and literature
Wilson's 1938 essay "Marxism and Literature" evaluates the impact of Marxism on art and literature. It celebrates how Marxism shed light on works' social significance, but criticizes the belief that good literature can be produced through ideology. Later Marxists like Lenin believed in specialization and turning art into propaganda, limiting artistic freedom, while Marx and Engels saw art's artistic merits and allowed for complexity. The document discusses how Marxism influenced perspectives on literature over time.
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The document provides a history of literary criticism from ancient times through modern eras. It discusses how classical philosophers like Aristotle and Plato developed early philosophical theories of poetry. It notes key developments in literary criticism during the Renaissance, Enlightenment, and Romantic periods. The document also outlines various theories and approaches that emerged such as structuralism, biographical criticism, new criticism, and postmodern theories.
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This document provides an overview of modernism and postmodernism in literature. It defines modernism as a movement from the late 19th to early 20th century that celebrated new styles and rejected realism. Postmodernism developed in the mid-20th century as a radical movement that questioned modernism and used a mixture of styles. Some key differences discussed are modernism's focus on the interior self versus postmodernism's exterior focus, and modernism's adherence to logic versus postmodernism's rejection of it. Examples of modernist and postmodernist authors and works are also provided.
Modernism Ppt
Modernism emerged in the early 20th century as artists and thinkers began questioning traditional standards and forms of literature and art. Modernist works reflected the social and intellectual upheavals of the time including the decline of rural life, rise of scientific thinking and psychology, and Marxist influences. Modernist literature was characterized by innovations in form like stream of consciousness, an anti-realistic style, use of everyday language, and exploration of sexuality and disillusionment. Some of the prominent Modernist authors mentioned are T.S. Eliot, James Joyce, Virginia Woolf, Joseph Conrad, and D.H. Lawrence across poetry, novels, and drama. Literary criticism also changed with new approaches informed by fields like psychology, anthropology
Feminist criticism
Feminist criticism focuses on exploring how women have been denied social power and rights of expression. It analyzes works through frameworks like patriarchy, egalitarianism, and essentialism. Early feminist criticism examined men's treatment of women in fiction, then focused on women writers' place in literary history. There were three phases of women's novels: writing like men, polemics against patriarchy, and embracing women's perspectives. Approaches include analyzing male treatment of women; discovering women's literary traditions; how creative powers were channeled into madness; and French feminist theories of a separate female language.
Criticism.............................
New Historicism examines how literature is influenced by both the history of the author's time as well as the critic's time. It studies the social context and influences on the author. New Criticism focuses on close reading of texts as self-contained aesthetic objects. Feminist criticism interprets texts through a feminist lens, critiquing language and structure from a perspective of how it portrays women and femininity.
Criticism.
New Historicism examines how literature is influenced by both the history of the author's time as well as the critic's own historical context. It evaluates external historical influences on the author and interprets texts within their social, psychological, and theoretical settings. New Criticism focuses on close reading of texts as self-contained aesthetic objects. Feminist criticism applies feminist theory and principles to critique literature's language, structure, and themes from a feminist perspective.
Feminist Criticism &Feminist Lense
This document provides information about a student's course assignment on feminist criticism and the feminist lens. It discusses how feminism aims for equality between genders and how feminist criticism emerged from women writers and critics revolting against the exclusion and oppression of women in literature. It provides examples of influential feminist writers and texts. It also explains how the feminist lens can be used to analyze how women are portrayed in texts compared to men and how gender impacts literary creation and reception.
El modernismo. Repertorio bibliográfico.pdf
“El modernismo. Repertorio bibliográfico”, Rusística Española (Madrid), 6, 1996, pp. 88-99. ISSN: 0871-9519.
modernism
Modernism was an artistic movement that rejected Victorian standards and flourished in the early 20th century in response to World War I and social/economic upheaval. It developed new complex forms that disturbed readers by challenging traditions. Modernist writers explored the inner lives of characters and criticized society through techniques like stream of consciousness and multiple perspectives. They addressed themes of alienation, lost community, and the contradictions of modern life.
Shifting centers and Emerging Margins:Translation and the Shaping of Modernis...
The presentation summarized a chapter from E.V. Ramakrishnan's book "Indigenous Imaginaries" that examines the important role of translation in shaping modernist poetry in major Indian languages between 1950-1970. It introduced the presenters Trushali Dodiya, Ghanshyam Katariya, and Upasna Goswami, and provided an abstract of the chapter. The key points, arguments, and analysis from the article were then summarized, focusing on how translations of European modernists introduced new ideas and disrupted prevailing sensibilities in India. The chapter also studied poets like Sudhindranath Dutta, B. S. Mardhekar and Ayyappa Paniker to understand the selective
Comparative Analysis of Modernism and Postmodernism in Literature
Here is the presentation on Comparative Analysis of Modernism and Postmodernism in Literature. and I also write in it about What is Modernism? and What is Postmodernism?
Characteristics of both Modernism and Postmodernism in literature. I mentioned Writers of Modernism and Postmodernism. I'm also mention Difference Between Modernism and Postmodernism. In the last I gave the examples of Modernism in Literature
Examples of Postmodernism in literature.
Proceedings cover to cover
This document provides information about an academic conference on criticism and metacriticism held in Tehran, Iran in September 2013. It includes the names of the academic committee, a preface, details of plenary sessions and keynote speakers, and 7 sessions on various topics related to literary criticism. The sessions covered areas like Islamic studies, postmodern studies, psychology, race/ethnicity, history/narrative, gender studies, and genres. Each session included abstracts for multiple papers presented on the given topic at the conference.
T his topic
This document outlines a project for students on key 20th century literary criticism texts. It lists 31 influential books and their authors. Students must research each book, filling out a form with the book title, date of publication, author, a 30-50 word description of the author, a 50-70 word summary of the book's main ideas, and a 20-40 word description of the book's influence. The project aims to help students identify leading 20th century literary critics and understand important texts in the field.
Literary criticism
This document discusses different approaches to literary criticism. It defines literary criticism as the art of judging and commenting on literary works. It then outlines and describes six main approaches: feminist criticism analyzes depictions of women and their relation to female readers; Marxist criticism analyzes literature based on political correctness and support for workers; reader-response criticism explores the reader's interpretation and impact of a text; moralist criticism examines literature based on ethical and social criteria; historical criticism analyzes the historical context of works; and formalist/structuralist criticism focuses only on elements within the text itself.
sem4 comparative study.pptx
“ Shifting Centres and Emerging Margins: Translation and the Shaping of the Modernist Discourse in Indian Poetry”
in Indigenous Imaginaries: Literature, Region, Modernity by E.V. Ramakrishanan
Translation Studies- Shifting Centres and Emerging Margins.pptx
This presentation was presented on 12th January 2024 at Department of English, MKBU on the topic of Shifting Centres and Emerging Margins by E. V. Ramakrishnan in context of Translation Studies and Literary Translation
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Paper no.7.A glossary of selected literary term :- modernism, post modernism.
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- 1. Mehta Drashti Criticism B.A. S.N.D.T Women’s University. Mumbai. Smt. N. C. Gandhi Mahila Arts and Commerce college, Bhavnagar
- 2. Criticism: Classical to the 19th Century 1. Plato’s “The Republic” 2. Aristotle’s ‘Poetics’ 3. Dr. Johnson 4. Wordsworth’s ‘Preface to the Lyrical Ballads’ 5. Matthew Arnold
- 3. Contemporary Literary Theory and Criticism 1. Rabindranath Tagore- The Principle of Literature in The English Writings of Rabindranath Tagore 2. Sigmund Freud- Creative Writers and Day Dreaming in 20th Century Criticism 3. T.S. Eliot- Traditionb and the Individual Talent in 20th Century Criticism
- 4. 4. Terry Eagleton-Marxist criticism in Literature in the modern world 5.Elaine Showalter- Feminist Criticism in the wilderness in 20th century criticism 6. Ganesh Devi- Selections from ‘Tradition and Amnesia’ In After Anesia