“El modernismo. Repertorio bibliográfico”, Rusística Española (Madrid), 6, 1996, pp. 88-99. ISSN: 0871-9519.

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EL MODERNISMO. REPERTORIO BIBLIOGRÁFICO1
Rusística Española (Madrid), 6 (1996), p. 88-99
I. Bibliografía general sobre el Modernismo
ALBADALEJO, Tomás, Javier BLASCO & Ricardo DE LA FUENTE, El Modernismo: renovación de los lenguajes
poéticos, Valladolid, Secretariado de Publicaciones de la Universidad de Valladolid, 1990.
ALBERÈS, Ramón María, Panorama de las literaturas europeas, 1900-1970, Madrid, Al-Borak, 1971.
ALMANSI, Guido, “Il fagiolo modernista”, Belfagor, XXXI, 38 (1), Jan. 1983, p. 91-93.
ALTIERI, Charles, “What Modernism offers the contemporary poet”, in Essays from 11th
Alabama Symposium on
English and American Literature, Tuscaloosa, University of Alabama Press, 1987, p. 31-65.
ALLEGRA, Giovanni, “Modernismo y espíritu «fin de siècle»”, Arbor, CVIII, 422, 1981, p. 49-59.
ARAGON, Louis, Écrits sur l’art moderne, Paris, Flammarion, 1981.
ARAMBASIN, N., La Conception du sacré dans la critique d’art en Europe entre 1880 et 1914, Genève, Droz, 1996.
AZAM, Gilbert, El modernismo desde dentro, Madrid, Anthropos, 1988.
BAILLY, Jean-Christophe, La Fin de l’hymne, Paris, Christian Bourgois, 1991.
BALAKIAN, Anna ed., The Symbolist Movement in the Literature of European Languages, Budapest, Akademiai Kiado,
1982.
BALAKIAN, Anna, James J. WILHELM, Douwe FOKKEMA, Edward C. SMITH, Claudio GUILLÉN,
Peggy ESCHER & Mario J. VALDÉS ed., Proceedings of the Xth
Congress of the International Comparative
Literature Association / Actes du Xe
Congrès de l’Association Internationale de Littérature Comparée, New-York,
Garland Publishing Inc., 1985.
BERG, Christian, Frank DURIEUX & Geert LERNOUT, The Turn of the Century. Le Tournant du siècle. Modernism
and Modernity in Literature and the Arts. Le Modernisme et la modernité dans la littérature et les arts, Berlin / New
York, Walter de Gruyter, 1995.
BERMAN, Art, Preface to Modernism, Urbana, University of Illinois Press, 1994.
BLASCO, Javier, “Modernismo y modernidad”, Ínsula, XLII, 485-486, 1987, p. 37.
BODE, Christoph, “The Aesthetics of Ambiguity”, in Actas del XII Congreso Nacional de la Asociación Española de
Estudios Anglonorteamericanos (AEDEAN), Pedro Jesús MARCOS ed., Granada, Asociación Española de
Estudios Anglonorteamericanos, 1991, p. 73-83.
BOLAND, André, La Crise moderniste hier et aujourd’hui: un parcours spirituel, Paris, Beauchesne, col. “Le Point
théologique”, n 35, 1980.
BOLLACK, Mayotte ed., Poésies et poétiques de la modernité, Lille, Presses universitaires de Lille, col.
“Problématiques”, 1982.
BORCHMEYER, Dieter, “Décadence”, in Dieter BORCHMEYER & Viktor ZMEGAC ed., Moderne Literatur
in Grundbegriffen, Tübingen, Niemeyer, 1994, p. 67-76.
BRADBURY, Malcolm & James McFARLANE, Modernism: 1890-1930, Harmondsworth, Middlesex, Penguin
Books, 1976.
BROOKER, Peter ed., Modernism / Postmodernism, London, Longman, 1992.
1 Esta bibliografía, sin ser exhaustiva, querría proporcionar una serie de trabajos efectuados en torno al concepto del
Modernismo literario. La segunda parte está dedicada al Modernismo en el mundo eslavo. Salvo excepción, las entradas son
posteriores a 1980.

2. 2
BUCHLOH, Benjamin H.D. ed., Langage et modernité. Colloque organisé par le Nouveau Musée à Villeurbaine (juin
1990), Villeurbaine, Le Nouveau Musée, 1991.
BÜRGER, Peter & Christa BÜRGER, La Prose de la modernité, Marc Jimenez tr., Paris, Klincksieck, 1994.
BÜRGER, Peter, The Decline of Modernism, Nicholas Walker tr., University Park, Pennsylvania State University
Press, 1992.
BUTOR, Michel, Essais sur les modernes, Paris, Gallimard, 1992.
CALINESCU, Matei, Faces of Modernity: Avant Garde, Decadence, Kitsch, Bloomington, Indiana University Press,
1977.
CANTOR, Norman F., Twentieth-Century Culture: Modernisme to Deconstruction, New York, Peter Lang, 1988.
CASTILLO, Homero ed., Estudios críticos sobre el modernismo, Madrid, Gredos, col. “Biblioteca Románica
Hispánica”, n 121, 1968.
CELMA VALERO, Mª Pilar, La pluma ante el espejo. Visión autocrítica del “Fin de siglo”, 1888-1907, Salamanca,
Ediciones Universidad de Salamanca, 1989.
CHARDIN, Philippe, L’Amour dans la haine ou la jalousie dans la littérature moderne. Dostoïevski, James, Svevo, Proust,
Musil, Genève, Droz, 1990.
CIANCI, Giovanni ed., Modernismo / Modernismi: Dall’avanguardia storica agli anni Trenta e oltre, Milan, Principato,
1991.
CIRICI, Alexandre, “El modernismo com a totalitat”, Serrad’or, n 135 (15 de desembre 1970), p. 37-43.
CITTI, Pierre ed., Fins de siècle. Actes du Colloque de Tours (juin 1985), Talence, Presses universitaires de Bordeaux,
1990.
CLARK, Suzanne, Sentimental Modernism: Women Writers and the Revolution of the Word, Bloomington, Indiana
University Press, 1991.
COLIN, Pierre ed., Le Modernisme, Paris, Beauchesne, col. “Philosophie”, 1980.
COLLECTIF, “Moderne, modernité, modernisme”, Les Cahiers du Musée national d’art moderne, Paris, Centre Georges
Pompidou, juin 1987.
COLLECTIF, “Avant-garde et modernité”, Littérature moderne, 1, Paris-Genève, Champion-Slatkine, 1988.
COLLECTIF, Tradition et modernité, Actes du colloque du Centenaire de la philologie romane à l’Université Jagellonne (24-
26 sept. 1992), Cracovie, Universitas, 1993.
COLLIER, Peter & Judy DAVIES, Modernism and the European unconscious, Cambridge, Polity Press, 1990.
COLLOMB, Michel, La Littérature Art Déco, Paris, Méridiens Klincksieck, 1987.
CONNOLLY, Cyril, Cien libros clave del movimiento moderno: 1880-1950, México, Fondo de Cultura Económica,
1993.
DEKOVEN, Marianne, Rich and Strange: Gender, History, Modernism, Princeton, Princeton University Press, 1991.
D’HAEN, Theo & Hans BERTENS, Postmodern fiction in Europe and the Americas, Amsterdam, Rodopi, 1988.
DIDIER, Béatrice ed., Dictionnaire Universel des Littératures, Paris, Presses Universitaires de France, 1993, 3 vol.
(vid. p. 2394-2401).
DOUGLASS, Paul, “The Gold Coin: Bergsonian Intuition and Modernist Aesthetics”, Thought, LVIII, 229, June
1983, p. 234-250.
ESTEBAN, Claude, Critique de la raison poétique, Paris, Flammarion, 1987.
EYSTEINSSON, Astradur, The Concept of Modernism, Ithaca, Cornell University Press, 1990.
FAULKNER, Peter, Modernism, London, Methuen, 1977.
FELDMAN, Jessica R., Gender on the Divide: The Dandy in Modernist Literature, Ithaca (NY), Cornell University
Press, 1993.

3. 3
FOKKEMA, Douwe & Ibsch ELRUD, Modernist Conjectures: A Mainstream in European Literature, 1910-1940,
New-York, St. Martin’s, 1988.
FOSTER, John Burt, Heirs to Dionysus: a Nietzschean current in literary modernism, Princeton (NJ), Princeton
University Press, 1981.
FORSTER, Stephen C. ed., Dada / Dimensions, Ann Arbor (MI), University Microfilm International Research
Press, 1985.
FUMAROLI, Marc, “De la academia al academismo: Las paradojas de la vanguardia”, Rubén Gallo tr., Vuelta,
XVIII, 217, Dec. 1994, p. 11-17.
GABLIK, Suzi, Has Modernism failed?, London, Thames & Hudson, 1984.
GAMACHE, Lawrence B. & Ian MACNIVEN ed., The Modernists: Studies in a Literary Phenomenon. Essays in
Honor of Harry T. Moore, Rutherford, Fairleigh Dickinson University Press, 1987.
GARTON, Janet & Charlotte CARSTAIRS ed., Facets of European Modernism. Essays in Honour of James McFarlane,
Norwich, University of East Anglia, 1985.
GICOVATE, Bernardo, Conceptos fundamentales de literatura comparada. Iniciación a la Poesía Modernista, San Juan de
Puerto Rico, Asomante, 1962.
GICOVATE, Bernardo, “El modernismo y su historia”, Hispanic Review, XXXII, 1964, p. 217-226.
GILBERT, Sandra M., Susan GUBAR & Wendy MARTIN ed., The Female Imagination and the Modernist Aesthetic,
New York, Gordon & Breach, 1986.
GILES, Steve, Theorizing Modernism: Essays in Critical Theory, London, Routledge, 1993.
GINZBURG, Lidiia, “Literatura i poiskakh real’nosti”, Voprosy Literatury, II, 1986, p. 98-138.
GOBBERS, Walter, “Modernité / Modernisme et Avant-Garde: Parenté évidente, relation ambiguë”,
Neohelicon, XXI, 1, 1994, p. 167-187.
GOLLUT, Jean-Daniel, Conter les rêves: la narration de l’expérience onirique dans les œuvres de la modernité, Paris, José
Corti, 1993.
GROSS, John, The Modern Movement, Chicago, University of Chicago Press, 1992.
GULLÓN, Ricardo, Direcciones del Modernismo, Madrid, Gredos, col. “Campo abierto”, 1971 (1963). Nueva ed.,
Madrid, Alianza Editorial, 1990.
GULLÓN, Ricardo, El modernismo visto por los modernistas, Barcelona, Guadarrama / Punto Omega, 1980.
GULLÓN, Ricardo, “Ideologías del modernismo”, Ínsula, 291, 1971, p. 1 & 11.
GUTIÉRREZ GIRARDOT, Rafael, “Los problemas del modernismo”, ECO, XLIII, 6, 1983, p. 604-616.
GUTIÉRREZ GIRARDOT, Rafael, Modernismo, México, Fondo de Cultura Económica, 2a ed., 1988.
HABERER, Adolphe, “Modernisme ou modernité? Le Tournant des années trente”, p. 185-198 in Alain
BONY, Poétique(s): Domaine anglais, Lyon, Presses universitaires de Lyon, 1983.
HASSAN, Ihab, The Postmodern Turn: Essays in Postmodern Theory and Culture, Columbus, Ohio State University
Press, 1987.
HAUG, Walter & Wilfred BARNER ed., Kontroversen, alte und neue, VIII: Ethische contra ästhetische Legitimation von
Literatur Traditionalismus und Modernismus: Kontroversen um den Avantgardismus, Tübingen, Niemeyer, 1986.
HEATH, Stephen, “Realism, Modernism, and «Language-Consciousness»”, Realism in European Literature. Essays
in Honor of J. P. Stern, Nicholas BOYLE, Martin SWALES & Richard BRINKMANN ed., Cambridge,
Cambridge University Press, 1986, p. 103-122.
HEISTEIN, Józef ed., Décadentisme, symbolisme, avant-garde dans les littératures européennes: recueil d’études, Wroclaw /
Paris, Wydawnictwo Uniwersytetu wroclawskiego, col. “Romanica wratislaviensia”, n 28 / A.-G. Nizet,
1987.
HENNESY, Michael, “Technology and Modernism”, Contemporary Literature, XXIX, 1, 1988, p. 129-132.

4. 4
HORIA, Vintila, Introducción a la literatura del siglo XX, Madrid, Gredos, 1976.
IBSCH, Elrud, S. LANGBROEK, M. BUNING & J. B. WEENINK ed., Modernisme in de literatur: James Joyce,
Italo Svevo, Marcel Proust, Martinus Nijhoff, Amsterdam, VU uitg., 1991.
ISERNHAGEN, Hartwig, “Modernism / Postmodernism: Continuities of a «Split» Repertoire of Narrative
Themes and Strategies (a Provisional Restatement of a Traditional View of Twentieth-Century Literary
Avant-Gardism”, Critical Angles: European Views of Contemporary American Literature, Marc CHENETIER
ed., Carbondale, Southern Illinois University Press, 1986, p. 15-28.
JACKSON, Earl Dewayne, “Heresies of Meaning: Strategies of Immanence and Transcendence in Modern
Poetry in Japan, Europe, and America”, Dissertation Abstracts International, XLVIII, 3, Sept. 1987, p. 644A.
JACKSON, John E., La Question du moi: un aspect de la modernité poétique européenne: T. S. Eliot, Paul Celan, Yves
Bonnefoy, Neuchâtel, La Bacconnière, 1978.
JARQUE, Vicente, “A Dispersión da Estética”, Grial, XXVIII, 106, Apr.-June 1990, p. 145-153.
JIMÉNEZ, Juan Ramón, El Modernismo. Notas de un curso (1953), Ricardo GULLÓN & Eugenio FERNÁNDEZ
MÉNDEZ ed., México, Aguilar, 1962.
JITRIK, Noé, Las contradicciones del modernismo: productividad poética y situación sociológica, México, Colegio de México,
1978.
JOURDE, Pierre, L’Alcool du silence: sur la décadence, Paris, Honoré Champion, 1994.
JUSDANIS, Gregory, Belated Modernity and Aesthetic Culture: Inventing National Literature, Minneapolis, University
of Minnesota Press, 1991.
KADRNOSKA, Franz ed., Ästhetik der Moderne, n monographique de Sprachkunst, XV, 2, 1984.
KAHLER, Erich, The Disintegration of Form in the Arts, New York, George Braziller, 1968.
KAISER, Gerhard R., “Zur Metaphorik der Moderne”, Synthesis, X, 1983, p. 65-77.
KIELY, Robert & John HILDEBIDLE ed., Modernism Reconsidered, Cambridge, Harvard University Press, 1983.
KOPECZI, Bela & György M. VAJDA ed., Proceedings of the VIIIth
Congress of the International Comparative Literature
Assiciation / Actes du VIIIe
Congrès de l’Association Internationale de Littérature Comparée, Stuttgart, Bieber, 1980.
KRUGER, Loren, “Exile and Modernity”, Pretexts, III, 1-2, 1991, p. 144-151.
KRYSINSKI, Wladimir, “Les Avant-gardes et la réécriture de la modernité”, p. 121-130, in Claude DUCHET
& Stéphane VACHON, La Recherche littéraire: Objets et méthodes, Montreal, XYZ, 1993.
LAFFEY, John F., “Cacophonic Rites: Modernism and Postmodernism”, Historical Reflections / Réflexions
Historiques, XIV, 1, Spring 1987, p. 1-32.
LEMBACH, Joachim & Kurt REICHENBERGER ed., Autoren der Zwanaiger Jahre, Kassel, Reichenberger,
1993.
LIAO, Xingqiao, “On the Time of Origin of Western Modernist Literature”, Foreign Literary Studies, XL, 2, June
1988, p. 23-31.
LOSADA, José Manuel, Poéticas francesas del siglo XX, prólogo de Yves Bonnefoy, Kassel, Reichenberger Edition,
1994.
LOSADA, José Manuel, Tristán y su ángel. Diez ensayos de literatura general y comparada, prólogo de Daniel-Henri
PAGEAUX, Kassel, Reichenberger Edition, 1995.
LOSADA, José Manuel, Kurt REICHENBERGER & Alfredo RODRÍGUEZ LÓPEZ-VÁZQUEZ ed., De
Baudelaire a Lorca, Kassel, Reichenberger Edition, 3 vol., 1996.
LLOREDA, Waldo César, “Sobre el modernismo en general: algunos problemas”, Revista de Estudios Hispánicos,
XII, 1985, p. 169-176.
MALLORY, William E. & Paul Simpson-Housley ed., Geography and Literature: A Meeting of the Disciplines,
Syracuse, Syracuse University Press, 1987.

5. 5
MARSH, Jammes L., Radical Fragments, New York, Peter Lang, 1992.
MARSHALL, Brenda K., Teaching the Postmodern, Fiction and Theory, New York, Routledge, 1992.
MARTÍNEZ CACHERO, José María, “Nota sobre el Modernismo. (Un artículo de José Nogales y otro de
Ramiro de Maeztu)”, Archivum, I, 1-3, enero-diciembre 1951, p. 161-165.
MERQUIOR, José Guilherme, “Sobre a Doxa Literária”, Colóquio, C, nov.-dec. 1987, p. 7-18.
MOREAU, Pierina Lidia ed., Modernidad y literatura, Córdoba (Argentine), Publications de l’Université de
Córdoba, 1995.
MORRIS, Robert, “Words and Images in Modernism and Postmodernism”, Critical Inquiry, XV, 2, Winter 1989,
p. 337-347.
MÜNCH, Marc-Mathieu, Le Pluriel du Beau, Genèse du relativisme esthétique en littérature. Du singulier au pluriel, Centre
de recherche “Littérature et spiritualité”, Metz, Université de Metz, 1991.
NELSOL, Lowry, Jr., “Comparing Literatures in the Wake of Modernism”, Sewanee Review, XC, 4, Fall 1982, p.
555-567.
NEVILLE, Robert Cummings, The Highroad around Modernism, Albany, State University of New York Press,
1992.
PALACIO, Jean de, Figures et formes de la décadence, Paris, Séguier, 1994.
PAZ, Octavio, Los hijos del limo: del romanticismo a la vanguardia, Madrid, Seix Barral, 1974.
PAZ, Octavio, “Unidad, modernidad, tradición”, Vuelta, XVII, 200, July 1993, p. 10-13.
PAZ, Octavio, “Rupturas y restauraciones”, Vuelta, XVIII, 217, Dec. 1994, p. 6-10.
PERLOFF, Marjorie, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, Chicago,
University of Chicago Press, 1986.
PIPER, Adrian, “The Logic of Modernism”, Callaloo, XVI, 3, Summer 1993, p. 574-578.
POLO GARCÍA, Victorino, El modernismo, t. I: La pasión por vivir el arte, t. II: Una antología, Barcelona, Montesinos,
1987.
PONNAU, Gwenhaël ed., Fin de siècle: Terme-évolution-révolution?, Toulouse, Presses Universitaires de Toulouse-
Le Mirail, 1989.
POULAT, Émile ed., Modernistica: horizons, physionomies, débats, Paris, Nouvelles Éditions Latines, 1982.
QUIÑONES, Ricardo, Mapping Literary Modernism: Time and Development, Princeton, Princeton University Press,
1985.
REED, John R., Decadent Style, Athens, Ohio University Press, 1985.
RENAN, Yael, “«Angelfaces Clustered Like Bright Lice»: Comic Elements in Modernist Writing”, Comparative
Literature, XXXV, 3, Summer 1983, p. 247-261.
RESINA, Juan Ramón, “La autonomía del arte y la estetización de la vida”, Anthropos, LXXIII, 1987, p. 52-58.
RESINA, Juan Ramón, Un sueño de piedra. Ensayos sobre la literatura del modernismo europeo, Madrid, Anthropos, col.
“Ámbitos literarios”, n 32, 1990.
RICHIE, Eugene Daniel, “The Good Place in the Poetry of Modernity: Ungaretti, Breton, Lorca, Auden, Paz,
and Bonnefoy”, Dissertation Abstracts International, XLVIII, 3, Sept. 1987, p. 645A.
RIQUER, Martín de et José María VALVERDE, Historia de la literatura universal, t. VIII: “La entrada en el siglo
XX”, Barcelona, Planeta, 1986.
ROBINSON, Alan, Symbol to Vortex: Poetry, Painting and Ideas, 1885-1914, New York, St. Martin’s, 1985.
ROBINSON, Brian, “The Geography of a Crossroads: Modernism, Surrealism, and Geography”, in Geography
and Literature: A Meeting of the Disciplines, Paul Simpson-Housley ed., Syracuse, Syracuse University Press,
1987, p. 185-198.
ROCHLITZ, Rainer, “L’unité de la modernité littéraire”, Critique, XLV, 1989, p. 367-39.

6. 6
ROUTH, Harold Victor, Towards de 20th
century, essays in the spiritual history of the 19th
, Cambridge, University Press,
1937.
RYAN, Judith, The Vanishing Subject: Early Psychology and Literary Modernism, Chicago, University of Chicago Press,
1991.
SCHLOSSMAN, Beryl, The Orient of Style: Modernist Allegories of Conversion, Durham, Duke University Press, 1991.
SCHULTE-SASSE, Jochen, “Theory of Modernism versus Theory of the Avant-Garde” [Foreword in] Peter
BÜRGER, Theory of the Avant-Garde, translation from the German by Michael Shaw, Minneapolis,
University of Minnesota Press, 1992 (1982 [1979 para el original en alemán]).
STERNER, Gabriele, Jugendstil, Kunstformen zwischen Individualismus und Massengesellschaft, Colonia, DuMont
Buchverlag, 1977, Modernismos, Ramón Baiges Miró tr., Barcelona, Labor, 1982 (1977).
STEVENSON, Randall, Modernist fiction: an introduction, New York, Harvester Wheatsheaf, 1992.
SZABOLCSI, Miklós & György M. VAJDA, Modernismus Heri et Hodie, n monographique de Neohelicon, IV, 1,
1987.
TIMMS, Edward & David KELLEY, Unreal City: Urban Experience in Modern European Literature and Art, New
York, St. Martin’s, 1985.
TORGOVNICK, Marianna, Gone Primitive: Savage Intellects, Modern Lives, Chicago, University of Chicago Press,
1990.
TORRES RIOSECO, Arturo, Precursores del modernismo. Estudios críticos y antología, New York, Las Américas
Publishing Company, 1963.
TSVETAEVA, Marina Ivanovna, Le Poète et le temps, Véronique Lossky tr., Cognac, Le Temps qu’il fait, 1989.
VADÉ, Yves, ed., Le poème en prose et ses territoires, Paris, Belin, 1996.
VELA, Arqueles, Teoría literaria del modernismo. Su filosofía. Su estética. Su técnica, México, Ediciones Botas, 1949.
VIRGOULAY, René, Blondel et le modernisme: la philosophie de l’action et les sciences religieuses, 1896-1913, Paris,
Éditions du Cerf, 1980.
WALDROP, Keith, “A Reason for Images: One Key to Modernism”, Modern Language Studies, XV, 3, Summer
1985, p. 72-84.
WEIR, David Jerome, “Decadence and the Development of the Modern Novel”, Dissertation Abstracts
International, XLIV, 12, June 1984, p. 3679A.
WEISGERBER, Jean & Michel DUPUIS ed., Avant-garde, modernisme. Hommage à Michel Bartosik, Bruxelles, VUB
Press, 1989.
WILDE, Alan, Horizons of assent: modernism, postmodernism, and the ironic imagination, Baltimore, Johns Hopkins
University Press, 1981.
WILLIAMS, Simon, “Theater and Degeneration: Subversion and Sexuality”, in Degeneration: The Dark Side of
Progress, J. Edward CHAMBERLIN & Sander L. GILMAN ed., New York, Columbia University Press,
1985, p. 241-262.
YE, Feihong, “Close Link of Modernism to Realism”, Foreign Literary Studies, XL, 2, June 1988, p. 103-110.
YURKIEVICH, Saúl, Celebración del modernismo, Barcelona, Tusquets, 1978.
YURKIEVICH, Saúl, “Modernismo: Arte nuevo”, Ínsula, XLII, 487, 1987, p. 24.
ZAMFIR, Mihai, “Méditations chronologiques: le seuil 1880 dans la culture européenne”, Cahiers Roumains
d’Études Littéraires, I, 1986, p. 4-13.
ZIOLKOWSKI, Theodore, Virgil and the Moderns, Princeton (NJ), Princeton University Press, 1993.

7. 7
II. Bibliografía del modernismo eslavo
Balcanes
CERNA, Milada, “Novejsi prace o srbske literarni moderne”, Slavia, LVII, 3, 1988, p. 301-303.
EEKMAN, Thomas, “New Trends in Early Twentieth-Century South Slavic Prose”, in Papers for the Vth
Congress
of Southeast European Studies, Kot K. SHANGRILADZE & Erica TOWNSEND ed., Columbus (OH),
Slavica for U.S. National Committee of AIESEE, 1984, p. 103-124.
KVAPIL, Miroslav, “Poetika slovanske moderny a jeji historicky kontext”, Slavia, LVIII, 1-2, 1989, p. 20-31.
KVAPIL, Miroslav, “Historichy a poetichy fin de siècle u jiznich”, Slavia, LVIII, 3, 1989, p. 242-246.
WOLLMAN, Slavomir, “Slovanska literarni moderna”, Slavia, LVII, 1, 1988, p. 1-5.
ZADRAVEC, Franc, Franc JAKOPIN & France BERNIK ed., Obdobje simbolizma v slovenskem jeziku, knjizevnosti
in kulture: Tipoloska problematika ob jugoslovanskem in sirsem evropskem kontekstu, Ljubljana, Filozofska
Fakulteta, 1983.
Eslovenia
BERNIK, France, “Knjizevnost slovenske moderne v. evropskem kontekstu”, Slavisticna Revija, XLI, 1, 1993, p.
13-24.
KOS, Janko & Spiro MATIJEVIC, “Modernizam i avangarda”, Izraz, LII, 7-8, July-Aug. 1982, p. 1-11.
PIBERNIK, France, Med modernizmom in avantgardo: Privevanja o sodobni poeziji, Ljubljana, Slovenska matica, 1981.
Polonia
CZAYKOWSKI, Bogdan, “The Place of the Author of Vade-Mecum [Cyprian Kamil Norwid] in the Context
of Nineteenth Century European Poetry and His Relevance for Modernism”, in The Mature Laurel: Essays
on Modern Polish Poetry, Adam CZERNIAWSKI ed., Chester Springs (PA), Dufour, 1991, p. 17-33.
POREBSKI, Mieczyslaw, “S. I. Witkiewicz”, in Poésie et peinture du symbolisme au surréalisme en France et en Pologne,
Elzbieta GRABSKA & Claude JEAN ed., Warsaw, Centre de Civilisation de l’Université de Varsovie,
1978, p. 229-248.
WOLITZ, Seth L., “Between Folk and Freedom: The Failure of the Yiddish Modernist Movement in Poland”,
Yiddish, VIII, 1, 1991, p. 26-51.
Rusia
BARRATT, Andrew, “Leonid Andreyev’s He Who Gets Slapped: Who Gets Slapped?”, in Russian Theatre in the
Age of Modernism, Robert RUSSEL & Andrew BARRATT ed., New York, St. Martin’s, 1990, p. 87-105.
BETHEA, David M., “Remarks on the Horse as a Space-Time Image from the Golden to Silver Ages of
Russian Literature”, in Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age, Boris
GASPAROV, Irina PAPERNO & Eric NAIMAN ed., Berkeley, University of California Press, 1992,
p. 109-127.
BRISTOL, Evelyn C., “Modernism”, Slavic and East European Journal, XXXI, 1987, p. 93-109.
CONNOLLY, Julian, “The Nineteenth Century: Between Realism and Modernism, 1880-1895”, The Cambridge
History of Russian Literature, Charles A. MOSER ed., Cambridge, Cambridge University Press, 1989, p.
333-386.
D’HOORE, Brigitte, Berthold Lubetkin: modernisme met Russische verwevenheid, KUL, Faculteit toegepaste
wetenschappen, 2 vol., 1993.
DROZDA, Miroslav, Angela CLIFF & Peter HENRY, “Ivan Bunin and Modernist Poetics”, Scottish Slavonic
Review, VIII, Spring 1987, p. 17-38.

8. 8
FLAKER, Aleksandar, “Zwischen Moderne und Avantgarde”, Neohelicon, XI, 1, 1984, p. 31-45.
FOSTER, John Burt, Jr., “An Archeology of Mademoiselle O: Narrative between Art and Memory”, in A Small
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